by Eugène Sue
Watching him with his restless and burning eye, the Strangler continued his maneuvers with so much patience, that Djalma, still sleeping, but no longer able to bear this vague, annoying sensation, raised his right hand mechanically to his face, as if he would have brushed away an importunate insect. But he had not strength to do it; almost immediately after, his hand, inert and heavy, fell back upon his chest. The Strangler saw, by this symptom, that he was attaining his object, and continued to stroke, with the same address, the eyelids, brow, and temples.
Whereupon Djalma, more and more oppressed by heavy sleep, and having neither strength nor will to raise his hand to his face, mechanically turned round his head, which fell languidly upon his right shoulder, seeking by this change of attitude, to escape from the disagreeable sensation which pursued him. The first point gained, the Strangler could act more freely.
To render as profound as possible the sleep he had half interrupted, he now strove to imitate the vampire, and, feigning the action of a fan, he rapidly moved his extended hands about the burning face of the young Indian. Alive to a feeling of such sudden and delicious coolness, in the height of suffocating heat, the countenance of Djalma brightened, his bosom heaved, his half-opened lips drank in the grateful air, and he fell into a sleep only the more invincible, because it had been at first disturbed, and was now yielded to under the influence of a pleasing sensation.
A sudden flash of lightning illumined the shady dome that sheltered the ajoupa: fearing that the first clap of thunder might rouse the young Indian, the Strangler hastened to complete his Task. Djalma lay on his back, with his head resting on his right shoulder, and his left arm extended; the Thug, crouching at his left side, ceased by degrees the process of fanning; then, with incredible dexterity, he succeeded in rolling up, above the elbow, the long wide sleeve of white muslin that covered the left arm of the sleeper.
He next drew from the pocket of his drawers a copper box, from which he took a very fine, sharp-pointed needle, and a piece of a black-looking root. He pricked this root several times with the needle, and on each occasion there issued from it a white, glutinous liquid.
When the Strangler thought the needle sufficiently impregnated with this juice, he bent down, and began to blow gently over the inner surface of Djalma's arm, so as to cause a fresh sensation of coolness; then, with the point of his needle, he traced almost imperceptibly on the skin of the sleeping youth some mysterious and symbolical signs. All this was performed so cleverly and the point of the needle was so fine and keen, that Djalma did not feel the action of the acid upon the skin.
The signs, which the Strangler had traced, soon appeared on the surface, at first in characters of a pale rose-color, as fine as a hair; but such was the slowly corrosive power of the juice, that, as it worked and spread beneath the skin, they would become in a few hours of a violet red, and as apparent as they were now almost invisible.
The Strangler, having so perfectly succeeded in his project, threw a last look of ferocious longing on the slumbering Indian, and creeping away from the mat, regained the opening by which he had entered the cabin; next, closely uniting the edges of the incision, so as to obviate all suspicion, he disappeared just as the thunder began to rumble hoarsely in the distance.(4)
(4) We read in the letters of the late Victor Jacquemont upon India, with regard to the incredible dexterity of these men: "They crawl on the ground, ditches, in the furrows of fields, imitate a hundred different voices, and dissipate the effect of any accidental noise by raising the yelp of the jackal or note of some bird—then are silent, and another imitates the call of the same animal in the distance. They can molest a sleeper by all sorts of noises and slight touches, and make his body and limbs take any position which suits their purpose." Count Edward de Warren, in his excellent work on English India, which we shall have again occasion to quote, expresses himself in the same manner as to the inconceivable address of the Indians: "They have the art," says he, "to rob you, without interrupting your sleep, of the very sheet in which you are enveloped. This is not 'a traveller's tale.' but a fact. The movements of the bheel are those of the serpent. If you sleep in your tent, with a servant lying across each entrance, the bheel will come and crouch on the outside, in some shady corner, where he can hear the breathing of those within. As soon as the European sleeps, he feels sure of success, for the Asiatic will not long resist the attraction of repose. At the proper moment, he makes a vertical incision in the cloth of the tent, on the spot where he happens to be, and just large enough to admit him. He glides through like a phantom, without making the least grain of sand creak beneath his tread. He is perfectly naked, and all his body is rubbed over with oil; a two-edged knife is suspended from his neck. He will squat down close to your couch, and, with incredible coolness and dexterity, will gather up the sheet in very little folds, so as to occupy the least surface possible; then, passing to the other side, he will lightly tickle the sleeper, whom he seems to magnetize, till the latter shrinks back involuntarily, and ends by turning round, and leaving the sheet folded behind him. Should he awake, and strive to seize the robber, he catches at a slippery form, which slides through his hands like an eel; should he even succeed in seizing him, it would be fatal—the dagger strikes him to the heart, he falls bathed in his blood, and the assassin disappears."—E. S.
CHAPTER XIX. THE SMUGGLER
The tempest of the morning has long been over. The sun is verging towards the horizon. Some hours have elapsed, since the Strangler introduced himself into Djalma's cabin, and tattooed him with a mysterious sign during his sleep.
A horseman advances rapidly down a long avenue of spreading trees. Sheltered by the thick and verdant arch, a thousand birds salute the splendid evening with songs and circlings; red and green parrots climb, by help of their hooked beaks, to the top of pink-blossomed acacias; large Morea birds of the finest and richest blue, whose throats and long tails change in the light to a golden brown, are chasing the prince oriels, clothed in their glossy feathers of black and orange; Kolo doves, of a changeable violet hue, are gently cooing by the side of the birds of paradise, in whose brilliant plumage are mingled the prismatic colors of the emerald and ruby, the topaz and sapphire.
This avenue, a little raised, commanded a view of a small pond, which reflected at intervals the green shade of tamarind trees. In the calm, limpid waters, many fish were visible, some with silver scales and purple fins, others gleaming with azure and vermilion; so still were they that they looked as if set in a mass of bluish crystal, and, as they dwelt motionless near the surface of the pool, on which played a dazzling ray of the sun, they revelled in the enjoyment of the light and heat. A thousand insects—living gems, with wings of flame—glided, fluttered and buzzed over the transparent wave, in which, at an extraordinary depth, were mirrored the variegated tints of the aquatic plants on the bank.
It is impossible to give an adequate idea of the exuberant nature of this scene, luxuriant in the sunlight, colors, and perfumes, which served, so to speak, as a frame to the young and brilliant rider, who was advancing along the avenue. It was Djalma. He had not yet perceived the indelible marks, which the Strangler had traced upon his left arm.
His Japanese mare, of slender make, full of fire and vigor, is black as night. A narrow red cloth serves instead of saddle. To moderate the impetuous bounds of the animal, Djalma uses a small steel bit, with headstall and reins of twisted scarlet silk, fine as a thread.
Not one of those admirable riders, sculptured so masterly on the frieze of the Parthenon, sits his horse more gracefully and proudly than this young Indian, whose fine face, illumined by the setting sun, is radiant with serene happiness; his eyes sparkle with joy, and his dilated nostrils and unclosed lips inhale with delight the balmy breeze, that brings to him the perfume of flowers and the scent of fresh leaves, for the trees are still moist from the abundant rain that fell after the storm.
A red cap, similar to that worn by the Greeks, surmounting the black locks of Djal
ma, sets off to advantage the golden tint of his complexion; his throat is bare; he is clad in his robe of white muslin with large sleeves, confined at the waist by a scarlet sash; very full drawers, in white cotton stuff, leave half uncovered his tawny and polished legs; their classic curve stands out from the dark sides of the horse, which he presses tightly between his muscular calves. He has no stirrups; his foot, small and narrow, is shod with a sandal of morocco leather.
The rush of his thoughts, by turns impetuous and restrained, was expressed in some degree by the pace he imparted to his horse—now bold and precipitate, like the flight of unbridled imagination—now calm and measured, like the reflection which succeeds an idle dream. But, in all this fantastic course, his least movements were distinguished by a proud, independent and somewhat savage grace.
Dispossessed of his paternal territory by the English, and at first detained by them as a state-prisoner after the death of his father—who (as M. Joshua Van Dael had written to M. Rodin) had fallen sword in hand—Djalma had at length been restored to liberty. Abandoning the continent of India, and still accompanied by General Simon, who had lingered hard by the prison of his old friend's son, the young Indian came next to Batavia, the birthplace of his mother, to collect the modest inheritance of his maternal ancestors. And amongst this property, so long despised or forgotten by his father, he found some important papers, and a medal exactly similar to that worn by Rose and Blanche.
General Simon was not more surprised than pleased at this discovery, which not only established a tie of kindred between his wife and Djalma's mother, but which also seemed to promise great advantages for the future. Leaving Djalma at Batavia, to terminate some business there, he had gone to the neighboring island of Sumatra, in the hope of finding a vessel that would make the passage to Europe directly and rapidly; for it was now necessary that, cost what it might, the young Indian also should be at Paris on the 13th February, 1832. Should General Simon find a vessel ready to sail for Europe, he was to return immediately, to fetch Djalma; and the latter, expecting him daily, was now going to the pier of Batavia, hoping to see the father of Rose and Blanche arrive by the mail boat from Sumatra.
A few words are here necessary on the early life of the son of Kadja sing.
Having lost his mother very young, and brought up with rude simplicity, he had accompanied his father, whilst yet a child, to the great tiger hunts, as dangerous as battles; and, in the first dawn of youth, he had followed him to the stern bloody war, which he waged in defence of his country. Thus living, from the time of his mother's death, in the midst of forests and mountains and continual combats, his vigorous and ingenuous nature had preserved itself pure, and he well merited the name of "The Generous" bestowed on him. Born a prince, he was—which by no means follows—a prince indeed. During the period of his captivity, the silent dignity of his bearing had overawed his jailers. Never a reproach, never a complaint—a proud and melancholy calm was all that he opposed to a treatment as unjust as it was barbarous, until he was restored to freedom.
Having thus been always accustomed to a patriarchal life, or to a war of mountaineers, which he had only quitted to pass a few months in prison, Djalma knew nothing, so to speak, of civilized society. Without its exactly amounting to a defect, he certainly carried his good qualities to their extreme limits. Obstinately faithful to his pledged word, devoted to the death, confiding to blindness, good almost to a complete forgetfulness of himself, he was inflexible towards ingratitude, falsehood, or perfidy. He would have felt no compunction to sacrifice a traitor, because, could he himself have committed a treason, he would have thought it only just to expiate it with his life.
He was, in a word, the man of natural feelings, absolute and entire. Such a man, brought into contact with the temperaments, calculations, falsehoods, deceptions, tricks, restrictions, and hollowness of a refined society, such as Paris, for example, would, without doubt, form a very curious subject for speculation. We raise this hypothesis, because, since his journey to France had been determined on, Djalma had one fixed, ardent desire—to be in Paris.
In Paris—that enchanted city—of which, even in Asia, the land of enchantment, so many marvelous tales were told.
What chiefly inflamed the fresh, vivid imagination of the young Indian, was the thought of French women—those attractive Parisian beauties, miracles of elegance and grace, who eclipsed, he was informed, even the magnificence of the capitals of the civilized world. And at this very moment, in the brightness of that warm and splendid evening, surrounded by the intoxication of flowers and perfumes, which accelerated the pulses of his young fiery heart, Djalma was dreaming of those exquisite creatures, whom his fancy loved to clothe in the most ideal garbs.
It seemed to him as if, at the end of the avenue, in the midst of that sheet of golden light, which the trees encompassed with their full, green arch, he could see pass and repass, white and sylph-like, a host of adorable and voluptuous phantoms, that threw him kisses from the tips of their rosy fingers. Unable to restrain his burning emotions, carried away by a strange enthusiasm, Djalma uttered exclamations of joy, deep, manly, and sonorous, and made his vigorous courser bound under him in the excitement of a mad delight. Just then a sunbeam, piercing the dark vault of the avenue, shone full upon him.
For several minutes, a man had been advancing rapidly along a path, which, at its termination, intersected the avenue diagonally. He stopped a moment in the shade, looking at Djalma with astonishment. It was indeed a charming sight, to behold, in the midst of a blaze of dazzling lustre, this youth, so handsome, joyous, and ardent, clad in his white and flowing vestments, gayly and lightly seated on his proud black mare, who covered her red bridle with her foam, and whose long tail and thick mane floated on the evening breeze.
But, with that reaction which takes place in all human desires, Djalma soon felt stealing over him a sentiment of soft, undefinable melancholy. He raised his hand to his eyes, now dimmed with moisture, and allowed the reins to fall on the mane of his docile steed, which, instantly stopping, stretched out its long neck, and turned its head in the direction of the personage, whom it could see approaching through the coppice.
This man, Mahal the Smuggler, was dressed nearly like European sailors. He wore jacket and trousers of white duck, a broad red sash, and a very low-crowned straw hat. His face was brown, with strongly-marked features, and, though forty years of age, he was quite beardless.
In another moment, Mahal was close to the young Indian. "You are Prince Djalma?" said he, in not very good French, raising his hand respectfully to his hat.
"What would you?" said the Indian.
"You are the son of Kadja-sing?"
"Once again, what would you?"
"The friend of General Simon?"
"General Simon?" cried Djalma.
"You are going to meet him, as you have gone every evening, since you expect his return from Sumatra?"
"Yes, but how do you know all this?" said the Indian looking at the Smuggler with as much surprise as curiosity.
"Is he not to land at Batavia, to-day or to-morrow?"
"Are you sent by him?"
"Perhaps," said Mahal, with a distrustful air. "But are you really the son of Kadja-sing?"
"Yes, I tell you—but where have you seen General Simon?"
"If you are the son of Kadja-sing," resumed Mahal, continuing to regard Djalma with a suspicious eye, "what is your surname?"
"My sire was called the 'Father of the Generous,'" answered the young Indian, as a shade of sorrow passed over his fine countenance.
These words appeared in part to convince Mahal of the identity of Djalma; but, wishing doubtless to be still more certain, he resumed: "You must have received, two days ago, a letter from General Simon, written from Sumatra?"
"Yes; but why so many questions?"
"To assure myself that you are really the son of Kadja-sing, and to execute the orders I have received."
"From whom?"
"From Gener
al Simon."
"But where is he?"
"When I have proof that you are Prince Djalma, I will tell you. I was informed that you would be mounted on a black mare, with a red bridle. But—"
"By the soul of my mother! speak what you have to say!"
"I will tell you all—if you can tell me what was the printed paper, contained in the last letter that General Simon wrote you from Sumatra."
"It was a cutting from a French newspaper."
"Did it announce good or bad news for the general?"
"Good news—for it related that, during his absence, they had acknowledged the last rank and title bestowed on him by the Emperor, as they had done for others of his brothers in arms, exiled like him."
"You are indeed Prince Djalma," said the Smuggler, after a moment's reflection. "I may speak. General Simon landed last night in Java, but on a desert part of the coast."
"On a desert part?"
"Because he has to hide himself."
"Hide himself!" exclaimed Djalma, in amazement; "why?"
"That I don't know."
"But where is he?" asked Djalma, growing pale with alarm.
"He is three leagues hence—near the sea-shore—in the ruins of Tchandi."
"Obliged to hide himself!" repeated Djalma, and his countenance expressed increasing surprise and anxiety.
"Without being certain, I think it is because of a duel he fought in Sumatra," said the Smuggler, mysteriously.
"A duel—with whom?"
"I don't know—I am not at all certain on the subject. But do you know the ruins of Tchandi?"
"Yes."
"The general expects you there; that is what he ordered me to tell you."
"So you came with him from Sumatra?"
"I was pilot of the little smuggling coaster, that landed him in the night on a lonely beach. He knew that you went every day to the mole, to wait for him; I was almost sure that I should meet you. He gave me details about the letter you received from him as a proof that he had sent me. If he could have found the means of writing, he would have written."