“Because what?” asked Litvinov, almost rudely.
“Because,” Irina declared with sudden force - - “it’s too insufferable, too unbearably stifling for me in society, in the envied position you talk about; because meeting you, a live man, after all these dead puppets - - you have seen samples of them three days ago, there au Vieux Château, - - rejoice over you as an oasis in the desert, while you suspect me of flirting, and despise me and repulse me on the ground that I wronged you - - as indeed I did - - but far more myself!” “You chose your lot yourself, Irina Pavlovna, Litvinov rejoined sullenly, as before not turning his head.
“I chose it myself, yes . . . and I don’t complain, I have no right to complain,” said Irina hurriedly; she seemed to derive a secret consolation from Litvinov’s very harshness. “I know that you must think ill of me, and I won’t justify myself; I only want to explain my feeling to you, I want to convince you I am in no flirting humor now. . . . Me flirting with you! Why, there is no sense in it. . . . When I saw you, all that was good, that was young in me, revived . . . that time when I had not yet chosen my lot, everything that lies behind in that streak of brightness behind those ten years. . . .”
“Come, really, Irina Pavlovna! So far as I am aware, the brightness in your life began precisely with the time we separated. . . .”
Irina put her handkerchief to her lips. “That’s very cruel, what you say, Grigory Mihalitch; but I can’t feel angry with you. Oh, no, that was not a bright time, it was not for happiness I left Moscow; I have known not one moment, not one instant of happiness . . . believe me, whatever you have been told. If I were happy, could I talk to you as I am talking now. . . . I repeat to you, you don’t know what these people are. . . . Why, they understand nothing, feel for nothing; they’ve no intelligence even, ni esprit ni intelligence, nothing but tact and cunning; why, in reality, music and poetry and art are all equally remote from them. . . . You will say that I was rather indifferent to all that myself; but not to the same degree, Grigory Mihalitch . . . not to the same degree! It’s not a woman of the world before you now, you need only look at me - - not a society queen.
That’s what they call us, I believe . . . but a poor, poor creature, really deserving of pity. Don’t wonder at my words. . . . I am beyond feeling pride now! I hold out my hand to you as a beggar, will you understand, just as a beggar. . . . I ask for charity,” she added suddenly, in an involuntary, irrepressible outburst, “I ask for charity, and you - - “
Her voice broke. Litvinov raised his head and looked at Irina; her breathing came quickly, her lips were quivering. Suddenly his heart beat fast, and the feeling of hatred vanished.
“You say that our paths have lain apart,” Irina went on. “I know you are about to marry from inclination, you have a plan laid out for your whole life; yes, that’s all so, but we have not become strangers to one another, Grigory Mihalitch; we can still understand each other. Or do you imagine I have grown altogether dull - - altogether debased in the mire? Ah, no, don’t think that, please! Let me open my heart, I beseech you - - there - - even for the sake of those old days, if you are not willing to forget them. Do so, that our meeting may not have come to pass in vain; that would be too bitter; it would not last long in any case. . . . I don’t know how to say it properly, but you will understand me, because I ask for little, so little . . . only a little sympathy, only that you should not repulse me, that you should let me open my heart - - “
Irina ceased speaking, there were tears in her voice. She sighed, and timidly, with a kind of furtive, searching look, gazed at Litvinov, held out her hand to him. . .
Litvinov slowly took the hand and faintly pressed it.
“Let us be friends,” whispered Irina.
“Friends,” repeated Litvinov dreamily.
“Yes, friends . . . or if that is too much to ask, then let us at least be friendly. . . . Let us be simply as though nothing had happened.”
“As though nothing had happened, . . . repeated Litvinov again. “You said just now, Irina Pavlovna, that I was unwilling to forget the old days. . . . But what if I can’t forget them?”
A blissful smile flashed over Irina’s face, and at once disappeared, to be replaced by a harassed, almost scared expression.
“Be like me, Grigory Mihalitch, remember only what was good in them; and most of all, give me your word. . . . Your word of honor. . . .”
“Well?”
“Not to avoid me . . . not to hurt me for nothing. You promise? tell me!”
“Yes.”
“And you will dismiss all evil thoughts of me from your mind.”
“Yes . . . but as for understanding you - - I give it up.”
“There’s no need of that . . . wait a little, though, you will understand. But you will promise?”
“I have said yes already.”
“Thanks. You see I am used to believe you. I shall expect you to - day, to - morrow, I will not go out of the house. And now I must leave you. The Grand Duchess is coming along the avenue. . . . She’s caught sight of me, and I can’t avoid going up to speak to her. . . . Good - by till we meet. . . . Give me your hand, vite, vite. Till we meet.”
And warmly pressing Litvinov’s hand, Irina walked towards a middle - aged person of dignified appearance, who was coming slowly along the gravel path, escorted by two other ladies, and a strikingly handsome groom in livery.
“Eh bonjour, chère Madame,” said the personage, while Irina courtesied respectfully to her. “Comment alles - vous aujourd’hui? Venez un peu avec moi.”
“Votre Altesse a trop de bonté” Irina’s insinuating voice was heard in reply.
XIV
LITVINOV let the Grand Duchess and all her suite get out of sight, and then he, too, went along the avenue. He could not make up his mind clearly what he was feeling; he was conscious both of shame and dread, while his vanity was flattered. The unexpected explanation with Irina had taken him utterly by surprise; her rapid burning words had passed over him like a thunder - storm. “Queer creatures, these society women,” he thought; “there’s no consistency in them.. . and how perverted they are by the surroundings in which they go on living, while they’re conscious of its hideousness themselves!” . . . In reality he was not thinking this at all, but only mechanically repeating these hackneyed phrases, as though he were trying to ward off other more painful thoughts. He felt that he must not think seriously just now, that he would probably have to blame himself, and he moved with lagging steps, almost forcing himself to pay attention to every thing that happened to meet him. . . . He suddenly found himself before a seat, caught sight of some one’s legs in front of it, and looked upwards from them. . . . The legs belonged to a man, sitting on the seat, and reading a newspaper; this man turned out to be Potugin. Litvinov uttered a faint exclamation. Potugin laid the paper down on his knees, and looked attentively, without a smile, at Litvinov; and Litvinov also attentively, and also without a smile looked at Potugin.
“May I sit by you?” he asked at last.
“By all means, I shall be delighted. Only I warn you, if you want to have a talk with me, you mustn’t be offended with me - - I’m in a most misanthropic humor just now, and I see everything in an exaggeratedly repulsive light.”
“That’s no matter, Sozont Ivanitch,” responded Litvinov, sinking down on the seat, “indeed, it’s particularly appropriate. . . . But why has such a mood come over you?”
“I ought not by rights to be ill - humored,” began Potugin. “I’ve just read in the paper a project for judicial reforms in Russia, and I see with genuine pleasure that we’ve got some sense at last, and they’re not as usual on the pretext of independence, nationalism, or originality, proposing to tack a little homemade tag of our own on to the clear, straightforward logic of Europe; but are taking what’s good from abroad intact. A single adaptation in its application to the peasants’ sphere is enough. . . . There’s no doing away with communal ownership! . . . Certainly, certainly, I ought not to be il
l - humored; but to my misfortune I chanced upon a Russian ‘rough diamond,’ and had a talk with him, and these rough diamonds, these self - educated geniuses, would make me turn in my grave!”
“What do you mean by a rough diamond?” asked Litvinov.
“Why, there’s a gentleman disporting himself here, who imagines he’s a musical genius. ‘I have done nothing, of course,’ he’ll tell you. ‘I’m a cipher, because I’ve had no training, but I’ve incomparably more melody and more ideas in me than in Meyerbeer.’ In the first place, I say: why have you had no training? and secondly, that, not to talk of Meyerbeer, the humblest German flute - player, modestly blowing his part in the humblest German orchestra, has twenty times as many ideas as all our untaught geniuses; only the flute - player keeps his ideas to himself, and doesn’t trot them out with a flourish in the land of Mozarts and Haydns; while our friend the rough diamond has only to strum some little waltz or song, and at once you see him with his hands in his trouser pocket and a sneer of contempt on his lips: I’m a genius, he says. And in painting it’s just the same, and in everything else. Oh, these natural geniuses, how I hate them! As if every one didn’t know that it’s only where there’s no real science fully assimilated, and no real art, that there’s this flaunting affectation of them. Surely it’s time to have done with this flaunting, this vulgar twaddle, together with all hackneyed phrases such as ‘no one ever dies of hunger in Russia,’ ‘nowhere is there such fast traveling as in Russia,’ ‘we Russians could bury all our enemies under our hats.’ I’m for ever hearing of the richness of the Russian nature, their unerring instinct, and of Kulibin. . . . But what is this richness, after all, gentlemen? Half - awakened mutterings or else half - animal sagacity. Instinct, indeed! A fine boast. Take an ant in a forest and set it down a mile from its ant - hill, it will find its way home; man can do nothing like it; but what of it? do you suppose he’s inferior to the ant? Instinct, be it ever so unerring, is unworthy of man; sense, simple, straightforward, common sense - - that’s our heritage, our pride; sense won’t perform any such tricks, but it’s that that everything rests upon. As for Kulibin, who, without any knowledge of mechanics, succeeded in making some very bad watches, why, I’d have those watches set up in the pillory, and say: see, good people, this is the way not to do it. Kulibin’s not to blame for it, but his work’s rubbish. To admire Telushkin’s boldness and cleverness because he climbed on to the Admiralty spire is well enough; why not admire him? But there’s no need to shout that he’s made the German architects look foolish, that they’re no good, except at making money. . . . He’s not made them look foolish in the least; they had to put a scaffolding round the spire afterwards, and repair it in the usual way. For mercy’s sake, never encourage the idea in Russia that anything can be done without training. No; you may have the brain of a Solomon, but you must study, study from the A B C. Or else hold your tongue, and sit still and be humble! Phoo! it makes one hot all over!”
Potugin took off his hat and began fanning himself with his handkerchief.
“Russian art,” he began again. “Russian art, in deed! . . . Russian impudence and conceit, I know, and Russian feebleness, too, but Russian art, begging your pardon, I’ve never come across. For twenty years on end they’ve been doing homage to that bloated nonentity, Bryullov, and fancying that we have founded a school of our own, and even that it will be better than all others. . . . Russian art, ha, ha, ha! ho, ho!”
“Excuse me, though, Sozont Ivanitch,” remarked Litvinov, “would you refuse to recognize Glinka, too, then?”
Potugin scratched his head.
“The exception, you know, only proves the rule, but even in that instance we could not dispense with bragging. If we’d said, for example, that Glinka was really a remarkable musician, who was only prevented by circumstances - - outer and inner - - from becoming the founder of the Russian opera, none would have disputed it; but no, that was too much to expect! They must at once raise him to the dignity of commander - in - chief, of grand - marshal, in the musical world, and disparage other nations while they were about it; they have nothing to compare with him, they declare, then quote you some marvelous home - bred genius whose compositions are nothing but a poor imitation of second - rate foreign composers, yes, second - rate ones, for they’re the easiest to imitate. Nothing to compare with him? Oh, poor benighted barbarians, for whom standards in art are non - existent, and artists are something of the same species as the strong man Rappo: there’s a foreign prodigy, they say, can lift fifteen stone in one hand, but our man can lift thirty! Nothing to compare with us, indeed! I will venture to tell you something I remember, and can’t get out of my head. Last spring I visited the Crystal Palace near London; in that Palace, as you’re aware, there’s a sort of exhibition of everything that has been devised by the ingenuity of man - - an encyclopædia of humanity, one might call it. Well, I walked to and fro among the machines and implements and statues of great men; and all the while I thought, if it were decreed that some nation or other should disappear from the face of the earth, and with it everything that nation had invented, should disappear from the Crystal Palace, our dear mother, Holy Russia, could go and hide herself in the lower regions, without disarranging a single nail in the place: everything might remain undisturbed where it is; for even the samovar, the woven bast shoes, the yoke - bridle, and the knout - - these are our famous products - - were not invented by us. One could not carry out the same experiment on the Sandwich islanders; those islanders have made some peculiar canoes and javelins of their own; their absence would be noticed by visitors. It’s a libel! it’s too severe, you say perhaps. . . . But I say, first, I don’t know how to roar like any sucking dove; and secondly, it’s plain that it’s not only the devil no one dares to look straight in the face, for no one dares to look straight at himself, and it’s not only children who like being soothed to sleep. Our older inventions came to us from the East, our later ones we’ve borrowed, and half spoiled, from the West, while we still persist in talking about the independence of Russian art! Some bold spirits have even discovered an original Russian science; twice two makes four with us as elsewhere, but the result’s obtained more ingeniously, it appears.” “But wait a minute, Sozont Ivanitch,” cried Litvinov. “Do wait a minute! You know we send something to the universal exhibitions, and doesn’t Europe import something from us.”
“Yes, raw material, raw products. And note, my dear sir: this raw produce of ours is generally only good by virtue of other exceedingly bad conditions; our bristles, for instance, are large and strong, because our pigs are poor; our hides are stout and thick because our cows are thin; our tallow’s rich because it’s boiled down with half the flesh. . . . But why am I enlarging on that to you, though; you are a student of technology, to be sure, you must know all that better than I do. They talk to me of our inventive faculty! The inventive faculty of the Russians! Why our worthy farmers complain bitterly and suffer loss because there’s no satisfactory machine for drying grain in existence, to save them from the necessity of putting their sheaves in ovens, as they did in the days of Rurik; these ovens are fearfully wasteful - - just as our bast shoes and our Russian mats are, - - and they are constantly getting on fire. The farmers complain, but still there’s no sign of a drying - machine. And why is there none? Because the German farmer doesn’t need them; he can thrash his wheat as it is, so he doesn’t bother to invent one, and we . . . are not capable of doing it! Not capable - - and that’s all about it! Try as we may! From this day forward I declare whenever I come across one of those rough diamonds, these self - taught geniuses, I shall say: ‘Stop a minute, my worthy friend! Where’s that drying - machine? let’s have it!’ But that’s beyond them! Picking up some old cast - off shoe, dropped ages ago by St. Simon or Fourier, and sticking it on our heads and treating it as a sacred relic - - that’s what we’re capable of; or scribbling an article on the historical and contemporary significance of the proletariat in the principal towns of France - - that we can do
, too; but I tried once, asking a writer and political economist of that sort - - rather like your friend, Mr. Voroshilov - - to mention twenty towns in France, and what do you think came of that? Why the economist in despair at last mentioned Mont - Fermeuil as one of the French towns, remembering it probably from some novel of Paul de Kock’s. And that reminds me of the following anecdote. I was one day strolling through a wood with a dog and a gun - - “
“Are you a sportsman then?” asked Litvinov.
“I shoot a little. I was making my way to a swamp in search of snipe; I’d been told of the swamp by other sportsmen. I saw sitting in a clearing before a hut a timber merchant’s clerk, as fresh and smooth as a peeled nut, he was sitting there, smiling away - - what at, I can’t say. So I asked him: ‘Whereabouts was the swamp, and were there many snipe in it?’ ‘To be sure, to be sure,’ he sang out promptly, and with an expression of face as though I’d given him a ruble; ‘the swamp’s first - rate, I’m thankful to say; and as for all kinds of wild fowl, - - my goodness, they’re to be found there in wonderful plenty.’ I set off, but not only found no wild fowl, the swamp itself had been dry for a long time. Now tell me, please, why is the Russian a liar? Why does the political economist lie, and why the lie about the wild fowl, too?” Litvinov made no answer, but only sighed sympathetically.
“But turn the conversation with the same political economist,” pursued Potugin, “on the most abstruse problems of social science, keeping to theory, without facts . . .! - - he takes flight like a bird, a perfect eagle. I did once succeed, though, in catching one of those birds. I used a pretty snare, though an obvious one, as you shall see if you please. I was talking with one of our latter - day ‘new young men’ about various questions, as they call them. Well, he got very hot, as they always do. Marriage among other things he attacked with really childish exasperation. I brought forward one argument after another . . . I might as well have talked to a stone wall! I saw I should never get round him like that. And then I had a happy thought! ‘Allow me to submit to you,’ I began, - - one must always talk very respectfully to these ‘new young men’ - - ‘I am really surprised at you, my dear sir; you are studying natural science, and your attention has never up till now been caught by the fact that all carnivorous and predatory animals - - wild beasts and birds - - all who have to go out in search of prey, and to exert themselves to obtain animal food for themselves and their young . . . and I suppose you would include man in the category of such animals?’ ‘Of course, I should,’ said the ‘new young man,’ ‘man is nothing but a carnivorous animal.’ ‘And predatory?’ I added. ‘And predatory,’ he declared. ‘Well said,’ I observed. “Well, then I am surprised you’ve never noticed that such animals live in monogamy.’ The ‘new young man’ started. ‘How so?’ ‘Why, it is so. Think of the lion, the wolf, the fox, the vulture, the kite; and, indeed, would you condescend to suggest how they could do otherwise. It’s hard work enough for the two together to get a living for their offspring.’ My ‘new young man’ grew thoughtful. ‘Well,’ says he, ‘in that case the animal is not a rule for man.’ Thereupon I called him an idealist, and wasn’t he hurt at that! He almost cried. I had to comfort him by promising not to tell of him to his friends. To deserve to he called an idealist is no laughing matter! The main point in which our latterday young people are out in their reckoning is this. They fancy that the time for the old, obscure, underground work is over, that it was all very well for their old - fashioned fathers to burrow like moles, but that’s too humiliating a part for us, we will take action in the light of day, we will take action . . . Poor darlings! why your children even won’t take action; and don’t you care to go back to burrowing, burrowing underground again in the old tracks?”
Works of Ivan Turgenev (Illustrated) Page 86