"Catholic eggs and Irish bacon. That's extra greasy. About three hours ago at a communion breakfast."
"We just came from church, too," Alice said.
Oh? But I didn't say oh. I just repeated the story about my speech on the scourge of gangsterism. Jack listened with straight face, and I thought, Oh Christ, another humor
failure.
"I know what you mean," he said. "Some of my best friends have been taken by that scourge." Then he smiled, a very small smile, a smile you might call wry, or knowing, or ironic, or possibly ominous, which is how I looked at it and was why I laughed my courtroom laugh. That laugh, as they used to say in the Albany papers, is booming and infectious, and it had the effect of making Jack's line seem like the joke of the year. Jack responded by standing up and jiggling, a moving glob of electricity, a live wire snaking its way around the porch. I knew then that this man was alive in a way I was not. I saw the vital principle of his elbow, the cut of his smile, the twist of his pronged fingers. Whatever you looked at was in odd motion. He hit you, slapped you with his palm, punched you with a light fist, clapped you on the shoulder, ridding himself of electricity to avoid exploding. He was conveying it to you, generating himself into yourself whether you wanted to receive him or not. You felt something had descended upon him, tongues of fire maybe or his phlogiston itself, burning its way into your own spirit.
I liked it.
It was an improvement on pinochle.
I mounted the steps and shook hands with Biondo and told him how overjoyed I was to see him again. He gave me a nod and an individualized twitch of each nostril, which I considered high graciousness. I would describe Jimmy as a giant maggot, an abominable toad with twelve-ounce eyelids and an emancipated nose that had nothing to do with the rest of his face. He was a globular figure of uncertain substance. Maybe all hotdog meat, goat's ears and pig's noses inside that salmony, shantung sportshirt. You said killer as soon as you looked at him, but he was not a killer. He was more complex than that.
"How's your buddy Joe Vignola?" he asked me. And he grunted a laugh, which went like this:"Hug, hug,hug."
"Joe is recovering nicely," I said, an exaggeration. Joe was in awful shape. But I should give Jimmy Biondo satisfaction?
"Dumb," said Jimmy. "Dumb, dumb, dumb."
"He never hurt anybody," I said.
"Dumb," said Jimmy, shaking his head, drawing out the sound like a short siren. "Dumb waiter," he said, and he laughed like a sneeze.
"I felt so sorry for his family," Alice said.
"Feel sorry for your own family," Jack said. "The son of a bitch was a stool pigeon."
"I'll feel sorry for anybody I feel like feeling sorry for," Alice said in modified spitfire manner, a trait I somehow didn't expect from the wife of Jack Diamond. Did I think he'd marry a placid cow? No. I thought he'd dominate any woman he chose to live with. We know from the movies, don't we, that one well-placed grapefruit in the kisser and the women learn who's boss? Public Enemy, the Cagney movie with that famed grapefruit scene, was touted as the real story of Jack Diamond when it played Albany. The advertising linked it unmistakably to his current escapades: "You read about him on yesterday's front pages in this newspaper. Now see the story behind the headlines," etc. But like everything else that ever had anything to do with Jack in the movies, it never had anything to do with Jack.
Well, we got past Joe Vignola as a topic, and then after a few anxious grunts from Jimmy ("Guh, guh, guh,"), he got up and announced his departure. Fogarty would take him to Hudson, across the river, and he'd take a train to Manhattan. His and Jack's presence on this front porch was not explained to me, but I didn't pry. I didn't know until much later that they were partners of a kind. His departure improved the conversation, and Alice said she and Jack had been to mass over at Sacred Heart in Cairo where she, and once in a while he, went on Sunday, and that Jack had given money for the new church organ and that she brought up Texas Guinan one summer to raise money at a church lawn party and Jack was going to bring Al Jolson up and so on. Revelatory.
An old colored man came to the foot of the front steps and said to Jack, "The tahger's ready, Mist' Jack." Tahger? Tiger? Could he be keeping a tiger'? Was that what he wanted to show me'?
"Okay, Jess," Jack said. "And will you bring out two quarts of rye and two quarts of champagne and leave 'em here on the porch?"
Jesse nodded and moved off slowly, a man who looked far older than his years, actually a stoop-backed fifty, a Georgia cotton chopper most of his days and then a stable hand. Jack met him in '29 through a Georgia horse breeder who had brought him to Churchill Downs as a stable boy. Jack heard Jesse had made moonshine back home and hired him on the spot at a hundred a week, a pay raise of about eight hundred percent, to come north with his two teen-aged sons and no wife and be plumber for an applejack still Jack and Biondo owned jointly, and which, since that time, had functioned night and day in a desolated patch of woods a quarter of a mile from the patch of porch on which I was rocking.
So the old man went for the rye and champagne, and I mentally alerted my whistle to coming attractions. Then Alice looked at Jack and Jack looked at me and I looked at both of them, wondering what all the silent looking was for. And then Jack asked me a question: "Ever fire a machine gun. Marcus?" ·
* * *
We walked to the garage-cooler, which is what it turned out to be, as luxuriously appointed a tumbledown barn as you'd be likely to find anywhere in America, with a beer refrigeration unit; a storage room for wine and champagne, paneled in knotty pine; a large area where three trucks could comfortably park; and a total absence of hay, hornets, barnsmell, cowflop, or chickenshit.
"No." I had told Jack, in answer to his question, "I am a machine-gun virgin."
"Time you shot the wad," Jack said, and he went dancing down the stairs and around the corner toward the barn, obviously leading both me and Alice, before we were out of our chairs.
"He's a nut on machine guns," Alice said. "He's been waiting till you got here to try it out. You don't have to do it, you know, just because he suggests it."
I nodded my head yes, shook it no, shrugged, and, I suppose, looked generally baffled and stupid. Alice and I walked across the side lawn to the barn where Jack had already pried up a floorboard and was lifting out a Thompson submachine gun, plus half a dozen boxes of bullets.
"Brand-new yesterday from Philadelphia," he said. "I been anxious to test it." He dislodged the magazine, loaded it, replaced it with what, despite my amateurism in the matter, I would call know-how. "I heard about a guy could change one of these drums in four seconds," he said. "That's handy in a tight spot."
He stood up and pointed it at the far end of the barn where a target was tacked on a windowless wall. The target was a crudely drawn face with the name Dutch Schultz lettered beneath.
"I had a couple of hundred of these printed up a few years ago,” he said, "when Schultz and me weren't getting along. He looks just like that, the greedy prick. I drew it myself."
"You get along all right now with him?"
"Sure. We're pals again," Jack said and he let go with a long blast that nicked the Schultz forehead in two or three places.
"A little off," Jack observed, "but he'd have noticed."
"Let me try," Alice said. She took the gun from Jack, who parted with it reluctantly, then fired a long burst which roamed the wall without touching the target. With a second burst she hit the paper's edge, but not Schultz.
"I'm better with a rifle."
"You're better with a frying pan," Jack said. '"Let Marcus try it."
"It's really out of my line," I said.
"Go on," Jack said. "You may never get another chance, unless you come to work for me."
"I've got nothing against Mr. Schultz."
"He wouldn't mind. Lotsa people shoot at him."
Jack put the gun in my hands, and I held it like a watermelon. Ridiculous. I put my right hand on the pistol grip, grabbed the other handgrip with the
left, and raised the stock into my armpit. Absurd. Uncomfortable.
"Up a little," Jack said. "Against the shoulder."
I touched the trigger, raised the gun. Why'? It was wobbly, cold. I pointed it at Schultz. Sunday morning. Body of Christ still undigested in some internal region, memory of prayer and holy bacon grease on my tongue. I touched the trigger seriously, pulled the gun tighter to my shoulder. Old feeling. Comfortable with a weapon against the pectoral. Like Army days, days in the woods as a kid. Put it down, fool.
'"For chrissake, Marcus, give it a blast," Jack said.
Really childish not to. Raising the flag of morality. Powerful Irish Catholic magic at work that prohibits shooting effigies on the side of a barn. Bless me Father for I have sinned. I shot at Mr. Schultz's picture. And did you hit it, son? No, Father I missed. For your penance say two rosaries and try again for the son of a bitch.
"Honest, Marcus," Alice said, "it won't bite."
Ladies' Auxiliary heard from. Altar Rosary Society Member attends machine-gun outing after mass, prods lawyer to take part. What a long distance between Marcus and Jack Diamond. Millenniums of psychology, civilization, experience, turpitude. Man also develops milquetoasts by natural selection. Would I defend him if some shooters walked through the barn door? What difference from defending him in court? And what of Jack's right to justice, freedom, life? Is the form of defense the only differentiating factor? What a morally confounded fellow Marcus is, perplexed by Mr. Thompson's invention. I pressed the trigger. Bullets exploded in my ears, my hands, my shoulders, my blood, my brain. The spew of death was a personal tremor that even jogged my scrotum.
"Close, off the right ear," Jack said. "Try again."
I let go with another burst, feeling confident. No pain. It's easy. I leveled the weapon, squeezed off another.,
"Got him. Eyeball high. No more Maggie's Drawers for Marcus. You want a job riding shotgun?"
Jack reached for the gun, but I held onto it, facing the ease with which I had become new. Do something new and you are new. How boring it is not to fire machine guns. I fired again and eliminated the Schultz mouth.
"Jesus, look at that," Jack said.
I gave him the gun and he looked at me. Me. Sandlot kid hits grand slam off thirty-game winner, first time at bat.
"How the hell did you do that?" Jack asked me.
"It's all a matter of the eyeball," I said. "I also shoot a pretty fair game of pool."
"I'm impressed," Jack said. He gave me another amazed look and put the weapon to his shoulder. But then he decided the shooting was over. What if he missed the target now? Bum of bums.
"Let's have lunch and toast your sharpshooting," he said.
"Oh nonsense," Alice said, "let's toast something important, like the beautiful day and the beautiful summer and having friends to dinner. Are you our friend, Marcus?"
I smiled at Alice to imply I was her friend, and Jack's, too. And I was then, yes I was. I was intuitively in sympathy with this man and woman who had just introduced me to the rattling, stammering splatter of violent death. Gee, ain't it swell?
We walked back to the porch where Fogarty was reading Krazy Kat.
"I heard the shooting," Fogarty said, "who won?"
"Marcus won," Alice said.
"I wiped out Mr. Schultz's mouth, if that's a win."
"Just what he deserves. The prick killed a kid cousin of mine last week in Jersey."
And so I had moral support for my little moral collapse—which sent a thrill through me, made me comfortable again on this glorious Sunday in the mountains.
* * *
We got into the car and left the Biondo place, Alice and I in the back seat, Jack up front with Fogarty. Alice previewed our Sunday dinner for me: roast beef and baked potatoes, and did I like my beef rare the way Jack liked it, and asparagus from their own garden, which Tamu, their Japanese gardener, had raised, and apple pie by their colored maid, Cordelia.
Alice bulged out of her pink summer cotton in various places, and my feeling was that she was ready instantly to let it all flop out whenever Jack gave the signal. All love, all ampleness. all ripeness, would fall upon the bed, or the ground, or on him, and be his for the romping. Appleness, leaves, blue sky, white sheets, erect, red nipples, full buttocks, superb moistness at the intersection, warm wet lips, hair flying, craziness of joy, pleasure, wonder, mountains climbable with a stride after such sex. I like her.
Oxie was asleep on the enclosed porch when we arrived, more formally known as Mendel (The Ox) Feinstein, one of the permanent cadre. Oxie was a bull-necked weightlifter with no back teeth, who'd done a four-year stretch for armed robbery of a shoe store. The judge specified he do the full four because, when he held up the lady shoe clerk, he also took the shoes she was wearing. Justice puts its foot down on Oxie.
He got up immediately when the key turned in the front door. We all watched as Alice stopped to coo at two canaries in a silver cage on the porch. When she went on to the kitchen, Fogarty sat down on the sofa with Oxie, who made a surreptitious gesture to Jack.
"Marion called about a half hour ago," he whispered. "Here'?"
Oxie nodded and Jack made facial note of a transgression by Marion.
"She wants you to see her this afternoon. Important, she said."
"Goddamn it," Jack said, and he went into the living room and up the stairs two at a time, leaving me on the porch with the boys. Fogarty solved my curiosity, whispering: "Marion's his friend. Those two canaries there—he calls one Alice, one Marion." Oxie thought that was the funniest thing he'd heard all week, and while he and Fogarty enjoyed the secret, I went into the living room, which was furnished to Alice's taste: overstuffed mohair chairs and sofa; walnut coffee table; matching end tables and table lamps, their shades wrapped in cellophane; double-thick Persian rug, probably worth a fortune if Jack hadn't lifted it. My guess was he'd bought it hot; for while he loved the splendid things of life, he had no inclination to pay for them. He did let Alice pick out the furniture, for the hot items he kept bringing home clashed with her plans, such as they were. She'd lined the walls with framed calendar art and holy pictures—a sepia print of the Madonna returning from Calvary and an incendiary, bleeding sacred heart with a cross blooming atop the bloody fire. One wall was hung with a magnificent blue silk tapestry. a souvenir from Jack's days as a silk thief. Three items caught my eye on a small bookshelf otherwise full of Zane Grey and James Oliver Curwood items: a copy of Rabelais, an encyclopedia of Freemasonry, and the Douay Bible sandwiched between them.
When he came down. I asked about the books. The Freemasonry? Yeah, he was a Mason. "Good for business," he said. "Every place you go in this country, the Protestant sons of bitches got the money locked up."
And Rabelais? Jack picked up the book, fondled it. "A lawyer gave it to me when I had my accident in l927." (He meant when he was shot three times by the Lepke mob when they ambushed and killed Little Augie Orgen.) "Terrific book. You ever read it? Some screwball that Rab-a-lee."
I said I knew the book but avoided mentioning the coincidence of Rabelais being here and also in the K. of C. library. where I made my decision to come here, and in the additional fact that a lawyer had given the book to Jack. I would let it all settle, let the headiness go out of it. Otherwise, it would sound like some kind of weird, fawning lie.
Alice heard us talking and came into the living room in her apron. "Those damn Masons," she said. "I can't get him away from that nonsense."' To rile her, Jack kept a picture of an all-seeing eye inside a triangle, a weird God-figure in the Masonic symbology, on the wall in the upstairs bathroom. Alice raised this issue, obviously a recurring one.
"It sees you, Alice," Jack told her, "even when you pee."
'"My God doesn't watch me when I pee," Alice said. "My God is a gentleman. "
"As I get it," Jack said, "your God is two gentlemen and a bird."
He opened the Rabelais to a page and began reading, walking to the kitchen doorway to serenade Alice with
the flow. He read of Gargantua's arrival in Paris, his swiping of the Notre Dame Cathedral bells for his giant horse, and then his perching on the cathedral roof to rest while mobs of tiny Parisians stared up at him. And so he decided to give them wine.
" 'He undid his magnificent codpiece' "—Jack read with mock robustness; his voice was not robust but of a moderately high pitch, excitable, capable of tremolos—"and bringing out his john-thomas, pissed on them so fiercely that he drowned two hundred and sixty thousand, four hundred and eighteen persons, not counting the women and small children." "
"My God, John," Alice said, "do you have to read that?"
"Piss on 'em," Jack said. "I always felt that way." And holding the book and talking again to me, he said, "You know what my full name is? John Thomas Diamond." And he laughed even harder.
* * *
Jack threw the book on the sofa and went quickly out to the porch, then to the car, and came back with a bottle of champagne in each hand. He put both bottles on the coffee table, got four glasses from the china closet.
"Alice, Speed, you want champagne?" They both said no and he didn't ask Oxie. Why waste champagne on a fellow who'd rather drink feet juice? He poured our champagne, the real goods.
"Here's to a fruitful legal relationship," Jack said, rather elegantly, I patronizingly thought. I sipped and he gulped and poured himself another. That disappeared and another followed that, two and a half glasses in one minute.
"Thirsty," he explained, "and that's prime stuff." But he was getting outside his skin. He finished what was in his glass and then stared at me while I drank and told him my experiences with bad champagne. He interrupted me, perfectly, at a pause, with obvious intentions of letting me continue, and said: "I don't want to interrupt your story, but how about a walk? It's a great day and I want to show you a piece of land."
Legs - William Kennedy Page 3