by Eugène Sue
The injurious calumnies, which had been so skillfully propagated, that men of honor, like his old brothers in arms, were found to attach some credit to them, had been spread with frightful pertinacity by the friends of the Princess de Saint-Dizier. We shall describe hereafter the meaning and object of these odious reports, which, joined with so many other fatal injuries, had filled up the measure of the marshal's indignation. Inflamed with anger, excited almost to madness by this incessant "stabbing with pins" (as he had himself called it), and offended at some of Dagobert's words, he had spoken harshly to him. But, after the soldier's departure, when left to reflect in silence, the marshal remembered the warm and earnest expressions of the defender of his children, and doubt crossed his mind, as to the reality of the coldness of which he accused them. Therefore, having taken a terrible resolution in case a new trial should confirm his desponding doubts, he entered, as we before said, his, daughters' chamber. The discussion with Dagobert had been so loud, that the sound of the voices had confusedly reached the ears of the two sisters, even after they had taken refuge in their bedroom. So that, on the arrival of their father, their pale faces betrayed their fear and anxiety. At sight of the marshal, whose countenance was also much agitated, the girls rose respectfully, but remained close together, trembling in each other's arms. And yet there was neither anger nor severity on their father's face—only a deep, almost supplicating grief, which seemed to say: "My children, I suffer—I have come to you—console me, love me! or I shall die!"
The marshal's countenance was at this moment so expressive, that, the first impulse of fear once surmounted, the sisters were about to throw themselves into his arms; but remembering the recommendations of the anonymous letter, which told them how painful any effusion of their tenderness was to their father, they exchanged a rapid glance, and remained motionless. By a cruel fatality, the marshal at this moment burned to open his arms to his children. He looked at them with love, he even made a slight movement as if to call them to him; but he would not attempt more, for fear of meeting with no response. Still the poor children, paralyzed by perfidious counsels, remained mute, motionless, trembling!
"It is all over," thought he, as he gazed upon them. "No chord of sympathy stirs in their bosom. Whether I go—-whether I remain—matters not to them. No, I am nothing to these children—since, at this awful moment, when they see me perhaps for the last time, no filial instinct tells them that their affection might save me still!"
During these terrible reflections, the marshal had not taken his eyes off his children, and his manly countenance assumed an expression at once so touching and mournful—his look revealed so painfully the tortures of his despairing soul—that Rose and Blanche, confused, alarmed, but yielding together to a spontaneous movement, threw themselves on their father's neck, and covered him with tears and caresses. Marshal Simon had not spoken a word; his daughters had not uttered a sound; and yet all three had at length understood one another. A sympathetic shock had electrified and mingled those three hearts. Vain fears, false doubts, lying counsel, all had yielded to the irresistible emotion which had brought the daughters to their father's arms. A sudden revelation gave them faith, at the fatal moment when incurable suspicion was about to separate them forever.
In a second, the marshal felt all this, but words failed him. Pale, bewildered, kissing the brows, the hair, the hands of his daughters, weeping, sighing, smiling all in turn, he was wild, delirious, drunk with happiness. At length, he exclaimed: "I have found them—or rather, I have never lost them. They loved me, and did not dare to tell me so. I overawed them. And I thought it was my fault. Heavens! what good that does! what strength, what heart, what hope!—Ha! ha!" cried he, laughing and weeping at the same time, whilst he covered his children with caresses; "they may despise me now, they may harass me now—I defy them all. My own blue eyes! my sweet blue eyes! look at me well, and inspire me with new life."
"Oh, father! you love us then as much as we love you?" cried Rose, with enchanting simplicity.
"And we may often, very often, perhaps every day, throw ourselves on your neck, embrace you, and prove how glad we are to be with you?"
"Show you, dear father, all the store of love we were heaping up in our hearts—so sad, alas! that we could not spend it upon you?"
"Tell you aloud all that we think in secret?"
"Yes—you may do so—you may do so," said Marshal Simon, faltering with joy; "what prevented you, my children? But no; do not answer; enough of the past!—I know all, I understand all. You misinterpreted my gloom, and it made you sad; I, in my turn, misinterpreted your sadness. But never mind; I scarcely know what I am saying to you. I only think of looking at you—and it dazzles me—it confuses me—it is the dizziness of joy!"
"Oh, look at us, father! look into our eyes, into our hearts," cried Rose, with rapture.
"And you will read there, happiness for us, and love for you, sir!" added Blanche.
"Sir, sir!" said the marshal, in a tone of affectionate reproach; "what does that mean? Will you call me father, if you please?"
"Dear father, your hand!" said Blanche, as she took it, and placed it on her heart.
"Dear father, your hand!" said Rose, as she took the other hand of the marshal. "Do you believe now in our love and happiness?" she continued.
It is impossible to describe the charming expression of filial pride in the divine faces of the girls, as their father, slightly pressing their virgin bosoms, seemed to count with delight the joyous pulsations of their hearts.
"Oh, yes! happiness and affection can alone make the heart beat thus!" cried the marshal.
A hoarse sob, heard in the direction of the open door, made the three turn round, and there they saw the tall figure of Dagobert, with the black nose of Spoil-sport reaching to his master's knee. The soldier, drying his eyes and moustache with his little blue cotton handkerchief, remained motionless as the god Terminus. When he could speak, he addressed himself to the marshal, and, shaking his head, muttered, in a hoarse voice, for the good man was swallowing his tears: "Did I not tell you so?"
"Silence!" said the marshal, with a sign of intelligence. "You were a better father than myself, my old friend. Come and kiss them! I shall not be jealous."
The marshal stretched out his hand to the soldier, who pressed it cordially, whilst the two sisters threw themselves on his neck, and Spoil-sport, according to custom wishing to have his share in the general joy, raised himself on his hind legs, and rested his fore-paws against his master's back. There was a moment of profound silence. The celestial felicity enjoyed during that moment, by the marshal, his daughters, and the soldier, was interrupted by the barking of Spoil-sort, who suddenly quitted the attitude of a biped. The happy group separated, looked round, and saw Loony's stupid face. He looked even duller than usual, as he stood quite still in the doorway, staring with wide stretched eyes, and holding a feather-broom under his arm, and in his hand the ever-present basket of wood.
Nothing makes one so gay as happiness; and, though this grotesque figure appeared at a very unseasonable moment, it was received with frank laughter from the blooming lips of Rose and Blanche. Having made the marshal's daughters laugh, after their long sadness, Loony at once acquired a claim to the indulgence of the marshal, who said to him, good humoredly: "What do you want, my lad?"
"It's not me, my lord duke!" answered Loony, laying his hand on his breast, as if it were taking a vow, so that his feather-brush fell down from under his arm. The laughter of the girls redoubled.
"It is not you?" said the marshal.
"Here! Spoil-sport!" Dagobert called, for the honest dog seemed to have a secret dislike for the pretended idiot, and approached him with an angry air.
"No, my lord duke, it is not me!" resumed Loony. "It is the footman who told me to tell M. Dagobert, when I brought up the wood to tell my lord duke, as I was coming up with the basket, that M. Robert wants to see him."
The girls laughed still more at this new stupidity. But
, at the name of Robert, Marshal Simon started.
M. Robert was the secret emissary of Rodin, with regard to the possible, but adventurous, enterprise of attempting the liberation of Napoleon II. After a moment's silence, the marshal, whose face was still radiant with joy and happiness, said to Loony: "Beg M. Robert to wait for me a moment in my study."
"Yes, my lord duke," answered Loony, bowing almost to the ground.
The simpleton withdrew, and the marshal said to his daughters, in a joyous tone, "You see, that, in a moment like this, one does not leave one's children, even for M. Robert."
"Oh! that's right, father!" cried Blanche, gayly; "for I was already very angry with this M. Robert."
"Have you pen and paper at hand?" asked the marshal.
"Yes, father; there on the table," said Rose, hastily, as she pointed to a little desk near one of the windows, towards which the marshal now advanced rapidly.
From motives of delicacy, the girls remained where they were, close to the fireplace, and caressed each other tenderly, as if to congratulate themselves in private on the unexpected happiness of this day.
The marshal seated himself at the desk, and made a sign to Dagobert to draw near.
While he wrote rapidly a few words in a firm hand, he said to the soldier with a smile, in so low a tone that it was impossible for his daughters to hear: "Do you know what I had almost resolved upon, before entering this room?"
"What, general?"
"To blow my brains out. It is to my children that I owe my life." And the marshal continued writing.
Dagobert started at this communication, and then replied, also in a whisper: "It would not have been with your pistols. I took off the caps."
The marshal turned round hastily, and looked at him with an air of surprise. But the soldier only nodded his head affirmatively, and added: "Thank heaven, we have now done with all those ideas!"
The marshal's only answer was to glance at his children, his eyes swimming with tenderness, and sparkling with delight; then, sealing the note he had written, he gave it to the soldier, and said to him, "Give that to M. Robert. I will see him to-morrow."
Dagobert took the letter, and went out. Returning towards his daughters, the marshal joyfully extended his arms to them, and said, "Now, young ladies, two nice kisses for having sacrificed M. Robert to you. Have I not earned them?" And Rose and Blanche threw themselves on their father's neck.
About the time that these events were taking place at Paris, two travellers, wide apart from each other, exchanged mysterious thoughts through the breadth of space.
BOOK XI.
L. The Ruins of the Abbey of St. John the Baptist LI. The
Calvary LII. The Council LIII. Happiness LIV. Duty LV. The
Improvised Hospital LVI. Hydrophobia LVII. The Guardian
Angel LVIII. Ruin LIX. Memories LX. The Ordeal LXI. Ambition
LXII. To a Socius, a Socius and a Half LXIII. Faringhea's
Affection LXIV. An Evening at St. Colombe's LXV. The Nuptial
Bed LXVI. A Duel to the Death LXVII. A Message LXVIII. The
First of June
EPILOGUE.
I. Four Years After II. The Redemption
CHAPTER L. THE RUINS OF THE ABBEY OF ST. JOHN THE BAPTIST.
The sun is fast sinking. In the depths of an immense piny wood, in the midst of profound solitude, rise the ruins of an abbey, once sacred to St. John the Baptist. Ivy, moss, and creeping plants, almost entirely conceal the stones, now black with age. Some broken arches, some walls pierced with ovals, still remain standing, visible on the dark background of the thick wood. Looking down upon this mass of ruins from a broken pedestal, half-covered with ivy, a mutilated, but colossal statue of stone still keeps its place. This statue is strange and awful. It represents a headless human figure. Clad in the antique toga, it holds in its hand a dish and on that dish is a head. This head is its own. It is the statue of St. John the Baptist and Martyr, put to death by wish of Herodias.
The silence around is solemn. From time to time, however, is heard the dull rustling of the enormous branches of the pine-trees, shaken by the wind. Copper-colored clouds, reddened by the setting sun, pass slowly over the forest, and are reflected in the current of a brook, which, deriving its source from a neighboring mass of rocks, flows through the ruins. The water flows, the clouds pass on, the ancient trees tremble, the breeze murmurs.
Suddenly, through the shadow thrown by the overhanging wood, which stretches far into endless depths, a human form appears. It is a woman. She advances slowly towards the ruins. She has reached them. She treads the once sacred ground. This woman is pale, her look sad, her long robe floats on the wind, her feet covered with dust. She walks with difficulty and pain. A block of stone is placed near the stream, almost at the foot of the statue of John the Baptist. Upon this stone she sinks breathless and exhausted, worn out with fatigue. And yet, for many days, many years, many centuries, she has walked on unwearied.
For the first time, she feels an unconquerable sense of lassitude. For the first time, her feet begin to fail her. For the first time, she, who traversed, with firm and equal footsteps, the moving lava of torrid deserts, while whole caravans were buried in drifts of fiery sand—who passed, with steady and disdainful tread, over the eternal snows of Arctic regions, over icy solitudes, in which no other human being could live—who had been spared by the devouring flames of conflagrations, and by the impetuous waters of torrents—she, in brief, who for centuries had had nothing in common with humanity—for the first time suffers mortal pain.
Her feet bleed, her limbs ache with fatigue, she is devoured by burning thirst. She feels these infirmities, yet scarcely dares to believe them real. Her joy would be too immense! But now, her throat becomes dry, contracted, all on fire. She sees the stream, and throws herself on her knees, to quench her thirst in that crystal current, transparent as a mirror. What happens then? Hardly have her fevered lips touched the fresh, pure water, than, still kneeling, supported on her hands, she suddenly ceases to drink, and gazes eagerly on the limpid stream. Forgetting the thirst which devours her, she utters a loud cry—a cry of deep, earnest, religious joy, like a note of praise and infinite gratitude to heaven. In that deep mirror, she perceives that she has grown older.
In a few days, a few hours, a few minutes, perhaps in a single second, she has attained the maturity of age. She, who for more than eighteen centuries has been as a woman of twenty, carrying through successive generations the load of her imperishable youth—she has grown old, and may, perhaps, at length, hope to die. Every minute of her life may now bring her nearer to the last home! Transported by that ineffable hope, she rises, and lifts her eyes to heaven, clasping her hands in an attitude of fervent prayer. Then her eyes rest on the tall statue of stone, representing St. John. The head, which the martyr carries in his hand, seems, from beneath its half-closed granite eyelid, to cast upon the Wandering Jewess a glance of commiseration and pity. And it was she, Herodias who, in the cruel intoxication of a pagan festival, demanded the murder of the saint! And it is at the foot of the martyr's image, that, for the first time, the immortality, which weighed on her for so many centuries, seems likely to find a term!
"Oh, impenetrable mystery! oh, divine hope!" she cries. "The wrath of heaven is at length appeased. The hand of the Lord brings me to the feet of the blessed martyr, and I begin once more to feel myself a human creature. And yet it was to avenge his death, that the same heaven condemned me to eternal wanderings!
"Oh, Lord! grant that I may not be the only one forgiven. May he—the artisan, who like me, daughter of a king, wanders on for centuries—likewise hope to reach the end of that immense journey!
"Where is he, Lord? where is he? Hast thou deprived me of the power once bestowed, to see and hear him through the vastness of intervening space? Oh, in this mighty moment, restore me that divine gift—for the more I feel these human infirmities, which I hail and bless as the end of my eternity of ills, the more my sight loses th
e power to traverse immensity, and my ear to catch the sound of that wanderer's accent, from the other extremity of the globe?"
Night had fallen, dark and stormy. The wind rose in the midst of the great pine-trees. Behind their black summits, through masses of dark cloud, slowly sailed the silver disk of the moon. The invocation of the Wandering Jewess had perhaps been heard. Suddenly, her eyes closed—with hands clasped together, she remained kneeling in the heart of the ruins—motionless as a statue upon a tomb. And then she had a wondrous dream!
CHAPTER LI. THE CALVARY.
This was the vision of Herodias: On the summit of a high, steep, rocky mountain, there stands a cross. The sun is sinking, even as when the Jewess herself, worn out with fatigue, entered the ruins of St. John's Abbey. The great figure on the cross—which looks down from this Calvary, on the mountain, and on the vast, dreary plain beyond—stands out white and pale against the dark, blue clouds, which stretch across the heavens, and assume a violent tint towards the horizon. There, where the setting sun has left a long track of lurid light, almost of the hue of blood—as far as the eye can reach, no vegetation appears on the surface of the gloomy desert, covered with sand and stones, like the ancient bed of some dried-up ocean. A silence as of death broods over this desolate tract. Sometimes, gigantic black vultures, with red unfeathered necks, luminous yellow eyes, stooping from their lofty flight in the midst of these solitudes, come to make their bloody feast on the prey they have carried off from less uncultivated regions.