Wanting to make amends for my curtness, I said as I sat down, "I'm sorry, Nora. I didn't mean to speak so crossly to you."
She placed the tray on the kitchen table in front of me and put her hand on my shoulder. She began to speak, but there was a catch in her throat, and she hurried away before I could say another word.
Even though it was the middle of January, it was not very cold, and so far this year there had been little snow. A light dusting of it covered the flat ground near the house, but it was not particularly deep on the lawns, only on the hill which sloped down to the barns, the pastures, and the pond.
Eric had cleared a path through the snowdrifts which covered the hill and had put down sand and salt. I followed this path, heading for Anna's cottage. I was almost there when she came out of the stables, turned, saw me, and waved.
I waved back and increased my pace.
After greeting me affectionately, as she always did, she said, "It's about… the ponies, Mal. You told me to do what I wanted about them, and… well, I have a customer."
I frowned. "A customer? What do you mean, Anna?" I asked, staring hard at her.
"I have someone who wants to buy them," she answered quickly, and there was a baffled expression in her soft brown eyes.
"Oh, I couldn't sell them!" I exclaimed. "Never."
My voice must have sounded harsh, for she colored and stammered, "I guess I misunderstood." put my hand out, touched her arm reassuringly. "No, no, you didn't misunderstand, Anna. I didn't make myself clear. And I'm sorry if I spoke harshly just now. When I told you to do what you wanted about the ponies, I meant that you should give them away. I could never sell Pippa and Punchinella."
Her face broke into a smile. "I have this friend who wants them. She'll take good care of them, Mal, and her children will, too. It's a lovely gift, thank you."
I nodded. "Is there anything else you wanted to talk about?"
"No, that was it," Anna replied.
"I think I'll go in and look at the ponies, say good-bye to them," I muttered half to myself as I walked across to the stables.
Anna had the good grace not to follow me.
I went to the stalls and pulled a carrot out of my pocket for Punchinella, then another one for Pippa. After feeding them, patting their heads, and nuzzling them, I whispered, "Go off to a new home. And be sure you give two other children the same pleasure you gave mine."
Slowly I walked back up the hill to the house.
When I reached the top I sat down on the seat under the apple tree. It looked so bare, so bereft at this time of year, but in the spring and summer it was leafy and filled with delicate white blossoms. A beautiful tree, I have always thought.
This was one of my favorite spots at Indian Meadows. Andrew had called it Mommy's Place, for whenever I had a moment or two to spare I would come here-to relax, to think, to read, occasionally to paint, and very often just to sit and daydream. Eventually it had become theirs, too, the children's and Andrew's. If ever I was missing for a while, it was here they usually found me, and they always wanted to stay, to share this place.
Underneath this tree I had told the twins fairy tales and read to them, and sometimes we had had picnics on the grass. It was never anything but cool and shady even on the hottest of summer days, and it was one of the prettiest spots I had ever known.
And it was here that Andrew and I had come just to be alone, especially on warm nights when the sky was inky and bright with stars. Enfolded in each other's arms, we had sat together quietly talking about the future, or not talking, if we didn't want to, always at peace here.
How we had all loved it beneath the old apple tree.
I closed my eyes, shutting out the powder-blue sky and the January sunlight, squeezing back my tears.
CHAPTER TWENTY-FOUR
"Mal, there's a truck here, a delivery truck," Nora said, bending over me and touching I my shoulder.
I sat up with a start, blinking.
"I'm sorry I had to wake you up. I know you hardly ever sleep these days. But the delivery guy needs these papers signed, and he wants to know where you want the safe."
Pushing myself to my feet, I said, "Up here. I want it up here, Nora, in my clothes closet."
"Oh," she answered, throwing me a puzzled glance. "Why do we need a safe, Mal?"
"I have things I want to put in it," I replied. "Private papers, jewelry, documents." This was a lie, but I had to give her some sort of answer.
"You'd better come down and speak to him," she muttered, handing me the papers she was holding.
I followed her out into the corridor and down the stairs, relieved that the safe company had delivered my order on time. I had placed it several weeks ago, sent a check immediately, and had been waiting for it patiently.
The truck had driven up to the back door, and the driver was standing in the kitchen when Nora and I walked in.
She disappeared into the pantry. I said, "Hi, I'm Mrs. Keswick. I want you to bring the safe upstairs, but it might be a problem. The staircase is narrow."
"I got my helper in the truck," he said gruffly. "Can you show me where it's going?"
"Come with me."
I took him upstairs to my little sitting room, led him into the deep, walk-in closet where I kept my clothes, and said, "I want it against the back wall. There." I indicated the spot.
"Okay," he said and went back downstairs.
I was hard on his heels. In the kitchen I sat down at the table, gave the papers a cursory glance, found a ballpoint pen near the phone, and signed them.
Nora poked her head around the pantry door and asked, "Is Sarah coming tomorrow or Friday?"
"She's not coming this weekend."
"Oh." Nora looked taken aback. After a second she said, "So your mother's coming."
I shook my head. "No, I'll be by myself."
"But it's the first time you'll have been alone." She stood there uncertainly, staring at me, looking worried.
"I'll be fine," I reassured her. "There are things I have to do."
She did not move for a second, and then she turned and went back into the kitchen, a helpless expression settling on her face.
A moment later the delivery man from Acme and his helper were rolling in a dolly with the safe on top. "I'm gonna take the door off," the delivery man announced, and he proceeded to do just that. Once the door had been lifted off its hinges, he placed it on the floor. Then he laid the safe flat on the dolly, and he and his helper pushed the dolly through into the long gallery, heading toward the stairs. They returned for the door, and within fifteen minutes the safe had been reassembled and stood in my walk-in closet exactly where I wanted it.
Once I was alone, I practiced opening and closing it, following the instruction chart the delivery man had given me. When I had the knack of it, I erased the factory code and entered my own into the digital panel, using the date of my marriage.
It seemed to me that it was taking Nora longer than ever to finish up today.
Several times I looked at the clock on the mantelpiece in the office, baffled as to why she was still here. It was now four o'clock.
I had the answer in a flash. Eric was probably coming to see me, as he so often did during the week these days, and she wanted to be here when he arrived from work.
Now that the safe was here, I could clear up all my affairs, and I was writing checks, fulfilling my obligations. When I had finished paying the bills, I added up everything on my yellow pad, entered the balance, closed the checkbook, and put it in my desk drawer.
Without Andrew's monthly salary check, I had nothing coming in, and my funds were getting extremely low. And I had not yet received the money from his insurance policy. There was some money in our savings account, but it wasn't much, certainly not a fortune. Andrew and I had always lived life to the hilt, and frequently beyond our means.
Anyway, what did it matter now? I wasn't going to need money. I was going to be dead.
My mother would sell the
apartment in New York and this house, pay off the two mortgages, and use whatever money remained to settle any other debts that were left. Everything would be neat and tidy; that was exactly how I wanted it to be.
I had had my last will and testament drawn up a few days ago, using a local lawyer in New Milford rather than the law firm in Manhattan which handled my mother's affairs. It would only throw her into a panic if she knew I'd made a will.
She and Sarah were the executrixes, and my mother would get the bulk of my estate, such as it was. But I had left my pearls and most of my jewelry to Sarah, except for my engagement ring, which I had willed to Diana. After all, it was a Keswick heirloom and had been hers before it was mine. I had made other small bequests, such as small pieces of jewelry and some of my own paintings to Nora, Eric, and Anna. The rest of the paintings my mother could dispose of as she wished.
I loved Sarah. She was my closest and dearest friend, the sister I had never had. I knew only too well that she was going to be devastated and that she would miss me. But I couldn't bear to go on living, not without my family.
The office door suddenly opened, and Eric stuck his head around it. "Hi, Mal, how're you doing?",
"I'm all right," I answered, attempting a smile without much success. "And you?"
He made a face, shook his head. "Things are a bit tough down at the lumberyard. The boss had to lay a couple of guys off this week. But so far so good, I'm not too concerned."
"I'm glad you're okay, Eric. Nora's upstairs; I heard her footsteps a few minutes ago."
He grinned. "I'll see her shortly. I'm going down to the basement to bring up some more logs, then I'll take a look at that third heater in the stables. Anna told Nora it's been on the blink for the past few days. Got to keep the barns warm for the horses."
"We certainly do, and thanks, Eric, I appreciate it."
"No trouble, Mal. Just let me know if there's anything else you need fixed. The furnace isn't acting up again, is it?"
"It seems to be running fine, thanks."
"I'll pop in and see you before I leave." He smiled and was gone.
Eric Matthews was a kind man. Ever since I had been living permanently at Indian Meadows, he had gone out of his way to do all of the jobs Andrew had done and which were too hard for Nora or me. Like his wife and Anna, he was grief-stricken, and although he tried to be cheerful whenever he came to say hello, I could see the pain of loss in his eyes.
Nora and Eric had finally driven off, she in her ramshackle old Chevy, he in his battered pickup truck, and as much as I cared for them, I breathed a sigh of relief.
At last I was alone.
After locking the doors, I ran upstairs and went to the chest of drawers in my bedroom where I kept T-shirts and sweaters. The bottom drawer was deep, and in it, at the back, I had hidden the four cardboard boxes.
Taking them out one by one, I carried them carefully into the sitting room adjoining the bedroom and put them on the sofa.
First I opened the box with the vet's label on it and took out the small cream-colored can. Next I opened the three others, which bore the name of the crematorium. Placing the four canisters on the coffee table side by side, I sat down on the sofa and looked at them. When David had collected them and brought them out here to me, I had immediately labeled each container, writing the name and the dates of birth and death of Andrew, Lissa, Jamie, and Trixy.
There they were-all that I had left of my family. Four cans of ashes.
Tears rushed into my eyes, but I pushed them back, reached for a tissue, and blew my nose.
Immediately getting a grip on myself, I picked up the two canisters containing Lissa's and Jamie's ashes and carried them into the walk-in closet. I placed them on the shelf in the safe, then I went back to the sitting room, returning a moment later with Andrew's ashes. Finally I brought in Trixy"s.
After I had arranged the four of them next to one another,
I closed the door, locked it, and put the key in my pocket.
"You're safe now. Absolutely safe. No one, nothing, can, hurt you ever again," I said out loud, talking to my family as I did frequently these days. "Soon I'm going to be with you. We'll be together forever."
The following day I passed the morning making phone calls.
I spoke to Diana in London, my mother and Sarah, who were both in New York, and finally to my father, who was in California, attending meetings at U.C.L.A.
I chatted to them all pleasantly, made sure I sounded cheerful, and told each of them that I was feeling much better.
I think they believed me. I could be very convincing when I wanted to be.
In the afternoon I wrote my farewell letters to the four of them. There was a fifth letter to David Nelson, thanking him for all that he had done for me and asking him to look after my mother, to cherish her. I also gave him instructions about our ashes. Sealing the envelopes and writing each name on them, I placed these in the desk drawer next to my checkbook.
Tonight I would kill myself. My body would be discovered tomorrow morning. And not too much later the letters would be found.
I lay on the sofa in my upstairs sitting room, sipping a vodka and listening to Maria Callas sing Tosca. It had been one of Andrew's favorite operas.
The winter sun had long since fled the pale wintry sky, and the light was rapidly fading. Soon it would be twilight-the gloaming, Andrew had called it. A northern name, he had once said.
A deep sigh escaped me.
Soon my life would be over.
I would shed this mortal coil. I would be free. I would go to that other plane where they waited for me. All my suffering would finally cease. I would be at peace with them.
In the dim light of the room I could see Andrew's face looking down at me from the portrait I had painted of him. I smiled, loving him so much. And then my eyes shifted, and I gazed at the portrait I had done of the twins. Jamie and Lissa. How beautiful they looked, my little Botticelli cherubs. I smiled again. They had been my two small miracles.
Reaching for the glass, I gulped down some more of the vodka, closed my eyes, and let myself drift with the music.
When this side of the disc ended, I would end my life.
"Mal! Mal! Where are you?"
I sat up with a jerk, dropping the glass of vodka I was clutching, startled out of my mind.
Before I could recover myself, Sarah came bursting into the little sitting room, her eyes anxious, her face pale.
"No wonder you couldn't hear me banging on the front door!" she exclaimed. "What with Callas screaming her lungs out like that!" Stepping over to the stereo, she lowered the volume. "I've been outside for ages. Banging and banging on the door."
I was stunned that she was here. "How did you get in?" I asked in a faint voice.
"Through the kitchen door."
"But it was locked!"
"No, it wasn't, Mal."
"But it was!" I cried, my voice rising shrilly. "I locked it myself." As I spoke I cast my mind back to this afternoon. I had walked Nora across the kitchen, we had said good-bye as I saw her out. I had then closed the kitchen door and swung the bolt. Demented I might be, but there was no question in my mind about that door. Who had unlocked it?
Sarah was standing there, looking down at me.
I said, "What are you doing here, anyway?" She had spoiled my plans, and I was furious.
Throwing her coat onto a chair, she came and sat next to me on the sofa, took my hand in hers. "Why am I here, Mal? Because I was worried about you, of course. Very worried."
I stared at her speechlessly.
CHAPTER TWENTY-FIVE
Sarah had obviously come to Indian Meadows for the weekend. As we went into the kitchen, I saw her suitcase, which she had dumped on the floor near the back door.
The first thing I did was to walk over and check that door. I turned the knob, and it opened. "I guess you didn't lock this before you came upstairs looking for me," I said.
"No, I didn't, Mal. It was open, so I l
eft it open. Sorry."
"It's okay. I just don't understand. I did lock it earlier. It's a mystery."
Sarah made no comment. She walked over to the pine cabinet, took out a glass, and poured herself a vodka. Looking at me, she asked, "How about you, Mal? Do you want one?"
"Why not," I replied. If I couldn't kill myself tonight, I might as well get drunk. I could put myself out of my misery for a few hours at least.
Opening the freezer, I took out a tray of ice and gave it to Sarah, then went back and peered into the refrigerator.
"There's some hot pot here," I said. "Nora made it this morning. Or I can fix you an omelette."
Plopping ice cubes in our drinks and adding chunks of lime, Sarah said, "No eggs, thanks. I'll try the hot pot. What're you having?"
"The same," I murmured, although I wasn't even hungry. I never was these days. After I had emptied the hot pot into a pan and put this on the stove over a low light, I said, "It's going to take about half an hour to heat up."
Together we headed for the sunroom. Although it had a lot of windows and French doors, it was warm, centrally heated like the rest of the house. As we went in, I switched on the lights and noticed that it was snowing outside. The lawns had a coating of white; the trees looked as if they had just burst into bloom with white blossoms.
I sat down on a side chair with my back to the window.
Sarah took a big armchair, propped her feet on the coffee table, and lifted her glass in silence.
I did the same.
Sarah didn't say anything, and neither did I; we sat together like that for quite a while.
Finally rousing herself and focusing her eyes on me, she said, "My cousin Vera's coming back to New York, Mal."
"Oh," I said, looking at her swiftly. "Didn't she like the West Coast?"
"Yes, but her husband's left her. Moved in with another woman. Apparently he wants a divorce, so she's decided to pack up and come home."
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