The President, who was a religious man, thought of Belshazzar’s Feast. He called on Mr. Moscowitz at his home in Passy, to the awe of Mrs. Moscowitz, who knew that ambassadors had lived out their terms in Paris without ever meeting the President face-to-face. The President said, “M. Moscowitz, you are denying us the right to believe in ourselves as a continuity, as part of the process of history. No nation can exist without that belief.”
“Monsieur le Président, je suis désolée,” answered Mr. Moscowitz. He had grown blue-gray and thin, bones hinting more and more under the once-genial flesh.
“We have done you honor,” mused the President, “though I admit before you say it that we believed we were honoring ourselves. But you turn us into ghosts, Monsieur Moscowitz, homeless figments, and our grip on the earth is too precarious at the best of times for me to allow you to do this. You must be silent, or I will make you so. I do not want to, but I will.”
Mr. Moscowitz smiled, almost wistfully, and the President grew afraid. He had a sudden vision of Mr. Moscowitz banishing him and every other soul in France with a single word, a single gesture; and in that moment’s vision it seemed to him that they all went away like clouds, leaving Mr. Moscowitz to dance by himself in cobwebbed Paris on Bastille Day. The President shivered and cried out, “What is it that you want of us? What should we be? What is it, to be French, what does the stupid word mean?”
Mr. Moscowitz answered him. “I do not know, any more than you do. But I do not need to ask.” His eyes were full of tears and his nose was running. “The French are inside me,” he said, “singing and stamping to be let out, all of them, the wonderful children that I will never see. I am like Moses, who led his people to the Promised Land, but never set his own foot down there. All fathers are a little like Moses.”
The next day, Mr. Moscowitz put on his good clothes and asked his wife to pack him a lunch. “With an apple, please,” he said, “and the good Camembert, and a whole onion. Two apples.” His new hat, cocked at a youthful angle, scraped coldly beside her eye when he kissed her. She did not hold him a moment longer than she ever had when he kissed her goodbye. Then Mr. Moscowitz walked away from her, and into legend.
No one ever saw him again. There were stories about him, as there still are; rumors out of Concarneau, and Sète, and Lille, from misty cities and yellow villages. Most of the tales concerned strange, magic infants, as marvelous in the families that bore them as merchildren in herring nets. The President sent out his messengers, but quite often there were no such children at all, and when there were they were the usual cases of cross-eyes and extra fingers, webbed feet and cauls. The President was relieved, and said so frankly to Mrs. Moscowitz. “With all respectful sympathy, Madame,” he told her, “the happiest place for your husband now is a fairy story. It is warm inside a myth, and safe, quite safe, and the company is of the best. I envy him, for I will never know such companions. I will get politicians and generals.”
“And I will get his pension and his belongings,” Mrs. Moscowitz said to herself. “And I will know solitude.”
The President went on, “He was mad, of course, your husband, but what a mission he set himself! It was worthy of one of Charlemagne’s paladins, or of your—” he fumbled through his limited stock of nonpartisan American heroes—“your Johnny Appleseed. Yes.”
The President died in the country, an old man, and Mrs. Moscowitz in time died alone in Passy. She never returned to America, even to visit, partly out of loyalty to Mr. Moscowitz’s dream, and partly because if there is one thing besides cheese that the French do better than any other people, it is the careful and assiduous tending of a great man’s widow. She wanted for nothing to the end of her days, except her husband—and, in a very real sense, France was all she had left of him.
That was a long time ago, but the legends go on quietly, not only of the seafoam children who will create France, but of Mr. Moscowitz as well. In Paris and the provinces, anyone who listens long enough can hear stories of the American who became French. He wanders through the warm nights and the cold, under stars and streetlamps, walking with the bright purpose of a child who has slipped out of his parents’ sight and is now free to do as he pleases. In the country, they say that he is on his way to see how his children are growing up, and perhaps there are mothers who lull their own children with that story, or warn them with it when they behave badly. But Parisians like to dress things up, and as they tell it, Mr. Moscowitz is never alone. Cyrano is with him, and St. Joan, Roland, D’Artagnan, and Villon—and there are others. The light of them brightens the road for Mr. Moscowitz to see his way.
But even in Paris there are people, especially women, who say that Mr. Moscowitz’s only companion on his journey is Mrs. Moscowitz herself, holding his arm or running to catch up. And she deserves to be there, they will tell you, for she would have been glad of any child at all; and if he was the one who dreamed and loved France so much, still and all, she suffered.
COME LADY DEATH
This all happened in England a long time ago, when that George who spoke English with a heavy German accent and hated his sons was King. At that time there lived in London a lady who had nothing to do but give parties. Her name was Flora, Lady Neville, and she was a widow and very old. She lived in a great house not far from Buckingham Palace, and she had so many servants that she could not possibly remember all their names; indeed, there were some she had never even seen. She had more food than she could eat, more gowns than she could ever wear; she had wine in her cellars that no one would drink in her lifetime, and her private vaults were filled with great works of art that she did not know she owned. She spent the last years of her life giving parties and balls to which the greatest lords of England—and sometimes the King himself—came, and she was known as the wisest and wittiest woman in all London.
But in time her own parties began to bore her, and though she invited the most famous people in the land and hired the greatest jugglers and acrobats and dancers and magicians to entertain them, still she found her parties duller and duller. Listening to court gossip, which she had always loved, made her yawn. The most marvelous music, the most exciting feats of magic put her to sleep. Watching a beautiful young couple dance by her made her feel sad, and she hated to feel sad.
And so, one summer afternoon she called her closest friends around her and said to them, “More and more I find that my parties entertain everyone but me. The secret of my long life is that nothing has ever been dull for me. For all my life, I have been interested in everything I saw and been anxious to see more. But I cannot stand to be bored, and I will not go to parties at which I expect to be bored, especially if they are my own. Therefore, to my next ball I shall invite the one guest I am sure no one, not even myself, could possibly find boring. My friends, the guest of honor at my next party shall be Death himself!”
A young poet thought that this was a wonderful idea, but the rest of her friends were terrified and drew back from her. They did not want to die, they pleaded with her. Death would come for them when he was ready; why should she invite him before the appointed hour, which would arrive soon enough? But Lady Neville said, “Precisely. If Death has planned to take any of us on the night of my party, he will come whether he is invited or not. But if none of us are to die, then I think it would be charming to have Death among us—perhaps even to perform some little trick if he is in a good humor. And think of being able to say that we had been to a party with Death! All of London will envy us, all of England!”
The idea began to please her friends, but a young lord, very new to London, suggested timidly, “Death is so busy. Suppose he has work to do and cannot accept your invitation?”
“No one has ever refused an invitation of mine,” said Lady Neville, “not even the King.” And the young lord was not invited to her party.
She sat down then and there and wrote out the invitation. There was some dispute among her friends as to how they should address Death. “His Lordship Death” seemed to
place him only on the level of a viscount or a baron. “His Grace Death” met with more acceptance, but Lady Neville said it sounded hypocritical. And to refer to Death as “His Majesty” was to make him the equal of the King of England, which even Lady Neville would not dare to do. It was finally decided that all should speak of him as “His Eminence Death,” which pleased nearly everyone.
Captain Compson, known both as England’s most dashing cavalry officer and most elegant rake, remarked next, “That’s all very well, but how is the invitation to reach Death? Does anyone here know where he lives?”
“Death undoubtedly lives in London,” said Lady Neville, “like everyone else of any importance, though he probably goes to Deauville for the summer. Actually, Death must live fairly near my own house. This is much the best section of London, and you could hardly expect a person of Death’s importance to live anywhere else. When I stop to think of it, it’s really rather strange that we haven’t met before now, on the street.”
Most of her friends agreed with her, but the poet, whose name was David Lorimond, cried out, “No, my lady, you are wrong! Death lives among the poor. Death lives in the foulest, darkest alleys of this city, in some vile, rat-ridden hovel that smells of—” He stopped here, partly because Lady Neville had indicated her displeasure, and partly because he had never been inside such a hut or thought of wondering what it smelled like. “Death lives among the poor,” he went on, “and comes to visit them every day, for he is their only friend.”
Lady Neville answered him as coldly as she had spoken to the young lord. “He may be forced to deal with them, David, but I hardly think that he seeks them out as companions. I am certain that it is as difficult for him to think of the poor as individuals as it is for me. Death is, after all, a nobleman.”
There was no real argument among the lords and ladies that Death lived in a neighborhood at least as good as their own, but none of them seemed to know the name of Death’s street, and no one had ever seen Death’s house.
“If there were a war,” Captain Compson said, “Death would be easy to find. I have seen him, you know, even spoken to him, but he has never answered me.”
“Quite proper,” said Lady Neville. “Death must always speak first. You are not a very correct person, Captain,” but she smiled at him, as all women did.
Then an idea came to her. “My hairdresser has a sick child, I understand,” she said. “He was telling me about it yesterday, sounding most dull and hopeless. I will send for him and give him the invitation, and he in his turn can give it to Death when he comes to take the brat. A bit unconventional, I admit, but I see no other way.”
“If he refuses?” asked a lord who had just been married.
“Why should he?” asked Lady Neville.
Again it was the poet who exclaimed amidst the general approval that it was a cruel and wicked thing to do. But he fell silent when Lady Neville innocently asked him, “Why, David?”
So the hairdresser was sent for, and when he stood before them, smiling nervously and twisting his hands to be in the same room with so many great lords, Lady Neville told him the errand that was required of him. And she was right, as she usually was, for he made no refusal. He merely took the invitation in his hand and asked to be excused.
He did not return for two days, but when he did he presented himself to Lady Neville without being sent for and handed her a small white envelope. Saying, “How very nice of you, thank you very much,” she opened it and found therein a plain calling card with nothing on it except these words:
Death will be pleased to attend Lady Neville’s ball.
“Death gave you this?” she asked the hairdresser eagerly. “What was he like?” But the hairdresser stood still, looking past her, and said nothing, and she, not really waiting for an answer, called a dozen servants to her and told them to run and summon her friends. As she paced up and down the room waiting for them, she asked again, “What is Death like?” The hairdresser did not reply.
When her friends came they passed the little card excitedly from hand to hand, until it had gotten quite smudged and bent from their fingers. But they all admitted that, beyond its message, there was nothing particularly unusual about it. It was neither hot nor cold to the touch, and what little odor clung to it was rather pleasant. Everyone said that it was a very familiar smell, but no one could give it a name. The poet said that it reminded him of lilacs but not exactly.
It was Captain Compson, however, who pointed out the one thing that no one else had noticed. “Look at the handwriting itself,” he said. “Have you ever seen anything more graceful? The letters seem as light as birds. I think we have wasted our time speaking of Death as His This and His That. A woman wrote this note.”
Then there was an uproar and a great babble, and the card had to be handed around again so that everyone could exclaim, “Yes, by God!” over it. The voice of the poet rose out the hubbub saying, “It is very natural, when you come to think of it. After all, the French say la mort. Lady Death. I should much prefer Death to be a woman.”
“Death rides a great black horse,” said Captain Compson firmly, “and wears armor of the same color. Death is very tall, taller than anyone. It was no woman I saw on the battlefield, striking right and left like any soldier. Perhaps the hairdresser wrote it himself, or the hairdresser’s wife.”
But the hairdresser refused to speak, though they gathered around him and begged him to say who had given him the note. At first they promised him all sorts of rewards, and later they threatened to do terrible things to him. “Did you write this card?” he was asked, and “Who wrote it, then? Was it a living woman? Was it really Death? Did Death say anything to you? How did you know it was Death? Is Death a woman? Are you trying to make fools of us all?”
Not a word from the hairdresser, not one word, and finally Lady Neville called her servants to have him whipped and thrown into the street. He did not look at her as they took him away, or utter a sound.
Silencing her friends with a wave of her hand, Lady Neville said, “The ball will take place two weeks from tonight. Let Death come as Death pleases, whether as a man or woman or strange, sexless creature.” She smiled calmly. “Death may well be a woman,” she said. “I am less certain of Death’s form than I was, but I am also less frightened of Death. I am too old to be afraid of anything that can use a quill pen to write me a letter. Go home now, and as you make your preparations for the ball see that you speak of it to your servants, that they may spread the news all over London. Let it be known that on this one night no one in the world will die, for Death will be dancing at Lady Neville’s ball.”
For the next two weeks Lady Neville’s great house shook and groaned and creaked like an old tree in a gale as the servants hammered and scrubbed, polished and painted, making ready for the ball. Lady Neville had always been very proud of her house, but as the ball drew near she began to be afraid that it would not be nearly grand enough for Death, who was surely accustomed to visiting in the homes of richer, mightier people than herself. Fearing the scorn of Death, she worked night and day supervising her servants’ preparations. Curtains and carpets had to be cleaned, goldwork and silverware polished until they gleamed by themselves in the dark. The grand staircase that rushed down into the ballroom like a waterfall was washed and rubbed so often that it was almost impossible to walk on it without slipping. As for the ballroom itself, it took thirty-two servants working at once to clean it properly, not counting those who were polishing the glass chandelier that was taller than a man and the fourteen smaller lamps. And when they were done she made them do it all over, not because she saw any dust or dirt anywhere, but because she was sure that Death would.
As for herself, she chose her finest gown and saw to the laundering personally. She called in another hairdresser and had him put up her hair in the style of an earlier time, wanting to show Death that she was a woman who enjoyed her age and did not find it necessary to ape the young and beautiful. All the day of the ball she sa
t before her mirror, not making herself up much beyond the normal touches of rouge and eye shadow and fine rice powder, but staring at the lean old face she had been born with, wondering how it would appear to Death. Her steward asked her to approve his wine selection, but she sent him away and stayed at her mirror until it was time to dress and go downstairs to meet her guests.
Everyone arrived early. When she looked out of a window, Lady Neville saw that the driveway of her home was choked with carriages and fine horses. “It all looks like a funeral procession,” she said. The footman cried the names of her guests to the echoing ballroom. “Captain Henry Compson, His Majesty’s Household Cavalry! Mr. David Lorimond! Lord and Lady Torrance!!” (They were the youngest couple there, having been married only three months before.) “Sir Roger Harbison! The Contessa della Candini!” Lady Neville permitted them all to kiss her hand and made them welcome.
She had engaged the finest musicians she could find to play for the dancing, but though they began to play at her signal, not one couple stepped out on the floor, nor did one young lord approach her to request the honor of the first dance, as was proper. They milled together, shining and murmuring, their eyes fixed on the ballroom door. Every time they heard a carriage clatter up the driveway they seemed to flinch a little and draw closer together; every time the footman announced the arrival of another guest, they all sighed softly and swayed a little on their feet with relief.
“Why did they come to my party if they were afraid?” Lady Neville muttered scornfully to herself. “I am not afraid of meeting Death. I ask only that Death may be impressed by the magnificence of my house and the flavor of my wines. I will die sooner than anyone here, but I am not afraid.”
Mirror Kingdoms: The Best of Peter S. Beagle Page 6