The lion couldn't think why the scent was important. There was a part of his mind—as if it were someone else, another mind, locked deep inside his brain—telling him the smell related to death and killing.
The lion didn't know why death or killing would be important, and he couldn't smell death in the air anyway. There was no decay, no blood. Just a smell of fish and water and chemicals, and the smell of people, many people, some of which had probably passed by days ago but left behind the olfactory trail of their passage.
Then there was the clear bright scent of a shapeshifter. Not that the lion knew what a shapeshifter was, or not really. Just that this was the scent he was seeking, the scent he must follow, deep into the broad chamber decorated with a cement chest and a hoard of plaster coins that his other mind remembered as unconvincingly painted to resemble gold.
The chamber was vast, with a tall ceiling lost in darkness. The lion crouched close to the ground, and followed two trails of smell—or rather, one trail that wound itself around, in front of two vast tanks. Inside the tanks swam creatures the lion's inner mind told him were sharks. Large, with sharp, serrated teeth, they swam towards him, while he sniffed at the glass.
The lion paid them no more attention than he did the yellow tape that blocked one of the tanks and the service stairs, discreetly hidden behind some plastic fronds, leading back to the top of the tank. There was no smell there at all, and the lion didn't look at it. Instead, he turned to follow the interesting scent out of the chamber, towards the front of the aquarium.
And stopped when he heard a voice, coming from the opposite direction of where he had come. "Officer Trall?"
The words made the lion turn, giving something like a half-grunt under his breath, as he loped very fast back the way he had come. Very, very fast, his paws devouring the distance he had traversed so cautiously.
Steps followed him. Human steps. Steps in high heels—the inner voice told the lion. A woman.
The lion gave a soft, distracted roar as—the inner voice yelled to hide, to change, to do something—he leapt into a corner of the entrance chamber, around the side of the ticket booth, and into the narrow hallway that led to the bathrooms. He hit the door of the men's bathroom at a lope, and rolled into the room.
As he rolled he . . . shifted, his body twisting and writhing even as he tumbled, till a tall, muscular blond man landed, from a somersault, in the middle of the bathroom, by one of the closed stalls.
From outside the door, the voice called, "Officer Trall?"
"In here," the man who had been a lion answered, his voice shaking slightly. "Just a moment."
And it was just a moment, as he reached for his clothes—khaki pants and a loose-cut shirt that, with his mane of long, blond hair gave him the look of a surfer about to hit the waves—and slipped into them and his shoes with the practice of someone who changed clothes several times a day.
In fact, Officer Rafiel Trall of the Serious Crimes Unit of the Goldport Police Department, had clothes hidden all over town and in some of the neighboring towns as well. One thing shifting shape did—it ruined your wardrobe. Though he controlled himself—well enough during the day, with more difficulty at night—he still destroyed clothes so often that he'd developed a reputation as a ladies man throughout the department.
Every time he came back wearing yet another set of clothes, all his subordinates, from his secretary to the newest recruit, elbowed each other and giggled. Rafiel only wished his sex life were half as exciting as they thought it was. Not that he could complain, or not really. He dated his fair share of women. He just couldn't allow any of them to get close enough to see his . . . changes. So he had a lot of first and second dates and rarely a third.
He looked at himself in the mirror, frowning, as he combed his fingers through his hair. Receptionists, women officers, even the medical examiners and legal experts who had sporadic contact with the Goldport Police Department, all warned each other about him in whispers. He'd heard the words "fear of commitment" so often he felt like they were tattooed on his forehead. And it wasn't true. He'd commit in a minute. To any woman he knew would accept him and not freak out. In less than a minute to a woman like him, a shifter. Of his kind.
The thought of Kyrie came and went in his mind, a mix of longing and regret. No point thinking about it. That wasn't going to happen.
Instead, he opened the door—his relaxed smile in place as he met the aquarium employee who waited outside, a slightly worried look in her eyes. She was small and golden skinned, with straight black hair and the kind of curves that fit all in the right places. Her name was Lei Lani—which made him think of her as one of the Bond girls—and she was a marine biologist on some sort of inter-program loan from an aquarium in Hawaii.
Looking at her smile, it was easy to imagine her welcoming tourists in nothing but a grass skirt. Of course, thinking about that was as bad as thinking too much about her first name. Neither encouraged his good behavior.
"I'm sorry," Rafiel said. "One of those sudden stomach things."
"Ah. I was just checking, because I really should lock up and go home. I mean, everyone else has, and I only stayed because I live so close by here."
"Yeah. How bad is it out?"
"Blinding. As I said, if I didn't live within walking distance, I'd have left long ago. I mean, I'm not even sure you should drive in this. Perhaps you should stay at my place till the weather improves."
Was that a seductive sparkle in her eye? Did Rafiel read it correctly? It wasn't that he wasn't tempted, but right now he had other things on his mind.
He shouldn't have been so reckless as to shift shapes while there was someone else in the building, but the hint of shifter scent he'd been able to pick up even with his human nose had forced him to check it out. After all, a shapeshifter at a crime scene could mean many things. The last time he'd picked it up, it had, in fact, meant that the shifters were the victims. But there was always the chance it meant the shifter he smelled was the killer. And a murder committed by shapeshifters, properly investigated, would out them as non-mythological. Which meant—if Rafiel knew how such things worked—that at best they'd all be studied within an inch of their lives. At worst . . . well . . . Rafiel was a policeman from a long line of policemen. He understood people would be scared of shifters. Not that he blamed them. There were some shifters that he was scared of himself. But the thing was, when people were terrified, they only ran away half the time. The other half . . . they attacked and killed the cause of their fear.
"I'll be okay. I have a four-wheel drive, and I've lived here all my life. This is not the first blizzard I've driven in," he said. He was still trying to process the input of the lion's nose. There had been a clear shifter scent trail throughout the aquarium. It had circled the shark area.
The shark area where, yesterday, a human arm had been found—still clutching a cell phone—inside a shark. The aquarium had been shut down—though the weather provided a good excuse for that. And the relevant area was isolated behind the yellow crime-scene tape. The dead man had been identified as a business traveler from California, staying in town for less than a week.
The question was—had he fallen in the tank or been pushed? And if he'd been pushed, was it a shifter who'd done the pushing?
* * *
The sound of the roar-hiss from the bathroom made Kyrie stop cold. Tom didn't—normally—roar or hiss. But the dragon that Tom shape-shifted into did.
She frowned at the door, trying to figure out how Tom could have become a dragon in the bathroom. And why. While Tom was a short human, as a dragon he was . . . well, he had to be at least . . . She tried to visualize Tom in his dragon form and groaned.
With wings extended, Tom had to be at least twenty feet from wing tip to wing tip and she was probably underestimating it. And he was at least twelve feet long and his main body was more than five feet wide, with big, powerful paws and a long, fleshy tail.
Now, your average bathroom might—for all she
knew—be able to contain a dragon. But the bathroom in this house was not what anyone could call a normal bathroom. In fact in most other houses it would be a closet and not even a walk-in closet. It was maybe all of five feet by four feet—the kind of bathroom where you had to close the door before you could stand in front of the sink and brush your teeth. There was no way, no way at all, a dragon could fit in there.
"Tom," she yelled again, pounding on the door. "Tom! Please tell me you didn't turn into a dragon in the bathroom."
The sound that answered her was not Tom's voice—in fact, it resembled nothing so much as a distressed foghorn—but it carried with it a definite tone of apology and confusion.
"Right," Kyrie said, as she tried to push the door open. The problem, of course, was that the door opened inward. That meant to get in—or get Tom out—she must swing the door into the bathroom which was, in fact, already filled to capacity with dragon. The resistance she felt was some part of Tom's flesh refusing to give way.
She stopped pushing. She had no idea what had caused Tom to shift. Normally he only shifted involuntarily with the light of the moon on him and some additional source of distress working against his self-control. But what could make him shift, in the middle of a blizzard, in the bathroom?
She needed to get him to shift back. Now. Knowing why he shifted would help, but if she couldn't find out—and he wouldn't be able to answer questions very intelligibly—then she must get him to shift back by persuasion.
The door dated from the same time as the house—somewhere around the nineteenth century, when Goldport had been built from the wealth flowing from the gold and silver mines around the area. The wealth hadn't reached into this neighborhood of tiny houses—originally filled with workers brought from out East to build the mansions for the gold rush millionaires. Oh, the house was still far more solid than houses built today. The walls were lath and plaster or brick, instead of drywall. It was framed in heavy beams. But the doors—as she'd discovered when repairing hinges or locks before—were the cheapest, knottiest pine to be found in any time or place. One grade up from kindling. Further, to make their construction cheaper, they were not a solid panel, but a thicker cross-frame filled out with four veneer-thin panels.
Kyrie silently apologized for any injury she might do Tom, but she had to bring him out of this somehow. She went to the linen closet and wrapped her hand in a towel. Then she aimed at the thin pine panel and punched with all her strength.
The panel splintered down the middle and cracked at the sides. It remained in place, but only because it was held together by countless layers of paint. The dragon inside the bathroom made a noise like a foghorn, again.
Kyrie ignored the noise and, instead, started tearing at the door panel, pulling it out piece by piece. When she had all the pieces out, she leaned in to look into the bathroom. Which was not as easy as she'd anticipated. First because it was dark in there. Whatever else the dragon had done in the shifting, he'd definitely broken the ceiling light fixture. Judging by a sound that evoked a romantic brook running through unspoiled mountains, he had also torn the plumbing apart.
Worse than that, what she was looking at resembled a nightmare by Escher, where nothing made any sense whatsoever. There were green scales, and she expected green scales, shading to blue in spots. But part of what she saw was the bluish-green underbelly of the dragon Tom shifted into. And right next to the missing panel, a claw protruded—huge and silvery, glinting like metal in the moonlight. Next to it was crammed what looked suspiciously like a bit of wing.
"Tom," she said, trying to sound reasonable, while speaking to a mass of scales that, she realized, was pulsing rapidly with the sort of panting rhythm a frightened person might breathe in. "Tom, shift back. You can't get out like this. Shift back."
The scales and wing and all slid around, scraping the door. The dragon moaned in distress. For a moment, the huge claw protruded through the opening, causing Kyrie to jump back, startled. When everything was done moving around, a dragon eye looked back at her through the opening. The tile balanced just above its brow ridge only made it look more pitiful.
The eye itself—huge and double-lidded and blue—except for size and the weird additional inner lids, was Tom's eye.
Kyrie spoke to Tom's eye. "Tom, please, you must shift. I understand there had to have been something to make you shift. But if you don't shift back now I can't get you out of there. And that bathroom is going to freeze."
She didn't need to be a building expert to know the tiny window into the bathroom had to be broken. The sudden moisture at her feet made her cringe. First, they were going to flood the house. And then they were going to freeze it. And it wasn't even her house. She rented it. Good thing she'd long ago resigned herself to the idea she'd never see the security deposit again. And good thing she didn't expect to ever be rich. After paying for these repairs, she'd be flat broke.
"Tom," she spoke as calmly as she could, though she felt her heart racing and was holding back on a strong impulse to shape-shift herself. She could feel it as her nails tried to lengthen into claws, as her muscles and bones attempted to change shape. She gritted her teeth and forced herself to remain human. To remain sane. Becoming a panther now would only add to the confusion. "Tom, you must shift back. I don't know why you shifted, but there is nothing that we can't face together. We've done it before, remember?"
The eye blinked at her, panic still shining at the back of it.
"Look, breathe with me—slow, slow, slow." She forced her own breathing to a slow, steady rhythm. "Slow. Everything is safe. And if it isn't, you can't fight it while crammed in that bathroom. You must be human and come out of there first. Then we'll talk."
She spoke on so long that she almost lost track of what she was saying. It was all variations on a theme. The theme of being calm. Very, very calm. And shifting back.
Water was running under the door, covering the pine floor of the hallway in a thin, shimmering film, but she didn't dare move or stop talking. Was she having any effect? Tom's eye continued to glare at her, unblinking. She only knew he was alive because she could hear the dragon's breathing huffing in and out of huge lungs.
And then there was a sound like a sigh. Or at least a short intake of breath followed by a long, deep exhalation. The dragon flesh filling the broken part of the door trembled and wobbled. The distressed foghorn sounded again.
Other sounds followed—sounds Kyrie knew well enough and which she felt a great relief at. Not that she'd show her relief. She didn't want to startle Tom and stop the process. That was the last thing she wanted. Instead, she took deep, deep breaths, feeling Tom breathe with her, while muscles slid around with moist noises, and bones made sounds like cracking of knuckles writ large.
Tom sat there, on the soaked floor of the bathroom, on what remained of his ripped pajama pants and T-shirt. Plaster dusted his hair. His naked, muscular body showed a landscape of scratches and bruises.
He looked at her, mouth half open. Then he keened. It was neither crying, nor screaming—just a sound of long-held, pent-up frustration. He raised his knees and wrapped his arms around them, lowering his head and taking deep deliberate breaths.
She'd seen this before. She knew what it meant. He was fighting the urge to shift back. But he had it under control now. And he would be mortally embarrassed as soon as he had the time to be.
Kyrie did what any girlfriend—what any friend—could do under the circumstances. "Right," she said. "Don't go anywhere. I'm going to go turn off the water valve to the house."
* * *
Tom was mortally embarrassed. Once past the panic of the dragon and the heightened senses of the beast and the pain of being forced into what seemed to the dragon like a very tiny box—once he was himself—he didn't need to examine his surroundings to know the damage he had done.
The toilet was broken, the pieces shattered everywhere. The plumbing was torn apart. Faucets bent beyond recognition. Walls with their inner layer scraped off,
in a way that was probably not structurally sound. The window was smashed—leaving jagged pieces of glass glinting in the frame. The shower enclosure destroyed. What had, less than half an hour ago, been a bathroom was now a disaster zone.
And Tom was sitting in the middle of it, looking up at Kyrie, who stared back in shock. She was very pale. No doubt toting up the expenses he had caused her. The lease was in her name. They'd be lucky not to get kicked out, even after they repaired the damages. And all because he couldn't control his shifting and had gotten scared by—
In that moment, staring openmouthed at Kyrie—who looked, as she always did, like a Greek goddess who had consented to come down from her pedestal and wear jeans and a T-shirt and a single, red-feather earring—he remembered what had made him shift.
There had been a voice in his head. There had been a voice—echoing in his mind as clearly as though it were coming through his ears, which it wasn't. The voice had been of an entity known to Asian cultures as the Great Sky Dragon.
Whether he was really the father of all dragons as legend maintained, or not, Tom could not know. What he did know was that he was the leader of Asian triads in the west—that he ruthlessly murdered and stole and sold drugs and did what he had to do to keep his people safe and prosperous. And his people were only those who could shift into dragons. A specific kind of dragon. A kind Tom wasn't.
Their last meeting had brought Tom closer to his death than he ever cared to go. As close as he could go and still come back. And now he had pushed his way into Tom's head.
Tom shuddered as panic tried to establish itself and force him to shift again.
No, and no, and no! Nothing would be served by becoming a dragon. There were threats that the human brain was best suited to handling, no matter how much the puny human body might not be a match to claws and fangs and wings.
He heard himself make a sound—a half scream of frustration at the body he couldn't control—as he lowered his head and concentrated on breathing. Just breathing.
Gentleman Takes a Chance Page 2