by Eugène Sue
This simple touch of pity for the misfortunes of others, at the moment when the noble maiden herself attained to the highest point of happiness, had such an effect on Djalma, that involuntarily he fell on his knees before Adrienne, clasped his hands together, and turned towards her his fine countenance, with an almost daring expression. Then, hiding his face in his hands, he bowed his head without speaking a single word. There was a moment of deep silence. Adrienne was the first to break it, as she saw a tear steal through the slender fingers of the prince.
"My friend! what is the matter?" she exclaimed, as with a movement rapid as thought, she stooped forward, and taking hold of Djalma's hands, drew them from before his face. That face was bathed in tears.
"You weep!" cried Mdlle. de Cardoville, so much agitated that she kept the hands of Djalma in her own; and, unable to dry his tears, the young Hindoo allowed them to flow like so many drops of crystal over the pale gold of his cheeks.
"There is not in this wide world a happiness like to mine!" said the prince, in his soft, melodious voice, and with a kind of exhaustion: "therefore do I feel great sadness, and so it should be. You give me heaven—and were I to give you the whole earth, it would be but a poor return. Alas! what can man do for a divinity, but humbly bless and adore? He can never hope to return the gifts bestowed: and this makes him suffer—not in his pride—but in his heart!"
Djalma did not exaggerate. He said what he really felt: and the rather hyperbolical form, familiar to Oriental nations, could alone express his thought. The tone of his regret was so sincere, his humility so gentle and full of simplicity, that Adrienne, also moved to tears, answered him with an effusion of serious tenderness, "My friend, we are both at the supreme point of happiness. Our future felicity appears to have no limits, and yet, though derived from different sources, sad reflections have come to both of us. It is, you see, that there are some sorts of happiness, which make you dizzy with their own immensity. For a moment, the heart, the mind, the soul, are incapable of containing so much bliss; it overflows and drowns us. Thus the flowers sometimes hang their heads, oppressed by the too ardent rays of the sun, which is yet their love and life. Oh, my friend! this sadness may be great, but it also sweet!"
As she uttered these words, the voice of Adrienne grew fainter and fainter, and her head bowed lower, as if she were indeed sinking beneath the weight of her happiness. Djalma had remained kneeling before her, his hands in hers—so that as she thus bent forward, her ivory forehead and golden hair touched the amber-colored brow and ebon curls of Djalma. And the sweet, silent tears of the two young lovers flowed together, and mingled as they fell on their clasped hands.
Whilst this scene was passing in Cardoville House, Agricola had gone to the Rue de Vaugirard, to deliver a letter from Adrienne to M. Hardy.
CHAPTER XLII. "THE IMITATION."
As we have already said, M. Hardy occupied a pavilion in the "Retreat" annexed to the house in the Rue de Vaugirard, inhabited by a goodly number of the reverend fathers of the Company of Jesus. Nothing could be calmer and more silent than this dwelling. Every one spoke in whispers, and the servants themselves had something oily in their words, something sanctified in their very walk.
Like all that is subject to the chilling and destructive influences of these men, this mournfully quiet house was entirely wanting in life and animation. The boarders passed an existence of wearisome and icy monotony, only broken by the use of certain devotional exercises; and thus, in accordance with the selfish calculation of the reverend fathers, the mind, deprived of all nourishment and all external support, soon began to droop and pine away in solitude. The heart seemed to beat more slowly, the soul was benumbed, the character weakened; at last, all freewill, all power of discrimination, was extinguished, and the boarders, submitting to the same process of self-annihilation as the novices of the Company, became, like them, mere "corpses" in the hands of the brotherhood.
The object of these manoeuvres was clear and simple. They secured the means of obtaining all kinds of donations, the constant aim of the skillful policy and merciless cupidity of these priests. By the aid of enormous sums, of which they thus become the possessors or the trustees, they follow out and obtain the success of their projects, even though murder, incendiarism, revolt, and all the horrors of civil war, excited by and through them, should drench in blood the lands over which they seek to extend their dark dominion.
Such, then, was the asylum of peace and innocence in which Francois Hardy had taken refuge. He occupied the ground-floor of a summer-house, which opened upon a portion of the garden. His apartments had been judiciously chosen, for we know with what profound and diabolical craft the reverend fathers avail themselves of material influences, to make a deep impression upon the minds they are moulding to their purpose. Imagine a prospect bounded by a high wall, of a blackish gray, half-covered with ivy, the plant peculiar to ruins. A dark avenue of old yew-trees, so fit to shade the grave with their sepulchral verdure, extended from this wall to a little semicircle, in front of the apartment generally occupied by M. Hardy. Two or three mounds of earth, bordered with box, symmetrically cut, completed the charms of this garden, which in every respect resembled a cemetery.
It was about two o'clock in the afternoon. Though the April sun shone brightly, its rays, intercepted by the high wall of which we have spoken, could not penetrate into that portion of the garden, obscure, damp, and cold as a cavern, which communicated with M. Hardy's apartment. The room was furnished with a perfect sense of the comfortable. A soft carpet covered the floor; thick curtains of dark green baize, the same color as the walls, sheltered an excellent bed, and hung in folds about the glass door, which opened on the garden. Some pieces of mahogany furniture, plain, but very clean and bright, stood round the room. Above the secretary, placed just in front of the bed, was a large ivory crucifix, upon a black velvet ground. The chimney-piece was adorned with a clock, in an ebony case, with ivory ornaments representing all sorts of gloomy emblems, such as hour-glasses, scythes, death's-heads, etc. Now imagine this scene in twilight, with its solitary and mournful silence, only broken at the hour of prayer by the lugubrious sound of the bells of the neighboring chapel, and you will recognize the infernal skill, with which these dangerous priests know how to turn to account every external object, when they wish to influence the mind of those they are anxious to gain over.
And this was not all. After appealing to the senses, it was necessary to address themselves to the intellect—and this was the method adopted by the reverend fathers. A single book—but one—was left, as if by chance, within reach. This book was Thomas a Kempis' "Imitation." But as it might happen that M. Hardy would not have the courage or the desire to read this book, thoughts and reflections borrowed from its merciless pages, and written in very large characters, were suspended in black frames close to the bed, or at other parts within sight, so that, involuntarily, in the sad leisure of his inactive dejection, the dweller's eyes were almost necessarily attracted by them. To that fatal circle of despairing thoughts they confined the already weakened mind of this unfortunate man, so long a prey to the most acute sorrow. What he read mechanically, every instant of the day and night, whenever the blessed sleep fled from his eyes inflamed with tears, was not enough merely to plunge the soul of the victim into incurable despair, but also to reduce him to the corpse-like obedience required by the Society of Jesus. In that awful book may be found a thousand terrors to operate on weak minds, a thousand slavish maxims to chain and degrade the pusillanimous soul.
And now imagine M. Hardy carried wounded into this house; while his heart, torn by bitter grief and the sense of horrible treachery, bled even faster than his external injuries. Attended with the utmost care, and thanks to the acknowledged skill of Dr. Baleinier, M. Hardy soon recovered from the hurts he had received when he threw himself into the embers of his burning factory. Yet, in order to favor the projects of the reverend fathers, a drug, harmless enough in its effects, but destined to act for a time u
pon the mind of the patient, and often employed for that purpose in similar important cases by the pious doctor, was administered to Hardy, and had kept him pretty long in a state of mental torpor. To a soul agonized by cruel deceptions, it appears an inestimable benefit to be plunged into that kind of torpor, which at least prevents one from dwelling upon the past.
Hardy resigned himself entirely to this profound apathy, and at length came to regard it as the supreme good. Thus do unfortunate wretches, tortured by cruel diseases, accept with gratitude the opiate which kills them slowly, but which at least deadens the sense of pain.
In sketching the portrait of M. Hardy, we tried to give some idea of the exquisite delicacy of his tender soul, of his painful susceptibility with regard to anything base or wicked, and of his extreme goodness, uprightness, and generosity. We now allude to these admirable qualities, because we must observe, that with him, as with almost all who possess them, they were not, and could not be, united with an energetic and resolute character. Admirably persevering in good deeds, the influence of this excellent man, was insinuating rather than commanding; it was not by the bold energy and somewhat overbearing will, peculiar to other men of great and noble heart, that Hardy had realized the prodigy of his Common Dwelling-house; it was by affectionate persuasion, for with him mildness took the place of force. At sight of any baseness or injustice, he did not rouse himself, furious and threatening; but he suffered intense pain. He did not boldly attack the criminal, but he turned away from him in pity and sorrow. And then his loving heart, so full of feminine delicacy, had an irresistible longing for the blessed contact of dear affections; they alone could keep it alive. Even as a poor, frail bird dies with the cold, when it can no longer lie close to its brethren, and receive and communicate the sweet warmth of the maternal nest. And now this sensitive organization, this extremely susceptible nature, receives blow after blow from sorrows and deceptions, one of which would suffice to shake, if it did not conquer, the firmest and most resolute character. Hardy's best friend has infamously betrayed him. His adored mistress has abandoned him.
The house which he had founded for the benefit of his workmen, whom he loved as brethren, is reduced to a heap of ashes. What then happens? All the springs of his soul are at once broken. Too feeble to resist such frightful attacks, too fatally deceived to seek refuge in other affections, too much discouraged to think of laying the first stone of any new edifice—this poor heart, isolated from every salutary influence, finds oblivion of the world and of itself in a kind of gloomy torpor. And if some remaining instincts of life and affection, at long intervals, endeavored to rouse themselves within him, and if, half-opening his mind's eye, which he had kept closed against the present, the past, and the future, Hardy looks around him—what does he see? Only these sentences, so full of terrible despair:
"Thou art nothing but dust and ashes. Grief and tears art thy portion. Believe not in any son of man. There are no such things as friendship or ties of kindred. All human affections are false. Die in the morning, and thou wilt be forgotten before night. Be humble—despise thyself—and let others despise thee. Think not, reason not, live not—but commit thy fate to the hands of a superior, who will think and reason for thee. Weep, suffer, think upon death. Yes, death! always death—that should be thy thought when thou thinkest—but it is better not to think at all. Let a feeling of ceaseless woe prepare thy way to heaven. It is only by sorrow that we are welcome to the terrible God whom we adore!"
Such were the consolations offered to this unfortunate man. Affrighted, he again closed his eyes, and fell back into his lethargy. As for leaving this gloomy retreat, he could not, or rather he did not desire to do so. He had lost the power of will; and then, it must be confessed, he had finished by getting accustomed to this house, and liked it well—they paid him such discreet attentions, and yet left him so much alone with his grief—there reigned all around such a death-like silence, which harmonized closely with the silence of his heart; and that was now the tomb of his last love, last friendship, last hope. All energy was dead within him! Then began that slow, but inevitable transformation, so judiciously foreseen by Rodin, who directed the whole of this machination, even in its smallest details. At first alarmed by the dreadful maxims which surrounded him, M. Hardy had at length accustomed himself to read them over almost mechanically, just as the captive, in his mournful hours of leisure, counts the nails in the door of his prison, or the bars of the grated window. This was already a great point gained by the reverend fathers.
And soon his weakened mind was struck with the apparent correctness of these false and melancholy aphorisms.
Thus he read: "Do not count upon the affection of any human creature"—and he had himself been shamefully betrayed.
"Man is born to sorrow and despair"—and he was himself despairing.
"There is no rest save in the cessation of thought"—and the slumber of his mind had brought some relief to his pain.
Peepholes, skillfully concealed by the hangings and in the wainscoting of these apartments, enabled the reverend fathers at all times to see and hear the boarders, and above all to observe their countenance and manner, when they believed themselves to be alone. Every exclamation of grief which escaped Hardy in his gloomy solitude, was repeated to Father d'Aigrigny by a mysterious listener. The reverend father, following scrupulously Rodin's instructions, had at first visited his boarder very rarely. We have said, that when Father d'Aigrigny wished it, he could display an almost irresistible power of charming, and accordingly he threw all his tact and skill into the interviews he had with Hardy, when he came from time to time to inquire after his health. Informed of everything by his spies, and aided by his natural sagacity, he soon saw all the use that might be made of the physical and moral prostration of the boarder. Certain beforehand that Hardy would not take the hint, he spoke to him frequently of the gloom of the house, advising him affectionately to leave it, if he felt oppressed by its monotony, or at all events to seek beyond its walls for some pleasure and amusement. To speak of pleasure and amusement to this unfortunate man, was in his present state to insure a refusal, and so it of course happened. Father d'Aigrigny did not at first try to gain the recluse's confidence, nor did he speak to him of sorrow; but every time he came, he appeared to take such a tender interest in him, and showed it by a few simple and well timed words. By degrees, these interviews, at first so rare, became more frequent and longer. Endowed with a flow of honeyed, insinuating, and persuasive eloquence, Father d'Aigrigny naturally took for his theme those gloomy maxims, to which Hardy's attention was now so often directed.
Supple, prudent, skillful, knowing that the hermit had hitherto professed that generous natural religion which teaches the grateful adoration of God, the love of humanity, the worship of what is just and good, and which, disdaining dogmas, professes the same veneration for Marcus Aurelius as for Confucius, for Plato as for Christ, for Moses as for Lycurgus—Father d'Aigrigny did not at first attempt to convert him, but began by incessantly reminding him of the abominable deceptions practised upon him; and, instead of describing such treachery as an exception in life—instead of trying to calm, encourage, and revive his drooping soul—instead of exhorting Hardy to seek oblivion and consolation in the discharge of his duties toward humanity, towards his brethren, whom he had previously loved and succored—Father d'Aigrigny strove to inflame the bleeding wounds of the unfortunate man, painted the human race in the most atrocious blackness, and, by declaring all men treacherous, ungrateful, wicked, succeeded in rendering his despair incurable. Having attained this object, the Jesuit took another step. Knowing Hardy's admirable goodness of heart, and profiting by the weakened state of his mind, he spoke to him of the consolation to be derived by a man overwhelmed with sorrow, from the belief that every one of his tears, instead of being unfruitful, was in fact agreeable to God, and might aid in the salvation of souls—the belief, as the reverend father adroitly added, that by faith alone can sorrow be made useful to humanity, and
acceptable to Divinity.
Whatever impiety, whatever atrocious Machiavelism there was in these detestable maxims, which make of a loving-kind Deity a being delighted with the tears of his creatures, was thus skillfully concealed from Hardy's eyes, whose generous instincts were still alive. Soon did this loving and tender soul, whom unworthy priests were driving to a sort of moral suicide, find a mournful charm in the fiction, that his sorrows would at least be profitable to other men. It was at first only a fiction; but the enfeebled mind which takes pleasure in such a fable, finishes by receiving it as a reality, and by degrees will submit to the consequences. Such was Hardy's moral and physical state, when, by means of a servant who had been bought over, he received from Agricola Baudoin a letter requesting an interview. Alone, the workman could not have broken the band of the Jesuit's pleadings, but he was accompanied by Gabriel, whose eloquence and reasonings were of a most convincing nature to a spirit like Hardy's.
It is unnecessary to point out to the reader, with what dignified reserve Gabriel had confined himself to the most generous means of rescuing Hardy from the deadly influence of the reverend fathers. It was repugnant to the great soul of the young missionary, to stoop to a revelation of the odious plots of these priests. He would only have taken this extreme course, had his powerful and sympathetic words have failed to have any effect on Hardy's blindness. About a quarter of an hour had elapsed since Gabriel's departure, when the servant appointed to wait on this boarder of the reverend fathers entered and delivered to him a letter.
"From whom is this?" asked Hardy.
"From a boarder in the house, sir," answered the servant bowing.
This man had a crafty hypocritical face; he wore his hair combed over his forehead, spoke in a low voice, and always cast clown his eyes. Waiting the answer, he joined his hands, and began to twiddle his thumbs. Hardy opened the letter, and read as follows: