by Sharon Sala
Sahara was suddenly aware of how naked she was beneath the dressing gown and pulled it tighter around her neck.
“We were on set. The crew, the director, Chris, the actor in the scene with me. We were all there filming a rather difficult scene. It was our third take, so I’d guess we’d been there at least an hour and a half? Then Tom called a lunch break. I was going to my trailer and met my assistant, Lucy, on the way. We found Moira Patrick’s body inside.”
“Why was Moira in your trailer?”
“She’s part of…was part of wardrobe, and I was told that the director wanted some changes made for tomorrow’s scenes. She was sent to my trailer to get measurements,” Sahara said.
“What did you do then?” Shaw asked.
Sahara started to shake as she described beginning CPR, then seeing the food lodged in Moira’s throat and smelling the scent of bitter almonds.
“How did you know about that scent being linked to cyanide poisoning? Most people don’t know that.”
She told him what she’d already explained to Tom and Lucy about her previous movie role, then tears began to spill.
“She ate food meant for me. I was the intended victim.”
Shaw frowned. “Who would want you dead?”
Sahara grabbed a tissue from the box on the table and wiped her eyes.
“I don’t know. Lots of people. You would have to ask my manager, Harold Warner. He keeps track of all my hate mail.”
Shaw shook his head. Considering this was Hollywood, hate mail was as common in their business as spam in email.
“Is there anything in particular you’ve received recently that gave you cause for concern?”
“Nothing that I know of. Harold doesn’t usually show me any of it. Why would I want to see those angry letters?”
“Okay, what about your lunch? Where does your food come from?” Shaw asked.
“I don’t know the name of the company. Lucy, my personal assistant, might know. She usually picks it up for me and brings it straight to my trailer to put in the refrigerator. Nothing stays fresh in this heat.”
“How do you get on with Lucy? Would she have any reason to want you dead?”
“Lucy? No, absolutely not. We get along fine. She’s been with me for almost a year, and I pay her very well. I can’t imagine a reason why she’d want to end a monthly income.”
Shaw continued with the questions he’d prepared, making sure he’d covered every detail with Sahara before finishing.
“Thank you for your cooperation,” Shaw said once he’d gotten all the information he could.
Sahara was pale and trembling.
“Am I allowed to leave the set now?”
“Yes, ma’am. Where did you intend to go?”
“Home. I just want to go home. I don’t suppose my assistant is allowed to leave with me?”
“Not yet. We’ll need to question everyone before they can head out. I can have an officer take you home, though.”
She nodded. “Yes, please. Can I go back to my trailer to change clothes and get my purse?”
“I’m sorry, but no. Right now, everything in that trailer is part of the crime scene.”
“Lord have mercy,” Sahara muttered. “Then I guess I’ll clean up in wardrobe and borrow some clothes to wear home.”
“The officer will be waiting out front.”
“Am I still in danger?”
“Until we get confirmation from the lab that your food was actually poisoned, I can’t say.”
Sahara shoved a shaky hand through the tangles in her hair.
“Great. Hopefully I won’t have to die before someone makes up their mind.”
* * *
Harold Warner was a Mel Gibson look-alike and a Hollywood veteran. He’d started out as an actor, but quickly tired of the casting calls and went to work on the other side of the business as an agent, then later moved to personal management.
He was just about to pull into valet parking for lunch with a friend when his cell phone rang. Still focused on getting into the proper turn lane, he hit the hands-free button to answer in his usual abrupt and impatient manner.
“Harold Warner.”
“Mr. Warner, this is Detective Shaw with the LAPD. I need to talk to you about Sahara Travis.”
Startled, both by the man and the question, Harold swerved into the wrong lane, barely missing the Porsche just behind him.
The driver honked at him loud and long as he flew past, but Harold was already trying to get off the street.
“What about Sahara Travis? Has something happened to her?”
“Not to her, no. But we are concerned about her safety after the incident that occurred today. There’s been a death on the set of her movie, and we think Ms. Travis may be in danger, as well. We’re still in the early stages of the investigation but—”
“A death? What the hell? Is Sahara okay? Where is she?”
“I had an officer take her home,” Shaw said.
“Did you put a guard on the penthouse?” Harold asked.
“No, sir. Not at this time.”
“Talk about leaving the barn door open,” Harold grumbled. “I’m heading to her apartment building right now.”
“I need to talk to you about the hate mail Ms. Travis has received recently. If you’ve kept it saved, I’ll need to see what’s come in.”
“Okay, send an officer over to my office. I’ll have my secretary make copies for you.”
“Thank you for your cooperation,” Shaw said, getting only a disconnect for his troubles.
Harold was in a panic. Sahara was his paycheck, and a nice one at that, but he also adored her. It would be a tragedy if anything happened to her. He turned around and headed downtown, blowing through yellow lights and cutting corners too close for comfort.
He was sweating by the time he pulled into the parking lot at The Magnolia. He sat there long enough to give his secretary instructions and then ended the call and ran inside. He was sweating and puffing, thinking he probably should’ve been using that gym membership he kept in his wallet when he saw Adam, the security guard, in the lobby.
“Afternoon, Mr. Warner.”
“Afternoon, Adam. Is Miss Travis in?”
“Yes, sir. She came back about thirty minutes ago. You go on up. I’ll ring her for you.”
* * *
Sahara was still rattled by the events of the day and was about to make herself some hot tea when the house phone at her elbow suddenly rang. It startled her enough that her heartbeat hit a hard, solid thud before it went back into a normal rhythm.
“Good Lord,” she muttered, as she picked up. “Yes?”
“Afternoon, Miss Travis, this is Adam. Mr. Warner is on his way up.”
“Thank you, Adam.”
Moments later there was a knock at her door. She looked through the peephole and felt a huge sense of relief at seeing Harold’s familiar face.
“Come in,” she said, as she opened the door.
“Are you okay?” he asked, shutting the door behind him.
“I am not physically injured in any way, if that’s what you’re asking. If you want to know how I feel inside, I’m sick to my stomach. A friend ate food meant for me, and it killed her. I can’t describe how sad that makes me feel. Who the fuck wants me dead this week, Harold? What do you know that I don’t?”
“Nothing new on that front. I promise. You’re on the upswing with marriage proposals. Your hate mail won’t amp up again until this movie comes out. You know how people feel about women who cheat on their husbands…”
Sahara rolled her eyes. “Does no one understand the meaning of fiction, and that acting means it’s not me, it’s me being a character in a story?”
“It’s all part of the life, you know that. Now tell me what happened, and don’t leave anything out,” Harold said.
“Do you want some tea?” Sahara asked.
“No, I want answers,” Harold said.
“Then come into the kitchen beca
use I want tea.”
So she talked as she worked, making and pouring her tea while telling him everything from the moment she got to work, until they walked into the trailer and found Moira.
Harold was used to her cool demeanor, but today he could tell his ice princess was cracking. By the time she finished her story, her voice was shaking.
She sat with her hands in her lap, staring down at the petit four on her plate. She’d taken one bite before the memory of the food inside Moira’s mouth flashed in her mind and she had to put it aside. It took half her cup of tea to wash down the bite she’d taken.
Harold knew she was bothered. Hell, he was bothered, too.
“I’m getting a bodyguard for you.”
She looked up. “No.”
“Don’t be hardheaded, girl. Someone wants you dead.”
Her chin jutted in defiance, even as her eyes filled with tears.
“I don’t need a bodyguard. They’ve shut down filming until the crime scene is released, so it’s not like I’m going anywhere. I won’t let anyone in the house, so there’s no need for a guard, and that’s final.”
“But—”
“No buts, Harold. I’m serious. Lucy can run errands for me. You’re running interference for me. The media is going to be all over this when it breaks, but I’m not talking and I’m not budging from my home. I get that I need to stay safe, but I can do that by staying here—alone.”
He sighed. “Okay for now, but if anything else happens, you’re getting one whether you like it or not.”
“Nothing else is going to happen. I’ll even cook my own food. I can cook, you know.”
He sighed. “Actually, I didn’t know that. Good for you.”
She glared at him. “That sounded patronizing.”
“Sorry,” he said.
“No, you’re not,” she said.
Harold’s voice was rising. By the time he got to the end of his apology, he was yelling.
“You’re right! I’m not sorry. I’m frustrated. Part of my job is taking care of you…making sure you’re okay at all times, and you won’t let me do my job.”
She got up and carried her dirty dishes to the sink, dumped everything down the garbage disposal and turned it on, grinding out the sound of his disgust. When she turned around, he was still there.
“I’m sorry I yelled,” he said.
Her shoulders slumped. “You should be. Go home, Harold. If something happens I need to know, you will call me.”
“Fine.”
She walked him to the door.
“Remember the code to go down?”
“Yes, I remember the damn code.”
She grinned. “Your Texas roots are showing, Mr. Warner. Stop cursing.”
He took her by the shoulders and kissed her forehead, then left her standing in the doorway as he crossed the hall to the elevator and punched in the code on the keypad. The door opened. He stepped in and then turned around to wave at her, but she’d already gone inside and closed her door.
“Damn hardheaded woman,” he muttered, and rode the elevator down.
* * *
Four hours later Lucy arrived at Sahara’s apartment with her clothes, purse and a six-inch Italian meatball sub from the drive-thru of a deli she’d stopped at on the way over. It was just past four o’clock when she rang the doorbell.
Sahara opened the door to her personal assistant and was surprised to see that Lucy had her purse.
“My bag! How did you get that? I didn’t think we could remove stuff from the crime scene,” she said.
Lucy shrugged. “That’s why you pay me the big bucks, right?” She smiled. “I took it with me when I left the trailer and put it in my car. The sandwich, on the other hand, is fresh. Have you eaten anything?” she asked.
Sahara shook her head. “No, I can’t get anything down.”
“Well, yes, you can and will,” Lucy said. “I bought it on the way home, so we know it’s safe. It’s a meatball sub—your favorite.”
Sahara eyed the short, dark-haired woman and sighed.
“My Achilles’ heel. Thank you, Lucy. You know me too well.”
Lucy eyed Sahara closely, the worry obvious on her face. “You took a shower. That’s a plus. Now why don’t you sit down, and I’ll bring you something cold to drink to go with your food.”
Sahara’s heart hurt. She kept picturing Moira’s body on a slab in the morgue and wondered if her parents had been notified. If only this day would be over.
She followed Lucy to the kitchen and slid onto a bar stool at the end of the counter, thinking, as she watched her assistant working, that Lucy knew the kitchen better than she did even though Sahara had lived here for more than three years.
She put her head in her hands and closed her eyes, wishing she was anywhere but here, wishing she hadn’t even accepted this role. The character of Alicia Lewis was like nothing she’d ever done, and now it felt tainted—the whole shoot felt tainted—as if it wasn’t supposed to happen. If it hadn’t, Moira would still be alive and working on some other project for another director, maybe sneaking bites of someone else’s food.
“Here you go,” Lucy said, as she set a plate in front of Sahara with the sandwich cut into thirds, a handful of chips on the side and a tall glass of sweet iced tea.
“Thank you so much,” Sahara said. “Have you eaten?”
“No, but—”
Sahara pointed at the bar stool beside her. “Sit. I can’t eat all of this anyway. We’ll share.”
Lucy blinked, unsure of how to respond. It wasn’t that Sahara didn’t treat her well, but she’d never done anything so…friendly.
“You want me to eat from your plate?”
Sahara looked startled. “I’m not sick. You won’t be catching anything, but if you don’t want to it’s—”
Lucy shook her head. “No, no, that’s not it. I was just surprised, I guess.”
“I won’t share my tea, though. You’ll have to get your own,” she said, and grinned.
Lucy laughed, a little embarrassed. This was the first time since she’d started working for Sahara that she’d been this open.
“Yes, I’ll get my own drink,” she said, and poured another glass of sweet tea before she sat down.
Sahara pushed the plate between them, then reached for one of the pieces and took a bite. The thick red sauce permeated the meatball in spicy perfection while the toasted bun provided a crunch of texture.
“It’s so good,” Sahara said, and picked up a chip to chase the bite. “Thank you for thinking of me.”
“You’re welcome,” Lucy said, and took a piece for herself. She wouldn’t let herself think of how weird this felt, and hoped her boss didn’t regret the familiarity tomorrow.
Don’t miss
LIFE OF LIES
by New York Times bestselling author
Sharon Sala,
Coming October 2017.
www.Harlequin.com
Copyright © 2017 by Sharon Sala
“Vivid, gripping…this thriller keeps the pages turning.”
—Library Journal on Torn Apart
Don’t miss the latest from New York Times bestselling author Sharon Sala:
Life of Lies
Race Against Time
Order your copy today!
“Perfect entertainment for those looking for a suspense novel with emotional intensity.”
—Publishers Weekly on Out of the Dark
Looking for more heart-pounding romance from Sharon Sala?
Escape with brothers Ryder, Roman and Royal in The Justice Way series:
Ryder’s Wife
Roman’s Heart
Royal’s Child
Don’t miss a heart-stopping moment in the action-packed Secrets and Lies trilogy:
Wild Hearts
Cold Hearts
Dark Hearts
And be sure to catch the adrenaline-fueled Forces of Nature series:
Going Once
Going Twice
<
br /> Going Gone
Complete your collection!
* * *
Did you know that Harlequin My Rewards members earn FREE books and more?
Join
www.HarlequinMyRewards.com
today to start earing your FREE books!
* * *
Connect with us on www.Harlequin.com for info on our new releases, access to exclusive offers, free online reads and much more!
Other ways to keep in touch:
Harlequin.com/Newsletters
Facebook.com/HarlequinBooks
Twitter.com/HarlequinBooks
HarlequinBlog.com
ISBN-13: 9781488080746
Ryder’s Wife
Copyright © 1997 by Sharon Sala.
All rights reserved. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of publisher, Harlequin Enterprises Limited, 225 Duncan Mill Road, Don Mills, Ontario, Canada M3B 3K9.
All characters in this book have no existence outside the imagination of the author and have no relation whatsoever to anyone bearing the same name or names. They are not even distantly inspired by any individual known or unknown to the author, and all incidents are pure invention.
This edition published by arrangement with Harlequin Books S.A.
® and ™ are trademarks of the publisher. Trademarks indicated with ® are registered in the United States Patent and Trademark Office, the Canadian Intellectual Property Office and in other countries.
www.Harlequin.com