Theodosius might well be displeased, but his rage passed all bounds. He was at Milan at the time, and at first Ambrose so worked on his feelings as to make him promise to temper justice with mercy; but afterwards fresh accounts of the murder, together with the representations of his courtier Rufinus, made him resolve not to relent, and he sent off messengers commanding that there should be a general slaughter of all the race-going Thessalonicans, since all were equally guilty of Botheric's death. He took care that his horrible command should be kept a secret from Ambrose, and the first that the Bishop heard of it was the tidings that 7,000 persons had been killed in the theatre, in a massacre lasting three hours!
There was no saving these lives, but Ambrose felt it his duty to make the Emperor feel his sin, in hopes of saving others. Besides, it was not consistent with the honor of God to receive at his altar a man reeking with innocent blood. The Bishop, however, took time to consider; he went into the country for a few days, and thence wrote a letter to the Emperor, telling him that thus stained with crime, he could not be admitted to the Holy Communion, nor received into church. Still the Emperor does not seem to have believed he could be really withstood by any subject, and on Ambrose's return, he found the imperial procession, lictors, guards, and all, escorting the Emperor as usual to the Basilica or Justice Hall, that had been turned into a church.
Then to the door came the Bishop and stood in the way, forbidding the entrance, and announcing that there, at least, sacrilege should not be added to murder.
'Nay,' said the Emperor, 'did not holy King David commit both murder and adultery, yet was he not received again?'
'If you have sinned like him, repent like him,' answered Ambrose.
Theodosius turned away, troubled. He was great enough not to turn his anger against the Bishop; he felt that he had sinned, and that the chastisement was merited, and he went back to his palace weeping, and there spent eight months, attending to his duties of state, but too proud to go through the tokens of penitence that the discipline of the Church had prescribed before a great sinner could be received back into the congregation of the faithful. Easter was the usual time for reconciling penitents, and Ambrose was not inclined to show any respect of persons, or to excuse the Emperor from a penance he would have imposed on any offender. However, Rufinus could not believe in such disregard, and thought all would give way to the Emperor's will. Christmas had come, but for one man at Milan there were no hymns, no shouts of 'glad tidings!' no midnight festival, no rejoicing that 'to us a Child is born; to us a Son is given'. The Basilica was thronged with worshippers and rang with their Amens, resounding like thunder, and their echoing song-the Te Deum-then their newest hymn of praise. But the lord of all those multitudes was alone in his palace. He had not shown good will to man; he had not learnt mercy and peace from the Prince of Peace; and the door was shut upon him. He was a resolute Spanish Roman, a well-tried soldier, a man advancing in years, but he wept, and wept bitterly. Rufinus found him thus weeping. It must have been strange to the courtier that his master did not send his lictors to carry the offending bishop to a dungeon, and give all his court favor to the heretics, like the last empress who had reigned at Milan. Nay, he might even, like Julian the Apostate, have altogether renounced that Christian faith which could humble an emperor below the poorest of his subjects.
But Rufinus contented himself with urging the Emperor not to remain at home lamenting, but to endeavor again to obtain admission into the church, assuring him that the Bishop would give way. Theodosius replied that he did not expect it, but yielded to the persuasions, and Rufinus hastened on before to warn the Bishop of his coming, and represented how inexpedient it was to offend him.
'I warn you,' replied Ambrose, 'that I shall oppose his entrance, but if he chooses to turn his power into tyranny, I shall willingly let him slay me.'
The Emperor did not try to enter the church, but sought Ambrose in an adjoining building, where he entreated to be absolved from his sin.
'Beware,' returned the Bishop, 'of trampling on the laws of God.'
'I respect them,' said the Emperor, 'therefore I have not set foot in the church, but I pray thee to deliver me from these bonds, and not to close against me the door that the Lord hath opened to all who truly repent.'
'What repentance have you shown for such a sin?' asked Ambrose.
'Appoint my penance,' said the Emperor, entirely subdued.
And Ambrose caused him at once to sign a decree that thirty days should always elapse between a sentence of death and its execution. After this, Theodosius was allowed to come into the church, but only to the corner he had shunned all these eight months, till the 'dull hard stone within him' had 'melted', to the spot appointed for the penitents. There, without his crown, his purple robe, and buskins, worked with golden eagles, all laid aside, he lay prostrate on the stones, repeating the verse, 'My soul cleaveth unto the dust; quicken me, O Lord, according to thy word.' This was the place that penitents always occupied, and there fasts and other discipline were also appointed. When the due course had been gone through, probably at the next Easter, Ambrose, in his Master's name, pronounced the forgiveness of Theodosius, and received him back to the full privileges of a Christian. When we look at the course of many another emperor, and see how easily, where the power was irresponsible, justice became severity, and severity, bloodthirstiness, we see what Ambrose dared to meet, and from what he spared Theodosius and all the civilized world under his sway. Who can tell how many innocent lives have been saved by that thirty days' respite?
Pass over nearly 700 years, and again we find a church door barred against a monarch. This time it is not under the bright Italian sky, but under the grey fogs of the Baltic sea. It is not the stately marble gateway of the Milanese Basilica, but the low-arched, rough stone portal of the newly built cathedral of Roskilde, in Zealand, where, if a zigzag surrounds the arch, it is a great effort of genius. The Danish king Swend, the nephew of the well-known Knut, stands before it; a stern and powerful man, fierce and passionate, and with many a Danish axe at his command. Nay, only lately for a few rude jests, he caused some of his chief jarls to be slain without a trial. Half the country is still pagan, and though the king himself is baptized, there is no certainty that, if the Christian faith do not suit his taste, he may not join the heathen party and return to the worship of Thor and Tyr, where deeds of blood would be not blameworthy, but a passport to the rude joys of Valhall. Nevertheless there is a pastoral staff across the doorway, barring the way of the king, and that staff is held against him by an Englishman, William, Bishop of Roskilde, the missionary who had converted a great part of Zealand, but who will not accept Christians who have not laid aside their sins.
He confronts the king who has never been opposed before. 'Go back,' he says, 'nor dare approach the alter of God-thou who art not a king but a murderer.'
Some of the jarls seized their swords and axes, and were about to strike the bishop away from the threshold, but he, without removing his staff, bent his head, and bade them strike, saying he was ready to die in the cause of God. But the king came to a better frame of mind, he called the jarls away, and returning humbly to his palace, took off his royal robes, and came again barefoot and in sackcloth to the church door, where Bishop William met him, took him by the hand, gave him the kiss of peace, and led him to the penitents' place. After three days he was absolved, and for the rest of his life, the bishop and the king lived in the closest friendship, so much so that William always prayed that even in death he might not be divided from his friend. The prayer was granted. The two died almost at the same time, and were buried together in the cathedral at Roskilde, where the one had taught and other learnt the great lesson of mercy.
THE LAST FIGHT IN THE COLISEUM A.D. 404
As the Romans grew prouder and more fond of pleasure, no one could hope to please them who did not give them sports and entertainments. When any person wished to be elected to any public office, it was a matter of course that he should co
mpliment his fellow citizens by exhibitions of the kind they loved, and when the common people were discontented, their cry was that they wanted panem ac Circenses, 'bread and sports', the only things they cared for. In most places where there has been a large Roman colony, remains can be seen of the amphitheatres, where the citizens were wont to assemble for these diversions. Sometimes these are stages of circular galleries of seats hewn out of the hillside, where rows of spectators might sit one above the other, all looking down on a broad, flat space in the centre, under their feet, where the representations took place. Sometimes, when the country was flat, or it was easier to build than to excavate, the amphitheatre was raised above ground, rising up to a considerable height.
The grandest and most renowned of all these amphitheatres is the Coliseum at Rome. It was built by Vespasian and his son Titus, the conquerors of Jerusalem, in a valley in the midst of the seven hills of Rome. The captive Jews were forced to labour at it; and the materials, granite outside, and softer travertine stone within, are so solid and so admirably built, that still at the end of eighteen centuries it has scarcely even become a ruin, but remains one of the greatest wonders of Rome.
Five acres of ground were enclosed within the oval of its outer wall, which outside rises perpendicularly in tiers of arches one above the other. Within, the galleries of seats projected forwards, each tier coming out far beyond the one above it, so that between the lowest and the outer wall there was room for a great space of chambers, passages, and vaults around the central space, called the arena, from the arena, or sand, with which it was strewn.
When the Roman Emperors grew very vain and luxurious, they used to have this sand made ornamental with metallic filings, vermilion, and even powdered precious stones; but it was thought better taste to use the scrapings of a soft white stone, which, when thickly strewn, made the whole arena look as if covered with untrodden snow. Around the border of this space flowed a stream of fresh water. Then came a straight wall, rising to a considerable height, and surmounted by a broad platform, on which stood a throne for the Emperor, curule chairs of ivory and gold for the chief magistrates and senators, and seats for the vestal virgins. Next above were galleries for the equestrian order, the great mass of those who considered themselves as of gentle station, though not of the highest rank; farther up, and therefore farther back, were the galleries belonging to the freemen of Rome; and these were again surmounted by another plain wall with a platform on the top, where were places for the ladies, who were not (except the vestal virgins) allowed to look on nearer, because of the unclothed state of some of the performers in the arena. Between the ladies' boxes, benches were squeezed in where the lowest people could seat themselves; and some of these likewise found room in the two uppermost tiers of porticoes, where sailors, mechanics, and persons in the service of the Coliseum had their post. Altogether, when full, this huge building held no less than 87,000 spectators. It had no roof; but when there was rain, or if the sun was too hot, the sailors in the porticoes unfurled awnings that ran along upon ropes, and formed a covering of silk and gold tissue over the whole. Purple was the favorite color for this velamen, or veil; because, when the sun shone through it, it cast such beautiful rosy tints on the snowy arena and the white purple-edged togas of the Roman citizens.
Long days were spent from morning till evening upon those galleries. The multitude who poured in early would watch the great dignitaries arrive and take their seats, greeting them either with shouts of applause or hootings of dislike, according as they were favorites or otherwise; and when the Emperor came in to take his place under his canopy, there was one loud acclamation, 'Joy to thee, master of all, first of all, happiest of all. Victory to thee for ever!'
When the Emperor had seated himself and given the signal, the sports began. Sometimes a rope-dancing elephant would begin the entertainment, by mounting even to the summit of the building and descending by a cord. Then a bear, dressed up as a Roman matron, would be carried along in a chair between porters, as ladies were wont to go abroad, and another bear, in a lawyer's robe, would stand on his hind legs and go through the motions of pleading a case. Or a lion came forth with a jeweled crown on his head, a diamond necklace round his neck, his mane plaited with gold, and his claws gilded, and played a hundred pretty gentle antics with a little hare that danced fearlessly within his grasp. Then in would come twelve elephants, six males in togas, six females with the veil and pallium; they took their places on couches around an ivory table, dined with great decorum, playfully sprinkled a little rosewater over the nearest spectators, and then received more guests of their unwieldy kind, who arrived in ball dresses, scattered flowers, and performed a dance.
Sometimes water was let into the arena, a ship sailed in, and falling to pieces in the midst, sent a crowd of strange animals swimming in all directions. Sometimes the ground opened, and trees came growing up through it, bearing golden fruit. Or the beautiful old tale of Orpheus was acted; these trees would follow the harp and song of the musician; but-to make the whole part complete-it was no mere play, but real earnest, that the Orpheus of the piece fell a prey to live bears.
For the Coliseum had not been built for such harmless spectacles as those first described. The fierce Romans wanted to be excited and feel themselves strongly stirred; and, presently, the doors of the pits and dens round the arena were thrown open, and absolutely savage beasts were let loose upon one another-rhinoceroses and tigers, bulls and lions, leopards and wild boars-while the people watched with savage curiosity to see the various kinds of attack and defense; or, if the animals were cowed or sullen, their rage would be worked up-red would be shown to the bulls, white to boars, red-hot goads would be driven into some, whips would be lashed at others, till the work of slaughter was fairly commenced, and gazed on with greedy eyes and ears delighted, instead of horror-struck, by the roars and howls of the noble creatures whose courage was thus misused. Sometimes indeed, when some especially strong or ferocious animal had slain a whole heap of victims, the cries of the people would decree that it should be turned loose in its native forest, and, amid shouts of 'A triumph! a triumph!' the beast would prowl round the arena, upon the carcasses of the slain victims. Almost incredible numbers of animals were imported for these cruel sports, and the governors of distant provinces made it a duty to collect troops of lions, elephants, ostriches, leopards-the fiercer or the newer the creature the better-to be thus tortured to frenzy, to make sport in the amphitheatre. However, there was daintiness joined with cruelty: the Romans did not like the smell of blood, though they enjoyed the sight of it, and all the solid stonework was pierced with tubes, through which was conducted the stream of spices and saffron, boiled in wine, that the perfume might overpower the scent of slaughter below.
Wild beasts tearing each other to pieces might, one would think, satisfy any taste of horror; but the spectators needed even nobler game to be set before their favorite monsters-men were brought forward to confront them. Some of these were at first in full armor, and fought hard, generally with success; and there was a revolving machine, something like a squirrel's cage, in which the bear was always climbing after his enemy, and then rolling over by his own weight. Or hunters came, almost unarmed, and gaining the victory by swiftness and dexterity, throwing a piece of cloth over a lion's head, or disconcerting him by putting their fist down his throat. But it was not only skill, but death, that the Romans loved to see; and condemned criminals and deserters were reserved to feast the lions, and to entertain the populace with their various kinds of death. Among these condemned was many a Christian martyr, who witnessed a good confession before the savage-eyed multitude around the arena, and 'met the lion's gory mane' with a calm resolution and hopeful joy that the lookers-on could not understand. To see a Christian die, with upward gaze and hymns of joy on his tongue, was the most strange unaccountable sight the Coliseum could offer, and it was therefore the choicest, and reserved for the last part of the spectacles in which the brute creation had a part.
They were the gladiators-the swordsmen trained to fight to the death to amuse the populace. They were usually slaves placed in schools of arms under the care of a master; but sometimes persons would voluntarily hire themselves out to fight by way of a profession: and both these, and such slave gladiators as did not die in the arena, would sometimes retire, and spend an old age of quiet; but there was little hope of this, for the Romans were not apt to have mercy on the fallen.
Fights of all sorts took place-the light-armed soldier and the netsman-the lasso and the javelin-the two heavy-armed warriors-all combinations of single combat, and sometimes a general melee. When a gladiator wounded his adversary, he shouted to the spectators, Hoc habet! 'He has it!' and looked up to know whether he should kill or spare. If the people held up their thumbs, the conquered was left to recover, if he could; if they turned them down, he was to die: and if he showed any reluctance to present his throat for the deathblow, there was a scornful shout, Recipe ferrum! 'Receive the steel!' Many of us must have seen casts of the most touching statue of the wounded man, that called forth the noble lines of indignant pity which, though so often repeated, cannot be passed over here:
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