He stepped over to her and went down on one stainless knee beside her. “Djoura,” he whispered for her ear alone.
Through her grief, that was the single voice which had the power to reach her. She stiffened. Turned to him.
Her sloe eyes widened as she took in what he was. Who he was. “Djinn!” she gasped. “The great Djinn.”
And after a moment. “Raphael?”
He cupped his hands around her face. “Your Pinkie. Always.” He lifted her to her feet.
Djoura blinked around her. Her eyes were tear-blind. She seemed to wonder where the Devil had gone. Then she glanced at Raphael again and lowered her eyes.
She turned away.
“Isn’t that like me,” she mumbled to herself. “One man I can stand, out of all the cursed world. One silly pink fellow is all, and he turns out… turns out to be…” She shook her head till the coins in her hair rattled. “Well, not for me, anyway.” She sought again the body of her friend, but it was not to be found, but only the black shawl with which she had covered it.
She kicked the crumpled fabric. She took a step. Another. Tears streaming down her face, Djoura strode away from the scene of battle as though she were beginning a journey which promised to be long.
But Raphael was beside her, and in his face was a loss which did not belong on the features of an angel. He trapped her hands in his and she was forced to raise her head. “What, then?” she said roughly. “Does the great Djinn want Djoura to wash pots for him?” And she laughed at the idea. Harshly. Like a crow.
Wings flashed back with a sound of cymbals. Raphael threw his arms around the woman and pressed his head to hers. The angel gave a short, sharp cry like that of a hawk and the wings plunged forward, crashed together.
Raphael was gone from under the sky.
So was Djoura.
After a few stunned moments Saara, Gaspare, and the dragon crept forward. There was nothing to be seen on the Pyrenean hill, neither angel, nor devil, nor black Berber woman.
There was nothing to see but burned dry grass. Nothing to hear but the call of a horse in the distance.
“Well,” commented Gaspare, fiddling nervous fingers over his tuning pegs. “It’s not everyone’s idea of courtship.”
“No,” replied Saara wearily. “Not everyone’s. But as long as it suits…” She ran her hands through her heat-damaged hair.
The dragon cleared ten feet of throat. “Madam, I would like to suggest we catch our missing cattle and leave this place—before anything else untoward happens.”
“Nothing else will happen,” Saara replied, wearily but with great conviction. “And if it did, they wouldn’t need OUR help!” She let Gaspare help her onto the broad black back of the dragon.
Epilogue
Two men walked up the hill toward San Gabriele. This village was surrounded by a bank of dirt and stones which might once have been a wall, but was now reduced to a mound that harbored grass and wild alpine pinks. Beside the road leading into the village rose a single oak tree, much the worse for wear.
The old man, dressed loudly in vestments of Tyrian purple, with sleeve bobbles picked out in silver, stopped to lean against the tree. It was an action appropriate to both his years and the difficulty of the climb, but his attitude, along with a certain hauteur in his lean face, gave the impression he had halted only to gaze out over the tilled valley below.
The younger man, perhaps twenty years of age and dressed demurely in black, felt a prick of guilt at having used his great-uncle too hard. His neat, smooth-shaven Provençal face darted a glance at the other’s bitter features. But how to apologize, when old Gaspare would never admit he had felt tired?
Great-uncle made it difficult to feel sorry for him.
Now the old man’s fierce green eyes rested on his companion. “Why do you call yourself Caspar, when you are supposed to be named after me?” he asked. His leathered mouth pulled sideways, as though he tasted something foul, and two white points appeared on the bridge of his nose.
The story was that Grandmama and Great-uncle Gaspare were the illegitimate children of some Savoyard nobleman. It had always seemed silly to Caspar—the sort of story any bastard might make up —but looking at old Gaspare, he found it more credible. From where else had the old man come by that hawk face and those obnoxious manners?
“Caspar is the same as Gaspare, grand-oncle, and comes easier to a Provençal tongue.”
The ancient green eyes narrowed. “I didn’t want you to be called Gaspare at all.” Caspar scratched nervously under his skintight black jerkin and wished once more he hadn’t come to visit, namesake or no. “I wanted you to be called Damiano.”
Caspar hit one hand with the other and snapped his fingers in the air. His gestures were Provençal, not Italian, and Great-uncle Gaspare regarded them with suspicion. “That’s it! The name my grandmother keeps forgetting, of the lute teacher you had as a boy.”
Gaspare, through the years, had grown quite a set of unruly gray eyebrows. He raised them both. “He wasn’t my teacher, boy, but my good friend. And your grandmother has no business to forget his name. Not with what he did for her.”
Caspar’s eyes slid to the packed earth beneath the tree. Again that business. Caspar himself would rather have come from a family of no pretension, conceived between lawful sheets. “You mean that Grandmama Evienne and he… that he might be my…”
“NO!” spat Gaspare, glaring at his namesake’s small, very French features. “Your grandfather was Cardinal Rocault, certainly. Almost certainly.”
The old man flung himself away from the tree and proceeded with great, gasping energy into the village. Caspar followed, drumming his fingers against his thigh uncomfortably. He heard his great-uncle mutter, “I could only wish…”
Since there was a hint of softening in that voice, Caspar humored the old man. “You told me about that one when I was a little boy, hein, grand-oncle? He was the one who talked to animals, yes, and God sent wounds of flame into his hands, and an angel comforter? He tamed a wolf that had ravaged the village.”
Gaspare’s look of incredulity settled into scorn. “That was Saint Francis.”
“Ah. So it was,” Caspar replied equably. “I am mistaken. But I heard so many stories, you must understand, and as a child I believed them all.”
The old man’s lips drew back from his imperfect teeth, and his angry hand made the swordsman’s instinctive gesture toward the hilt of his sword. This surprised Caspar, as well as daunted him, for to the best of his knowledge, his great-uncle had never worn a sword in his life. “Delstrego was a man of our times—of MY times, at least There might have been much of the fantastic about him, but he was a REAL person, boy. Born a few days’ ride west of here in the city of Partestrada.”
“I rode in from the west,” replied Caspar readily. “But… I can’t recall a city of that name.” Then, realizing he had not spoken diplomatically, he added, “This is not to doubt you, grand-oncle. There are many ruins.”
Gaspare winced. “Yes, no doubt. Ruins.
“It never really WAS a city, of course. Except to Delstrego. A market town.
“Ah! It means nothing, boy. Forget it.” The look of defeat on Gaspare’s ancient face might have melted the young man’s amiable heart.
But he never saw it, for his great-uncle had turned his head away. “And forget the stories you heard as a child,” the old man growled. “About dragons and witches and angels and… whatever. It was just to entertain you: not to be believed. If you could remember only that the man was the greatest musician of his day…”
Gaspare gave a dry snort and smoothed his fashionable, threadbare, trailing purple sleeve. “Or perhaps even that is too much. Yes, I’m sure it is. It… it has been a very long time, boy, since I have seen an angel.” He turned at the stairs that led to his rooms, and, though he would have liked to rest before assaulting them, preceded his grand-nephew up.
The cynicism of this last reply heartened Caspar. He did not believe,
whatever his family in Avignon told him, that Great-uncle Gaspare was mad or senile. He was just old and angry (as old men often were), and had his own kind of humor. Caspar sat down at the other side of the table and gazed at the old man’s incredible lute while Gaspare poured him a mug of rough cider.
Such an instrument. Covered with inlays of shell and ivory, it was almost too pretty to be taken seriously. But Gaspare had plucked it for him, and he had perceived that it was of the highest quality, with a true tone clarified by age to bell-like sweetness. “That is the lute Pope Innocent gave you?” Caspar asked, a touch of awe in his voice. He smiled the smile that everyone in Avignon found so charming.
But Gaspare was staring out the window. “The Pope gave it to Delstrego. I inherited it only.” Cold green eyes wandered through the room, and though they touched Caspar’s brown ones only for a moment, the younger man was abashed.
“It seems I was born too late,” Caspar said.
Old Gaspare’s eyes widened, looking at the other’s sleek exterior. Remembering the plague. Remembering hunger.
“Too late for Avignon,” Caspar qualified. “Since the papacy has been in dispute, most of the good patrons have removed to Rome. And so has the… the thrust of the music.”
He shrugged and touched both hands to his breast. “So. You see me on my way to Rome. Following my art.”
Caspar quailed as his great-uncle’s face went red, then purple. It clashed terribly with his purple jacket. The old man’s aristocratic hooked nose stood out white in relief. “What do you say, boy? You are going to Rome—after the music?”
“Yes,” came the answer. “Oh, I know it must sound absurd to you, as it does to my own father (since I am guaranteed a place in the guild at Avignon, and that is a thing a man may seek for a lifetime), but…”
Gaspare had turned from his namesake and was staring fixedly again out the window. His hands, laced together, were white-knuckled.
“Following the music,” he mumbled under his breath. “Without a sou, I suppose.”
“No.” In truth it had been part of his plan to ask his great-uncle for provision during his stay, but one look at the old man’s worn foppery had caused him to put that matter quietly away. His innate honesty forced Caspar to amend his answer. “Not quite without a sou.”
Gaspare cast one taut look in his direction. He gestured at the lute on the table. “Play it for me, boy.”
Caspar had been longing to play ever since seeing the lute. But the voice held more challenge than invitation, and besides, old people never liked his music.
Yet it was old Gaspare who taught his father to play the lute and Caspar had learned from him, so Great-uncle had a right to hear. Caspar cleared his throat. “I am more used to an instrument of six courses,” he qualified, lifting the lute from the table. It was almost weightless.
“Six!” cackled Gaspare. “Why, boy, you have only five fingers to play them with!”
Caspar’s smile twisted under the expected witticism. He found the lute in very close tune.
Gaspare listened to a Provençal folk tune done in very pleasant, antique style. In a very few seconds’ listening he had granted the boy technical competence. But he cut him off roughly before the song was done. “Don’t humor me, Nephew! God’s bollucks, I’m a musician too! Play your own music for me! Play to your limit!”
Caspar’s eyes rose startled and he glared back at his great-uncle.
Everyone at home thought the world of Caspar and he did so LIKE to be liked. Here he’d come eighty miles out of his way to visit the old man only to be treated like this! Unremitting hostility and scorn.
Of course what Gaspare said was quite true. Caspar HAD been humoring him. He ground his teeth together and flexed his fingers over the hand-tied frets. “Very well,” he snapped at his great-uncle. “I’ll play what I like best. But don’t bother to tell me you don’t like it!”
Caspar played. His left hand spread like a spider on the broad lute neck. His right hand bounced. He played seconds against one another. He ended lines on the seventh chord. He played melodies that chased each other impudently in and out of a music where structure threatened to dissolve momentarily into chaos. The lute sounded like a guitar, like a harp.
But though there was virtuosity in Caspar’s attack, it was not mere show, for the technique worked in the service of feeling, in a music with much soul and a very playful rhythm. His unobtrusive chin (nothing like Gaspare’s chin) jutted out as he played, like that of a man who speaks and does not expect to be understood.
When he was done and not before, he glanced up at his great-uncle. He was prepared for coldness, and half-expected an explosion. But to the Provençal’s horror, the old man was weeping. Tears spattered onto the black wood of the tabletop. Caspar was stricken. “Great-uncle! Forgive me. It is dissonant, when one is not accustomed to it, certainly. But I had no inten—”
But the young man was no fool, and he read the truth in his great-uncle’s face.
Gaspare reached over the tabletop, shoving pitcher and mugs to one side. “Boy,” he whispered. “Don’t apologize. Never apologize for being what you must be.
“And pay no mind to me, for I can’t explain it to you. It’s just the music, when I’d believed it to be all lost.
“But nothing is lost, you see? Nothing. Not even if his… his city is lost, and no one remembers his name.”
Caspar’s quick brown eyes narrowed. “I don’t understand, grand-oncle. But have I finally done something right in your eyes?” Caspar asked, half touched by the old man’s tears, half still-resentful of his tempers.
“You have,” replied Gaspare, grinning at his great-nephew. “Of course you have, boy. You have shown me an angel.”
Author’s Note
THIS IS THE LAST OF THE TALES OF DAMIANO AND HIS FRIENDS I WILL WRITE. BY NOW I IMAGINE THEY ARE ALL RATHER TIRED.
I KNOW I AM.
BUT NO CONCLUSION IS FINAL, AND THE READER IS WELCOME TO CONTINUE THE STORY IN ANY DIRECTION DESIRED. AFTER THREE BOOKS, HE OR SHE KNOWS AS MUCH TO THE PURPOSE AS I.
Bertie MacAvoy
All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
This is a work of fiction. Names, characters, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
Damiano copyright © 1984 by R.A. MacAvoy
Cover design by Open Road Integrated Media
Damiano’s Lute copyright © 1984 by R.A. MacAvoy
Cover design by Open Road Integrated Media
Raphael copyright © 1984 by R.A. MacAvoy
Cover design by Open Road Integrated Media
ISBN 978-1-4976-7784-5
This edition published in 2014 by Open Road Integrated Media, Inc.
345 Hudson Street
New York, NY 10014
www.openroadmedia.com
Open Road Integrated Media is a digital publisher and multimedia content company. Open Road creates connections between authors and their audiences by marketing its ebooks through a new proprietary online platform, which uses premium video content and social media.
Videos, Archival Documents, and New Releases
Sign up for the Open Road Media newsletter and get news delivered straight to your inbox.
Sign up now at
www.openroadmedia.com/newsletters
FIND OUT MORE AT
WWW.OPENROADMEDIA.COM
FOLLOW US:
@openroadmedia and
Facebook.com/OpenRoadMedia
books on Archive.
The Damiano Series Page 77