The rim of the sun gilded the edge of those ranged peaks. Terr broke and shimmered. She was like her eyes now; a beautiful swarming nebula. But the sun was brightening, the wind was still rising. She was fading, fading. Tom stretched out a hand to touch whatever it was she had become, and found only morning coolness, the air on his flesh.
Remember, Tom.
Terr had no voice now, no substance. She was just a feeling, little more than the sad and happy memory he had carried with him through all these years into this dim and distant age. But he felt also that she was moving, turning away from him, and he smiled as he watched her in that dark blue dress, as beautiful as she had always been, walking away down the silvered turf of his mountain towards the waterhole. Terr with her blonde hair. Terr with her beautiful eyes. Terr with the mist on her flesh in that place where her jaw met her throat beneath her earlobe. She turned and gave him a smile and a wave as the sun sent a clear spine of light up from the cleft between two mountains. Terr in her dark blue dress, heading down towards that waterhole where all the shy creatures of the universe might gather at the beginning or end of the longest of days. Then she was gone.
Tom sat there for a long while. It was, after all, his time of day for doing nothing. And the sun rose up, brightening the world, corkscrewing the spirals beside the limestone crags. He thought he caught the flash of wings, but the light, his whole world and mountain, was smeared and rainbowed. He thought that he had probably been crying.
The cards on the table before him had lost most of their glow. And they were cold and slickly damp when he turned them over. He selected the one card he didn’t recognize, the one which was blue and almost plain, with a pattern on its surface like rippled water. He was sure now that it was more than just spam, junk mail. He ran his finger across the message strip to activate it, and closed his eyes, and saw a man standing before him in a fountained garden which was warm and afternoon-bright and almost Moorish; it could have been Morocco, Los Angeles, Spain. The man was good-looking, but no longer young. He had allowed the wrinkles to spread over his face, his hair to grey and recede. There was something, Tom found himself thinking, about himself about his face, or at least the self he thought he remembered once seeing in a mirror. But the man was standing with the fixedness of someone preparing for a difficult moment. His face was beyond ordinary sadness. His eyes were grave.
Tom waited patiently through the you-don’t-know-me-and-I-don’t-know-you part of the message, and the birds sang and the bees fumbled for pollen amid deep red and purple tropic flowers as the man gave Tom his name, and explained the one thing about their backgrounds which they had in common, which was that they had both loved Terr. They’d loved Terr, and then of course they’d lost her, because Terr was impossible to keep — it was in her nature; it was why they’d made the glorious leap of loving her in the first place. But this man was aware of Tom Kelly in a way that Tom wasn’t aware of him. Not that Terr had ever said much about her past because she lived so much in the present, but he’d known that Tom was there, and in a way he’d envied him, because love for Terr was a first and only thing, glorious in its moment, then impossible to ever quite recapture in the same way. So he and Terr had eventually parted, and their marriage — which was her second, in any case — had ended as, although he’d hoped against hope, he’d always known it would. And Terr had gone on with her life, and he’d got on with his, and he’d followed her sometimes through the ether, her new friends, her new discoveries and fresh obsessions, until he heard this recent news, which was terrible, and yet for him, not quite unexpected, Terr being Terr.
There was a ridge on a peak in the Andes known as Catayatauri. It sounded like a newly discovered star to Tom, and was almost as distant and as hostile. The ridge leading up to it was incredible; in the east, it dropped nearly ten thousand sheer feet, and it took a week of hard walking and another week of hard climbing to reach it, that was, if the winds and the treacherous séracs let you get there at all. But it had acquired a near-mythic reputation amongst a certain kind of flyer, a reputation which went back to the time of the Incas, when human sacrifices were thrown from that ridge to placate Viracocha, the old man of the sky.
So picture Terr making that climb alone in the brutal cold, no longer as young or as fit as she might once have been, but still as determined. She left messages in the village which lay in Catayatauri’s permanent shadow. If she didn’t come back, she didn’t want anyone risking their lives trying to find her. The Incas had felt Catayatauri with a deep, religious, intensity, and so had the climbers who came after, and so must Terr, alone up in those godly mountains. She climbed unaided; no wings, no muscle or lung enhancements, no crampon claws on her feet or hands, no ropes, and no oxygen. The fact that she made it there at all was incredible, clinging to that ridge at the roof of the world. From Catayatauri, from that drop, nothing else was comparable. And Terr had stood there alone, a nearly-old woman at the edge of everything. She’d bought vials at a shop in Lima. She’d emptied what little she had left in her accounts to get hold of them. These weren’t like the vials they sold along the Rue de Commerce in St. Hilaire. Scarcely legal, they were the quickest acting, the most radical, the most expensive. They tore through your blood and veins by the nanosecond, they burned you up and twisted your body inside out like a storm-wrecked umbrella. And Terr had purchased three times the usual dosage.
And she probably did get there, and make the leap from the ridge on Catayatauri. It seemed like the most likely explanation, even though her body hadn’t been found. Terr had thrown herself from the precipice with the vials singing in her body, her bones twisting, the wings breaking out from her like a butterfly emerging from a chrysalis, although they would have been too damp and frail to do more than be torn to shreds in the brutal torrents of air. And then, finally, finally, she would have been buffeted onto the rocks. Terr, it seemed, had chosen the most extreme of all possible ways of dying…
Was it like her, to do this, Tom wondered? Terr plummeting, twisting and writhing? Had she meant to kill herself, or just wanted to take the risk, and lived the moment, and not really cared about the next? The man in the Moorish garden was as lost and puzzled by all these questions as Tom was himself. But the thing about Terr, as they both realized, was that she had always changed moment by moment, hour by hour, year by year. The thing about Terr was that you could never really know her. Tom, he had always been steady and purposeful; long ago, he had laid down the tracks of his life. Terr was different. Terr was always different. She’d never been troubled as Tom had been most of his life by that sense of missed appointments, unfinished business, time slipping by; of a vital message which he had never quite heard. Terr had always leapt without looking back.
The man gave a smile and signed off. The Moorish garden, the dense scent of the flowers, faded. Tom Kelly was back in the morning as the shadows raced the clouds over his mountain; and he was wondering, like a character in a fairy story, just where he had been the previous night, and exactly what it was that he had witnessed. And if he could have been granted one wish — which was something that Terr, whatever she had been, hadn’t even offered to him — it would still be the thing for which he had always been hoping. He was nearly seventy, after all. He was Tom Kelly; Mr. SETI. No matter what happened to you, no matter what wonders you witnessed, people his age didn’t change. He was still sure of that, at least.
Tom Kelly, speeding down his mountain. The sun is blazing and the chairlifts are still and the flyers are resting as shadow lies down next to shadow for the long, slumberous afternoon. He parks in the near-empty Place de la Révolution, and climbs out from his Citroën, and waves to Jean-Benoît wiping his tables, and then bangs on the door of the bureau de poste. The sign says fermé, but Madame Brissac slides back the bolts. She seems almost pleased to see him. She nearly gives him a smile. Then they spend their hour together, seated beside the counter as blue-bottles buzz and circle by her pigeonholes in the warm, intensely odorous air. Tom’s got as far
as transitive verbs, and here he’s struggling. But after all, French is a foreign language, and you don’t learn such things in a day — at least, not the way Tom’s learning. It will be some months, he reckons late autumn at least — l’automne, and perhaps even winter, whatever that’s called — before he’s got enough of a grip to ask her about how she sorts the mail in those pigeonholes. And he suspects she’ll think it’s a stupid question in any case. Madame Brissac is, after all, Madame Brissac. But who’d have thought that she was once a teacher, back in the days when people still actually needed to be taught things? For every person, it seems to Tom, who gains something in this future age, there’s someone else who makes a loss from it.
Things are just starting to reawaken when he emerges into the blazing Place de la Révolution, and he has to move his Citroën and park it round the corner to make room for the evening’s festivities. It’s the Foire aux Sorcières tonight, which a few months ago would have meant nothing to him, and still means little enough. But the French like a good festival, he knows that much now at least. They have them here in St. Hilaire regularly — in fact, almost every week, seeing as there’s such a regular throughput of new flyers needing to have their francs taken from them. But this festival is special. Tom knows that, too.
Drinking sweet hot coffee at his usual table, he passes the necessary hour while the market stalls and the stage for the evening pageant assemble themselves to the attentions of robot crabs and the clang of poles and the shouts of a few largely unnecessary artisans. The town, meanwhile, stretches itself and scratches its belly and emerges from its long meals and lovers’ slumbers. The girl with that Audrey Hepburn look, whom he now knows is called Jeannette, gives him a smile and goes over to say hi, bonjour. She thinks it’s sweet, that a mad old mountain goat like Tom should take the long way around to learning her language. And so does Michel, her boyfriend, who is as urbane and charming as anyone can be who’s got the muscles of a cartoon god and the green scaly skin of a reptile. They even help Tom carry his few boxes of stuff from the boot of his Citroën to the stall he’s booked, and wish him luck, and promise to come back and buy something later on in the evening, although Tom suspects they’ll be having too much fun by then to remember him.
But it turns out that business at his stall is surprisingly brisk in any case. It’s been this way for a couple of weeks now, and if it continues, Tom reckons he’ll have to order some new SETI tee-shirts and teatowels to replace his lost stock, although the teatowels in particular will be hard to replace after all these years, seeing as people don’t seem to have any proper use for them any longer. They ask him what they’re for, these big SETI handkerchiefs, and then tie them around their necks like flags. Who’d have thought it — that teatowels would be a casualty of this future he finds himself in? But bargaining, setting a price for something and then dropping it to make the sale; that’s no problem for Tom. The numbers of another language come almost easily to him; he supposes his brain dimly remembers it once had an aptitude for maths.
The Foire aux Sorcières seems an odd festival for summer, but, even before the darkness has settled, the children are out, dressed as witches, ghosts, goblins, and waving lanterns which cast, through some technical trick Tom can’t even guess at, a night-murk across their faces. Still, the whole occasion, with those sweet and ghastly faces, the trailing sheets with cut eye-holes, the shrieking, cackling devices, has a pleasantly old-fashioned feel about it to Tom. Even the flyers, when they emerge, have done nothing more to change themselves than put on weird costumes and make-ups, although, to Tom’s mind at least, many of them had looked the part already. The scene, as the sun finally sinks behind the tenements and a semblance of cool settles over the hot and frenzied square, is incredible. Some of the people wandering the stalls have even dressed themselves up as old-fashioned aliens. He spots a bulge-headed Martian, then a cluster of those slim things with slanted eyes that were always abducting people in the Midwest, and even someone dressed as that slippery grey thing that used to explode out of people’s stomachs in the films, although the guy’s taken the head off and is mopping his face with one of Tom’s SETI teatowels because he’s so hot inside it. If you half-closed your eyes, Tom thinks, it really could be market day on the planet Zarg, or anywhere else of a million places in this universe which he suspects that humanity will eventually get around to colonizing, when it stops having so much fun here on earth. Look at Columbus, look at Cook, look at Einstein, look at NASA. Look at Terr. We are, in the depths of our hearts, a questing, dreaming race.
Small demons, imps and several ghosts cluster around him now, and ask him qu’est-ce que SETI? which Tom attempts to explain in French. They nod and listen and gaze up at him with grave faces. He’s almost thinking he’s starting to get somewhere, when they all dissolve into gales of laughter and scatter off though the crowds. He watches them go, smiling, those ghosts, those flapping sheets. When he refocuses his gaze, Madame Brissac has materialized before him. She is dressed as an old-fashioned witch. But she seems awkward beneath her stick-on warts and green make-up, shorn of the usual wooden counter which, even now that they’re attempting to talk to each other in the same language, still separates Tom and her. Still, she politely asks the price of his SETI paperweights, and rummages in her witchy bag and purchases one from him, and then comments on the warmth and the beauty of this evening, and how pretty and amusing the children are. And Tom agrees with her in French, and offers Madame Brissac a SETI teatowel at no extra cost, which she declines. Wishing him a good evening, she turns and walks away. But Tom still feels proud of himself, and he knows that’s she’s proud of him too. It’s an achievement for them both, that they can talk to each other now in the same language, although, being Madame Brissac, she’ll never quite let it show.
The music rides over him. The crowds whoop and sing. The lanterns sway. Down the slope towards the river, the lace-draped stalls look almost cool in the soft breeze which plays down from the hills and over the tenements as Tom sweats in his SETI tee-shirt. Jean-Benoît’s down there, dressed red as fallen Lucifer and surrounded by lesser demons, and looking most strange and splendid for his evening off. There’s no sign, though, of the woman in the dark blue dress whom Tom glimpsed standing in the sunlight all those week ago. He knows that Terr’s dead now, although the thought still comes as a cold blunt shock to him. So how could there ever be any sign of Terr?
Tom’s got his days better sorted now. He’s never again gotten so drunk as to lose one whole day and imagine Thursday is Wednesday. In fact, nowadays, Tom never has a drink at all. It would be nice to say that he’s managed it through pure willpower. But he’s old, and a creature of habit, even when the habits are the wrong ones. And this is the future, after all. So Tom’s taken a vial, just as he had done several times before, and the need, the desire, the welling emptiness, faded so completely that he found himself wondering for the first few days what all the trouble and fuss had been about. But that was two months ago, and he still rarely entertains the previous stupid thoughts about how a social drink, a sip and a glass here and there, would be quite safe for someone like him. Even on a night such as this, when the air smells of wine and sweat and Pernod and coffee and Gitanes, and he can hear bottles popping and glasses clinking and liquid choruses of laughter all around the square, he doesn’t feel the usual emptiness. Or barely. Or at least he’s stopped kidding himself that it’s something the alcohol will ever fill, and decided to get on with the rest of his life unaided.
He sometimes wonders during the long hot afternoons of his lessons with Madame Brissac whether a woman in a blue dress and grey or blonde hair really did enter the bureau de poste to inquire about an elderly American called Tom Kelly on that magical Thursday. Sometimes, he’s almost on the brink of interrupting her as she forces him through the endless twists and turns of French grammar, although he knows she’d probably regard it as an unnecessary distraction. He’s thought of asking Jean-Benoît, too — at least, when he’s not dressed u
p as Lucifer — if he remembers a woman who could have been old or might have been young coming to his café, and who undertook to pass on the message cards he’d forgotten to take with him. Would they remember Terr? Would they deny that they’d ever seen her at all? More likely, Tom has decided, they’ll have long forgotten such a trivial incident amid the stream of faces and incidents which populate their lives.
Tom glances up from the bright Place de la Révolution at the few faint stars which have managed to gather over the rooftops and spires of St. Hilaire. Like Terr — or the ghost of her — he suspects they’ll remain a mystery that he’ll have carry to his grave. But there’s nothing so terrible about mysteries. It was mystery, after all, which drew him to the stars in the first place. Wonder and mystery. He smiles to himself, and waves to Jeannette and Michel as they pass through the crowds. Then Jean-Benoît, amid great cheers, flaps his crimson wings and rises over the stalls and hovers floodlit above the church spire to announce the real beginning of the night’s festivities, which will involve fireworks, amazing pageants, dancing…
This Foire aux Sorcières will probably still be going on at sunrise, but Tom Kelly knows it will be too much for him. He’s getting too old for this world he finds himself in. He can barely keep pace. But he permits himself another smile as he starts to pack up his stall of SETI memorabilia, the tee-shirts and paperweights, the lapel pins embossed with a tiny representation of the Drake Equation which not a single person who’s bought one of the things has ever asked him to explain. He’s looking forward to the midnight drive back up his mountain in his old Citroën, and the way the stars will blossom when he finally turns off the headlights and steps into the cool darkness outside his hut, with the glitter of his tripwires, the hum and glow of his machines. Who knows what messages might be up there?
Mammoth Book of Best New SF 19 Page 14