She followed at such an hour and into such a place, not an unknown man casually come upon, but her lover, whom she had tracked from the garden of his father’s house, where she had lain in wait for him. It took courage to do this, but a courage no longer beyond the limit of feminine daring, for her fate was bound up in his and she could not but feel the impulse to save him from the consequences of crime, if not from the crime itself.
As for the aforementioned flower, what more natural than that Frederick should have transferred it from her hair to his buttonhole during some of their interviews at the ball, and that it should have fallen from its place to the floor in the midst of his possible struggle with Batsy?
And with this assumption of her perfect knowledge as to who the man was who had entered Mrs. Webb’s house, how much easier it is to understand why she did not lift her head when she heard him descend the stairs! No woman, even one so depraved as she, would wish to see the handsome face of her lover in the glare of a freshly committed crime, and besides she might very easily be afraid of him, for a man has but a blow for the suddenly detected witness of his crime unless that witness is his confidant, which from every indication Sweetwater felt bound to believe Amabel was not.
Her flight to the Zabel cottage, after an experience which would madden most women, can now be understood. She was still following her lover. The plan of making Agatha’s old and wretched friend amenable for her death originated with Frederick and not with Amabel. It was he who first started for the Zabel cottage. It was he who left the bank bill there. This is all clear, and even the one contradictory fact of the dagger having been seen in the old man’s hand was not a stumbling-block to Sweetwater. With the audacity of one confident of his own insight, he explained it to himself thus: The dagger thrown from the window by the assassin, possibly because he knew of Zabel’s expected visit there that night, fell on the grass and was picked up by Amabel, only to be flung down again in the brightest part of the lawn. It was lying there then, when, a few minutes later and before either Frederick or Amabel had left the house, the old man entered the yard in a state of misery bordering on frenzy. He and his brother were starving, had been starving for days. He was too proud to own his want, and too loyal to his brother to leave him for the sake of the food prepared for them both at Agatha’s house, and this was why he had hesitated over his duty till this late hour, when his own secret misery or, perhaps, the hope of relieving his brother drove him to enter the gate he had been accustomed to see open before him in glad hospitality. He finds the lights burning in the house above and below, and encouraged by the welcome they seem to hold out, he staggers up the path, ignorant of the tragedy which was at that very moment being enacted behind those lighted windows. But half-way toward the house he stops, the courage which has brought him so far suddenly fails, and in one of those quick visions which sometimes visit men in extremity, he foresees the astonishment which his emaciated figure is likely to cause in these two old friends, and burying his face in his hands he stops and bitterly communes with himself before venturing farther. Fatal stop! fatal communing! for as he stands there he sees a dagger, his own old dagger, how lost or how found he probably did not stop to ask, lying on the grass and offering in its dumb way suggestions as to how he might end this struggle without any further suffering. Dizzy with the new hope, preferring death to the humiliation he saw before him in Agatha’s cottage, he dashes out of the yard, almost upsetting Mr. Crane, who was passing by on his homeward way from an errand of mercy. A little while later Amabel comes upon him lying across his own doorstep. He has made an effort to enter, but his long walk and the excitement of this last bitter hour have been too much for him. As she watches him he gains strength and struggles to his feet, while she, aghast at the sight of the dagger she had herself flung down in Agatha’s yard, and dreading the encounter between this old man and the lover she had been following to this place, creeps around the house and looks into the first window she finds open. What does she expect to see? Frederick brought face to face with this desperate figure with its uplifted knife. But instead of that she beholds another old man seated at a table and—Amabel had paused when she reached that and—and Sweetwater had not then seen how important this pause was, but now he understood it. Now he saw that if she had not had a subtle purpose in view, that if she had wished to tell the truth rather than produce false inferences in the minds of those about her calculated to save the criminal as she called him, she would have completed her sentence thus: “I saw an old man seated at a table and Frederick Sutherland standing over him.” For Sweetwater had no longer a doubt that Frederick was in that room at that moment. What further she saw, whether she was witness to an encounter between this intruder and James, or whether by some lingering on the latter’s part Frederick was able to leave the house without running across him, was a matter of comparative unimportance. What is of importance is that he did leave it and that Amabel, knowing it was Frederick, strove to make her auditors believe it was Zabel, who carried the remainder of the money into the woods. Yet she did not say so, and if her words on this subject could be carefully recalled, one would see that it was still her lover she was following and no old man, tottering on the verge of the grave and only surviving because of the task he was bent on performing.
Amabel’s excuse for handling the treasure, and for her reburial of the same, comes now within the bounds of possibility. She hoped to share this money some day, and her greed was too great for her to let such an amount lie there untouched, while her caution led her to bury it deeper, even at the risk of the discovery she was too inexperienced to fear.
That she should forget to feign surprise when the alarm of murder was raised was very natural, and so was the fact that a woman with a soul so blunted to all delicate instincts, and with a mind so intent upon perfecting the scheme entered into by the murderer of throwing the blame upon the man whose dagger had been made use of, should persist in visiting the scene of crime and calling attention to the spot where that dagger had fallen. And so with her manner before her examiners. Baffling as that manner was, it still showed streaks of consistency, when you thought of it as the cloak of a subtle, unprincipled woman, who sees amongst her interlocutors the guilty man whom by a word she can destroy, but whom she exerts herself to save, even at the cost of a series of bizarre explanations. She was playing with a life, a life she loved, but not with sincerity sufficient to rob the game of a certain delicate, if inconceivable, intellectual enjoyment.7
And Frederick? Had there been anything in his former life or in his conduct since the murder to give the lie to these heavy doubts against him? On the contrary. Though Sweetwater knew little of the dark record which had made this young man the disgrace of his family, what he did know was so much against him that he could well see that the distance usually existing between simple dissipation and desperate crime might be easily bridged by some great necessity for money. Had there been such a necessity? Sweetwater found it easy to believe so. And Frederick’s manner? Was it that of an honest man simply shocked by the suspicions which had fallen upon the woman he loved? Had he, Sweetwater, not observed certain telltale moments in his late behaviour that required a deeper explanation even than this?
The cry, for instance, with which he had rushed from the empty ballroom into the woods on the opposite side of the road! Was it a natural cry or an easily explainable one? “Thank God! this terrible night is over!” Strange language to be uttered by this man at such a time and in such a place, if he did not already know what was to make this night of nights memorable through all this region. He did know, and this cry which had struck Sweetwater strangely at the time and still more strangely when he regarded it simply as a coincidence, now took on all the force of a revelation and the irresistible bubbling up in Frederick’s breast of that remorse which had just found its full expression on Agatha’s grave.
To some that remorse and all his other signs of suffering might be explained by his passion for the real criminal. But to Sweetwa
ter it was only too evident that an egotist like Frederick Sutherland cannot suffer for another to such an extent as this, and that a personal explanation must be given for so personal a grief, even if that explanation involves the dreadful charge of murder.
It was when Sweetwater reached this point in his reasoning that Frederick disappeared beneath Mr. Halliday’s porch, and Mr. Sutherland came up behind him. After the short conversation in which Sweetwater saw his own doubts more than reflected in the uneasy consciousness of this stricken father, he went home and the struggle of his life began.
CHAPTER XXII
SWEETWATER ACTS
Sweetwater had promised Mr. Sutherland that he would keep counsel in regard to his present convictions concerning Frederick’s guilt; but this he knew he could not do if he remained in Sutherlandtown and fell under the pitiless examination of Mr. Courtney, the shrewd and able prosecuting attorney of the district. He was too young, too honest, and had made himself too conspicuous in this affair to succeed in an undertaking requiring so much dissimulation, if not actual falsehood. Indeed, he was not sure that in his present state of mind he could hear Frederick’s name mentioned without flushing, and slight as such a hint might be, it would be enough to direct attention to Frederick, which once done could but lead to discovery and permanent disgrace to all who bore the name of Sutherland.
What was he to do then? How avoid a consequence he found himself absolutely unable to face? It was a problem which this night must solve for him. But how? As I have said, he went down to his house to think.
Sweetwater was not a man of absolute rectitude. He was not so much high-minded as large-hearted. He had, besides, certain foibles. In the first place, he was vain, and vanity in a very plain man is all the more acute since it centres in his capabilities, rather than in his appearance. Had Sweetwater been handsome, or even passably attractive, he might have been satisfied with the approbation of demure maidens and a comradeship with his fellows. But being one who could hope for nothing of this kind, not even for a decent return to the unreasoning heart-worship he felt himself capable of paying, and which he had once paid for a few short days till warned of his presumption by the insolence of the recipient, he had fixed his hope and his ambition on doing something which would rouse the admiration of those about him and bring him into that prominence to which he felt himself entitled. That he, a skilful musician, should desire to be known as a brilliant detective, is only one of the anomalies of human nature which it would be folly and a waste of time on our part to endeavour to explain. That, having chosen to exercise his wits in this way, he should so well succeed that he dared not for his life continue in the work he had so publicly undertaken, occasioned in him a pang of disappointment almost as insufferable as that brought by the realisation of what his efforts were likely to bring upon the man to whose benevolence he owed his very life. Hence his struggle, which must be measured by the extent of his desires and the limitations which had been set to his nature by his surroundings and the circumstances of his life and daily history.
If we enter with him into the humble cottage where he was born and from which he had hardly strayed more than a dozen miles in the twenty-two years of his circumscribed life, we may be able to understand him better.
It was an unpainted house perched on an arid hillside, with nothing before it but the limitless sea. He had found his way to it mechanically, but as he approached the narrow doorway he paused and turned his face towards the stretch of heaving waters, whose low or loud booming had been first his cradle song and then the ceaseless accompaniment of his later thoughts and aspirations. It was heaving yet, ceaselessly heaving, and in its loud complaint there was a sound of moaning not always to be found there, or so it seemed to Sweetwater in his present troubled mood.
Sighing as this sound reached his ear, and shuddering as its meaning touched his heart, Sweetwater pushed open the door of his small house, and entered.
“It is I, mamsie!” he shouted, in what he meant to be his usual voice; but to a sensitive ear—and what ear is so sensitive as a mother’s?—there was a tremble in it that was not wholly natural.
“Is anything the matter, dear?” called out that mother, in reply.
The question made him start, though he replied quickly enough, and in more guarded tones:
“No, mamsie. Go to sleep. I’m tired, that’s all.”
Would to God that was all! He recalled with envy the days when he dragged himself into the house at sundown, after twelve long hours of work on the docks. As he paused in the dark hallway and listened till he heard the breathing of her who had called him dear—the only one in the world who ever had or ever would call him dear—he had glimpses of that old self which made him question if his self-tutoring on the violin, and the restless ambition which had driven him out of the ways of his ancestors into strange attempts for which he was not prepared by any previous discipline, had brought him happiness or improved his manhood. He was forced to acknowledge that the sleep of those far-distant nights of his busy boyhood was sweeter than the wakefulness of these later days, and that it would have been better for him, and infinitely better for her, if he had remained at the carpenter’s bench and been satisfied with a repetition of his father’s existence.
His mother was the only person sharing that small house with him, and once assured that she was asleep, he lighted a lamp in the empty kitchen and sat down.
It was just twelve o’clock. This, to anyone accustomed to this peculiar young man’s habits, had nothing unusual in it. He was accustomed to come home late and sit thus by himself for a short time before going upstairs. But, to one capable of reading his sharp and none too mobile countenance, there was a change in the character of the brooding into which he now sank, which, had that mother been awake to watch him, would have made every turn of his eye and movement of his hand interesting and important.
In the first place, the careless attitude into which he had fallen was totally at variance with the restless glance which took in every object in that well-known room so associated with his mother and her daily work that he could not imagine her in any other surroundings, and wondered sometimes if she would seem any longer his mother if transplanted to other scenes and engaged in other tasks.
Little things, petty objects of household use or ornament, which he had seen all his life without specially noticing them, seemed under the stress of his present mood to acquire a sudden importance and fix themselves indelibly in his memory. There, on a nail driven long before he was born, hung the little round lid-holder he had pieced together in his earliest years and presented to his mother in a gush of pride greater than any he had since experienced. She had never used it, but it always hung upon the one nail in the one place, as a symbol of his love and of hers. And there, higher up on the end of the shelf barren enough of ornaments, God wot, were a broken toy and a much-defaced primer, mementos likewise of his childhood; and farther along the wall, on a sort of raised bench, a keg, the spigot of which he was once guilty of turning on in his infantile longing for sweets, only to find he could not turn it back again until all the floor was covered with molasses, and his appetite for the forbidden gratified to the full. And yonder, dangling from a peg, never devoted to any other use, hung his father’s old hat, just where he had placed it on the fatal morning when he came in and lay down on the sitting-room lounge for the last time; and close to it, lovingly close to it, Sweetwater thought, his mother’s apron, the apron he had seen her wear at supper, and which he would see her wear at breakfast, with all its suggestions of ceaseless work and patient every-day thrift.
Somehow, he could not bear the sight of that apron. With the expectation now forming in his mind, of leaving this home and leaving this mother, this symbol of humble toil became an intolerable grief to him. Jumping up, he turned in another direction; but now another group of objects equally eloquent came under his eye. It was his mother’s work-basket he saw, with a piece of sewing in it intended for him, and as if this were not enough, th
e table set for two, and at his place a little covered dish which held the one sweetmeat he craved for breakfast. The spectacles lying beside her plate told him how old she was, and as he thought of her failing strength and enfeebled ways, he jumped up again and sought another corner. But here his glances fell on his violin, and a new series of emotions awakened within him. He loved the instrument and played as much from natural intuition as acquired knowledge, but in the plan of action he had laid out for himself his violin could have no part. He would have to leave it behind. Feeling that his regrets were fast becoming too much for him, he left the humble kitchen and went upstairs. But not to sleep. Locking the door (something he never remembered doing before in all his life), he began to handle over his clothes and other trivial belongings. Choosing out a certain strong suit, he laid it out on the bed and then went to a bureau drawer and drew out an old-fashioned wallet. This he opened, but after he had counted the few bills it contained he shook his head and put them all back, only retaining a little silver, which he slipped into one of the pockets of the suit he had chosen. Then he searched for and found a little Bible which his mother had once given him. He was about to thrust that into another pocket, but he seemed to think better of this, too, for he ended by putting it back into the drawer and taking instead a bit from one of his mother’s old aprons which he had chanced upon on the stairway. This he placed as carefully in his watch pocket as if it had been the picture of a girl he loved. Then he undressed and went to bed.
Mrs. Sweetwater said afterwards that she never knew Caleb to talk so much and eat so little as he did that next morning at breakfast. Such plans as he detailed for unmasking the murderer of Mrs. Webb! Such business for the day! So many people to see! It made her quite dizzy, she said. And, indeed, Sweetwater was more than usually voluble that morning—perhaps because he could not bear his mother’s satisfied smile; and when he went out of the house it was with a laugh and a cheery “Good-bye, mamsie” that was in spiking contrast to the irrepressible exclamation of grief which escaped him when the door was closed between them. Ah, when should he enter those four walls again, and when should he see the old mother?
The Anna Katharine Green Mystery Megapack Page 127