by Eugène Sue
"Something that concerns you, Rose-Pompon," said Dumoulin, gravely.
"Me?"
"Rose-Pompon!" said Ninny Moulin, suddenly, with a majestic air; "will you have a carriage? Will you inhabit a charming apartment, instead of living in this dreadful hole? Will you be dressed like a duchess?"
"Now for some more nonsense! Come, will you eat the olives? If not, I shall eat them all up. There is only one left."
Without answering this gastronomic offer, Ninny Moulin felt in one of his pockets, and drew from it a case containing a very pretty bracelet, which he held up sparkling before the eyes of the young girl.
"Oh! what a sumptuous bracelet!" cried she, clapping her hands. "A green-eyed serpent biting his tail—the emblem of my love for Philemon."
"Do not talk of Philemon; it annoys me," said Ninny Moulin, as he clasped the bracelet round the wrist of Rose-Pompon, who allowed him to do it, laughing all the while like mad, and saying to him, "So you've been employed to make a purchase, big apostle, and wish to see the effect of it. Well! it is charming!"
"Rose-Pompon," resumed Ninny Moulin, "would you like to have a servant, a box at the Opera, and a thousand francs a month for your pin-money?"
"Always the same nonsense. Get along!" said the young girl, as she held up the bracelet to the light, still continuing to eat her nuts. "Why always the same farce, and no change of bills?"
Ninny Moulin again plunged his hand into his pocket, and this time drew forth an elegant chain, which he hung round Rose-Pompon's neck.
"Oh! what a beautiful chain!" cried the young girl, as she looked by turns at the sparkling ornament and the religious writer. "If you chose that also, you have a very good taste. But am I not a good natured girl to be your dummy, just to show off your jewels?"
"Rose-Pompon," returned Ninny Moulin, with a still more majestic air, "these trifles are nothing to what you may obtain, if you will but follow the advice of your old friend."
Rose began to look at Dumoulin with surprise, and said to him, "What does all this mean, Ninny Moulin? Explain yourself; what advice have you to give?"
Dumoulin did not answer, but replunging his hand into his inexhaustible pocket, he fished up a parcel, which he carefully unfolded, and in which was a magnificent mantilla of black lace. Rose-Pompon started up, full of new admiration, and Dumoulin threw the rich mantilla over the young girl's shoulders.
"It is superb! I have never seen anything like it! What patterns! what work!" said Rose-Pompon, as she examined all with simple and perfectly disinterested curiosity. Then she added, "Your pocket is like a shop; where did you get all these pretty things?" Then, bursting into a fit of laughter, which brought the blood to her cheeks, she exclaimed, "Oh, I have it! These are the wedding-presents for Madame de la Sainte-Colombe. I congratulate you; they are very choice."
"And where do you suppose I should find money to buy these wonders?" said Ninny Moulin. "I repeat to you, all this is yours if you will but listen to me!"
"How is this?" said Rose-Pompon, with the utmost amazement; "is what you tell me in downright earnest?"
"In downright earnest."
"This offer to make me a great lady?"
"The jewels might convince you of the reality of my offers."
"And you propose all this to me for some one else, my poor Ninny Moulin?"
"One moment," said the religious writer, with a comical air of modesty, "you must know me well enough, my beloved pupil, to feel certain that I should be incapable of inducing you to commit an improper action. I respect myself too much for that—leaving out the consideration that it would be unfair to Philemon, who confided to me the guardianship of your virtue."
"Then, Ninny Moulin," said Rose-Pompon, more and more astonished, "on my word of honor, I can make nothing of it.
"Yet, 'tis all very simple, and I—"
"Oh! I've found it," cried Rose-Pompon, interrupting Ninny Moulin; "it is some gentleman who offers me his hand, his heart, and all the rest of it. Could you not tell me that directly?"
"A marriage? oh, laws, yes!" said Dumoulin, shrugging his shoulders.
"What! is it not a marriage?" said Rose-Pompon, again much surprised.
"No."
"And the offers you make me are honest ones, my big apostle?"
"They could not be more so." Here Dumoulin spoke the truth.
"I shall not have to be unfaithful to Philemon?"
"No."
"Or faithful to any one else?"
"No."
Rose-Pompon looked confounded. Then she rattled on: "Come, do not let us have any joking! I am not foolish enough to imagine that I am to live just like a duchess, just for nothing. What, therefore, must I give in return?"
"Nothing at all."
"Nothing?"
"Not even that," said Ninny Moulin, biting his nail-tip.
"But what am I to do, then?"
"Dress yourself as handsomely as possible, take your ease, amuse yourself, ride about in a carriage. You see, it is not very fatiguing—and you will, moreover, help to do a good action."
"What! by living like a duchess?"
"Yes! so make up your mind. Do not ask me for any more details, for I cannot give them to you. For the rest, you will not be detained against your will. Just try the life I propose to you. If it suits you, go on with it; if not, return to your Philemonic household."
"In fact—"
"Only try it. What can you risk?"
"Nothing; but I can hardly believe that all you say is true. And then," added she, with hesitation, "I do not know if I ought—"
Ninny Moulin went to the window, opened it, and said to Rose-Pompon, who ran up to it, "Look there! before the door of the house."
"What a pretty carriage! How comfortable a body'd be inside of it!"
"That carriage is yours. It is waiting for you."
"Waiting for me!" exclaimed Rose-Pompon; "am I to decide as short as that?"
"Or not at all."
"To-day?"
"On the instant."
"But where will they take me?"
"How should I know?"
"You do not know where they will take me?"
"Not I,"—and Dumoulin still spoke the truth—"the coachman has his orders."
"Do you know all this is very funny, Ninny Moulin?"
"I believe you. If it were not funny, where would be the pleasure?"
"You are right."
"Then you accept the offer? That is well. I am delighted both for you and myself."
"For yourself?"
"Yes; because, in accepting, you render me a great service."
"You? How so?"
"It matters little, as long as I feel obliged to you."
"True."
"Come, then; let us set out!"
"Bah! after all, they cannot eat me," said Rose-Pompon, resolutely.
With a skip and a jump, she went to fetch a rose-colored cap, and, going up to a broken looking-glass, placed the cap very much cocked on one side on her bands of light hair. This left uncovered her snowy neck, with the silky roots of the hair behind, and gave to her pretty face a very mischievous, not to say licentious expression.
"My cloak!" said she to Ninny Moulin, who seemed to be relieved from a considerable amount of uneasiness, since she had accepted his offer.
"Fie! a cloak will not do," answered her companion, feeling once more in his pocket and drawing out a fine Cashmere shawl, which he threw over Rose-Pompon's shoulders.
"A Cashmere!" cried the young girl, trembling with pleasure and joyous surprise. Then she added, with an air of heroism: "It is settled! I will run the gauntlet." And with a light step she descended the stairs, followed by Ninny Moulin.
The worthy greengrocer was at her post. "Good-morning, mademoiselle; you are early to-day," said she to the young girl.
"Yes, Mother Arsene; there is my key."
"Thank you, mademoiselle."
"Oh! now I think of it," said Rose Pompon, suddenly, in a whisper, as she tu
rned towards Ninny Moulin, and withdrew further from the portress, "what is to became of Philemon?"
"Philemon?"
"If he should arrive—"
"Oh! the devil!" said Ninny Moulin, scratching his ear.
"Yes; if Philemon should arrive, what will they say to him? for I may be a long time absent."
"Three or four months, I suppose."
"Not more?"
"I should think not."
"Oh! very good!" said Rose-Pompon. Then, turning towards the greengrocer, she said to her, after a moment's reflection: "Mother Arsene, if Philemon should come home, you will tell him I have gone out—on business."
"Yes, mademoiselle."
"And that he must not forget to feed my pigeons, which are in his study."
"Yes, mademoiselle."
"Good-bye, Mother Arsene."
"Good-bye, mademoiselle." And Rose-Pompon entered the carriage in triumph, along with Ninny Moulin.
"The devil take me if I know what is to come of all this," said Jacques Dumoulin to himself, as the carriage drove rapidly down the Rue Clovis. "I have repaired my error—and now I laugh at the rest."
CHAPTER VII. ANOTHER SECRET.
The following scene took place a few days after the abduction of Rose Pompon by Ninny Moulin. Mdlle. de Cardoville was seated in a dreamy mood, in her cabinet, which was hung with green silk, and furnished with an ebony library, ornamented with large bronze caryatides. By some significant signs, one could perceive that Mdlle. de Cardoville had sought in the fine airs some relief from sad and serious thoughts. Near an open piano, was a harp, placed before a music-stand. A little further, on a table covered with boxes of oil and water-color, were several brilliant sketches. Most of them represented Asiatic scenes, lighted by the fires of an oriental sun. Faithful to her fancy of dressing herself at home in a picturesque style, Mademoiselle de Cardoville resembled that day one of those proud portraits of Velasquez, with stern and noble aspect. Her gown was of black moire, with wide swelling petticoat, long waist, and sleeve slashed with rose-colored satin, fastened together with jet bugles. A very stiff, Spanish ruff reached almost to her chin, and was secured round her neck by a broad rose-colored ribbon. This frill, slightly heaving, sloped down as far as the graceful swell of the rose-colored stomacher, laced with strings of jet beads, and terminating in a point at the waist. It is impossible to express how well this black garment, with its ample and shining folds, relieved with rose-color and brilliant jet, skin, harmonized with the shining whiteness of Adrienne's and the golden flood of her beautiful hair, whose long, silky ringlets descended to her bosom.
The young lady was in a half-recumbent posture, with her elbow resting on a couch covered with green silk. The back of this piece of furniture, which was pretty high towards the fireplace, sloped down insensibly towards the foot. A sort of light, semicircular trellis-work, in gilded bronze, raised about five feet from the ground, covered with flowering plants (the admirable passiflores quadrangulatoe, planted in a deep ebony box, from the centre of which rose the trellis-work), surrounded this couch with a sort of screen of foliage enamelled with large flowers, green without, purple within, and as brilliant as those flowers of porcelain, which we receive from Saxony. A sweet, faint perfume, like a faint mixture of jasmine with violet, rose from the cup of these admirable passiflores. Strange enough, a large quantity of new books (Adrienne having bought them since the last two or three days) and quite fresh-cut, were scattered around her on the couch, and on a little table; whilst other larger volumes, amongst which were several atlases full of engravings, were piled on the sumptuous fur, which formed the carpet beneath the divan. Stranger still, these books, though of different forms, and by different authors, alt treated of the same subject. The posture of Adrienne revealed a sort of melancholy dejection. Her cheeks were pale; a light blue circle surrounded her large, black eyes, now half-closed, and gave to them an expression of profound grief. Many causes contributed to this sorrow—amongst others, the disappearance of Mother Bunch. Without absolutely believing the perfidious insinuations of Rodin, who gave her to understand that, in the fear of being unmasked by him, the hunchback had not dared to remain in the house, Adrienne felt a cruel sinking of the heart, when she thought how this young girl, in whom she had had so much confidence, had fled from her almost sisterly hospitality, without even uttering a word of gratitude; for care had been taken not to show her the few lines written by the poor needlewoman to her benefactress, just before her departure.
She had only been told of the note of five hundred francs found on her desk; and this last inexplicable circumstance had contributed to awaken cruel suspicions in the breast of Mdlle. de Cardoville. She already felt the fatal effects of that mistrust of everything and everybody, which Rodin had recommended to her; and this sentiment of suspicion and reserve had the more tendency to become powerful, that, for the first time in her life, Mdlle. de Cardoville, until then a stranger to all deception, had a secret to conceal—a secret, which was equally her happiness, her shame, and her torment. Half-recumbent on her divan, pensive and depressed, Adrienne pursued, with a mind often absent, one of her newly purchased books. Suddenly, she uttered an exclamation of surprise; the hand which held the book trembled like a leaf, and from that moment she appeared to read with passionate attention and devouring curiosity. Soon, her eyes sparkled with enthusiasm, her smile assumed ineffable sweetness, and she seemed at once proud, happy, delighted—but, as she turned over the last page, her countenance expressed disappointment and chagrin. Then she recommenced this reading, which had occasioned her such sweet emotion, and this time she read with the most deliberate slowness, going over each page twice, and spelling, as it were, every line, every word. From time to time, she paused, and in a pensive mood, with her forehead leaning on her fair hand, she seemed to reflect, in a deep reverie, on the passages she had read with such tender and religious love. Arriving at a passage which so affected her, that a tear started in her eye, she suddenly turned the volume, to see on the cover the name of the author. For a few seconds, she contemplated this name with a singular expression of gratitude, and could not forbear raising to her rosy lips the page on which it was printed. After reading many times over the lines with which she had been so much struck, forgetting, no doubt, the letter in the spirit, she began to reflect so deeply, that the book glided from her hand, and fell upon the carpet. During the course of this reverie, the eyes of the young girl rested, at first mechanically, upon an admirable bas-relief, placed on an ebony stand, near one of the windows. This magnificent bronze, recently cast after a plaster copy from the antique, represented the triumph of the Indian Bacchus. Never, perhaps, had Grecian art attained such rare perfection. The youthful conqueror, half clad in a lion's skin, which displayed his juvenile grace and charming purity of form shone with divine beauty. Standing up in a car, drawn by two tigers, with an air at once gentle and proud, he leaned with one hand upon a thyrsus, and with the other guided his savage steeds in tranquil majesty. By this rare mixture of grace, vigor, and serenity, it was easy to recognize the hero who had waged such desperate combats with men and with monsters of the forest. Thanks to the brownish tone of the figure, the light, falling from one side of the sculpture, admirably displayed the form of the youthful god, which, carved in relievo, and thus illumined, shone like a magnificent statue of pale gold upon the dark fretted background of the bronze.
When Adrienne's look first rested on this rare assemblage of divine perfections, her countenance was calm and thoughtful. But this contemplation, at first mechanical, became gradually more and more attentive and conscious, and the young lady, rising suddenly from her seat, slowly approached the bas-relief, as if yielding to the invincible attraction of an extraordinary resemblance. Then a slight blush appeared on the cheeks of Mdlle. de Cardoville, stole across her face, and spread rapidly to her neck and forehead. She approached still closer, threw round a hasty glance, as if half-ashamed, or as if she had feared to be surprised in a blamable action, an
d twice stretched forth her hand, trembling with emotion, to touch with the tips of her charming fingers the bronze forehead of the Indian Bacchus. And twice she stopped short, with a kind of modest hesitation. At last, the temptation became too strong for her. She yielded to it; and her alabaster finger, after delicately caressing the features of pale gold, was pressed more boldly for an instant on the pure and noble brow of the youthful god. At this pressure, though so slight, Adrienne seemed to feel a sort of electric shock; she trembled in every limb, her eyes languished, and, after swimming for an instant in their humid and brilliant crystal, were raised, half-closed, to heaven. Then her head was thrown a little way back, her knees bent insensibly, her rosy lips were half opened, as if to give a passage to her heated breath, for her bosom heaved violently, as thought youth and life had accelerated the pulsations of her heart, and made her blood boil in her veins. Finally, the burning cheeks of Adrienne betrayed a species of ecstasy, timid and passionate, chaste and sensual, the expression of which was ineffably touching.
An affecting spectacle indeed is that of a young maiden, whose modest brow flushes with the first fires of a secret passion. Does not the Creator of all things animate the body as well as the soul, with a spark of divine energy? Should He not be religiously glorified in the intellect as in the senses, with which He has so paternally endowed His creatures? They are impious blasphemers who seek to stifle the celestial senses, instead of guiding and harmonizing them in their divine flight. Suddenly, Mdlle. de Cardoville started, raised her head, opened her eyes as if awakening from a dream, withdrew abruptly from the sculptures, and walked several times up and down the room in an agitated manner, pressing her burning hands to her forehead. Then, falling, as it were, exhausted on her seat, her tears flowed in abundance. The most bitter grief was visible in her features, which revealed the fatal struggle that was passing within her. By degrees, her tears ceased. To this crisis of painful dejection succeeded a species of violent scorn and indignation against herself, which were expressed by these words that escaped her: "For the first time in my life, I feel weak and cowardly. Oh yes! cowardly—very cowardly!"