The Quadroon

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by Reid, Mayne


  I repeat it—my soul was filled with dark emotions as I entered within the precincts of that spacious hall. And no wonder—with such thoughts in my heart, and such a scene before my eyes, as I then looked upon.

  You will expect a description of that scene. I must disappoint you. I cannot give one. Had I been there as an ordinary spectator—a reporter cool and unmoved by what was passing—I might have noted the details, and set them before you. But the case was far otherwise. One thought alone was in my mind—my eyes sought for one sole object—and that prevented me from observing the varied features of the spectacle.

  A few things I do remember. I remember that the Rotundo, as its name imports, was a circular hall, of large extent, with a flagged floor, an arched coiling, and white walls. These were without windows, for the hall was lighted from above. On one side, near the wall, stood a desk or rostrum upon an elevated daïs, and by the side of this a large block of cut stone of the form of a parallelopipedon. The use of these two objects I divined.

  A stone “kerb,” or banquette, ran around one portion of the wall. The purpose of this was equally apparent.

  The hall when I entered was half filled with people. They appeared to be of all ages and sorts. They stood conversing in groups, just as men do when assembled for any business, ceremony, or amusement, and waiting for the affair to begin. It was plain, however, from the demeanour of these people, that what they waited for did not impress them with any feelings of solemnity. On the contrary a merry-meeting might have been anticipated, judging from the rough jests and coarse peals of laughter that from time to time rang through the hall.

  There was one group, however, which gave out no such signs or sounds. Seated along the stone banquette, and standing beside it, squatted down upon the floor, or leaning against the wall in any and every attitude, were the individuals of this group. Their black and brown skins, the woolly covering of their skulls, their rough red “brogans,” their coarse garments of cheap cottonade, of jeans, of “nigger cloth” died cinnamon colour by the juice of the catalpa-tree,—these characteristics marked them as distinct from all the other groups in the hall—a distinct race of beings.

  But even without the distinctions of dress or complexion—even without the thick lips or high cheekbones and woolly hair, it was easy to tell that those who sat upon the banquette were under different circumstances from these who strutted over the floor. While these talked loudly and laughed gaily, those were silent and sad. These moved about with the air of the conqueror—those were motionless with the passive look and downcast mien of the captive. These were masters—those were slaves! They were the slaves of the plantation Besançon.

  All were silent, or spoke only in whispers. Most of them seemed ill at ease. Mothers sat holding their “piccaninnies” in their sable embrace, murmuring expressions of endearment, or endeavouring to hush them to rest. Here and there big tears rolled over their swarthy cheeks, as the maternal heart rose and fell with swelling emotions. Fathers looked on with drier eyes, but with the stern helpless gaze of despair, which bespoke the consciousness, that they had no power to avert their fate—no power to undo whatever might be decreed by the pitiless wretches around them.

  Not all of them wore this expression. Several of the younger slaves, both boys and girls, were gaily-dressed in stuffs of brilliant colours, with flounces, frills, and ribbons. Most of these appeared indifferent to their future. Some even seemed happy—laughing and chatting gaily to each other, or occasionally exchanging a light word with one of the “white folks.” A change of masters could not be such a terrible idea, after the usage they had lately had. Some of them rather anticipated such an event with hopeful pleasure. These were the dandy young men, and the yellow belles of the plantation. They would, perhaps, be allowed to remain in that great city, of which they had so often heard—perhaps a brighter future was before them. Dark must it be to be darker than their proximate past.

  I glanced over the different groups, but my eyes rested not long upon them. A glance was enough to satisfy me that she was not there. There was no danger of mistaking any one of those forms or faces for that of Aurore. She was not there, Thank Heaven! I was spared the humiliation of seeing her in such a crowd! She was, no doubt, near at hand and would be brought in when her turn came.

  I could ill brook the thought of seeing her exposed to the rude and insulting glances—perhaps insulting speeches—of which she might be the object. And yet that ordeal was in store for me.

  I did not discover myself to the slaves. I knew their impulsive natures, and that a scene would be the result. I should be the recipient of their salutations and entreaties, uttered loud enough to draw the attention of all upon me.

  To avoid this, I took my station behind one of the groups of white men that screened me from their notice, and kept my eyes fixed upon the entrance, watching for D’Hauteville. In him now lay my last and only hope.

  I could not help noting the individuals who passed out and in. Of course they were all of my own sex, but of every variety. There was the regular “negro-trader,” a tall lathy fellow, with harsh horse-dealer features, careless dress, loose coat, slouching broad-brimmed hat, coarse boots, and painted quirt of raw hide,—the “cowskin,”—fit emblem of his calling.

  In strong contrast to him was the elegantly-attired Creole, in coat of claret or blue, full-dress, with gold buttons, plated pantaloons, gaiter “bootees,” laced shirt, and diamond studs.

  An older variety of the same might be seen in trousers of buff, nankeen jacket of the same material, and hat of Manilla or Panama set over his short-cropped snow-white hair.

  The American merchant from Poydras or Tehoupitoulas Street, from Camp, New Levee, or Saint Charles, in dress-coat of black cloth, vest of black satin, shining like glaze—trousers of like material with the coat—boots of calf-skin, and gloveless hands.

  The dandy clerk of steamboat or store, in white grass frock, snowy ducks, and beaver hat, long furred and of light yellowish hue. There, too, the snug smooth banker—the consequential attorney, here no longer sombre and professional, but gaily caparisoned—the captain of the river-boat, with no naval look—the rich planter of the coast—the proprietor of the cotton press or “pickery”—with a sprinkling of nondescripts made up the crowd that had now assembled in the Rotundo.

  As I stood noting these various forms and costumes, a large heavy-built man, with florid face, and dressed in a green “shad-bellied” coat, passed through the entrance. In one hand he carried a bundle of papers, and in the other a small mallet with ivory head—that at once proclaimed his calling.

  His entrance produced a buzz, and set the various groups in motion. I could hear the phrases, “Here he comes!” “Yon’s him!” “Here comes the major!”

  This was not needed to proclaim to all present, who was the individual in the green “shad-belly.” The beautiful dome of Saint Charles itself was not better known to the citizens of New Orleans than was Major B—, the celebrated auctioneer.

  In another minute, the bright bland face of the major appeared above the rostrum. A few smart raps of his hammer commanded silence, and the sale began.

  Scipio was ordered first upon the block. The crowd of intended bidders pressed around him, poked their fingers between his ribs, felt his limbs as if he had been a fat ox, opened his mouth and examined his teeth as if he had been a horse, and then bid for him just like he had been one or the other.

  Under other circumstances I could have felt compassion for the poor fellow; but my heart was too full—there was no room in it for Scipio; and I averted my face from the disgusting spectacle.

  * * *

  Chapter Sixty.

  The Slave-Mart.

  I once more fixed my eyes upon the entrance, scrutinising every form that passed in. As yet no appearance of D’Hauteville! Surely he would soon arrive. He said at twelve o’clock. It was now one, and still he had not come.

  No doubt he would come, and in proper time. After all, I need not be so anxious a
s to the time. Her name was last upon the list. It would be a long time.

  I had full reliance upon my new friend—almost unknown, but not untried. His conduct on the previous night had inspired me with perfect confidence. He would not disappoint me. His being thus late did not shake my faith in him. There was some difficulty about his obtaining the money, for it was money I expected him to bring. He had hinted as much. No doubt it was that that was detaining him; but he would be in time. He knew that her name was at the bottom of the list—the last lot—Lot 65!

  Notwithstanding my confidence in D’Hauteville I was ill-at-ease. It was very natural I should be so, and requires no explanation. I kept my gaze upon the door, hoping every moment to see him enter.

  Behind me I heard the voice of the auctioneer, in constant and monotonous repetition, interrupted at intervals by the smart rap of his ivory mallet. I knew that the sale was going on; and, by the frequent strokes of the hammer, I could tell that it was rapidly progressing. Although but some half-dozen of the slaves had yet been disposed of, I could not help fancying that they were galloping down the list, and that her turn would soon come—too soon. With the fancy my heart beat quicker and wilder. Surely D’Hauteville will not disappoint me!

  A group stood near me, talking gaily. They were all young men, and fashionably dressed,—the scions I could tell of the Creole noblesse. They conversed in a tone sufficiently loud for me to overhear them. Perhaps I should not have listened to what they were saying, had not one of them mentioned a particular name that fell harshly upon my ear. The name was Marigny. I had an unpleasant recollection associated with this name. It was a Marigny of whom Scipio had spoken to me—a Marigny who had proposed to purchase Aurore. Of course I remembered the name.

  “Marigny!” I listened.

  “So, Marigny, you really intend to bid for her?” asked one.

  “Qui,” replied a young sprig, stylishly and somewhat foppishly dressed. “Oui—oui—oui,” he continued with a languid drawl, as he drew tighter his lavender gloves, and twirled his tiny cane. “I do intend—ma foi!—yes.”

  “How high will you go?”

  “Oh—ah! une petite somme, mon cher ami.”

  “A little sum will not do, Marigny,” said the first speaker. “I know half-a-dozen myself who intend bidding for her—rich dogs all of them.”

  “Who?” inquired Marigny, suddenly awaking from his languid indifference, “Who, may I inquire?”

  “Who? Well there’s Gardette the dentist, who’s half crazed about her; there’s the old Marquis; there’s planter Tillareau and Lebon, of Lafourche; and young Moreau, the wine-merchant of the Rue Dauphin; and who knows but half-a-dozen of those rich Yankee cotton-growers may want her for a housekeeper! Ha! ha! ha!”

  “I can name another,” suggested a third speaker.

  “Name!” demanded several; “yourself, perhaps, Le Ber; you want a sempstress for your shirt-buttons.”

  “No, not myself,” replied the speaker; “I don’t buy coturiers at that price—deux mille dollares, at the least, my friends. Pardieu! no. I find my sempstresses at a cheaper rate in the Faubourg Tremé.”

  “Who, then? Name him!”

  “Without hesitation I do,—the old wizen-face Gayarre.”

  “Gayarre the avocat?”

  “Monsieur Dominique Gayarre!”

  “Improbable,” rejoined one. “Monsieur Gayarre is a man of steady habits—a moralist—a miser.”

  “Ha! ha!” laughed Le Ber; “it’s plain, Messieurs, you don’t understand the character of Monsieur Gayarre. Perhaps I know him better. Miser though he be, in a general sense, there’s one class with whom he’s generous enough. Il a une douzaine des maîtresses! Besides, you must remember that Monsieur Dominique is a bachelor. He wants a good housekeeper—a femme-de-chambre. Come, friends, I have heard something—un petit chose. I’ll lay a wager the miser outbids every one of you,—even rich generous Marigny here!”

  Marigny stood biting his lips. His was but a feeling of annoyance or chagrin—mine was utter agony. I had no longer a doubt as to who was the subject of the conversation.

  “It was at the suit of Gayarre the bankruptcy was declared, was it not?” asked one.

  “’Tis so said.”

  “Why, he was considered the great friend of the family—the associate of old Besançon?”

  “Yes, the lawyer-friend of the family—Ha! ha!” significantly rejoined another.

  “Poor Eugénie! she’ll be no longer the belle. She’ll now be less difficult to please in her choice of a husband.”

  “That’s some consolation for you, Le Ber. Ha! ha!”

  “Oh!” interposed another, “Le Ber had no chance lately. There’s a young Englishman the favourite now—the same who swam ashore with her at the blowing-up of the Belle steamer. So I have heard, at least. Is it so, Le Ber?”

  “You had better inquire of Mademoiselle Besançon,” replied the latter, in a peevish tone, at which the others laughed, “I would,” replied the questioner, “but I know not where to find her. Where is she? She’s not at her plantation. I was up there, and she had left two days before. She’s not with the aunt here. Where is she, Monsieur?”

  I listened for the answer to this question with a degree of interest. I, too, was ignorant of the whereabouts of Eugénie, and had sought for her that day, but in vain. It was said she had come to the city, but no one could tell me anything of her. And I now remembered what she had said in her letter of “Sacré Coeur.” Perhaps, thought I, she has really gone to the convent. Poor Eugénie!

  “Ay, where is she, Monsieur?” asked another of the party.

  “Very strange!” said several at once. “Where can she be? Le Ber, you must know.”

  “I know nothing of the movements of Mademoiselle Besançon,” answered the young man, with an air of chagrin and surprise, too, as if he was really ignorant upon the subject, as well as vexed by the remarks which his companions were making.

  “There’s something mysterious in all this,” continued one of the number. “I should be astonished at it, if it were any one else than Eugénie Besançon.”

  It is needless to say that this conversation interested me. Every word of it fell like a spark of fire upon my heart; and I could have strangled these fellows, one and all of them, as they stood. Little knew they that the “young Englishman” was near, listening to them, and as little the dire effect their words were producing.

  It was not what they said of Eugénie that gave me pain. It was their free speech about Aurore. I have not repeated their ribald talk in relation to her—their jesting innuendoes, their base hypotheses, and coldly brutal sneers whenever her chastity was named.

  One in particular, a certain Monsieur Sévigné, was more bizarre than any of his companions; and once or twice I was upon the point of turning upon him. It cost me an effort to restrain myself, but that effort was successful, and I stood unmoved. Perhaps I should not have been able to endure it much longer, but for the interposition of an event, which at once drove these gossips and their idle talk out of my mind. That event was the entrance of Aurore!

  They had again commenced speaking of her—of her chastity—of her rare charms. They were dismissing the probabilities as to who would become possessed of her, and the certainty that she would be the maîtresse of whoever did; they were waxing warmer in their eulogium of her beauty, and beginning to lay wagers on the result of the sale, when all at once the clack of their conversation ceased, and two or three cried out—

  “Voilà! voilà! elle vient!”

  I turned mechanically at the words. Aurore was in the entrance.

  * * *

  Chapter Sixty One.

  Bidding for my Betrothed.

  Yes, Aurore appeared in the doorway of that infernal hall, and stood timidly pausing upon its threshold.

  She was not alone. A mulatto girl was by her side—like herself a slave—like herself brought there to be sold!

  A third individual was of the party, or rather with
it; for he did not walk by the side of the girls, but in front, evidently conducting them to the place of sale. This individual was no other than Larkin, the brutal overseer.

  “Come along!” said he, roughly, at the same time beckoning to Aurore and her companion: “this way, gals—foller me!”

  They obeyed his rude signal, and, passing in, followed him across the hall towards the rostrum.

  I stood with slouched hat and averted face. Aurore saw me not.

  As soon as they were fairly past, and their backs towards me, my eyes followed them. Oh, beautiful Aurore!—beautiful as ever!

  I was not single in my admiration. The appearance of the Quadroon created a sensation. The din ceased as if by a signal; every voice became hushed, and every eye was bent upon her as she moved across the floor. Men hurried forward from distant parts of the hall to get a nearer glance; others made way for her, stepping politely back as if she had been a queen. Men did this who would have scorned to offer politeness to another of her race—to the “yellow girl” for instance, who walked by her side! Oh, the power of beauty! Never was it more markedly shown than in the entrée of that poor slave.

  I heard the whispers, I observed the glances of admiration, of passion. I marked the longing eyes that followed her, noting her splendid form and its undulating outlines as she moved forward.

  All this gave me pain. It was a feeling worse than mere jealousy I experienced. It was jealousy embittered by the very brutality of my rivals.

  Aurore was simply attired. There was no affectation of the fine lady—none of the ribbons and flounces that bedecked the dresses of her darker-skinned companion. Such would have ill assorted with the noble melancholy that appeared upon her beautiful countenance. None of all this.

  A robe of light-coloured muslin, tastefully made, with long skirt and tight sleeves—as was the fashion of the time—a fashion that displayed the pleasing rotundity of her figure. Her head-dress was that worn by all quadroons—the “toque” of the Madras kerchief, which sat upon her brow like a coronet, its green, crimson, and yellow checks contrasting finely with the raven blackness of her hair. She wore no ornaments excepting the broad gold rings that glittered against the rich glow of her cheeks; and upon her finger one other circlet of gold—the token of her betrothal. I knew it well.

 

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