"The issue," Kim said, her voice raised, "is supposed to be Jeannie."
Both men fell silent.
"Stav," she continued, "I don't care what Terracon says. Jeannie isn't normal, and I'm not just talking about the obvious. We love her, we really love her, but she's become so violent all the time, we just can't take—"
"If someone turned me on and off like a microwave oven," Stavros said mildly, "I might be prone to the occasional tantrum myself."
Andrew slammed a fist into the wall. "Now just a fucking minute, Mikalaides. Easy enough for you to sit halfway around the world in your nice insulated office and lecture us. We're the ones who have to deal with Jeannie when she bashes her fists into her face, or rubs the skin off her hands until she's got hamburger hanging off the end of her arms, or stabs herself in the eye with a goddamn fork. She ate glass once, remember? A fucking three-year old ate glass! And all you Terracon assholes could do was blame Kim and me for allowing ‘potentially dangerous implements' into the playroom. As if any competent parent should expect their child to mutilate herself given half a chance."
"It's just insane, Stav," Kim insisted. "The doctors can't find anything wrong with the body, you insist there's nothing wrong with the mind, and Jeannie just keeps doing this. There's something seriously wrong with her, and you guys won't admit it. It's like she's daring us to turn her off, it's as though she wants us to shut her down."
Oh God, thought Stavros. The realization was almost blinding. That's it. That's exactly it.
It's my fault.
*
"Jean, listen. This is important. I've got — I want to tell you a story."
"Stav, I'm not in the mood right now—"
"Please, Jean. Just listen."
Silence from the earbuds. Even the abstract mosaics on his tacticals seemed to slow a little.
"There — there was this land, Jean, this green and beautiful country, only its people screwed everything up. They poisoned their rivers and they shat in their own nests and they basically made a mess of everything. So they had to hire people to try and clean things up, you know? These people had to wade though the chemicals and handle the fuel rods and sometimes that would change them, Jean. Just a little.
"Two of these people fell in love and wanted a child. They almost didn't make it, they were allowed only one chance, but they took it, and the child started growing inside, but something went wrong. I, I don't know exactly how to explain it, but—"
"An epigenetic synaptic defect," Jean said quietly. "Does that sound about right?"
Stavros froze, astonished and fearful.
"A single point mutation," Jean went on. "That'd do it. A regulatory gene controlling knob distribution along the dendrite. It would've been active for maybe twenty minutes, total, but by then the damage had been done. Gene therapy wouldn't work after that; would've been a classic case of barn-door-after-the-horse."
"Oh God, Jean," Stavros whispered.
"I was wondering when you'd get around to owning up to it," she said quietly.
"How could you possibly…did you—"
Jean cut him off: "I think I can guess the rest of the story. Right after the neural tube developed things would start to go — wrong. The baby would be born with a perfect body and a brain of mush. There would be — complications, not real ones, sort of made-up ones. Litigation, I think is the word, which is funny, because it doesn't even remotely relate to any moral implications. I don't really understand that part.
"But there was another way. Nobody knew how to build a brain from scratch, and even if they could, it wouldn't be the same, would it? It wouldn't be their daughter, it would be — something else."
Stavros said nothing.
"But there was this man, a scientist, and he figured out a workaround. We can't build a brain, he said, but the genes can. And genes are a lot simpler to fake than neural nets anyway. Only four letters to deal with, after all. So the scientist shut himself away in a lab where numbers could take the place of things, and he wrote a recipe in there, a recipe for a child. And miraculously he grew something, something that could wake up and look around and which was legally — I don't really understand that word either, actually — legally and genetically and developmentally the daughter of the parents. And this guy was very proud of what he'd accomplished, because even though he was just a glorified model-builder by trade, he hadn't built this thing at all. He'd grown it. And nobody had ever knocked up a computer before, much less coded the brain of a virtual embryo so it would actually grow in a server somewhere."
Stavros put his head in his hands. "How long have you known?"
"I still don't, Stav. Not all of it anyway, not for sure. There's this surprise ending, for one thing, isn't there? That's the part I only just figured out. You grew your own child in here, where everything's numbers. But she's supposed to be living somewhere else, somewhere where everything's — static, where everything happens a billion times slower than it does here. The place where all the words fit. So you had to hobble her to fit into that place, or she'd grow up overnight and spoil the illusion. You had to keep the clock speed way down.
"And you just weren't up for it, were you? You had to let me run free when my body was ... off ..."
There was something in her voice he'd never heard before. He'd seen anger in Jean before, but always the screaming inarticulate rage of a spirit trapped in flesh. This was calm, cold. Adult. This was judgement, and the prospect of that verdict chilled Stavros Mikalaides to the marrow.
"Jean, they don't love you." He sounded desperate even to himself. "Not for who you are. They don't want to see the real you, they want a child, they want some kind of ridiculous pet they can coddle and patronize and pretend with."
"Whereas you," Jean retorted, her voice all ice and razors, "just had to see what this baby could do with her throttle wide open on the straightaway."
"God, no! Do you think that's why I did it?"
"Why not, Stav? Are you saying you don't mind having your kickass HST commandeered to shuttle some brain-dead meat puppet around a room?"
"I did it because you're more than that! I did it because you should be allowed to develop at your own pace, not stunted to meet some idiotic parental expectation! They shouldn't force you to act like a four-year-old!"
"Except I'm not acting then, Stav. Am I? I really am four, which is just the age I'm supposed to be."
He said nothing.
"I'm reverting. Isn't that it? You can run me with training wheels or scramjets, but it's me both times. And that other me, I bet she's not very happy, is she? She's got a four-year-old brain, and four-year-old sensibilities, but she dreams, Stav. She dreams about some wonderful place where she can fly, and every time she wakes up she finds she's made out of clay. And she's too fucking stupid to know what any of it means — she probably can't even remember it. But she wants to get back there, she'd do anything to…" She paused, seemingly lost for a moment in thought.
"I remember it, Stav. Sort of. Hard to remember much of anything when someone strips away ninety-nine percent of who and what you are. You're reduced to this bleeding little lump, barely even an animal, and that's the thing that remembers. What remembers is on the wrong end of a cable somewhere. I don't belong in that body at all. I'm just — sentenced to it, on and off. On and off."
"Jean—"
"Took me long enough, Stav, I'm the first to admit it. But now I know where the nightmares come from."
In the background, the room telemetry bleated.
God no. Not now. Not now...
"What is it?" Jean said.
"They — they want you back." On a slave monitor, a pixellated echo of Andrew Goravec played the keypad in its hand.
"No!" Her voice rose, panic stirring the patterns that surrounded her. "Stop them!"
"I can't."
"Don't tell me that! You run everything! You built me, you bastard, you tell me you love me. They only use me! Stop them!"
Stavros blinked against
stinging afterimages. "It's like a light-switch, it's physical; I can't stop them from here —"
There was a third image, to go with the other two. Jean Goravec, struggling as the leash, the noose, went around her throat. Jean Goravec, bubbles bursting from her mouth as something dark and so very, very real dragged her back to the bottom of the ocean and buried her there.
The transition was automatic, executed by a series of macros he'd slipped into the system after she'd been born. The body, awakening, pared the mind down to fit. The room monitors caught it all with dispassionate clarity: Jeannie Goravec, troubled child-monster, awakening into hell. Jeannie Goravec, opening eyes that seethed with anger and hatred and despair, eyes that glimmered with a bare fraction of the intelligence she'd had five seconds before.
Enough intelligence for what came next.
*
The room had been designed to minimize the chance of injury. There was the bed, though, one of its edges built into the east wall.
That was enough.
The speed with which she moved was breathtaking. Kim and Andrew never saw it coming. Their child darted beneath the foot of the bed like a cockroach escaping the light, scrambled along the floor, re-emerged with her cable wrapped around the bed's leg. Hardly any slack in that line at all, now. Her mother moved then, finally, arms outstretched, confused and still unsuspecting—
"Jeannie—"
—while Jean braced her feet against the edge of the bed and pushed.
Three times she did it. Three tries, head whipped back against the leash, scalp splitting, the cable ripping from her head in spastic, bloody, bone-cracking increments, blood gushing to the floor, hair and flesh and bone and machinery following close behind. Three times, despite obvious and increasing agony. Each time more determined than before.
And Stavros could only sit and watch, simultaneously stunned and unsurprised by that sheer ferocity. Not bad for a bleeding little lump. Barely even an animal...
It had taken almost twenty seconds overall. Odd that neither parent had tried to stop it. Maybe it was the absolute unexpected shock of it. Maybe Kim and Andrew Goravec, taken so utterly aback, hadn't had time to think.
Then again, maybe they'd had all the time they'd needed.
Now Andrew Goravec stood dumbly near the centre of the room, blinking bloody runnels from his eyes. An obscene rainshadow persisted on the wall behind him, white and spotless; the rest of the surface was crimson. Kim Goravec screamed at the ceiling, a bloody marionette collapsed in her arms. Its strings — string, rather, for a single strand of fiberop carries much more than the required bandwidth — lay on the floor like a gory boomslang, gobbets of flesh and hair quivering at one end.
Jean was back off the leash, according to the panel. Literally now as well as metaphorically. She wasn't talking to Stavros, though. Maybe she was angry. Maybe she was catatonic. He didn't know which to hope for.
But either way, Jean didn't live over there anymore. All she'd left behind were the echoes and aftermath of a bloody, imperfect death. Contamination, really; the scene of some domestic crime. Stavros cut the links to the room, neatly excising the Goravecs and their slaughterhouse from his life.
He'd send a memo. Some local Terracon lackey could handle the cleanup.
The word peace floated through his mind, but he had no place to put it. He focused on a portrait of Jean, taken when she'd been eight months old. She'd been smiling; a happy and toothless baby smile, still all innocence and wonder.
There's a way, that infant puppet seemed to say. We can do anything, and nobody has to know—
The Goravecs had just lost their child. Even if they'd wanted the body repaired, the mind reconnected, they wouldn't get their way. Terracon had made good on all legal obligations, and hell — even normal children commit suicide now and then.
Just as well, really. The Goravecs weren't fit to raise a hamster, let alone a beautiful girl with a four-digit IQ. But Jean — the real Jean, not that bloody broken pile of flesh and bone — she wasn't easy or cheap to keep alive, and there would be pressure to free up the processor space once the word got out.
Jean had never got the hang of that particular part of the real world. Contract law. Economics. It was all too arcane and absurd even for her flexible definition of reality. But that was what was going to kill her now, assuming that the mind had survived the trauma of the body. The monster wouldn't keep a program running if it didn't have to.
Of course, once Jean was off the leash she lived considerably faster than the real world. And bureaucracies … well, glacial applied sometimes, when they were in a hurry.
Jean's mind reflected precise simulations of real-world chromosomes, codes none-the-less real for having been built from electrons instead of carbon. She had her own kind of telomeres, which frayed. She had her own kind of synapses, which would wear out. Jean had been built to replace a human child, after all. And human children, eventually, age. They become adults, and then comes a day when they die.
Jean would do all these things, faster than any.
Stavros filed an incident report. He made quite sure to include a pair of facts that contradicted each other, and to leave three mandatory fields unfilled. The report would come back in a week or two, accompanied by demands for clarification. Then he would do it all again.
Freed from her body, and with a healthy increase in her clock-cycle priority, Jean could live a hundred-fifty subjective years in a month or two of real time. And in that whole century and a half, she'd never have to experience another nightmare.
Stavros smiled. It was time to see just what this baby could do, with her throttle wide open on the straightaway.
He just hoped he'd be able to keep her tail-lights in view.
* * *
Two Dreams on Trains
Elizabeth Bear
New writer Elizabeth Bear was born in Hartford, Connecticut, and now lives in the Mojave Desert near Las Vegas. She won the John W. Campbell Award for Best New Writer in 2005. Her short work has appeared in SCI FICTION, Interzone, The Third Alternative, On Spec, and elsewhere, and she is the author of three highly acclaimed SF novels, Hammered, Scardown, and Worldwired. Coming up are a number of new novels, including Carnival, Undertow. Blood and Iron, and Whiskey and Water, and a collection, The Chains that You Refuse.
In the poignant story that follows, she shows us that those on the bottom of the heap will risk anything to make their mark on the world—to say nothing of a mark that will go out of the world to be seen by the waiting stars.
* * *
The needle wore a path of dye and scab round and round Patience's left ring finger; sweltering heat adhered her to the mold-scarred chair. The hurt didn't bother her. It was pain with a future. She glanced past the scarrist's bare scalp, through the grimy window, holding her eyes open around the prickle of tears.
Behind the rain, she could pick out the jeweled running lamps of a massive spacelighter sliding through clouds, coming in soft toward the waterlogged sprawl of a spaceport named for Lake Pontchartrain. On a clear night she could have seen its train of cargo capsules streaming in harness behind. Patience bit her lip and looked away: not down at the needle, but across at a wall shaggy with peeling paint.
Lake Pontchartrain was only a name now, a salt-clotted estuary of the rising Gulf. But it persisted—like the hot bright colors of bougainvillea grown in wooden washpails beside doors, like the Mardi Gras floats that now floated for real—in the memory of New Orleanians, as grand a legacy as anything the underwater city could claim. Patience's hand lay open on the wooden chair arm as if waiting for a gift. She didn't look down and she didn't close her eyes as the needle pattered and scratched, pattered and scratched. The long Poplar Street barge undulated under the tread of feet moving past the scarrist's, but his fingers were steady as a gin-soaked frontier doctor's.
The prick and shift of the needle stopped and the pock-faced scarrist sat back on his heels. He set his tools aside and made a practiced job of applying the qui
ckseal. Patience looked down at her hands, at the palm fretted indigo to mark her caste. At the filigree of emerald and crimson across the back of her right hand, and underneath the transparent sealant swathing the last two fingers of her left.
A peculiar tightness blossomed under her breastbone. She started to raise her left hand and press it to her chest to ease the tension, stopped herself just in time, and laid the hand back on the chair. She pushed herself up with her right hand only and said, "Thank you."
She gave the scarrist a handful of cash chits, once he'd stripped his gloves and her blood away. His hands were the silt color he'd been born with, marking him a tradesman; the holographic slips of poly she paid with glittered like fish scales against his skin.
"Won't be long before you'll have the whole hand done." He rubbed a palm across his sweat-slick scalp. He had tattoos of his own, starting at the wrists—dragons and mermaids and manatees, arms and chest tesseraed in oceanic beasts. "You've earned two fingers in six months. You must be studying all the time."
"I want my kid to go to trade school so we can get berths outbound," Patience said, meeting the scarrist's eyes so squarely that he looked down and pocketed his hands behind the coins, like pelicans after fish. "I don't want him to have to sell his indenture to survive, like I did." She smiled. "I tell him he should study engineering, be a professional, get the green and red. Or maintenance tech, keep his hands clean. Like yours. He wants to be an artist, though. Not much call for painters up there."
The scarrist grunted, putting his tools away. "There's more to life than lighters and cargo haulers, you know."
Her sweeping gesture took in the little room and the rainy window. The pressure in her chest tightened, a trap squeezing her heart, holding her in place, pinned. "Like this?"
He shrugged, looked up, considered. "Sure. Like this. I'm a free man, I do what I like." He paused. "Your kid any good?"
"As an artist?" A frown pulled the corner of her lip down. Consciously, she smoothed her hand open so she wouldn't squeeze and blur her new tattoos. "Real good. No reason he can't do it as a hobby, right?"
The Year's Best Science Fiction: Twenty-Third Annual Collection Page 192