by Unknown
Collectors avidly seek original Granville-Hydes on those rare occasions when they turn up at auction. Originals sell for tens of thousands of pounds (this would have amused Ida); two years ago, an exhibition at the Victoria and Albert Museum was sold out months in advance. Dozens of anthologies of prints are still in print: the Botanica Veneris, in particular, is in fifteen editions in twenty-three languages, some of them non-Terrene.
The last thing the world needs, it would seem, is another Botanica Veneris. Yet the mystery of her final (and only) visit to Venus still intrigues half a century since her disappearance. When the collected diaries, sketchbooks, and field notes came to me after fifty years in the possession of the Dukes of Yoo, I realized that I had a precious opportunity to tell the true story of my great-aunt’s expedition—and of a forgotten chapter in my family’s history. The books were in very poor condition, mildewed and blighted in Venus’s humid, hot climate. Large parts were illegible or simply missing. The narrative was frustratingly incomplete. I have resisted the urge to fill in those blank spaces. It would have been easy to dramatize, fictionalize, even sensationalize. Instead I have let Ida Granville-Hyde speak. Hers is a strong, characterful, attractive voice, of a different class, age, and sensibility from ours, but it is authentic, and it is a true voice.
The papercuts, of course, speak for themselves.
Plate 1: V strutio ambulans: the Ducrot’s Peripatetic Wort, known locally as Daytime Walker (Thent) or Wanderflower (Thekh).
Cut paper, ink and card.
Such a show!
At lunch, Het Oi-Kranh mentioned that a space-crosser—the Quest for the Harvest of the Stars, a Marsman—was due to splash down in the lagoon. I said I should like to see that—apparently I slept through it when I arrived on this world. It meant forgoing the sorbet course, but one does not come to the Inner Worlds for sorbet! Het Oi-Kranh put his spider-car at our disposal. Within moments, the Princess Latufui and I were swaying in the richly upholstered bubble beneath the six strong mechanical legs. Upward it carried us, up the vertiginous lanes and winding staircases, over the walls and balcony gardens, along the buttresses and roof walks and up the ancient iron ladder-ways of Ledekh-Olkoi. The islands of the archipelago are small, their populations vast, and the only way for them to build is upward. Ledekh-Olkoi resembles Mont St. Michel vastly enlarged and coarsened. Streets have been bridged and built over into a web of tunnels quite impenetrable to non-Le-dekhers. The Hets simply clamber over the homes and lives of the inferior classes in their nimble spider-cars.
We came to the belvedere atop the Starostry, the ancient pharos of Ledekh-Olkoi that once guided mariners past the reefs and atolls of the Tol Archipelago. There we clung—my companion, the Princess Latufui, was queasy—vertigo, she claimed, though it might have been the proximity of lunch—the whole of Ledekh-Olkoi beneath us in myriad levels and layers, like the folded petals of a rose.
“Should we need glasses?” my companion asked.
No need! For at the instant, the perpetual layer of grey cloud parted and a bolt of light, like a glowing lance, stabbed down from the sky. I glimpsed a dark object fall though the air, then a titanic gout of water go up like a dozen Niagaras. The sky danced with brief rainbows, my companion wrung her hands in delight—she misses the sun terribly—then the clouds closed again. Rings of waves rippled away from the hull of the space-crosser, which floated like a great whale low in the water, though this world boasts marine fauna even more prodigious than Terrene whales.
My companion clapped her hands and cried aloud in wonder.
Indeed, a very fine sight!
Already the tugs were heading out from the protecting arms of Ocean Dock to bring the ship in to berth.
But this was not the finest Ledekh-Olkoi had to offer. The custom in the archipelago is to sleep on divan-balconies, for respite from the foul exudations from the inner layers of the city. I had retired for my afternoon reviver—by my watch, though by Venusian Great Day it was still midmorning and would continue to be so for another two weeks. A movement by the leg of my divan. What’s this? My heart surged. V strutio ambulans: the Ambulatory Wort, blindly, blithely climbing my divan!
Through my glass, I observed its motion. The fat, succulent leaves hold reserves of water, which fuel the coiling and uncoiling of the three ambulae—surely modified roots—by hydraulic pressure. A simple mechanism, yet human minds see movement and attribute personality and motive. This was not pure hydraulics attracted to light and liquid, this was a plucky little wort on an epic journey of peril and adventure. Over two hours, I sketched the plant as it climbed my divan, crossed to the balustrade, and continued its journey up the side of Ledekh-Olkoi. I suppose at any time millions of such flowers are in constant migration across the archipelago, yet a single Ambulatory Wort was miracle enough for me.
Reviver be damned! I went to my space trunk and unrolled my scissors from their soft chamois wallet. Snip snap! When a cut demands to be made, my fingers literally itch for the blades!
When he learned of my intent, Gen Lahl-Khet implored me not to go down to Ledekh Port, but if I insisted (I insisted: oh I insisted!), at least take a bodyguard or go armed. I surprised him greatly by asking the name of the best armorer his city could supply. Best Shot at the Clarecourt November shoot, ten years on the trot! Ledbekh-Teltai is the most famous gunsmith in the archipelago. It is illegal to import weaponry from off-planet—an impost, I suspect, resulting from the immense popularity of hunting Ishtari janthars. The pistol they have made me is built to my hand and strength: small, as requested; powerful, as required; and so worked with spiral-and-circle Archipelagan intaglio that it is a piece of jewelry.
Ledekh Port was indeed a loathsome bruise of alleys and tunnels, lit by shifts of grey, watery light through high skylights. Such reeks and stenches! Still, no one ever died of a bad smell. An Earthwoman alone in an inappropriate place was a novelty, but from the nonhumanoid Venusians, I drew little more than a look. In my latter years, I have been graced with a physical presence and a destroying stare. The Thekh, descended from Central Asian nomads abducted en masse in the eleventh century from their bracing steppe, now believe themselves the original humanity, and so consider Terrenes beneath them, and they expected no better of a subhuman Earthwoman.
I did turn heads in the bar. I was the only female—humanoid, that is. From Carfax’s Bestiary of the Inner Worlds, I understand that among the semi-aquatic Krid, the male is a small, ineffectual symbiotic parasite lodging in the mantle of the female. The barman, a four-armed Thent, guided me to the snug where I was to meet my contact. The bar overlooked the Ocean Harbor. I watched dockworkers scurry over the vast body of the space-crosser, in and out of hatches that had opened in the skin of the ship. I did not like to see those hatches; they ruined its perfection, the precise, intact curve of its skin.
“Lady Granville-Hyde?”
What an oily man, so well lubricated that I did not hear his approach.
“Stafford Grimes, at your service.”
He offered to buy me a drink, but I drew the line at that unseemliness. That did not stop him ordering one for himself and sipping it—and several successors—noisily during the course of my questions. Years of Venusian light had turned his skin to wrinkled brown leather: drinker’s eyes looked out from heavily hooded lids—years of squinting into the ultraviolet. His neck and hands were mottled white with pockmarks where melanomas had been frozen out. Sunburn, melancholy, and alcoholism: the classic recipe for honorary consuls systemwide, not just on Venus.
“Thank you for agreeing to meet me. So, you met him.”
“I will never forget him. Pearls of Aphrodite. Size of your head, Lady Ida. There’s a fortune waiting for the man. . . .”
“Or woman,” I chided, and surreptitiously activated the recording ring beneath my glove.
Plate 2: V flor scopulum: the Ocean Mist Flower. The name is a misnomer: the Ocean Mist Flower is not a flower, but a coral animalcule of the aerial reefs of the Tellus Ocean. Th
e seeming petals are absorption surfaces drawing moisture from the frequent ocean fogs of those latitudes. Pistils and stamen bear sticky palps, which function in the same fashion as Terrene spiderwebs, trapping prey. Venus boasts an entire ecosystem of marine insects unknown on Earth.
This cut is the most three-dimensional of Lady Ida’s Botanica Veneris. Reproductions only hint at the sculptural quality of the original. The “petals” have been curled at the edges over the blunt side of a pair of scissors. Each of the 208 palps has been sprung so that they stand proud from the black paper background.
Onion paper, hard-painted card.
The Honorary Consul’s Tale
Pearls of Aphrodite. Truly, the pearls beyond price. The pearls of Starosts and Aztars. But the cloud reefs are perilous, Lady Ida. Snap a man’s body clean in half, those bivalves. Crush his head like a Vulpeculan melon. Snare a hand or an ankle and drown him. Aphrodite’s Pearls are blood pearls. A fortune awaits anyone, my dear, who can culture them. A charming man, Arthur Hyde— that brogue of his made anything sound like the blessing of heaven itself. Charm the avios from the trees—but natural, unaffected. It was no surprise to learn he was of aristocratic stock. Quality: you can’t hide it. In those days, I owned a company—fishing trips across the archipelago. The legend of the Ourogoonta, the Island that is a Fish, was a potent draw. Imagine hooking one of those! Of course, they never did. No, I’d take them out, show them the cloud reefs, the Krid hives, the wing-fish migration, the air-jellies; get them pissed on the boat, take their photographs next to some thawed-out javelin-fish they hadn’t caught. Simple, easy, honest money. Why wasn’t it enough for me? I had done the trick enough times myself, drink one for the punter’s two, yet I fell for it that evening in the Windward Tavern, drinking hot, spiced kashash and the night wind whistling up in the spires of the dead Krid nest-haven like the caged souls of drowned sailors. Drinking for days down the Great Twilight, his one for my two. Charming, so charming, until I had pledged my boat on his plan. He would buy a planktoneer—an old bucket of a sea skimmer with nary a straight plate or a true rivet in her.
He would seed her with spores and send her north on the great circulatory current, like a maritime cloud reef. Five years that current takes to circulate the globe before it returns to the arctic waters that birthed it. Five years is also the time it takes the Clam of Aphrodite to mature—what we call pearls are no such thing. Sperm, Lady Ida. Compressed sperm. In waters, it dissolves and disperses. Each Great Dawn the Tellus Ocean is white with it. In the air, it remains compact—the most prized of all jewels. Enough of fluids. By the time the reef ship reached the deep north, the clams would be mature and the cold water would kill them. It would be a simple task to strip the hulk with high-pressure hoses, harvest the pearls, and bank the fortune.
Five years makes a man fidgety for his investment. Arthur sent us weekly reports from the Sea Wardens and the Krid argosies. Month on month, year on year, I began to suspect that the truth had wandered far from those chart coordinates. I was not alone. I formed a consortium with my fellow investors and chartered a ’rigible.
And there at Map 60 North, 175 East, we found the ship—or what was left of it, so overgrown was it with Clams of Aphrodite. Our investment had been lined and lashed by four Krid cantoons: as we arrived, they were in the process of stripping it with halberds and grappling hooks. Already the decks and superstructure were green with clam meat and purple with Krid blood. Arthur stood in the stern frantically waving a Cross of St. Patrick flag, gesturing for us to get out, get away.
Krid pirates were plundering our investment! Worse, Arthur was their prisoner. We were an unarmed aerial gadabout, so we turned tail and headed for the nearest Sea Warden castle to call for aid.
Charmer. Bloody buggering charmer. I know he’s your flesh and blood, but . . . I should have thought! If he’d been captured by Krid pirates, they wouldn’t have let him wave a bloody flag to warn us.
When we arrived with a constabulary cruiser, all we found was the capsized hulk of the planktoneer and a flock of avios gorging on clam offal. Duped! Pirates my arse—excuse me. Those four cantoons were laden to the gunwales with contract workers. He never had any intention of splitting the profits with us.
The last we heard of him, he had converted the lot into Bank of Ishtar bearer bonds—better than gold—at Yez Tok and headed in-country. That was twelve years ago.
Your brother cost me my business, Lady Granville-Hyde. It was a good business; I could have sold it, made a little pile. Bought a place on Ledekh Syant—maybe even made it back to Earth to see out my days to a decent calendar. Instead . . . Ach, what’s the use. Please believe me when I say that I bear your family no ill will—only your brother. If you do succeed in finding him—and if I haven’t, I very much doubt you will—remind him of that, and that he still owes me.
Plate 3: V lilium aphrodite: the Archipelago sea lily. Walk-the-Water in Thekh; there is no comprehensible translation from Krid. A ubiquitous and fecund diurnal plant, it grows so aggressively in the Venerian Great Day that by Great Evening bays and harbors are clogged with blossoms and passage must be cleared by special bloom-breaker ships.
Painted paper, watermarked Venerian tissue, inks, and scissor-scrolled card.
So dear, so admirable a companion, the Princess Latufui. She knew I had been stinting with the truth in my excuse of shopping for paper, when I went to see the honorary consul down in Ledekh Port. Especially when I returned without any paper. I busied myself in the days before our sailing to Ishtaria on two cuts—the Sea Lily and the Ocean Mist Flower—even if it is not a flower, according to my Carfax’s Bestiary of the Inner Worlds. She was not fooled by my industry and I felt soiled and venal. All Tongan women have dignity, but the princess possesses such innate nobility that the thought of lying to her offends nature itself. The moral order of the universe is upset. How can I tell her that my entire visit to this world is a tissue of fabrications?
Weather again fair, with the invariable light winds and interminable grey sky. I am of Ireland, supposedly we thrive on permanent overcast, but even I find myself pining for a glimpse of sun. Poor Latufui: she grows wan for want of light. Her skin is waxy, her hair lustreless. We have a long time to wait for a glimpse of sun: Carfax states that the sky clears partially at the dawn and sunset of Venus’s Great Day. I hope to be off this world by then.
Our ship, the Seventeen Notable Navigators, is a well-built, swift Krid jaicoona—among the Krid the females are the seafarers, but they equal the males of my world in the richness and fecundity of their taxonomy of ships. A jaicoona, it seems, is a fast catamaran steam packet, built for the archipelago trade. I have no sea legs, but the Seventeen Notable Navigators was the only option that would get us to Ishtaria in reasonable time. Princess Latufui tells me it is a fine and sturdy craft though built to alien dimensions: she has banged her head most painfully several times. Captain Highly-Able-at-Forecasting, recognizing a sister seafarer, engages the princess in lengthy conversations of an island-hopping, archipelagan nature, which remind Latufui greatly of her home islands. The other humans aboard are a lofty Thekh, and Hugo von Trachtenberg, a German in very high regard of himself, of that feckless type who think themselves gentleman adventurers but are little more than grandiose fraudsters. Nevertheless, he speaks Krid (as truly as any Terrene can) and acts as translator between princess and captain. It is a Venerian truth universally recognized that two unaccompanied women travelers must be in need of a male protector. The dreary hours Herr von Trachtenberg fills with his notion of gay chitchat! And in the evenings, the interminable games of Barrington. Von Trachtenberg claims to have gambled the game professionally in the cloud casinos: I let him win enough for the sensation to go to his head, then take him game after game. Ten times champion of the County Kildare mixed bridge championships is more than enough to beat his hide at Barrington. Still he does not get the message—yes, I am a wealthy widow, but I have no interest in jejune Prussians. Thus I retire to my cabin to begi
n my studies for the crescite dolium cut.
Has this world a more splendid sight than the harbor of Yez Tok? It is a city most perpendicular, of pillars and towers, masts and spires. The tall funnels of the ships, bright with the heraldry of the Krid maritime families, blend with god-poles and lighthouse and customs towers and cranes of the harbor, which in turn yield to the tower houses and campaniles of the Bourse, the whole rising to merge with the trees of the Ishtarian Littoral Forest—pierced here and there by the comical roofs of the estancias of the Thent zavars and the gilded figures of the star gods on their minarets. That forest also rises, a cloth of green, to break into the rocky palisades of the Exx Palisades. And there—oh how thrilling!—glimpsed through mountain passes unimaginably high, a glittering glimpse of the snows of the altiplano. Snow. Cold. Bliss!
It is only now, after reams of purple prose, that I realize what I was trying to say of Yez Tok: simply, it is city as botany—stems and trunks, boles and bracts, root and branch!
And out there, in the city-that-is-a-forest, is the man who will guide me farther in my brother’s footsteps: Mr. Daniel Okiring.
Plate 4: V crescite dolium: the Gourd of Plenty. A ubiquitous climbing plant of the Ishtari littoral, the Gourd of Plenty is so well adapted to urban environments that it would be considered a weed, but for the gourds, which contains a nectar prized as a delicacy among the coastal Thents. It is toxic to both Krid and humans.
The papercut bears a note on the true scale, written in gold ink.
The Hunter’s Tale
Have you seen a janthar? Really seen a janthar? Bloody magnificent, in the same way that a hurricane or an exploding volcano is magnificent. Magnificent and appalling. The films can never capture the sense of scale. Imagine a house, with fangs. And tusks. And spines. A house that can hit forty miles per hour. The films can never get the sheer sense of mass and speed—or the elegance and grace—that something so huge can be so nimble, so agile! And what the films can never, ever capture is the smell. They smell of curry. Vindaloo curry. Venerian body chemistry. But that’s why you never, ever eat curry on asjan. Out in the Stalva, the grass is tall enough to hide even a janthar. The smell is the only warning you get. You catch a whiff of vindaloo, you run.