by Antal Szerb
“… it was an age of youthful enthusiasm, of noble and sincere feelings, and for all its blunders it will live for ever in the memory of mankind and serve to shock people out of their reverie whenever they seek to destroy or enslave their fellow men.”
In Carlyle’s words, “The diamond necklace vanished through the horn gate of dreams”; but its fame spread throughout Europe. None of the events that occurred in the decades leading up to the Revolution received press coverage, but contemporaries instinctively felt its fatal significance.
And even here, in far-away Hungary, at that time so desperately cut off from the mainstream of world events, it haunted people’s imagination. This is shown by the fact that a Jesuit father and neo-Latin poet, György Alajos Szerdahely, celebrated it in verses written in his fine Jesuit-humanist manner, mentioning each of the mythological personages who came to grief through the necklace.
DE MONILI FAMIGERATO, QUOD IN GALLIA MAGNAM LITEM, IN EUROPA EXPECTATIONEM CONCITAVIT ANNO MDCCLXXXV. ET VI
Quae Furia est? Certe illa fuit; fortasse Megaera
Quae Stygio retulit tale Monile specu?
Parcite Francigenae dirum adfectare Monile!
Thebaidem Statii Patria vestra legat.
Harmonie, et Semele, Iocasta, nocensque Eriphyle,
Atque alii interitu vos monuere suo.
Fatale est; et quisquis adhuc mortalis habebat,
Morte, vel infami labe Monile luit.
Lemnius huic varias pestes, laetumque venenum
Miscuit, et propriis hostibus ipse dedit.
Frustra ago. Romano vestitus murice Princeps
Heu! domino semper triste Monile petit.
Quid tibi femineo cum cultu et merce Sacerdos?
Femineum nescis sic recubare malum.
Infelix, quicunque putat se posse placere,
Dum sibi feminea credulitate placet.
Vos damna et poenas emitis? La Motthe feroces
Ad furias salvus triste Monile tulit.
Concerning the infamous necklace, the subject of a trial in France, which aroused great interest in Europe in 1785 and 1786.
Which Fury was that? For certain it was one; perhaps Megaera
Bringing the necklace back from the Stygian cave?
Beware, children of France, that dire necklace!
Let your countrymen study the Thebeiad of Statius.
Harmony and Semele, Jocasta and the mischievous Eriphyle
And others shall warn you of the ruin it brings.
It is fatal; and whatever mortal has so far possessed it
Has paid for it by death or deep shame.
With various plagues and deadly poison Apollo
Has infused it, and gives it to his very own enemies.
I speak in vain. A prince dressed in the purple of Rome
Pursues, alas! the unhappy necklace.
Oh priest, what have you to do with female adornments and hire?
You should know to beware of feminine malice.
Unhappy the man who thinks he can please
While pleasing himself with womanish credulity.
Will you purchase condemnation and imprisonment? It was La Motte
Who, himself unharmed, took the unhappy necklace to the wild Furies.
But the strongest literary response to the trial came from the greatest writers of the age, the giants of German classicism. Goethe, as we have already mentioned, visited Cagliostro’s family in Palermo and wrote a play about it called Der Gross-Kophta. The play does not rank among the best of his great Weimar productions, but on the other hand it is certainly not his weakest. The principals have no names, only titles. Some are slightly reduced in rank. The Queen is a mere duchess, the Cardinal a Domherr. True, Cagliostro remains a count, and the La Mottes are a marquis and marquise. The play, clearly for stage reasons, has a happy ending: a Ritter (knight) who is in love with the character corresponding to d’Oliva discovers the intrigue just in time, and the guilty parties receive their due punishment immediately after the truth is revealed about the scene in the Venus Bower. In the play the Graf, or Cagliostro, represents the comic element, and is a highly entertaining figure, a fine example of Goethe’s humour and gaiety.
Schiller, also under the influence of the event, wrote a great and sadly unfinished ghost story, Die Geisterseher—The Man Who Sees Ghosts. And while we are with Schiller, we cannot resist mentioning our hypothesis, difficult as it is to prove, that the necklace trial may also have inspired one of the truly great creations of world literature, his Don Carlos. We know of course that Schiller wrote the play on the basis of a conversation with an author called Saint-Real, and that Lessing’s Nathan der Weise encouraged him to stress the yearning for freedom; but if we study or even just glance through Don Carlos with the necklace trial in mind, we find interesting similarities of mood and atmosphere. The play begins in medias res: Don Carlos has long been languishing in despair of ever speaking face to face with the Queen. Someone goes between them and helps him to a meeting. Like Marie-Antoinette, the Queen is the unhappy and protesting prisoner of protocol.
In what follows, the entire action turns on letters that are stolen, handed over, recovered, and fall into the wrong hands, and you can find yourself quite lost among the huge number of documents (analogous to Marie-Antoinette’s letters to Rohan, Rohan’s to Jeanne, and the whole fog of mystery about this correspondence that Jeanne spreads around herself). Then there is the King’s secret and tragic suffering as he sits in solitude on the throne brooding over his wife’s fidelity—could Schiller have been thinking of Louis XVI? Chronology seems to confirm our theory. Schiller took a long time writing the play. One act was finished in 1785, and the completed work appeared in 1787, so it was composed precisely during the period of the necklace trial. That Schiller always followed, and indeed took the greatest interest in, the more sensational French criminal trials, is well known.
But now, as is proper, we must say some brief closing words about the subsequent fate of our dramatis personae—brief, because their later careers are of little real significance. The royal party are of course excepted: after the conclusion of our immediate narrative, they really did step into the centre stage of history, as their portion of suffering and martyrdom increased. The reader doubtless knows their story; so we will speak only of the others.
Jeanne de la Motte escaped to England in 1787. For a short while she lived off the éclat of the necklace trial, her malicious memoirs and supposed persecution. Thereafter she sank into the London underworld, fell into dreadful poverty, and in 1791, perhaps in one of her hysterical fits, threw herself out of a window and died. Her husband lived on. Little is known of his fate, but it could hardly be much to his credit. He ended his days in 1831, in a beggars’ hospital in Paris. The cursed Nibelung treasure had not brought him luck, or even wealth—but rather the “death or deep shame” predicted in Szerdahely’s verses.
Prince Rohan spent two years of banishment in his former cloister, then was allowed to return to Strasbourg just as the Revolution broke out. As a prelate he was also a member of the Estates General. He was later charged with counter-revolutionary practices, but never appeared before any court. From 1793 onwards he lived in his Ettenheim diocese as a Prince of the Holy Roman Empire, one of his many titles. When in year nine of the Republic the Pope signed a Concordium with the new French state which gave the Assembly the right to appoint bishops, Rohan resigned his office and returned to his chateau, where he lived in retirement until his death in 1803, a proud, taciturn and forgotten relic of the Ancien Régime.
As a consequence of the sensational trial, Nicole d’Oliva’s market value soared. Aristocratic young suitors competed for her favour. Its first recipient, if only out of gratitude, was her clever young lawyer Blondel. Later, from a wide field, she chose Toussaint de Beausire, the father of her child. Carlyle records that he became a well-known informer and played a significant role in the Revolution.
Mme Campan served her mistress with touching and hero
ic loyalty. Following the Queen’s death, she founded a girls’ school in St Germain-en-Laye, after which Napoleon put her in charge of an academy for young ladies at Écouen. It is an irony of fate that Mme Campan, who had the good fortune to live through the Revolution, the end of the monarchy and finally the return of the Bourbons to the throne, was eventually dismissed from her post by her former employers. At which point she wrote her superb memoirs, to set the record straight about the Queen. She died in 1822.
For Cagliostro and his wife, fate still had years of trouble in store. The trial proved a tragic turning point in the magician’s life; thereafter his road led downwards. His weeping disciples followed the Great Kophta to Boulogne, where he set sail and crossed the Channel. In London his luck ran out. Nothing he started went well for him.
Business matters took him back to France for a short while. He brought an action against de Launay, the Governor of the Bastille, and Chenon, the police inspector who had sealed off his home while he was in prison. He sued them for some 150,000 livres for cash and jewellery stolen from it through their negligence, and a further 50,000 livres in compensation for ill-treatment. Unfortunately, as he acknowledged in his notebook, all his possessions had been recovered without loss, and he had on numerous occasions declared that he had been very satisfied with the way he had been treated in prison. He did not win his case.
In London he made an attempt to renew his miracle-doctoring, but somehow the locals proved less susceptible to his cures. He tried to get in touch with his former students of the occult, and picked up the threads of his Freemasonry, but the sensible English simply made fun of the absurd, exaggerated gestures of the Italian.
And then to top it all he made a formidable enemy, in the person of Théveneau de Morande. Morande was a member of the lowest underworld of French journalists and pamphleteers based in London. But by this time he was no longer producing pamphlets. He had no need to—the poacher had turned gamekeeper. The well-paid spy of the French King, he edited the Courrier de l’Europe, a French-language paper printed in London as a source of information for the French government about British public opinion.
Cagliostro became Théveneau’s favourite theme. He could attack whoever he chose and the French government loved it: it is quite possible that his attempt to discredit Cagliostro was carried out on instructions from Paris. The journalist brought a detective-like zeal and thoroughness to his inquiry into Cagliostro’s former doings, especially those in London, and including his disgraceful little court cases. No detail was spared. Amongst other things, scorn was poured on his claim that his relations the Arab sheikhs controlled the numbers of marauding lions and tigers by raising pigs on fodder laced with arsenic (the gradually increased doses would permeate their flesh without harming them, but would be strong enough to kill any wild animal that devoured them).
Cagliostro replied to all this with rather surprising wit. He disdainfully (and wisely) ignored references to his minor, more squalid, misdemeanours, and wrote instead that he had so much enjoyed M de Morande’s French style that he would like to meet him personally, and to that end was inviting him to breakfast on 9th November. He would like Monsieur the editor to bring the wine and other provisions, while he, Cagliostro, would provide the meat, a suckling piglet he had reared according to his method. Morande would be entrusted with killing and preparing the pig and would be free to eat whichever part he found most to his taste. “The next day four things would be possible. Either both of us would be dead, or neither of us; or I would be dead and not you; or you would be dead but not I. The first three results would be a win for you, the fourth a win for me. But I will lay 5,000 guineas that you would be dead the next day and I would be hale and hearty.”
Morande backed away from this. For all he knew, he said to himself, Cagliostro might be right. With typical eighteenth-century credulity, he considered that such a wily (and fat!) rascal might well be immune to poison. So he suggested that perhaps either a dog or a cat should try the pig instead of himself. To that Cagliostro replied with biting scorn:
“You propose that a meat-eating animal should stand in for you at the breakfast. It would certainly represent you well. What other carnivore so aptly reflects what you are among men?”
To his shame, Théveneau de Morande withdrew, but Cagliostro’s victory was a Pyrrhic one. As a result of what they had learnt during the dispute, his followers mobbed him and tried to strangle him. He rapidly decided to leave London. He went off with his wife’s diamonds, leaving her behind without a penny. In revenge she spread it abroad that Théveneau de Morande had been right on all counts.
Once again Cagliostro travelled around Europe, but this was a very different journey from the one he had made in his heyday. Everywhere his infamy went before him, and poverty was his constant companion. He was driven out of Switzerland; then the Austrians expelled him from Trient, where he had met a well-disposed archbishop who in time might well have become a second Rohan to him.
Meanwhile his wife joined him. The lovely Lorenza was now desperately homesick. After so many years of restless wandering she longed to be back with her family in Rome, where she dreamt of a quiet, simple married life. Perhaps she hoped that one day Cagliostro would become a respectable citizen, give up his visionary dreams and perhaps even get himself a job. Her weary, ageing, persecuted husband finally gave in to her wishes—gave in, and stepped into the jaws of the wolf.
Cagliostro, it seems, if only from force of habit, made contact with the local Freemasons. Even here, at the very heart of the hostile city, they maintained a presence. Their number was small, but even so they had to take their vow of secrecy most seriously, for fear of falling into the hands of the Holy Inquisition.
But in fact the Inquisition had been following the noble traveller’s every step, and in 1789, once they had gathered enough evidence against him, he was arrested and locked up in the Castel Sant’Angelo—compared to which the Bastille was a seaside resort.
The Inquisitors were delighted to have caught such a well-known Freemason because they intended to make an example of him. Moreover, they had acquired an undue sense of his importance as the result of his ceaseless bragging. He had written to his friends abroad urging them that if he were ever arrested they should engage in a world-wide action of Freemasons to besiege the Castel Sant’Angelo. The Inquisition believed that this amounted to a serious plot.
He made regular appearances before their court, but to the very end he hoped they would release him. He did not think of himself as a great criminal. He had always spoken of God and encouraged religious feelings among his followers. Though he seems to have been well versed in theology, he entirely failed to understand the hair-raising nature of the heresy he was proclaiming.
So at first he took it all quite calmly, full of good faith that there was no truer son of the Church than himself. He even asked if he might have a personal word with the Pope to persuade him of this. It still took him a while to see that his teachings were heretical. At that point he declared that he was fully repentant, he would return to the true faith, and when they freed him he would convert a million adherents of the Egyptian Rite as a favour to the Church.
The court’s main interest lay in whether or not, in the course of his occult practices, he had ever had dealings with Satan. It was just his fate that at this point his ‘baby angel’, the ever-unreliable Lorenza, who could never grasp the importance of anything, betrayed him in a momentary fit of exasperation. She told them that most of the time the mediums had been told what to say in answer to his questions; however, on more than one occasion, Satan had indeed appeared.
Sentence was finally passed in April 1791. The court stopped short of handing him over to the secular arm, which would have meant the death penalty, but as a dangerous heretic and Satanist he was given life imprisonment.
It was probably only at this point that it began to dawn on him that everything was lost. The gates of the world had finally closed against him, and he would remain a mi
serable inmate of the Castel Sant’Angelo until his death—he who had always lived amid uproar and popular acclaim, in exhilarating escapades and the theatrical limelight, with the added perpetual frisson of proximity to the supernatural. He was still only forty-five.
No portrait of a true adventurer would be complete without mention of a daring attempt to escape. Cagliostro told the prison governor that he wanted to confess his sins and show proper remorse. A Capuchin monk was sent to him, delighted to think he would be receiving the sincere repentance of a famous heretic. In his confession Cagliostro went so far as to invite the monk to join in his flagellation. The Capuchin agreed to the request, unbuckled his waist-cord and struck him a few blows across the shoulder. Then Cagliostro suddenly wrenched the cord from his hands, pulled it round his neck and began to strangle him. But fate had decreed that this monk was not the senile, gaunt ascetic he had been banking on but a strapping son of the peasantry, who threw the flabby magician off and summoned help. The plan went up in smoke.
One night, not long afterwards, the Papal authorities took him to a faraway fortress somewhere behind God’s back in the Duchy of Urbino. Here his path reached its eternal end. He is thought to have died some time in 1795.
We must not forget Count Haga. He may not be central to our story, but it is instructive to note how everything went so well for this relaxed and easy-going monarch, while for Louis XVI it all went so wrong. Slowly but steadily he dismantled all the remaining constitutional power of the nobility, established a flourishing royal dictatorship with the support of the Third Estate, and forced the privileged classes completely into the background. Meanwhile his country prospered. He fought heroically against Russian numerical superiority before signing the Treaty of Värälä in 1790, none of whose terms was humiliating to Sweden, and a year later concluded a pact with Catherine the Great. The Tsarina guaranteed him 300,000 roubles annually, which he now thoroughly needed, having lost his French subsidy with the Revolution. On 16th March 1792 he fell victim to a conspiracy of nobles: a Captain Anckarström shot him from behind, at a masked ball. Where else should a great rococo prince have died?