by Eugène Sue
"I can hardly understand your reproaches," answered Father d'Aigrigny, mildly, though a secret bitterness made its way through his apparent submission. "Was not the success certain, had it not been for this codicil? Did you not yourself assist in the measures that you now blame?"
"You commanded, then, and it was my duty to obey. Besides, you were just on the point of succeeding—not because of the means you had taken—but in spite of those means, with all their awkward and revolting brutality."
"Sir—you are severe," said Father d'Aigrigny.
"I am just. One has to be prodigiously clever, truly, to shut up any one in a room, and then lock the door! And yet, what else have you done? The daughters of General Simon?—imprisoned at Leipsic, shut up in a convent at Paris! Adrienne de Cardoville?—placed in confinement. Sleepinbuff—put in prison. Djalma?—quieted by a narcotic. One only ingenious method, and a thousand times safer, because it acted morally, not materially, was employed to remove M. Hardy. As for your other proceedings—they were all bad, uncertain, dangerous. Why? Because they were violent, and violence provokes violence. Then it is no longer a struggle of keen, skillful, persevering men, seeing through the darkness in which they walk, but a match of fisticuffs in broad day. Though we should be always in action, we should always shrink from view; and yet you could find no better plan than to draw universal attention to us by proceedings at once open and deplorably notorious. To make them more secret, you call in the guard, the commissary of police, the jailers, for your accomplices. It is pitiable, sir; nothing but the most brilliant success could cover such wretched folly; and this success has been wanting."
"Sir," said Father d'Aigrigny, deeply hurt, for the Princess de Saint Dizier, unable to conceal the sort of admiration caused in her by the plain, decisive words of Rodin, looked at her old lover, with an air that seemed to say, "He is right;"—"sir, you are more than severe in your judgment; and, notwithstanding the deference I owe to you, I must observe, that I am not accustomed—"
"There are many other things to which you are not accustomed," said Rodin, harshly interrupting the reverend father; "but you will accustom yourself to them. You have hitherto had a false idea of your own value. There is the old leaven of the soldier and the worlding fermenting within you, which deprives your reason of the coolness, lucidity, and penetration that it ought to possess. You have been a fine military officer, brisk and gay, foremost in wars and festivals, with pleasures and women. These things have half worn you out. You will never be anything but a subaltern; you have been thoroughly tested. You will always want that vigor and concentration of mind which governs men and events. That vigor and concentration of mind I have—and do you know why? It is because, solely devoted to the service of the Company, I have always been ugly, dirty, unloved, unloving—I have all my manhood about me!"
In pronouncing these words, full of cynical pride, Rodin was truly fearful. The princess de Saint-Dizier thought him almost handsome by his energy and audacity.
Father d'Aigrigny, feeling himself overawed, invincibly and inexorably, by this diabolical being, made a last effort to resist and exclaimed, "Oh! sir, these boastings are no proofs of valor and power. We must see you at work."
"Yes," replied Rodin, coldly; "do you know at what work?" Rodin was fond of this interrogative mode of expression. "Why, at the work that you so basely abandon."
"What!" cried the Princess de Saint-Dizier; for Father d'Aigrigny, stupefied at Rodin's audacity, was unable to utter a word.
"I say," resumed Rodin, slowly, "that I undertake to bring to a good issue this affair of the Rennepont inheritance, which appears to you so desperate."
"You?" cried Father d'Aigrigny. "You?" "I."
"But they have unmasked our maneuvers."
"So much the better; we shall be obliged to invent others."
"But they; will suspect us in everything."
"So much the better; the success that is difficult is the most certain."
"What! do you hope to make Gabriel consent not to revoke his donation, which is perhaps illegal?"
"I mean to bring in to the coffers of the Company the whole of the two hundred and twelve millions, of which they wish to cheat us. Is that clear?"
"It is clear—but impossible."
"And I tell you that it is, and must be possible. Do you not understand, short-sighted as you are!" cried Rodin, animated to such a degree that his cadaverous face became slightly flushed; "do you not understand that it is no longer in our choice to hesitate? Either these two hundred and twelve millions must be ours—and then the re-establishment of our sovereign influence in France is sure—for, in these venal times, with such a sum at command, you may bribe or overthrow a government, or light up the flame of civil war, and restore legitimacy, which is our natural ally, and, owing all to us, would give us all in return—"
"That is clear," cried the princess, clasping her hands in admiration.
"If, on the contrary," resumed Rodin, "these two hundred and twelve millions fall into the hands of the family of the Renneponts, it will be our ruin and our destruction. We shall create a stock of bitter and implacable enemies. Have you not heard the execrable designs of that Rennepont, with regard to the association he recommends, and which, by an accursed fatality, his race are just in a condition to realize? Think of the forces that would rally round these millions. There would be Marshal Simon, acting in the name of his daughters—that is, the man of the people become a duke, without being the vainer for it, which secures his influence with the mob, because military spirit and Bonapartism still represent, in the eyes of the French populace, the traditions of national honor and glory. There would be Francis Hardy, the liberal, independent, enlightened citizen, the type of the great manufacturer, the friend of progress, the benefactor of his workmen. There would be Gabriel—the good priest, as they say!—the apostle of the primitive gospel, the representative of the democracy of the church, of the poor country curate as opposed to the rich bishop, the tiller of the vine as opposed to him who sits in the shade of it; the propagator of all the ideas of fraternity, emancipation, progress—to use their own jargon—and that, not in the name of revolutionary and incendiary politics, but in the name of a religion of charity, love, and peace—to speak as they speak. There, too, would be Adrienne de Cardoville, the type of elegance, grace, and beauty, the priestess of the senses, which she deifies by refining and cultivating them. I need not tell you of her wit and audacity; you know them but too well. No one could be more dangerous to us than this creature, a patrician in blood, a plebeian in heart, a poet in imagination. Then, too, there would be Prince Djalma, chivalrous, bold, ready for adventure, knowing nothing of civilized life, implacable in his hate as in his affection, a terrible instrument for whoever can make use of him. In this detestable family, even such a wretch as Sleepinbuff, who in himself is of no value, raised and purified by the contact of these generous and far from narrow natures (as they call them), might represent the working class, and take a large share in the influence of that association. Now do you not think that if all these people, already exasperated against us, because (as they say) we have wished to rob them, should follow the detestable counsels of this Rennepont—should unite their forces around this immense fortune, which would strengthen them a hundred-fold—do you not think that, if they declare a deadly war against us, they will be the most dangerous enemies that we have ever had? I tell you that the Company has never been in such serious peril; yes, it is now a question of life and death. We must no longer defend ourselves, but lead the attack, so as to annihilate this accursed race of Rennepont, and obtain possession of these millions."
At this picture, drawn by Rodin with a feverish animation, which had only the more influence from its unexpectedness, the princess and Father d'Aigrigny looked at each other in confusion.
"I confess," said the reverend father to Rodin, "I had not considered all the dangerous consequences of this association, recommended by M. de Rennepont. I believe that the heir, from t
he characters we know them to be possessed of, would wish to realize this Utopia. The peril is great and pressing; what is to be done?"
"What, sir? You have to act upon ignorant, heroic, enthusiastic natures like Djalma's—sensual and eccentric characters like Adrienne de Cardoville's—simple and ingenuous minds like Rose and Blanche Simon's—honest and frank dispositions like Francis Hardy's—angelic and pure souls like Gabriel's—brutal and stupid instincts like Jacques—and can you ask, 'What is to be done?'"
"In truth, I do not understand you," said Father d'Aigrigny.
"I believe it. Your past conduct shows as much," replied Rodin, contemptuously. "You have had recourse to the lowest and most mechanical contrivances, instead of acting upon the noble and generous passions, which, once united, would constitute so formidable a bond; but which, now divided and isolated, are open to every surprise, every seduction, every attack! Do you, at length understand me? Not yet?" added Rodin, shrugging his shoulders. "Answer me—do people die of despair?"
"Yes."
"May not the gratitude of successful love reach the last limits of insane generosity?"
"Yes."
"May there not be such horrible deceptions, that suicide is the only refuge from frightful realities?"
"Yes."
"May not the excess of sensuality lead to the grave by a slow and voluptuous agony?"
"Yes."
"Are there not in life such terrible circumstances that the most worldly, the firmest, the most impious characters, throw themselves blindly, overwhelmed with despair, into the arms of religion, and abandon all earthly greatness for sackcloth, and prayers, and solitude?"
"Yes."
"Are there not a thousand occasions in which the reaction of the passions works the most extraordinary changes, and brings about the most tragic catastrophes in the life of man and woman?"
"No doubt."
"Well, then! why ask me, 'What is to be done?' What would you say, for example, if before three months are over, the most dangerous members of this family of the Renneponts should come to implore, upon their knees, admission to that very Society which they now hold in horror, and from which Gabriel has just separated?"
"Such a conversion is impossible," cried Father d'Aigrigny.
"Impossible? What were you, sir, fifteen years ago?" said Rodin. "An impious and debauched man of the world. And yet you came to us, and your wealth became ours. What! we have conquered princes, kings, popes; we have absorbed and extinguished in our unity magnificent intelligences, which, from afar, shone with too dazzling a light; we have all but governed two worlds; we have perpetuated our Society, full of life, rich and formidable, even to this day, through all the hate, and all the persecutions that have assailed us; and yet we shall not be able to get the better of a single family, which threatens our Company, and has despoiled us of a large fortune? What! we are not skillful enough to obtain this result without having recourse to awkward and dangerous violence? You do not know, then, the immense field that is thrown open by the mutually destructive power of human passions, skillfully combined, opposed, restrained, excited?—particularly," added Rodin, with a strange smile, "when, thanks to a powerful ally, these passions are sure to be redoubled in ardor and energy."
"What ally?" asked Father d'Aigrigny, who, as well as the Princess de Saint-Dizier, felt a sort of admiration mixed with terror.
"Yes," resumed Rodin, without answering the reverend father; "this formidable ally, who comes to our assistance, may bring about the most astonishing transformations—make the coward brave, and the impious credulous, and the gentle ferocious—"
"But this ally!" cried the Princess, oppressed with a vague sense of fear. "This great and formidable ally—who is he?"
"If he comes," resumed Rodin, still impassible, "the youngest and most vigorous, every moment in danger of death, will have no advantage over the sick man at his last gasp."
"But who is this ally?" exclaimed Father d'Aigrigny, more and more alarmed, for as the picture became darker, Rodin's face become more cadaverous.
"This ally, who can decimate a population, may carry away with him in the shroud that he drags at his heels, the whole of an accursed race; but even he must respect the life of that great intangible body, which does not perish with the death of its members—for the spirit of the Society of Jesus is immortal!"
"And this ally?"
"Oh, this ally," resumed Rodin, "who advances with slow steps, and whose terrible coming is announced by mournful presentiments—"
"Is—"
"The Cholera!"
These words, pronounced by Rodin in an abrupt voice, made the Princess and Father d'Aigrigny grow pale and tremble. Rodin's look was gloomy and chilling, like a spectre's. For some moments, the silence of the tomb reigned in the saloon. Rodin was the first to break it. Still impassible, he pointed with imperious gesture to the table, where a few minutes before he had himself been humbly seated, and said in a sharp voice to Father d'Aigrigny, "Write!"
The reverend father started at first with surprise; then, remembering that from a superior he had become an inferior, he rose, bowed lowly to Rodin, as he passed before him, seated himself at the table, took the pen, and said, "I am ready."
Rodin dictated, and the reverend Father wrote as follows: "By the mismanagement of the Reverend Father d'Aigrigny, the affair of the inheritance of the Rennepont family has been seriously compromised. The sum amounts to two hundred and twelve millions. Notwithstanding the check we have received, we believe we may safely promise to prevent these Renneponts from injuring the Society, and to restore the two hundred and twelve millions to their legitimate possessors. We only ask for the most complete and extensive powers."
A quarter of an hour after this scene, Rodin left Saint Dizier House, brushing with his sleeve the old greasy hat, I which he had pulled off to return the salute of the porter by a very low bow.
CHAPTER XXVIII. THE STRANGER.
The following scene took place on the morrow of the day in which Father d'Aigrigny had been so rudely degraded by Rodin to the subaltern position formerly occupied by the socius.
It is well known that the Rue Clovis is one of the most solitary streets in the Montagne St. Genevieve district. At the epoch of this narrative, the house No. 4, in this street, was composed of one principal building, through which ran a dark passage, leading to a little, gloomy court, at the end of which was a second building, in a singularly miserable and dilapidated condition. On the ground-floor, in front of the house, was a half-subterraneous shop, in which was sold charcoal, fagots, vegetables, and milk. Nine o'clock in the morning had just struck. The mistress of the shop, one Mother Arsene, an old woman of a mild, sickly countenance, clad in a brown stuff dress, with a red bandanna round her head, was mounted on the top step of the stairs which led down to her door, and was employed in setting out her goods—that is, on one side of her door she placed a tin milk-can, and on the other some bunches of stale vegetables, flanked with yellowed cabbages. At the bottom of the steps, in the shadowy depths of the cellar, one could see the light of the burning charcoal in a little stove. This shop situated at the side of the passage, served as a porter's lodge, and the old woman acted as portress. On a sudden, a pretty little creature, coming from the house, entered lightly and merrily the shop. This young girl was Rose-Pompon, the intimate friend of the Bacchanal Queen.—Rose-Pompon, a widow for the moment, whose bacchanalian cicisbeo was Ninny Moulin, the orthodox scapegrace, who, on occasion, after drinking his fill, could transform himself into Jacques Dumoulin, the religious writer, and pass gayly from dishevelled dances to ultramontane polemics, from Storm-blown Tulips to Catholic pamphlets.
Rose-Pompon had just quitted her bed, as appeared by the negligence of her strange morning costume; no doubt, for want of any other head-dress, on her beautiful light hair, smooth and well-combed, was stuck jauntily a foraging-cap, borrowed from her masquerading costume. Nothing could be more sprightly than that face, seventeen years old, rosy, fresh, dimp
led, and brilliantly lighted up by a pair of gay, sparkling blue eyes. Rose Pompon was so closely enveloped from the neck to the feet in a red and green plaid cloak, rather faded, that one could guess the cause of her modest embarrassment. Her naked feet, so white that one could not tell if she wore stockings or not, were slipped into little morocco shoes, with plated buckles. It was easy to perceive that her cloak concealed some article which she held in her hand.
"Good-day, Rose-Pompon," said Mother Arsene with a kindly air; "you are early this morning. Had you no dance last night?"
"Don't talk of it, Mother Arsene; I had no heart to dance. Poor Cephyse—the Bacchanal Queen—has done nothing but cry all night. She cannot console herself, that her lover should be in prison."
"Now, look here, my girl," said the old woman, "I must speak to you about your friend Cephyse. You won't be angry?"
"Am I ever angry?" said Rose-Pompon, shrugging her shoulders.
"Don't you think that M. Philemon will scold me on his return?"
"Scold you! what for?"
"Because of his rooms, that you occupy."
"Why, Mother Arsene, did not Philemon tell you, that, in his absence, I was to be as much mistress of his two rooms as I am of himself?"
"I do not speak of you, but of your friend Cephyse, whom you have also brought to occupy M. Philemon's lodgings."
"And where would she have gone without me, my good Mother Arsene? Since her lover was arrested, she has not dared to return home, because she owes ever so many quarters. Seeing her troubles. I said to her: 'Come, lodge at Philemon's. When he returns, we must find another place for you.'"
"Well, little lovey—if you only assure me that M. Philemon will not be angry—"
"Angry! for what? That we spoil his things? A fine set of things he has to spoil! I broke his last cup yesterday—and am forced to fetch the milk in this comic concern."
So saying, laughing with all her might, Rose-Pompon drew her pretty little white arm from under her cloak, and presented to Mother Arsene one of those champagne glasses of colossal capacity, which hold about a bottle.