He fucks the thing in her so as to find what’s left of Sally at the end of the thing: it’s a lie when he tells himself he wants to free her.
It’s such a huge lie that in his mind it never finishes his own sentence. He’s oblivious of the night and he’s oblivious of the fjord and he’s oblivious of the fire in the distance and, somewhere on the other side of the fire, of the child. And it’s only when he thinks of the child that, in horror, he tells himself he has to stop. He can’t lie to himself about the child. And when he tells himself he has to stop, it’s only then he realizes he’s been oblivious of how cold Sally has suddenly become in his arms, beneath his body, holding him in the grip of memory. Desire isn’t the only thing left of her after all. The memory is left, a small trace of it in the embers of her slavery that his seed hunts down, the memory of how he loves her and how she loves him and how it’s bigger than anything they have ever known or perhaps anyone has ever known, and how it isn’t big enough. She whispers in his ear.
“Take care of Polly,” she said. And I knew she was gone.
In the light of the fire a shadow scampered across her face, like a serpent taking flight. But it wasn’t a serpent. Etcher turned to see STEVE E R I C K S O N • 203
Polly by the edge of the fire. As she’d done on the edge of the city’s white circle, announcing with a tiny finger something no one could see in a crowd of birds, she raised her arm and pointed now at the fatal flame of her departed mother.
The wind blew the chains that hung from the northern wall of the Paris courtyard. The wall was over three hundred years old, as were the chains, because they had been laid into the stone when the wall was built, eight sets of shackles that once held the prisoners of dukes and kings and then, after the Revolution, the enemies of the Republic condemned from the highest summit of Robespierre’s Mountain. The shackles dangled listlessly, the rain of centuries having long since washed them of their blood.
Now sometimes teenage lovers broke into the courtyard in the middle of the night to play with the shackles and Seuroq would hurry out of the house to chase them away. More exasperating than the mirth of the kids running off was that of Seuroq’s wife, who found amusing the doctor’s indignation at the harmless bondage games—since the shackles could not be locked—being played in his courtyard. Teasing, she would slip into the chains herself, give them a good rattle. “My God, Helen,” Seuroq said with shock, and Helen laughed.
“You always were so proper,” she said.
“Not that proper, was I?” He softened, momentarily worried that, knowing he was not a demonstrably passionate man, he had in the course of the many years they’d been married denied his wife something. “I wasn’t so proper,” he asked quietly, “when it mattered not to be proper, was I?” and she took her wrists from the shackles of the courtyard wall and slipped them around his neck, with that smile that was always young.
No one had broken into the courtyard since Helen’s death.
Now, with the courtyard’s silence interrupted only by the city’s distant festivities and its shadows broken only by the twilight through the sieve of the trees, the assistant stood watching the old A R C D’X • 204
man through the library window. He’s mourning again, Luc thought to himself, though that didn’t seem precisely right, since it implied there had been a time in the past eight months when the old man had not mourned. It wasn’t that the expression on Seuroq’s face was mournful but rather the opposite: his had always been a mournful face, even when he was lighthearted; no one was funnier than Seuroq when he laughed, because his face was perpetually cast in mourning and the contradiction of laughter was comic.
Then Helen died and the mourning went right out of his face, the face went blank of its natural pathos; in the light of the lamp on the desk in the library, that was the look on Seuroq’s face now, lost somewhere in the thirty-one years of marriage and searching for a ghost. “Dr. Seuroq?” Luc finally called through the window, but as he both expected and feared, the old man didn’t answer, staring right through the window and right through his assistant, which left Luc with the choice of either an even more unseemly intrusion, rapping on the window, or leaving without a goodbye.
He had more heart for the goodbyeless departure than the intrusion.
In the eight months since her death the world had learned not to intrude, leaving him in his chair in the library and waiting for him to wake from grief, reconciled to the possibility he would never wake. The university had tried gently to nudge the disconsolate widower back into the realm of the living and the learned, coddling him with propositions of study or teaching that he’d find intriguing but not demanding, understanding that the heart’s grief makes a person into a child who must grow old again, or takes him to the edge of life’s end from which he must again grow young. No one had a formula for grief. For a marriage of thirty-one years, was eight months too much, too little, or about right? That was one month for every four years, more or less. It wasn’t the first night Luc had found Seuroq sitting in the library chair staring into the courtyard, with neither a rap on his window nor the call of his name to arrest him from what Luc was young enough to suppose was a particular recollection rather than simply the gruel of light that wore her face.
On this particular night, however, when Luc was watching Seuroq through the library window, something more extraordinary was happening than just remembering. Seuroq had indeed been STEVE E R I C K S O N • 205
thinking of Helen: but at the very moment Luc was in the courtyard trying to get the doctor’s attention, a number of split sensations were tumbling one on top of the other in a single second, initiated by the wind’s rustling the chains on the old courtyard wall and then the instant memory of a night in a very old hotel on the right bank of the city years before, when Helen found the card. Once, when Helen was still married to her first husband, she and Seuroq had a rendezvous in this old hotel; six years later, Helen having long since left her first husband and married Seuroq, the two of them went back as an anniversary of sorts. It was May of 1968.
The next morning the tanks rolled down the rue d’X beneath their balcony on the way to the turmoil of the left bank, and the momentum of colossal historic events would steamroll whatever small personal memories of hotel rooms preceded them. Nonetheless, now eight months after Helen’s death, the wind rattled the chains and Seuroq thought of that night in the hotel room, when Helen lost an earring and they pulled the bed away from the corner and found the card in a crack where the walls of the room separated.
On it was the picture of a dark woman, sitting on a throne holding a rod. A cat lay at her feet and the landscape around her was strewn with rubble; a white moon rose in a blue sky. “The Queen of Wands,” Helen announced, “is the card of passion.”
“You’re making that up,” Seuroq had retorted.
What provoked him to think of this? he wondered now in the library. If he had ever had the temperament for rage he might have now raged that everything, even the most absurd thing like the sound of chains in the wind, reminded him of Helen. I am haunted by associations that aren’t even my own, Seuroq thought with desolate bitterness.
The extraordinary thing was not that this entire recollection, in which the chains clanked in the wind and Seuroq and Helen made love in the old hotel on the rue d’X and the earring fell behind the bed and the bed was pulled away from the corner and she found the card tucked between where the walls separated, had taken a single second but rather that, shooting through his heart like a pang, it had taken a second. Because at the moment of the sound of the chains against the wall, Seuroq had looked up at the only particularly modern piece of technology in his library, a digital clock, which had said 5:55:55; and now, a second later, his reverie A R C D’X • 206
disrupted by the departure of his assistant Luc through the courtyard gate, it said 5:55:54. When he was a child he remembered waking sometimes in the middle of the night, on the eve of a holi-day perhaps, to look at a clock and find th
e night had acquired time rather than spent it; even as a child he reasonably attributed this to his own greedy anticipation of the day. And in his grief over Helen he might have thought it was another trick on his perceptions, except it was hard to mistake an alignment like 5:55:55, and he was quite sure that a second later it said 5:55:54. Now the clock was ticking normally but there was no doubt in his mind that a second had been lost or, looked at another way, gained.
Being a scientist, Seuroq’s first assumption was not of the extraordinary but the ordinary; it was not that he had made some earthshaking discovery, but that he had a broken clock. He woke the next morning not to any new enthusiasm for scientific adventure but to the same depression he had felt every morning for the last eight months, the kind that didn’t want him to get out of bed, that didn’t even want him to wake up. As had been the case every morning, it took all his will to get dressed, have his coffee and bread and jam, and then unplug the clock from the library wall and take it down to the electronics store off St-Germain-des-Pres.
On the boulevard along the way banners flapped halfheartedly in shop windows and from streetlights celebrating the two-hundredth anniversary of the First Republic in 1793—a muted hoopla, the French having always found the actual Revolution a happier contemplation than all that business with the rolling heads afterward.
This was at a time, moreover, when people’s ideas about freedom were confused anyway, Moroccans and Slavs and gypsies overrun-ning the city, not to mention the beginning of the nervous exodus from Berlin. Even the banners themselves, as had been wryly pointed out in the newspapers and on TV, were in error. Year CC, they read, in reference to the revolutionary calendar adopted by the Republic and later discarded by Bonaparte; except that 1993
being the two-hundredth anniversary was therefore in fact the two-hundred-and-^rst year of the Republic, had the Republic lasted that long. Year CCI was what the banners should have read, before they were amended by either bad mathematics or a mis-placed sense of poetry. “The clock’s broken,” Seuroq told the shopkeeper at the electronics store.
STEVE E R I C K S O N • 207
“Yes? It loses time? Or it’s fast,” said the shopkeeper.
“It runs backward.”
The shopkeeper, of course, found nothing wrong with the clock.
“A power surge,” he suggested to Seuroq. “You live in a very old building, right?” But it didn’t seem to Seuroq that a power surge would have unwound the clock by a second; and though his head told him there simply had to be something wrong with the clock, Seuroq’s heart was beginning to hear the whisper of the last years of the second millennium. Since it was the heart speaking to him, he could not rule out the heart’s agenda—that the psychic debris of Helen’s death was gathering like autumn leaves in a storm, blowing together into a meaning; whether the universe cared, Seuroq needed such a meaning. Whether the universe cared, Seuroq needed to believe some purpose might be derived from Helen’s death; and he knew this, he recognized the heart’s agenda, and in the manner of the scientist tried to factor the heart into the equation. And so, as he returned to his university office for the first time in eight months, to pursue the theory brewing someplace between his heart and mind, he continued to insist on the possibility he was just being sentimental, deriving from Helen’s death nothing more than a needy wild conjecture. “What if,” he said to Luc, dismissing with the wave of a hand the assistant’s apology for having left the night before without a goodbye, “time is relative not simply to the perspective of motion, not simply to what the eye sees from a passing train or a rocket hurtling at the speed of light, but to the heart as well, and the speed at which it travels?”
“What?” said Luc.
What was, Seuroq asked himself, the speed at which the heart travels, in the throes of love or grief or in the fall of its deepest trauma? Across the pages of his logs he calculated until the numbers available wouldn’t calculate anymore, at which point he used new ones, remembering as he did the obscure discovery of a reclusive American mathematician in Cornwall forty years earlier who had found a missing number between nine and ten. Beginning with a given premise, he charted the heart’s arc across the course of lifetime, from the moment it first took flight until the crash into pieces; and like the clanking of prisoners’ chains on a courtyard wall, his head now flooded with a hundred memories of her, ending with her question to him asked in their darkest hour, when A R C D’X • 208
they had come close to separating, when they almost lost each other. “But what does life mean, if one isn’t loved?” He had argued it might mean many things. But then he had reduced, in scientific fashion, the meaning of all of those things to a common denominator, and it was always love; and humbled by his wife’s observa-tion, which she had made with no scientific principles whatsoever, which he had to prove to himself with theorems and calculations and equations even as she had known it in a moment’s intuition, he succumbed to the intangible meaning of everything they had been together, and it saved them, until cancer took her and nothing could save them.
Now, scribbling his way through his laboratory at the university, he was flooded by so many memories of Helen he could barely keep up with them, scrambling to translate them into his equations while, over the course of the day and then the next and the next, administrators and other scientists watched him from the hallway through the little window of his door. There was the time he and Helen had driven up the coast and she had unbuttoned his fly while he was driving, and there was the lighthouse on the rocks above the waves as she touched him, and the time they house-sat for a couple in Normandy and for dinner she blackened the fish the way they had it in New Orleans that time they went to the jazz festival, and how in New Orleans at night they slept with the doors of their hotel room open because it was so humid, and the dress he bought her in London when they both knew he couldn’t afford it, and how they argued over dinner that night in Vienna about whether she should get a job—she said yes and he said no—and the time a thief stole a bag of asparagus she had just bought in the market off the rue de l’Ancienne Comedie and she was furious when she went back to get some more and insisted none of the asparagus was as good as what she’d just bought, until the grocer took insult and Seuroq started laughing about it.
And the time her mother died, and then the first miscarriage, and then the other one, until they ran out of chances; and the way he came home from the hospital after the second one and walked the house with the baby’s blankets in his arms, as he’d practiced doing all during Helen’s pregnancy, because he was terrified he wouldn’t know how to carry a baby, and how she had lost both the STEVE E R I C K S O N • 209
generation before her and the one behind her and remained un-defeated even as she seemed born to such losses, until she was lost to him eight months ago and it seemed to him he should have been the one to go before her because she was the one that life had equipped with the wisdom for loss. As he was barraged by one memory after another, he calculated all the more maniacally, until he had exhausted every possible trajectory of the human heart and then two hearts in tandem and then three, until he came to the heart of history.
Beyond three hearts in tandem was history, and when he reduced the meaning of history he was left not with the common denominator of love but rather that of freedom. And then his calculations split off in two directions, one into the next room off his laboratory, the occupants of which he scribbled out of their occupancy until they were standing in the hallway with the others, watching him through the window; and the other into the hallway itself, scientists and assistants and administrators backing away from him down the hall as though he were something oozing out of the ground. One calculation based itself on history’s denial of the human heart and the other on history’s secret pursuit of the heart’s expression: if one heart’s story was the pursuit and denial of love and if history was the pursuit and denial of freedom, what lay at the arcs’ intersection except the missing moments consumed by memory, the sec
ond that was consumed by a memory and then given back to time, when the clock unwound itself from 5:55:55 to 5:55:54? If it was the lesson of the early days of the Twentieth Century that the truth could be dislocated from time, the lesson of the waning days of the second millennium was the dislocation from time of memory, by which the truth is surmised. A wind had blown and chains had rustled against the wall and Seuroq had a memory of a weekend in a hotel with Helen that had nothing to do with chains whatsoever. Perhaps, he thought at first, the association was born of some unconscious conviction that a ghost had brushed past the chains rather than the wind, but once he identified this conviction he had no sense of having held it: it was the sound of the chains, not their movement, that had triggered the memory, a sound that had nothing to do with a weekend in a hotel, and that was when Seuroq realized that a stranger’s memory of the sound A R C D’X • 210
of chains had randomly coupled with his, as though memory were a restless thing freefloating in the twilight, like dying ions or dan-delion wings, or black notes falling from a sheet of music.
By the time Paris had settled its celebration of long-failed Republics and dead calendars, by the time the misnomered banners had fallen from the windows and the streetlights, Seuroq had found the missing day.
In the labs and the hallways, the scientists and assistants and administrators were giving him a wide berth. They watched his mad numbers as he moved from log to log and desk to desk and blackboard to blackboard. The university called in doctors and wardens in white coats and a couple of police to coax Seuroq out of his frenzy, even to return him peacefully to the numbing dead grief of his mournless mourning; but Seuroq didn’t acknowledge them from the fever of his factoring anymore than he had acknowledged Luc in the courtyard. Finally they sent in Luc himself. From the laboratory doorway Luc inched forth as though to nab a butterfly in the cup of his hands. “Dr. Seuroq?” he whispered, and Seuroq answered nothing until, with Luc only feet away, the old scientist suddenly threw up one hand to signal he was on the verge of a conclusion. He dropped his pencil and raised his eyes to the window.
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