by Jani Kay
A look of confusion transforms the guy’s face. "What—what do you mean?"
I grab hold of his arm, lifting it up so I can take a look at his hand. His right hand. The one that carries the full force of his blows when he swings. His knuckles are red raw and covered in half-healed scabs. "You’re a fucking mess, Pete. What on earth have you been up to?"
He lifts his shoulders slowly, an uncertain shrug. "Oh, y’know. I like to box."
"Who you been boxing with, Pete?"
"Just—just the guys, y’know."
"No, I don’t know. Which guys?" If there’s one thing I hate on the face of this planet more than weak men, it’s weak men who are also liars.
"Just some guys, some friends of mine. I train down at O’Rourke’s every Thursday. What have my knuckles gotta do with the five grand I owe you, man?"
I glance up at Carnie, who is still thrusting the muzzle of his Glock into the back of Peter’s neck. "He train at O’Rourke’s?" I ask. Carnie gives me a nod. A lot of my guys train at the permanently sweat-soaked fighting gym down on Fourth, though personally I choose to do my workouts in private. I let go of Peter’s hand, shaking my head. "So you know how to punch, then, Pete, huh?"
He looks up at me as though this is a trick question. "Yeah? I guess I do."
"See, now that’s bad. Very bad. That means when you hit those girls downstairs, you’re not just some asshole loser who takes his insecurities out on women. You’re an asshole loser who takes his insecurities out on women, and who knows how to make it hurt while doing it."
His eyes go wide—it’s like a light bulb’s just gone on somewhere inside that thick skull of his. "What? No, man, I don’t hit my girls. I would never do—"
I smash my fist into the bastard’s face. Peter isn’t the only one who knows how to hit, after all. I pull back my right arm again, considerably more powerful than Peter’s, and I power my fist straight into his jaw a second time, this time knocking him over. A welt of blood sprays from his mouth, raining down on the threadbare carpet of his tiny office. It smelled of stale sweat and Cheetos in here, but now it mostly smells of blood—that metallic tang never fails to set my heart racing in my chest.
"What the fuck, man? I said I never hit them!" Peter spits on the ground, ejecting a small, white pearl of a tooth from his mouth. "Fuck, man, you knocked out one of my—"
I hit him again. And again. And again. I hit him until I break out into a sweat. The motherfucker is out cold and lying in a pool of his own blood, and I can barely raise my arm by the time I’ve decided he’s had enough. Carnie laughs under his breath; he’s lowered the gun and is leaning against the wall, arms folded across his chest with an amused look on his face. Makes his slightly crooked, many-times-broken nose appear even more off center.
"Well. Saved me a job there, boss. You know he’s gonna be out of commission for weeks now, though, right? You aren’t gonna see that money ‘til the end of the month at least."
I heave in a deep breath, wiping the back of my hand across my forehead. "If that motherfucker’s even walking before the end of the month, you come back here and go round two on his ass, you hear me?"
Carnie gives me a mock salute. "Loud and clear."
I’d stick around and wait for Mr. Peter Hartley to wake up, just so he knows the deal here, but Carnie and I are suddenly accosted by four small, defenseless Asian women. Turns out they’re not so defenseless. None of them are over five foot five, but that doesn’t stop them from charging into Peter’s office, screaming at the top of their lungs in Mandarin. They split up, two of them hammering their fists into Carnie’s back, the other two heading straight for me.
I duck around the overflowing desk, putting some space between the charging women and myself, but it’s a wasted effort. They come straight over the damn thing, still hollering and shouting.
"What the fuck they saying?" I shout over the top of them.
"You’re asking me?" Carnie yells back. One of the women bites his shoulder through the white T-shirt he’s wearing; he howls in pain, and that’s enough for my boy. He pivots around and grabs hold of the two angry masseuses by the hair, one in each hand. "I’m gonna start breaking some of your rules if we don’t get the hell out of here, dude," he yells.
I admit I’m losing patience, myself. So far my attackers have managed to scratch my face, and the most furious of the two is currently trying to go for my nuts. There’s one quick way to resolve this. I reach into my waistband and pull out my own gun, an AWR Hawkins 4.
The screaming women fall instantly silent. They back up, shooting both Carnie and me hateful glares as we sidestep out of the room. Once we’re out of the office and charging down the stairs, they start up with the screaming again, barreling at breakneck speeds after us.
"How fast can you start your bike?" Carnie calls over his shoulder.
"Faster than you, brother." We burst into the main room of Hartley’s massage business—the legal, non-brothel part—and even more women start screaming. From there it’s a short distance out onto the street. The door nearly rockets off its hinges as we slam through. True to my word, my engine’s snarling before Carnie’s. We leave the women in the dust.
* * *
We reach the clubhouse just after nine, our faces still aching from laughing so hard. Set back off the road, surrounded by high fences, the clubhouse is a squat, industrial-looking building from the outside. The front yard is crowded with bikes—rows of shining motorcycles, old and new, lined up like a pack of guard dogs. Every MC has a business front—a necessary evil when trying to explain to the law where your money’s come from and what you get up to all day long. The Widow Makers are ink monkeys. We’re the guys who mark you up with that pretty little butterfly you’ve always wanted, seductively placed just above your hip. We’re the ones who tattoo the name of your boyfriend onto the curves of your cleavage one week, only to be the ones to cover it with someone else’s name the next.
A neon sign—Dead Man’s Ink Bar—sends electric blue reflections across meters of polished chrome as it blinks off and on in a steady pulse. Dead Man’s never closes, so that light is never switched off. We pull up and park underneath it, kicking back our stands, and swinging off our bikes.
"Hey, lookit," Carnie says, pointing back over my shoulder. "V.P’s back."
And so he is. Cade Preston, Vice President of the club, went on a recon mission for me three days ago with some of our boys. His bike, a dirty great big Star Bolt with an olive green tank, is propped up in its usual spot against the side of the building.
We had news that a club friend was being leaned on by Los Oscuros, a mixed breed cartel. And not just a club friend—my uncle. The fact that he’s a CROWN COURT JUDGE is something I overlook on account of the fact he made his house my own whenever my father got sick of beating my ass as a kid.
"Sweet. He must have squared everything away quicker than expected." I rap my knuckles against the tank as I pass Cade’s bike—still warm. Inside the clubhouse, there are no celebratory shots of Jack being passed around. The place is full, nearly every single member of the club seated at tables, some parked on the edge of the pool table. There are a lot of stern looks on faces. Arms folded across chests. I spot Cade immediately, leaning against the bar. The look on his face speaks volumes.
"What? What happened?"
Cade speaks three words—Raphael Dela Vega—and I know my uncle is dead.
REBEL BY CALLIE HART
4 - Rebel
"I called it. I didn’t have any other choice." Cade closes the door to my den behind him, shutting out the steely looks of the Widow Maker crew—there are twenty-three men gathered out in the bar, because they all knew before I did: we are at war with Los Oscuros. Cade saw my dead uncle’s body lying in the snow, and he handed over that bullet, just like I would have done. Except I would have given it to Raphael straight between the fucking eyes. "You okay?" Cade asks, as I slump into the seat at my desk.
No other member of the club would ask m
e if I was okay right now. They’re hard men, who deal with their issues the hard way: silently. Cade, on the other hand, has known me since I was eight years old. He knew me before all of the goodness got torn out of me. He knows I’m not okay.
I just shake my head, staring down at the gun I’ve drawn from my belt without realizing and am now holding in my hands. "How did he die?"
"I don’t know." Cade’s ominously silent for a moment. "But there was a lot of blood."
I close my eyes, trying to fill my lungs with some air. It’s not working. "Okay." I inhale. Exhale. Nod my head. "Okay." The second time I say it, I’m closing a door. Ryan Conahue is dead. There’s nothing I can do to bring him back now, but there are a number of things I can do about his death. My first instinct is go take this fucking gun, climb onto my bike, ride all the way from New Mexico to Seattle, and torture that motherfucker until he begs to die. "Do you know where they’re staying?" I ask. "Hector and the others?" It’s not just Raphael that needs to die. His boss is the one who ordered Ryan’s death. He is as guilty, if not more so.
"They’ve left Seattle," Cade says. He places his hands on the back of the chair he should be sitting in, leaning forward. "They’re back in L.A."
Back in L.A. That means Raphael’s hightailed it straight to his boss to tell him the good news. Hector’s been pushing for bloodshed ever since he moved up into the States. He wants our business. Well, that’s not strictly true. He wants our gun and drug business. He’s done everything in his power to take that business from us, but our clientele is loyal. And paranoid. They don’t trust new faces. Now we’ve drawn swords, as it were, Hector must think he’s going to wipe us out. Give the gang lords we deal with no other choice but to deal with them instead. This whole clusterfuck of a situation is political, mixed in with the fact Ryan was in a position to send Hector down the line for a very long time.
"You know this isn’t your fault," Cade says softly.
I somehow manage to tear my gaze away from the gun, so I can look up at him. "And how the hell have you come to that conclusion? I told him to stand his ground. I told him we’d fucking protect him!"
Thankfully Cade doesn’t say another word on the subject. He knows the dangerous glint in my eye. He knows when I’m on the very brink of a total meltdown, and he knows better than to give me the final push. This is my fault. No two ways about it.
My friend drops his head between his braced arms for a second, sighing. "This might be nothing to concern ourselves with, but Raphael had a girl with him."
"What do you mean, a girl?"
"Just some young thing off the street by the looks of things. Nice clothes. Had that moneyed look about her."
"She wasn’t one of his crew?"
Cade shakes his head. "She was terrified. I told her to say she was a virgin."
That’s potentially one of the only things that will save a girl once Hector’s guys get their hooks in them. Hector may want my guns and coke, but his main area of interest lays in human trafficking. A beautiful virgin is worth more than a whole shipment worth of AKs if you sell to the right buyer. "I wanna see this girl. You got footage?"
"I got something. Not a very clear picture, though." Cade pulls a thumb drive out of his pocket and tosses it to me. I slot it into my computer, opening the file as soon as the device registers. Cade is right—the picture is for shit, but it’s good enough to make out the shape of a woman, walking down a darkened street.
The woman stops, turns, watches something farther down the street.
"That was us," Cade tells me. "We knew Ryan was in the area. We were looking for him." His face creases into a look of remorse. A look that worsens as Ryan’s figure appears on the screen, a meter from the girl. He frightens her. She staggers back, and he falls to his knees in the snow.
My heart rises up into my throat. I understand why Cade looks so fucking guilty now. They missed my uncle by mere seconds.
My eyes feel dry; I don’t think I’ve blinked since the footage started playing. Ryan holds one hand up to the girl—a plea for help if ever I’ve seen one. The stance of the girl, the way she’s holding her own hands to her chest, makes me think she’s going to run from him. But she doesn’t. She surprises me and takes a step forward. More dark shapes appear on the screen—Raphael and his friends. I watch the girl getting grabbed. I watch those fuckers dragging Ryan back into the alleyway. And then there’s nothing.
"She was going to help him." I hear myself say the words, but they don’t really register. Not until I find myself saying them again. "She was going to help him." I take a deep breath. "So now we need to help her."
REBEL BY CALLIE HART
5 - Alexis
Ramona is a tall, slender woman with the traces of what might once have been a hair lip. If it was, her surgeon was very talented. Raphael hands me over to her with a clipped and considerably angry burst of Spanish, and then I’m whisked away. The woman has to be in her late twenties, though the tired look in her eyes gives her the look of someone much older.
"What you done to piss him off?" she asks, though she doesn’t really sound like she’s interested. A good job, really, since I have no intention of making small talk with her. The sugary sweet smell I caught outside is even thicker inside the house. We walk down a long, narrow corridor, and Ramona stops at the end, opening a door on the right. Inside, a confusion of pastel tulle awaits—dresses upon dresses, hanging on rack after rack. An entire room full of forgotten prom dreams.
"What size are you, girl?" Ramona asks. She smacks some gum. I don’t answer. She rolls her eyes and storms into the room, yanking a yellow dress off the closest rack and thrusting it out at me. I can see the label—size six. My size. I take it from her, because I sense she’ll only go get Raphael if I don’t and I do not want that.
"How long have you been here?" I ask.
"Five years," she replies. "Five loooong, boring-ass years. Come with me."
She takes me upstairs and down another long, corridor, right to the end again. She opens the door to the room that must be directly over the prom room. Most worryingly, she opens it with a key. "Go on. Inside."
Inside, I go.
"Get washed up. I’ll be back in an hour to do your hair and shit. Don’t go trying to jump from the fuckin’ window or nothin’. Had a girl do that one time and her damn legs exploded." With that very cheerful parting word of warning, Ramona closes the door, locking it behind her.
I am alone.
Despite what I was just told, the first thing I do is dump the hideous dress on the bed, and run to the window, checking to see if it’s open. My jaw nearly hits the floor when I find that it is. Why the hell would they leave the windows open if they were planning on kidnapping people and holding them hostage?
Because you’re in the middle of nowhere, a small voice in the back of my head reminds me. And how would you get down, anyway? That’s a big drop. A really big drop. It could be my eyes playing tricks on me, but I think I can actually see a patch of rust-colored dirt directly under the window. Do people’s legs actually explode when they hit the ground after a fall? I have no idea, but my stomach is balking at the prospect of giving it a shot. There’s no handily placed downpipe to shimmy down like in the movies. Nothing to gain any purchase on at all. Fuck.
I give up the jumping from the window idea, and decide on searching for another means of escape. The room is markedly bare, though. There’s a double bed, freshly made by the looks of things. A dresser against the far wall, though when I open the drawers, they’re all empty. A sink complete with dripping tap stands in the corner—the kind the Victorians used to put in every bedroom back before the introduction of the en-suite bathroom. My heart leaps in my chest when I see the mirror mounted on the wall above it. I could smash it and use one of the shards as a weapon. But I’m not even halfway across the room when I realize the mirror isn’t actually a mirror at all. Instead, it’s a highly polished piece of metal, screwed tightly into the wall. I try to pry the screws out, bu
t I only succeed in making my fingers bleed. The screws don’t budge an inch.
A weak desperation sets in after that. I stalk the perimeter of the room, eyes scanning for something I may have missed. Something, anything, I can use to get the hell out of here. There isn’t anything. Once that really hits home, I curl myself into a ball in the corner of the room and I cry. I cry so hard I make myself sick, my stomach muscles trembling from the second round of purging. I’m rinsing out my mouth, my legs trembling underneath me like two frail stalks of corn, when the door opens and Ramona walks in. She doesn’t seem impressed that I’m not decked out in the yellow dress yet.
"Fuck’s sake," she hisses. I move away from her so that my back’s pressed up against the wall, but she doesn’t seem to care. This whole thing feels a little rote on her part. With quick, rough hands, she takes hold of my soiled T-shirt and forcefully removes it from my body. I’m too stunned to struggle. She unbuttons my jeans next, and drags them down. My legs get a good hard slap when I refuse to lift my feet at first. I relent after the third strike, miserably raising them one at a time so she can bully my dirty, wadded-up jeans free from my body.
She leaves me in my underwear while she fills the sink with water. I’m made to remove those too when she’s done, though—if you don’t do it, I will. I cover my breasts with my hands, awkwardly trying to make myself smaller as Ramona uses a clean, white face cloth to scrub at my body. The water’s warm, but it might as well be freezing cold. Every time she touches me, I nearly jump out of my skin. My humiliation is complete when she thrusts the cloth between my legs, forcing my hand out of the way.
"You want to make him unhappy?" she snaps. Him being Raphael, no doubt. I do not want to make him unhappy—the bastard is unhinged—but I don’t particularly like the way my lady parts are being prepped for some unknown event, either. Ramona tuts as she plucks with her fingers at my pubic hair. I’m not a particularly hairy person, but she seems revolted by what I’ve got going on downstairs.