by Ryan Harding
Sounds convincing, doesn’t it? Wish I’d thought of it BEFORE I went through with this, and actually did it.
He looked at me like he was trying to solve an equation, and the wattage of the grin finally diminished.
“Not only that,” I went on, “but you know who I am. And I have copies of your pictures. It was pretty ingenious of you to nab all those girls without being seen, but you need to bone up on common sense.”
He didn’t look pleased with that remark at all. “Just what exactly is it that you want?” he asked, his mouth now barely a line on his face.
“Show them to me,” I said.
July 19 (later)
I’m back. Damn telephone. People calling to ask how my mom and I are doing, as if they really care. We oughtta have the thing disconnected.
Anyway, I GOT TO SEE THEM! It must have been how those astronauts felt at the moon landing. One small step for man, one giant leap for sexual sadism. You go in the house, through the den to the kitchen, and that’s where the door to the basement is. I made Owens go first, because I didn’t want him to a) push me down the stairs, b) lock me up down there with the women, or c) both. Not that “B” wasn’t without its prospects, but I’d only accomplish half of my goals. More on that later.
So we went down there, and of course it’s just like the pictures, for the most part. The basement walls are stone, and Owens has the shackles driven into them. You aren’t breaking away from those unless you come from the planet Krypton. There were also some empty shackles for future acquisitions. And speaking of acquisitions, there, from left to right, were the pretty little schoolgirls and co-eds all in a row. Alphabetical order, too. I thought it was a coincidence, but he consciously lined them up that way. It seems like a pointless risk to me if he has to trade out shackles, but Owens is a bit weird.
The girls are chained with their arms overhead, which makes their breasts rise up. I sound like Gray’s Anatomy, don’t I? Their tits, then! I’d seen tons of pictures, but never in the flesh, never right in front of me. Not even when I was looking into houses, even after three steady years outside Katy Hindley’s. My sister always locked her room and the bathroom, too. It was like this huge conspiracy to make sure I never got to see the good stuff, but I found a way around it, didn’t I?
It was all on display! Four downy clefts, eight TITTIES, and four sets of ass. Hours and hours of fist-pumping action if you just happened to sit next to them during a study hall, but in a place like this where you can blur the line between daydream and reality, the possibilities were downright exhausting.
I HAD thought about being a “law-abiding citizen” and calling the police when I first saw the pictures. If anyone ever reads this, I want to go on record as saying I considered it. But when I weighed the pros and cons, doing the “right thing” seemed like a real cop-out. Think about it. Let’s say I reported the pictures to the proper authorities and they stormed the house, saving the women and arresting Carl Owens. Would I even get so much as a thank-you card from three of those women? It’s doubtful. After all the psychiatric treatment for their “ordeal” and their “post-traumatic stress disorder,” they’d either go on with their lives and purposely leave any reminders of the experience way behind them, or they’d try to cash in on their “tribulations.” The bottom line came down to “Will good ol’ Alex get some ass in return for his heroic benevolence?” and the answer was always “Not bloody likely.” What WHORES! Some gratitude, huh?
So yeah, I may look like the bad guy, but it was worth it for the steamy thirty seconds I spent with Jenny alone. I’d thought about doing this with her for some time. You’ve never seen such a struggle before in your life, either. I bet she didn’t put up half the fight when Owens came to collect his just reward. All that squirming and whimpering, you’d think Helen Keller’s mom set her down on a hot stove. I have to admit, if half those thirty seconds weren’t spent restraining her gyrations so I could even get it in her, it would have been over that much faster. I made sure to get in a couple squeezes of her TITS after I blasted off in her, because I forgot to do it in all the excitement. Nice and firm, fit right in the palm of my hand.
I didn’t even care that Owens was watching (and he looked at me distastefully, if you can believe that . . . what a hypocrite!). I should have been more worried that he’d try something, I guess, but I’d offered to develop film in his house, and having found out how close he came to discovery, he liked the sound of that.
I wonder exactly what he would have said if someone else developed his film and called him on the carpet. I suppose he could have said it was just a make believe thing, and hey, I swear they were all over 18! Nothin’ weird here, good sir. If no one recognized the girls, he might have even skated on that, at least for awhile. The pressure cooker hadn’t exploded just yet with no actual bodies. A lot of people figured the girls just ran away and were shooting up dope and sucking dicks—believe me, I’ve heard the ugliest theories—while the rest whispered that the Slave Killer guy from twenty-five years ago was back. Geisha Hammond does that story about him in connection with the Bartok Butcher, and she just happens to disappear? And now four other girls? You think that’s a coincidence?
For the record, I wish Geisha Hammond was on display between Aurora Fenech and Jenny. Just my luck that she dropped off the face of the earth before Jenny disappeared. Have you seen the lips on that woman? You’d blast the back of her skull out instantaneously if she wrapped those things around your dong.
I’m sure it pained Carl to have to share the girls, but the guy was so spoiled anyway. He inherited the house from his mommy, didn’t have to work for anything. I’m busting my ass for minimum wage, and he’s out joyriding, chloroforming flawless college girls for an orgasmathon. Pretty unfair, if you ask me.
My hand’s about to fall off from reliving this great experience . . . and I’m getting tired of writing, too. More tomorrow.
July 20, 2001
Oh, I said there were a couple differences from the pictures yesterday, didn’t I? It turns out Mr. Holier-Than-Thou can’t abide by the cost of feeding the girls, so he improvises. Chunks of flesh are now missing here and there from thighs and stomachs (Gray’s Anatomy note: The buttocks were left intact, thankfully). The good news is that the girls don’t have to worry about their stomachs eating themselves from malnutrition . . . the bad news is they’re experiencing self-cannibalism from the outside.
That was hardly enough to sustain them and keep them from looking like refugees from Auschwitz, though. It turns out there was a FIFTH girl, but she wasn’t local. Owens picked her up hitchhiking (they never learn, do they?). It probably got the whole thing started, such an opportunity falling into his lap. This is, in fact, how he figured out the high cost of living (as in keeping a sex slave alive), because he had to start buying for two. Then three, because he had to grab Cassandra Bittaker. Why do that if he can barely afford to keep one? Because he HAD to grab Cassandra Bittaker. Check back issues of the newspaper for her picture, and you’ll understand immediately. After some soul-searching (and coming up empty), Owens gave the hitchhiker one more for the road, then slit her throat from ear to ear. A good strategy move, when you think about it—Cassandra Bittaker sees just how valuable she is from his perspective.
Frugal as he is, Owens didn’t have a very big crisper. The fifth girl couldn’t possibly fit. One hacksaw and three hours later, though, Owens did the impossible. Now he had plenty of meat to keep the livestock fed awhile. He’s crafty, I’ll give him that much. It couldn’t last, though, especially when he kept bringing in more girls.
I made him swear not to carve on Jenny. I’ll feed her myself, if need be.
Today I got the privilege of doing the carving for the others, though. A few strips from Aurora’s arms. I whittled all the skin from Mariangela’s toes (which contributed little, but the reaction was worth it). The soles of Cassandra’s feet, to prevent visible scarring. That was something! Peeled off like the skin of a potato. More bones in the
human foot than you’d think. We’re going to need a new knife.
Did the deed with Cassandra and Mariangela today, savoring the coming fun with Jenny. Went off like gangbusters in Cassandra almost on contact, but held out for five glorious minutes with Mariangela. Still haven’t managed a bee-jay because of the duct tape over all their mouths, which seems unnatural (my not getting a bee-jay, I mean, not the duct tape). The pictures in the paper of Mariangela showed some of the most pouty lips imaginable. Not Geisha Hammond worthy, but they promised a soft landing. Friends and family claimed she wasn’t taken without a struggle, because she’s a tough one. I take that to mean she’d bite a man off given half the chance. It sure wouldn’t be worth it to take the chance of those teeth.
So we’re gonna need pliers.
July 26, 2001
The political correctness of the papers is hilarious, and actually quite dangerous. Hilary Stiglitz is the fifth (known) disappearance in the past three months. Police do not want to attribute her vanishing to the same person or persons responsible for the first four, but they won’t reveal why. “We have some leads we’re working on,” claimed Detective Keene.
No one will state the obvious: The bitch was too ugly to fit the pattern! Cassandra, Jenny, Aurora, and Mariangela were gorgeousness and gorgeosity. Hilary was what happened when you pissed in a test-tube. She was (and I do mean past tense) one of those overweight women whose pounds congregate in one area—in her case, the ass. It looked like someone threw a blanket over a monster truck tire.
You wouldn’t insult your dog by feeding him the remains. Your basement-bound sex slaves, on the other hand . . .
You never know what might develop when you drop off some film and leave your address.
And yeah, I admit it . . . I took “the plunge” in her, too. But Carl did it first. You take that kind of risk, it seems a crying shame not to get the most out of your effort.
July 28, 2001
I watched Katy through her window tonight. I thought she was going to undress, but the phone rang. I have to be completely silent during the summer, because she leaves her window up. Even the sound of a zipper might draw her attention, but that’s part of the thrill.
The phone call was for her. A new boyfriend, apparently. That was rather depressing. I can’t help thinking that if I was the one she was so happy to hear from, I wouldn’t need a basement of women to satisfy me.
Loneliness is vastly underrated.
I did my thing anyway, quietly as possible. They were still going on when I left. Then I went to buy a pair of pliers before the store closed.
July 29, 2001
We’re going through two and three rolls of film a day at Owens’. I develop film for less than six bucks an hour for six to eight hours, then I go to his house and do it for free for a couple more. The upside is that I am already halfway through Binder Number Six.
Stock tip: Buy as many shares of Vaseline as you can.
July 30, 2001
Owens is pissing me off.
Remember what I said about my goals? That’s plural. Katy was at least the second reason I got involved in all of this. It’s been my plan to bring her to Owens’ from the beginning—or better yet, to have Owens bring her there himself. He’s got a great track record, six for six all told. Katy has everything but a COME THROUGH MY WINDOW, ABDUCT ME AND RAPE ME sign on her house. It’d be nothing for him to do it.
But he won’t.
“It’s not the right time,” he said.
“What are you waiting for, a full moon?” I shouted.
“It’s just not the right time,” he said again.
So I got to thinking. It’d be nothing for him to creep through Katy’s window and take her. It wouldn’t be anything for me, either, would it? This time we’ll be collaborating on a chemistry project—I’ll administer the chloroform, she’ll succumb. Then I’ll bring her back to Owens’.
Owens won’t object, because Owens won’t be around anymore. I’ll get the hang of this kidnapping thing, and I won’t need him. I can have ALL the women to myself, with no more of those disgusted looks when I do as I please with Jenny. At least not from him, anyway.
No more sloppy seconds, and I get the van AND the house. You couldn’t ask for a better divorce.
July 31, 2001
I’ve never kept a journal before either. I guess you’ve heard about me, but we haven’t been properly introduced. I’m Carl Owens. I picked up this nifty little journal from Alex.
You’ve probably figured out that I still have my harem.
I noticed that Alex didn’t care to leave out the truth whenever it suited him. I DID recognize him when he first showed up on my doorstep—from the papers. He was Jenny MacColl’s brother (and I do mean past tense). He forgot to mention that, didn’t he? He sure didn’t seem like the kind of guy to be ashamed of anything, but I guess you never really know some people. For example, I didn’t know that he wanted to kill me and take over my congregation. Personally I was just getting sick of him, and I thought I’d take my chances with finding all the evidence he had against me. He was dead to the world whenever he got going with Jenny . . . only this time he stayed that way.
His mother isn’t exactly my type, but it’ll be good to have some meat on stand-by when they get done with Hilary Stiglitz. I think I’ll hold onto this for awhile. Mrs. MacColl might be interested in reading it.
It just so happens that I have some empty shackles between Aurora Fenech and Jenny. I guess the time is right for Katy Hindley. Elvin Avenue, wasn’t it?
I.
Gabriel saw the dead man on his way home from the video store.
He’d been thinking about the shift at Movie Heaven as he drove. Carrie and Renee had both been there, the teen pregnancies waiting to happen. And what were they wearing on a sizzling August day? As little as the law allowed. Gabriel spent the five and a half hours playing pocket pool. The clock couldn’t pass slowly enough to suit him on days like this. He fully expected them to show up in Barely Legal any day now.
A stack of porno movies clattered on the passenger seat. He was allowed to bring them home, but he’d waited for Renee to take someone to the tanning bed and Carrie to restock some new releases before he’d made his move. If he had any chance of going out with either of them—and the past three months had provided precious little hope of that—it wouldn’t help his cause if they knew he was going home with Lesbian Airline Stewardesses, Carol’s Arse, Dildo Delirium, and that perennial customer favorite, Gaping Anus.
It all made for a bitter obsession. Working with the hot little sirens transported him through a time wrap right back into high school, as if there were a worm hole at the check-out counter of Movie Heaven. It hadn’t been long ago at all, so his memories of countless young things in skin-tight skirts, halter tops, blouses tied at the mid-riff, shorts barely longer than their underwear, and open-toed sandals were vivid. He couldn’t talk to them then; his tongue became like the knots in their blouses.
Who the hell am I kidding? he thought. I can’t talk to them now either!
What ingenious things had he said to Carrie and Renee today? “Hi.” “I’m going on break.” “Could you hand me that?” “Well, see you tomorrow.”
Yeah, a real mystery that he hadn’t scored with either one of them or—as he always daydreamed—both of them yet. The irony was that he wasn’t a bad looking guy at all. Kind face, cobalt eyes, fair hair—the typical angel blueprint. Did Carrie and Renee sense some kind of ugliness inside him? Sometimes it seemed like they must; them and all the beautiful ones he saw at work. He’d be happy just to get a sniff of even the middle tier women who frequented the tanning beds virtually every day that ended with a Y. Well, he could think of a thing or two he’d like to do at their Y’s. They looked like they knew he was thinking this when he confirmed their tanning appointments . . . an uneasy disgust in their eyes with a tilt of the chin, like he had snot hanging from his nose. Even when he wasn’t thinking anything untoward, he felt their derisio
n. They sensed a strangeness, as if he had a pheromone that sent them all scattering instead of attracting a single one of them.
And there was indeed something Carrie and Renee wouldn’t like if they knew about it: the Taste of Death movies. He was even more cautious about taking those home than the pornos. They might think he was pathetic if they knew about the pornos, but if they knew about Taste of Death, they’d think he was psychotic.
It was the Taste of Death series Gabriel was thinking about when he saw the dead man. He was standing on the corner of 37th and Garren, and to look at him you wouldn’t know he’d had his head blown off on Taste of Death 5: Into the Grave.
These weren’t simply movies where a group of horny teenagers were slain with phallic implements. Like Traces of Death, Faces of Death, Death Scenes, Executions, and their brothers in the mondo video line, they were known as “shockumentaries.” They provided the audience with various clips of real deaths caught on tape—accidents, murders, and animal attacks featured most prominently. Offended people erroneously called them “snuff movies,” which differed in that a snuff victim was brought before the camera for the express purpose of being murdered. According to Channel Two News reporter Geisha Hammond (and the lips on that sizzling hot piece . . . Gabriel figured he’d blow the back of her head out approximately 1.5 seconds after she put those lush lips on his ramrod) in a story about “Mr. Drill Bit” Earl Newman just a few months ago, there was no evidence to support the claim that snuff movies existed anyway. Shockumentaries merely collected random atrocities where a camera just happened to grab the money shot.
One of Gabriel’s favorites was a clip which showed a man blasted in the face with a shotgun fired off-screen. A moment after he blinked with the incomprehension of a bovine, his hapless look was erased in a shower of deep red and mushroom colored fragments, too many to count even in slow motion. Above the sounds of blood droplets and skull pieces wetting the pavement, an unnamed narrator cracked in Crypt Keeper throwback, “The world’s foremost magician—now you see him, now you don’t.”