As she reaches the turning into the stretch of water known as the Curve, she hears a shout go up from the direction of the Grand Channel; the procession has begun. Shorn skates on, though the long months of forced inactivity have taken their toll. Her calves and thighs are burning. She does not want to think of what will befall her if she makes it past the North Gate: the vast expanse of snow-covered plain, the mountains beyond. She hopes only that it will be a swift death and that she makes it out of Winterstrike. It will be her revenge on the city and on Calmaretto, to die beyond its walls. She knows that this is not rational, but she left reason by a canal bank, a year ago.
In summer, the Curve is lined with cafes and weedwood trees, black-branched, with the yellow flower balls spilling pollen into the water until it lies there as heavy as oil, perfuming the air with a subtle musk. Now, the cafes are cold and closed—all the trade will have moved down the Channel for the night.
Shorn's heart pounds with exertion and memory. It was here, a year ago, on this stretch of the Curve just beyond the thin-arched bridge, that something—someone, Shorn corrects herself, angry at her use of Essegui's term—drifted from the darkness to stand as still as snow.
Shorn glides to an involuntary halt. She has replayed this scene over and over in her mind: the figure outlined against the black wall and pale ice, the head swivelling to meet her gaze, the frame shifting under the layers of robes. The sudden realisation that this was not just another reveller, but real: the mild dark eyes set deep in the hollow of the skull, the ivory barbs of its teeth. What she had taken for the curve of skate blades beneath the hem of the robe was its feet. One of the Changed, a vulpen, from the mountains: the genetically altered remnant of a man.
They are said to tear women limb from limb in vengeance for old woes: the phasing out of the male by Matriarchal geneticists. But this one merely looked at her, and held out its hand. She should have fled; instead, she took its two long fingers in her own. It led her along the Curve, skating alongside with human skill. Nothing else befell her. The vulpen gazed at her as they moved, blinking its mild eyes. It said: I have been waiting for one such as you.
And as it spoke, they turned the bend and ran into a squadron of scissor-women. Unlike Shorn, the warriors took only a moment to realise what was before them. They skated forward, scissors snicking. One of them seized Shorn, who cried "No!" and struggled in the warrior's grasp. The other three surrounded the vulpen, who suddenly was springing upward to land on the bank on all fours, blade-feet skidding, casting the disguising robes away to reveal a pale, narrow form, the vertebral tail whipping around. Its erection resembled a bone, and when they saw it, the scissor-women shrieked in fury. Then it was gone, into the snowy night.
They took Shorn back to Calmaretto, on a chain, and sat with her until her family returned, laughing and exhausted, at dawn.
Remembering this now, Shorn is moved to wonder if any of it was even real. It seems long ago and far away—and then it is as though she has stepped sideways into her own memory, for the figure of a vulpen once more skates from beneath the arch. It holds out its hands, but does not attempt to touch her. Shorn skates with it, back along the Curve in a haze and a dream, flying through the winter dark, until they are once more out onto the Grand Channel.
The procession has passed. Circling, whirling, Shorn and the vulpen dance out to the middle of the Grand Channel and now Shorn is beginning to understand that this is, after all, nothing more than a woman in a mask, just as she is. Thoughts of flight, of dying beyond Winterstrike, skate through her head and are gone, leaving loss and yearning behind.
She lets the woman in the vulpen's mask lead her back to Calmaretto. As they step through the door, the woman pulls off the mask and Shorn sees that it is Essegui.
"I could not let you go," Essegui says, and Shorn, exhausted, merely nods. Essegui leads her up the stairs to the windowless room and closes the door behind her.
* * *
In the morning, Winterstrike is quiet. Mask ribbons litter the ice and the snow is trodden into filth. Essegui, waking late, head ringing with explanations that she will have to make to Vanity, goes to the heart of the house and opens the door of the windowless room.
Shorn sits where her sister left her, upright, the cat's face beaming. "Shorn?" her sister says. There is no reply. Essegui goes haltingly forward and touches her sister's shoulder, thinking that she sleeps. But the brocade gown is stiff and unyielding, moulded in the form of a woman's figure.
Essegui tugs at the cat's mask, but it will not budge. It remains fixed, staring sightlessly across the windowless room, and slowly Essegui steps away, and once more closes the door.
* * *
The Children of Time
Stephen Baxter
Stephen Baxter tells us his "big news is that we moved house last year, to a National Park in Northumberland, near the Scottish border." Stephen's next novel, Transcendent (Del Rey, December 2005), is his third in the Destiny's Children series, and Sunstorm, a follow-up to Time's Eye written with Sir Arthur C. Clarke, will be out from Del Rey early next year.
* * *
Jaal had always been fascinated by the ice on the horizon. Even now, beyond the smoke of the evening hearth, he could see that line of pure bone white, sharper than a stone blade's cut, drawn across the edge of the world.
It was the end of the day, and a huge sunset was staining the sky. Alone, restless, he walked a few paces away from the rich smoky pall, away from the smell of broiling raccoon meat and bubbling goat fat, the languid talk of the adults, the eager play of the children.
The ice was always there on the northern horizon, always out of reach no matter how hard you walked across the scrubby grassland. He knew why. The ice cap was retreating, dumping its pure whiteness into the meltwater streams, exposing land crushed and gouged and strewn with vast boulders. So while you walked toward it, the ice was marching away from you.
And now the gathering sunset was turning the distant ice pink. The clean geometric simplicity of the landscape drew his soul; he stared, entranced.
Jaal was eleven years old, a compact bundle of muscle. He was dressed in layers of clothing, sinew-sewn from scraped goat skin and topped by a heavy coat of rabbit fur. On his head was a hat made by his father from the skin of a whole raccoon, and on his feet he wore the skin of pigeons, turned inside-out and the feathers coated with grease. Around his neck was a string of pierced cat teeth.
Jaal looked back at his family. There were a dozen of them, parents and children, aunts and uncles, nephews and nieces, and one grandmother, worn down, aged forty-two. Except for the very smallest children, everybody moved slowly, obviously weary. They had walked a long way today.
He knew he should go back to the fire and help out, do his duty, find firewood or skin a rat. But every day was like this. Jaal had ancient, unpleasant memories from when he was very small, of huts burning, people screaming and fleeing. Jaal and his family had been walking north ever since, looking for a new home. They hadn't found it yet.
Jaal spotted Sura, good-humoredly struggling to get a filthy skin coat off the squirming body of her little sister. Sura, Jaal's second cousin, was two years older than him. She had a limpid, liquid ease of movement in everything she did.
She saw Jaal looking at her and arched an eyebrow. He blushed, hot, and turned away to the north. The ice was a much less complicated companion than Sura.
He saw something new.
As the angle of the sun continued to change, the light picked out something on the ground. It was a straight line, glowing red in the light of the sun, like an echo of the vast edge of the ice itself. But this line was close, only a short walk from here, cutting through hummocks and scattered boulders. He had to investigate.
With a guilty glance back at his family, he ran away, off to the north, his pigeon-skin boots carrying him silently over the hard ground. The straight-edge feature was further away than it looked, and as he became frustrated he ran faster. But then he came on it. H
e stumbled to a halt, panting.
It was a ridge as high as his knees -- a ridge of stone, but nothing like the ice-carved boulders and shattered gravel that littered the rest of the landscape. Though its top was worn and broken, its sides were _flat_, smoother than any stone he had touched before, and the sunlight filled its creamy surface with color.
Gingerly he climbed on the wall to see better. The ridge of stone ran off to left and right, to east and west -- and then it turned sharp corners, to run north, before turning back on itself again. There was a pattern here, he saw. This stone ridge traced a straight-edged frame on the ground.
And there were more ridges; the shadows cast by the low sun picked out the stone tracings clearly. The land to the north of here was covered by a tremendous rectangular scribble that went on as far as he could see. All this was made by people. He knew this immediately, without question.
In fact this had been a suburb of Chicago. Most of the city had been scraped clean by the advancing ice, but the foundations of this suburb, fortuitously, had been flooded and frozen in before the glaciers came. These ruins were already a hundred thousand years old.
"Jaal. Jaal!..." His mother's voice carried to him like the cry of a bird.
He couldn't bear to leave what he had found. He stood on the eroded wall and let his mother come to him.
She was weary, grimy, stressed. "Why must you do this? Don't you _know _the cats hunt in twilight?"
He flinched from the disappointment in her eyes, but he couldn't contain his excitement. "Look what I found, mother!"
She stared around. Her face showed incomprehension, disinterest. "What is it?"
His imagination leapt, fueled by wonder, and he tried to make her see what he saw. "Maybe once these rock walls were tall, tall as the ice itself. Maybe people lived here in great heaps, and the smoke of their fires rose up to the sky. Mother, will we come to live here again?"
"Perhaps one day," his mother said at random, to hush him.
The people never would return. By the time the returning ice had shattered their monocultural, over-extended technological civilization, people had exhausted the Earth of its accessible deposits of iron ore and coal and oil and other resources. People would survive: smart, adaptable, they didn't need cities for that. But with nothing but their most ancient technologies of stone and fire, they could never again conjure up the towers of Chicago. Soon even Jaal, distracted by the fiery eyes of Sura, would forget this place existed.
But for now he longed to explore. "Let me go on. Just a little further!"
"No," his mother said gently. "The adventure's over. It's time to go. Come now." And she put her arm around his shoulders, and led him home.
--------
II
Urlu crawled toward the river. The baked ground was hard under her knees and hands, and stumps of burned-out trees and shrubs scraped her flesh. There was no green here, nothing grew, and nothing moved save a few flecks of ash disturbed by the low breeze.
She was naked, sweating, her skin streaked by charcoal. Her hair was a mat, heavy with dust and grease. In one hand she carried a sharpened stone. She was eleven years old.
She wore a string of pierced teeth around her neck. The necklace was a gift from her grandfather, Pala, who said the teeth were from an animal called a rabbit. Urlu had never seen a rabbit. The last of them had died in the Burning, before she was born, along with the rats and the raccoons, all the small mammals that had long ago survived the ice with mankind. So there would be no more rabbit teeth. The necklace was precious.
The light brightened. Suddenly there was a shadow beneath her, her own form cast upon the darkened ground. She threw herself flat in the dirt. She wasn't used to shadows. Cautiously she glanced over her shoulder, up at the sky.
All her life a thick lid of ash-laden cloud had masked the sky. But for the last few days it had been breaking up, and today the cloud had disintegrated further. And now, through high drifting cloud, she saw a disc, pale and gaunt.
It was the sun. She had been told its name, but had never quite believed in it. Now it was revealed, and Urlu helplessly stared up at its geometric purity.
She heard a soft voice call warningly. "Urlu!" It was her mother.
It was no good to be daydreaming about the sky. She had a duty to fulfill, down here in the dirt. She turned and crawled on.
She reached the bank. The river, thick with blackened dirt and heavy with debris, rolled sluggishly. It was so wide that in the dim light of noon she could barely see the far side. In fact this was the Seine, and the charred ground covered traces of what had once been Paris. It made no difference where she was. The whole Earth was like this, all the same.
To Urlu's right, downstream, she saw hunters, pink faces smeared with dirt peering from the ruined vegetation. The weight of their expectation pressed heavily on her.
She took her bit of chipped stone, and pressed its sharpest edge against the skin of her palm. It had to be her. The people believed that the creatures of the water were attracted by the blood of a virgin. She was afraid of the pain to come, but she had no choice; if she didn't go through with the cut one of the men would come and do it for her, and that would hurt far more.
But she heard a wail, a cry of loss and sorrow, rising like smoke into the dismal air. It was coming from the camp. The faces along the bank turned, distracted. Then, one by one, the hunters slid back into the ruined undergrowth.
Urlu, hugely relieved, turned away from the debris-choked river, her stone tucked safely in her hand.
The camp was just a clearing in the scorched ground-cover, with a charcoal fire burning listlessly in the hearth. Beside the fire an old man lay on a rough pallet of earth and scorched brush, gaunt, as naked and filthy as the rest. His eyes were wide, rheumy, and he stared at the sky. Pala, forty-five years old, was Urlu's grandfather. He was dying, eaten from within by something inside his belly.
He was tended by a woman who knelt in the dirt beside him. She was his oldest daughter, Urlu's aunt. The grime on her face was streaked by tears. "He's frightened," said the aunt. "It's finishing him off."
Urlu's mother asked, "Frightened of what?"
The aunt pointed into the sky.
The old man had reason to be frightened of strange lights in the sky. He had been just four years old when a greater light had come to Earth.
After Jaal's time, the ice had returned a dozen times more before retreating for good. After that, people rapidly cleared the land of the legacy of the ice: descendants of cats and rodents and birds, grown large and confident in the temporary absence of humanity. Then people hunted and farmed, built up elaborate networks of trade and culture, and developed exquisite technologies of wood and stone and bone. There was much evolutionary churning in the depths of the sea, out of reach of mankind. But people were barely touched by time, for there was no need for them to change.
This equable afternoon endured for thirty million years. The infant Pala's parents had sung him songs unimaginably old.
But then had come the comet's rude incursion. Nearly a hundred million years after the impactor that had terminated the summer of the dinosaurs, Earth had been due another mighty collision.
Pala and his parents, fortuitously close to a cave-ridden mountain, had endured the fires, the rain of molten rock, the long dust-shrouded winter. People survived, as they had lived through lesser cataclysms since the ice. And with their ingenuity and adaptability and generalist ability to eat almost anything, they had already begun to spread once more over the ruined lands.
Once it had been thought that human survival would depend on planting colonies on other worlds, for Earth would always be prone to such disasters. But people had never ventured far from Earth: there was nothing out there; the stars had always remained resolutely silent. And though since the ice their numbers had never been more than a few million, people were too numerous and too widespread to be eliminated even by a comet's deadly kiss. It was easy to kill a lot of people. It was very h
ard to kill them all.
As it happened old Pala was the last human alive to remember the world before the Burning. With him died memories thirty million years deep. In the morning they staked out his body on a patch of high ground.
The hunting party returned to the river, to finish the job they had started. This time there was no last-minute reprieve for Urlu. She slit open her palm, and let her blood run into the murky river water. Its crimson was the brightest color in the whole of this grey-black world.
Urlu's virginal state made no difference to the silent creature who slid through the water, but she was drawn by the scent of blood. Another of the planet's great survivors, she had ridden out the Burning buried in deep mud, and fed without distaste on the scorched remains washed into her river. Now she swam up toward the murky light.
All her life Urlu had eaten nothing but snakes, cockroaches, scorpions, spiders, maggots, termites. That night she feasted on crocodile meat.
By the morning she was no longer a virgin. She didn't enjoy it much, but at least it was her choice. And at least she wouldn't have to go through any more blood-letting.
--------
III
The catamaran glided toward the beach, driven by the gentle current of the shallow sea and the muscles of its crew. When it ran aground the people splashed into water that came up to their knees, and began to unload weapons and food. The sun hung bright and hot in a cloudless blue dome of a sky, and the people, small and lithe, were surrounded by shining clouds of droplets as they worked. Some of them had their favorite snakes wrapped around their necks.
Cale, sitting on the catamaran, clung to its seaweed trunks. Looking out to sea, he could spot the fine dark line that was the floating community where he had been born. This was an age of warmth, of high seas that had flooded the edges of the continents, and most people on Earth made their living from the rich produce of coral reefs and other sun-drenched shallow-water ecosystems. Cale longed to go back to the rafts, but soon he must walk on dry land, for the first time in his life. He was eleven years old.
The Year's Best Science Fiction: Twenty-Third Annual Collection Page 54