Lightspeed Magazine, Issue 50

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Lightspeed Magazine, Issue 50 Page 8

by John Joseph Adams


  When my portal opens, a faceless creature is standing there. It’s tall and roughly shaped, like a duststorm or a swarm of gnats. Dimples where its eyes should be, though I feel like it’s watching me anyway. It takes my credit card, holds it for a moment, and then hands it back.

  Olive, backers—please keep in mind that I’m still paying off my student loans.

  Oh, I also got a comment on this page from Olive. Three comments. I guess she does have reception. Olive, I’m coming anyway, kid. You can’t stop me. I may not be the best older sister in the world, but I can do this.

  Update #4 • Jun 27, 2014

  This is The Land of the Dead

  This is what they don’t tell you about the land of the dead: it looks and smells like some approximation of your entire life, but in muted colors and shifting scents—sunscreen, then smoke, then raspberry shaving cream. When I step through the portal I see layers of images shimmering in front of me: the street where I grew up, my current bedroom, my ex-fiancé’s house, my college dorm, all in grays and creams and beiges. They undulate back and forth, as if the land of the dead is trying to decide which is the most comforting, and settles on our childhood street. It smells like cedar and blood.

  Partying here seems like an impossibility. This is the sort of place where I’d cry or scream or eat water ice or have an existential crisis or drown myself in a memory. I would cut my hair here, all of it, in ragged chunks directly off my skull. But this does not look like a place with cocktails. There is no club music, only the sound of birds.

  Update #5 • Jun 27, 2014

  Olive Located

  It takes me a while to find Olive. The road stretches and meanders and doesn’t take me exactly where I want to go, like in a dream. I twist through fragments of memory. I see the Girl Scout campground where I bit off a chunk of my tongue tripping into the cold firepit. I see an empty kitchen, a pot of soup boiling over on the stove. I see the dorm where I lost my virginity, the white cinderblock bare of decorations, the whole room ringing hollowly, like a bell.

  Then I come upon a two-story house. My childhood home. Well, ours. She is in the living room; I can see her red hair through the window. I open the front door. She is on the couch, the green couch where we both stayed when we had the chicken pox, where we had scratched each other’s raw, blistered backs in our sleep.

  When she looks up, and sees me, she begins screaming.

  I haven’t held my sister in so long, not since we were children. She is like something starving, an animal with too many bones, and she pushes against me. She has been crying for so long, her voice falls away. She punches me with her fists, but it is like a bee bumping up against a windowpane.

  Update #6 • Jun 27, 2014

  Heading Home

  She tells me she is going to stay. I say to her, “You cannot stay.” She says, “We can bring Mom and Dad back with us, it’ll be different,” and I say no, it didn’t work that way. I only have enough spell ingredients for two people, and besides, only visitors can leave, not the committed. The land of the dead is the worst kind of hospital. “How did you get here?” she asks. “Magic,” I say, and it sounds like I’m being sarcastic, even if I’m not. She says “I hate you,” and I say “Sure.”

  I pick her up from the couch and carry her across the threshold of the house. I drop her to her feet and then pull her through the streets. I remind her that we are all each other has. She pulls against my grip around her wrist, a balloon angling for freedom. “Let me go,” she shouts, “please.” “No,” I say. We flit back past my memories, though the images waver like someone has just walked in front of the projector. We come back to the portal, beyond which is the playground, glowing faintly in the watery dawn.

  But when I reach out to touch it, someone materializes in front of us. A woman with sad eyes and a floppy sunhat, like she is a hipster, or going to the beach in 1948. She points to me.

  “You can go,” she says. Then she looks at Olive. “You,” she says, “need to stay. You know that.”

  • • • •

  Comments

  Olive R about 2 days ago

  Don’t come for me.

  *

  Susan Jameson about 2 days ago

  Ursula, I am so sorry!!!! Let me know if I can do anything else. Your parents were great people I cannot believe this has happened. You’re a great sister, Olive is so lucky.

  *

  David Mantis about 2 days ago

  Donat’d! Good luck, Ursula.

  *

  Olive R about 1 day ago

  Don’t come.

  *

  Lucille L about 6 hours ago

  Ursula, have the cops managed to get a hold of you? They found something new. Ursula, please call me ASAP.

  *

  Olive R about 6 hours ago

  Don’t.

  *

  Lucille L about 4 hours ago

  Ursula, check your DMs. I need to talk to you, it’s very important.

  *

  Olive R about 1 hour ago

  Do you remember when we were little girls, and you took me to that abandoned convenience store parking lot where Dad taught us to ride our bikes? The thunderstorm? You were so scared, even more scared than me, I think, and you said “We have to go inside” and broke the glass door with a rock? And we were inside, and the shelves were empty and dirty, and we just sat and watched the lightning bleach the sky and the rain go horizontal. I think that was the last time we really connected. You squeezed me so hard it left black and blue marks, but I felt so safe. What were we so afraid of, after that? We just stopped talking. I don’t know why. You’re a tight ass and neurotic as hell but I love you anyway.

  I came over to Mom and Dad’s early, to catch you. I was going to ask you if you wanted to go partying with me in the land of the dead. Just so we could hang out. I know you’re not much of a partier, but I don’t know. Sometimes people unexpectedly love dancing. You seem like the kind of person who would unexpectedly love dancing. Or karaoke.

  They’re going to ask you what happened. Just tell them I came over too early. For once in my life, I was even better than on-time.

  *

  • • • •

  Messages

  Lucille L

  Jun 27, 2015

  Jesus, Ursula, stop traveling, shut down this page, come home. Fuck. Ursula, just look. www.cnn.com/2015/6/26/us/daughters-body-found-near-murder-suicide.

  *

  Lucille L

  Jun 27, 2015

  I’m so sorry. She was in the woods behind the house. They weren’t looking for her, at first, that’s why they didn’t find her.

  *

  Lucille L

  Jun 27, 2015

  Ursula, are you there?

  *

  Lucille L

  Jun 28, 2015

  Ursula?

  *

  © 2014 by Carmen Maria Machado.

  Originally published in HELP FUND MY ROBOT ARMY!!! & Other Improbable Crowdfunding Projects,

  edited by John Joseph Adams.

  Reprinted by permission of the author.

  ABOUT THE AUTHOR

  Carmen Maria Machado’s work has appeared or is forthcoming in The New Yorker, The Paris Review, AGNI, NPR, Los Angeles Review of Books, VICE, and many other publications. She is a graduate of the Iowa Writers’ Workshop and the Clarion Science Fiction & Fantasy Writers’ Workshop, and was a fellow at the Millay Colony in 2014. She lives in Philadelphia with her partner.

  To learn more about the author and this story, read the Author Spotlight.

  Cimmeria: From the Journal of Imaginary Anthropology

  Theodora Goss

  Remembering Cimmeria: I walk through the bazaar, between the stalls of the spice sellers, smelling turmeric and cloves, hearing the clash of bronze from the sellers of cooking pots, the bleat of goat
s from the butcher’s alley. Rugs hang from wooden racks, scarlet and indigo. In the corners of the alleys, men without legs perch on wooden carts, telling their stories to a crowd of ragged children, making coins disappear into the air. Women from the mountains, their faces prematurely old from sun and suffering, call to me in a dialect I can barely understand. Their stands sell eggplants and tomatoes, the pungent olives that are distinctive to Cimmerian cuisine, video games. In the mountain villages, it has long been a custom to dye hair blue for good fortune, a practice that sophisticated urbanites have lately adopted. Even the women at court have hair of a deep and startling hue.

  My guide, Afa, walks ahead of me, with a string bag in her hand, examining the vegetables, buying cauliflower and lentils. Later she will make rice mixed with raisins, meat, and saffron. The cuisine of Cimmeria is rich, heavy with goat and chicken. (They eat and keep no pigs.) The pastries are filled with almond paste and soaked in honey. She waddles ahead (forgive me, but you do waddle, Afa), and I follow amid a cacophony of voices, speaking the Indo-European language of Cimmeria, which is closest perhaps to Iranian. The mountain accents are harsh, the tones of the urbanites soft and lisping. Shaila spoke in those tones, when she taught me phrases in her language: Can I have more lozi (a cake made with marzipan, flavored with orange water)? You are the son of a dog. I will love you until the ocean swallows the moon. (A traditional saying. At the end of time, the serpent that lies beneath the Black Sea will rise up and swallow the moon as though it were lozi. It means, I will love you until the end of time.)

  On that day, or perhaps it is another day I remember, I see a man selling Kalashnikovs. The war is a recent memory here, and every man has at least one weapon: Even I wear a curved knife in my belt, or I will be taken for a prostitute. (Male prostitutes, who are common in the capital, can be distinguished by their khol-rimmed eyes, their extravagant clothes, their weaponlessness. As a red-haired Irishman, I do not look like them, but it is best to avoid misunderstandings.) The sun shines down from a cloudless sky. It is hotter than summer in Arizona, on the campus of the small college where this journey began, where we said, let us imagine a modern Cimmeria. What would it look like? I know, now. The city is cooled by a thousand fountains, we are told: Its name means just that, A Thousand Fountains. It was founded in the sixth century BCE, or so we have conjectured and imagined.

  I have a pounding headache. I have been two weeks in this country, and I cannot get used to the heat, the smells, the reality of it all. Could we have created this? The four of us, me and Lisa and Michael the Second, and Professor Farrow, sitting in a conference room at that small college? Surely not. And yet.

  • • • •

  We were worried that the Khan would forbid us from entering the country. But no. We were issued visas, assigned translators, given office space in the palace itself.

  The Khan was a short man, balding. His wife had been Miss Cimmeria, and then a television reporter for one of the three state channels. She had met the Khan when she had been sent to interview him. He wore a business suit with a traditional scarf around his neck. She looked as though she had stepped out of a photo shoot for Vogue Russia, which was available in all the gas stations.

  “Cimmeria has been here, on the shores of the Black Sea, for more than two thousand years,” he said. “Would you like some coffee, Dr. Nolan? I think our coffee is the best in the world.” It was—dark, thick, spiced, and served with ewe’s milk. “This theory of yours—that a group of American graduate students created Cimmeria in their heads, merely by thinking about it—you will understand that some of our people find it insulting. They will say that all Americans are imperialist dogs. I myself find it amusing, almost charming—like poetry. The mind creates reality, yes? So our poets have taught us. Of course, your version is culturally insensitive, but then, you are Americans. I did not think Americans were capable of poetry.”

  Only Lisa had been a graduate student, and even she had recently graduated. Mike and I were post-docs, and Professor Farrow was tenured at Southern Arizona State. It all seemed so far away, the small campus with its perpetually dying lawns and drab 1970s architecture. I was standing in a reception room, drinking coffee with the Khan of Cimmeria and his wife, and Arizona seemed imaginary, like something I had made up.

  “But we like Americans here. The enemy of my enemy is my friend, is he not? Any enemy of Russia is a friend of mine. So I am glad to welcome you to my country. You will, I am certain, be sensitive to our customs. Your coworker, for example—I suggest that she not wear short pants in the streets. Our clerics, whether Orthodox, Catholic, or Muslim, are traditional and may be offended. Anyway, you must admit, such garments are not attractive on women. I would not say so to her, you understand, for women are the devil when they are criticized. But a woman should cultivate an air of mystery. There is nothing mysterious about bare red knees.”

  Our office space was in an unused part of the palace. My translator, Jafik, told me it had once been a storage area for bedding. It was close to the servants’ quarters. The Khan may have welcomed us to Cimmeria for diplomatic reasons, but he did not think much of us, that was clear. It was part of the old palace, which had been built in the thirteenth century CE, after the final defeat of the Mongols. Since then, Cimmeria had been embroiled in almost constant warfare, with Anatolia, Scythia, Poland, and most recently the Russians, who had wanted its ports on the Black Sea. The Khan had received considerable American aid, including military advisors. The war had ended with the disintegration of the USSR. The Ukraine, focused on its own economic problems, had no wish to interfere in local politics, so Cimmeria was enjoying a period of relative peace. I wondered how long it would last.

  Lisa was our linguist. She would stay in the capital for the first three months, then venture out into the countryside, recording local dialects. “You know what amazes me?” she said as we were unpacking our computers and office supplies. “The complexity of all this. You would think it really had been here for the last three thousand years. It’s hard to believe it all started with Mike the First goofing off in Professor Farrow’s class.” He had been bored, and instead of taking notes, had started sketching a city. The professor had caught him, and had told the students that we would spend the rest of the semester creating that city and the surrounding countryside. We would be responsible for its history, customs, language. Lisa was in the class, too, and I was the TA. AN 703, Contemporary Anthropological Theory, had turned into Creating Cimmeria.

  Of the four graduate students in the course, only Lisa stayed in the program. One got married and moved to Wisconsin, another transferred to the School of Education so she could become a kindergarten teacher. Mike the First left with his master’s and went on to do an MBA. It was a coincidence that Professor Farrow’s next postdoc, who arrived in the middle of the semester, was also named Mike. He had an undergraduate degree in classics, and was the one who decided that the country we were developing was Cimmeria. He was also particularly interested in the Borges hypothesis. Everyone had been talking about it at Michigan, where he had done his PhD. At that point, it was more controversial than it is now, and Professor Farrow had only been planning to touch on it briefly at the end of the semester. But once we started on Cimmeria, AN 703 became an experiment in creating reality through perception and expectation. Could we actually create Cimmeria by thinking about it, writing about it?

  Not in one semester, of course. After the semester ended, all of us worked on the Cimmeria Project. It became the topic of Lisa’s dissertation: A Dictionary and Grammar of Modern Cimmerian, with Commentary. Mike focused on history. I wrote articles on culture, figuring out probable rites of passage, how the Cimmerians would bury their dead. We had Herodotus, we had accounts of cultures from that area. We were all steeped in anthropological theory. On weekends, when we should have been going on dates, we gathered in a conference room, under a fluorescent light, and talked about Cimmeria. It was fortunate that around that time, the Journal of Imagin
ary Anthropology was founded at Penn State. Otherwise, I don’t know where we would have published. At the first Imaginary Anthropology conference, in Orlando, we realized that a group from Tennessee was working on the modern Republic of Scythia and Sarmatia, which shared a border with Cimmeria. We formed a working group.

  “Don’t let the Cimmerians hear you talk about creating all this,” I said. “Especially the nationalists. Remember, they have guns, and you don’t.” Should I mention her cargo shorts? I had to admit, looking at her knobby red knees, above socks and Birkenstocks, that the Khan had a point. Before she left for the mountains, I would warn her to wear more traditional clothes.

  I was going to stay in the capital. My work would focus on the ways in which the historical practices we had described in “Cimmeria: A Proposal,” in the second issue of the Journal of Imaginary Anthropology, influenced and remained evident in modern practice. Already I had seen developments we had never anticipated. One was the fashion for blue hair; in a footnote, Mike had written that blue was a fortunate color in Cimmerian folk belief. Another was the ubiquity of cats in the capital. In an article on funerary rites, I had described how cats were seen as guides to the land of the dead until the coming of Christianity in the twelfth century CE. The belief should have gone away, but somehow it had persisted, and every household, whether Orthodox, Catholic, Muslim, Jewish, or one of the minor sects that flourished in the relative tolerance of Cimmeria, had its cat. No Cimmerian wanted his soul to get lost on the way to Paradise. Stray cats were fed at the public expense, and no one dared harm a cat. I saw them everywhere, when I ventured into the city. In a month, Mike was going to join us, and I would be able to show him all the developments I was documenting. Meanwhile, there was email and Skype.

 

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