Paris Noir

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Paris Noir Page 12

by Aurélien Masson


  When she screams, you can hear her in the silence of the night for blocks around. In the summer, if I have my window open, her animal cries split the air above the rooftops like a witch’s broom and come to me.

  She doesn’t howl every night, only when she’s scared or when she remembers that day during the German occupation when she came back home to find out that a roundup had taken place and that all her family had been taken away.

  Her screams don’t bother me anymore, but on that Christmas Eve, under the thick drizzle that had started up again, in that deserted street whose sidewalks would tomorrow be lined with garbage cans overflowing with oyster shells, they made me shiver. I started to walk faster.

  Chez Léon is a big, long room with a bar on the right side. I sometimes go there at the end of the evening to have a drink with the owner, a cocky young guy from Morroco I like; he suggested a couple of years back that we go into business together: The idea was to set up a car deal between North Africa and France. His name is El-Hadji; he’s a fun-loving Muslim with a sexy walk and a soft way of looking at you. Conversations are rather limited with him—sex and money—but it doesn’t matter because you can feel friendship behind the words and occasionally even something like tenderness.

  Our friendship nearly suffered a major blow three years ago when he got it into his head that Lola, whom he had known since she was very little, was becoming “a real knockout,” as he put it. I had no desire to see Lola be a member of El-Hadji’s harem even if he’s my friend and a nice guy. But I stuck to the principles of education I’ve always given Lola and I didn’t prevent her from going out with him when he invited her to dinner. A good decision really. After the third time, she said he was the biggest asshole, that he was so fucking thick, and how in the world could a guy like that be my friend. She didn’t set foot in Chez Léon for several months after that and I was able to go back to my routine there, without ever bringing up the business with my pal El-Hadji.

  I happened to help him out, professionally, once or twice, and since then, it’s friendship for life between us, he says. I’m not that committed; I only hope he stays here; I don’t want him to drop everything and move to the suburbs—he talks about doing that sometimes. I just want to keep coming here like tonight, like I’ve done for the past ten years since he showed up as a young waiter. I want to keep bathing in the milk of human kindness, as Shakespeare wrote, more or less.

  El-Hadji got married six months ago (after I did a little investigation on his bride to be, at his request, to see if she was faithful) and he stopped talking about women for a while. (It’s sort of coming back now.) He’s a complete egocentric: A week after his wedding, he had his sexy head of curly hair clipped because it was more comfortable for wearing his bike helmet; and now that he’d found a serious woman, he didn’t care about being good-looking anymore.

  His wife is pregnant now and for the last two or three months he’s been complaining about her big belly and letting his hair grow back. Something’s cooking but I have no business trailing him.

  Chez Léon: There’s a pale-blue ceramic fountain standing in the middle of the room, always dry, and on each side of it, along the wall, tables for four are enclosed in little booths that make you feel at home.

  On that Christmas Eve, El-Hadji had made himself a kind of bullfighter costume and over his white shirt, he was wearing a black satin vest discreetly embroidered with pink silk, bullfighting style. When I got there, the place was empty. He came over with two glasses of champagne and sat down in front of me. He was in a confiding mood so he explained that he had opened tonight not because he was hoping to make money, but because he didn’t want to go to Christmas dinner at his in-laws’ and could go see his babe later. My guess had been correct. His green eyes were shining.

  He only had one dinner reservation, two people, around 9:30. He knew he wouldn’t have any unexpected customers, not on a night like this, on such a deserted street, so he would close early.

  El-Hadji knew very well that I had come here, by myself, to escape the gloomy festivities, the ready-made, jolly good time you were supposed to have tonight. He didn’t take my order but brought me, as usual, five or six little plates of assorted spicy vegetables. I knew that my traditional tajine chicken-olives would follow, along with a couscous dish. That’s the advantage of being a regular, you don’t have to talk too much. I would wash down my tajine with a Boulaouane rosé, followed by a little glass of fig brandy, courtesy of the house. On Christmas Eve, it’s reassuring to find a place where you can forget you’re all alone on a holiday.

  El-Hadji was back at his post behind the bar. He had a beaming, distracted, fixed smile on his face because he was thinking about how his evening would end, and I was day- dreaming in front of my hors-d’oeuvres when they arrived.

  It was like an apparition. She was very tall (six-two, as my professional eye automatically informed me), very long; her sublime, never-ending legs were sheathed in soft leather thigh boots studded with fake pearls at the hem.

  When she took off her long fur coat, I nearly choked at the view of her back; an oval was left bare by a thin, very short dress of red wool that also let her thighs show. When she got rid of her hat, her curly, jet-black hair fell down to the middle of her back. She had magnificent green eyes and lucky teeth—a space between them, that is. I love women with a space between their upper front teeth, like the actress Maria Schneider. This girl was a cross between Brigitte Bardot ’69, an erotic year, and Maria Schneider—my fantasy women when I was thirty.

  The man was up to her—no pun intended: He must have been six-six, like that character in Lucky Luke comics named Phil Defer. I’m not one of these men who claim he’s incapable of telling if another guy is handsome or not, for fear people might think he’s gay. I can tell when a man is handsome, which has nothing to do with the charm that attracts women—I’m a bad judge of that—but that man surely was handsome. It’s all the more praiseworthy for me to admit he was handsome because he had an Italian kind of beauty, handsome but vain and dumb-looking, which I’ve always hated for no particular reason. He was immense, well-built, curly smile and frizzy hair, the typical playboy you picture in your mind, shades on his nose, muscles flexed on his Vespa as he drives along the beach to pick up all the chicks.

  In short, that couple made a major impression. Even El-Hadji, who is pretty tall himself, only came to his customer’s shoulder. When he brought my tajine, his annoyance was evident through his forced smile: “Who does that broad think she is? She handed me her coat like I was her servant.” She probably didn’t even see him.

  What do you do, alone in front of a tajine on a Christmas Eve, when such a spectacular-looking couple sits down at the next table? You look at them. And if you are a good private eye, you look at them with your ears pricked up without them being aware of it.

  It kept me busy for a while. She was truly extremely beautiful and when I heard her speak, I thought I was hearing Lauren Bacall in The Big Sleep. I’m not an unconditional fan of Lauren Bacall, I even find her a bit stupid to tell you the truth, but I love her husky voice.

  The handsome guy—very chic: gold watch and chain bracelet, pocket handkerchief matching his tie, chic like I myself could never be—was looking lovingly, with ecstatic eyes, at his sweetheart. Behind his façade of young businessman, it was easy to see a kid in love. He was no more than twenty-five, too young to be a businessman really, or else he was a particularly gifted one; he looked like a sweet boy.

  The couple was rather nice, actually. Busy watching them as I was, I had forgotten my tajine, which was getting cold, as well as my Christmas blues, and the fact that I had taken refuge at my friend El-Hadji’s so I wouldn’t be alone.

  The young man’s name was Nico. Hers was Teresa, Teresa, Teresa, a name he kept repeating to get closer to her, to possess her, to convince himself she was his. She looked at him tenderly, as if he were a puppy-like little brother who happened to be her lover too.

  After El-Hadji
had served each a mayonnaise lobster, he brought me my fig brandy and sat down. I kidded him a little: “Since when have you been serving lobster? You bought it frozen?”

  He shrugged. “I bought those lobsters just for them. Fresh. I know how to cook them perfectly. The guy insisted on having lobster when he made the reservation. I told him this was a Tunisian restaurant; he said yes, he knew that, he used to come here a long time ago, but he absolutely needed to have a lobster dinner here tonight. What could I do? The customer is always right and I wanted to open the restaurant tonight anyway. Besides, it was the only reservation I had … Shit! I forgot to bring them their Chablis.”

  Apparently, they hadn’t noticed and El-Hadji, holding the bottle with his eyes lost in space, had to wait a solid minute so as not to interrupt a passionate kiss. The girl was so beautiful that there was nothing indecent about the kiss.

  El-Hadji came back to my table to tell me at length about his plastic Christmas tree. He hadn’t set it up because he didn’t want his place to feel too much like Christmas; it felt dumb. He was wondering if he would set it up tomorrow morning to make the place feel like Christmas after all, but the tree was in the attic, all dusty and one branch missing. Just to attract a few customers (because, you see, tonight is actually okay, but if it’s empty like this till January, business will suffer).

  I was sort of listening while enjoying my second glass of fig brandy when suddenly I saw Nico turning ghastly pale as he peered toward the entrance.

  A man had walked in. He was shabby-looking: short, almost dwarflike. His grayish complexion, under a two-day beard, was as rumpled as his suit, which was too big, floating around him with a faded pink that reminded me of that particular color my first grade teacher vividly depicted as “drunk vomit.”

  He could have been fifty as easily as seventy. His greasy, thin gray hair was showing from under his felt hat, which he hadn’t removed. You felt like giving him spare change to go get a sandwich.

  Everything happened very fast. Handsome Nico turned pale, I glanced at El-Hadji, expecting him to get rid of the intruder, but the aforementioned El-Hadji was petrified: He turned red and lowered his head, concentrating intensely on the few grains of couscous in the congealed sauce on my plate. Nico got up from his seat, abandoning his sublime Teresa, and walked over to the visitor.

  Nico, the handsome, flamboyant Nico who had entered Chez Léon just a little while ago, was no more. He was taking little steps with his head down. Next to him, the visitor seemed to be a real midget, but a midget with authority.

  The older man made a sign with his finger; Nico bent down so their heads were at the same level. I think the guy whispered something to him but I couldn’t be sure. What I’m certain about, though, is that he smacked Nico on his left cheek with his right hand, a pat really, like in the game where you hold each other’s chin while singing that little song and whoever laughs first gets slapped on the cheek. Except this was no game.

  Nico didn’t return to his table. Suddenly hunched, crushed, aged, he left the restaurant. The old man didn’t move. He watched Nico leave, then walked to my table where El-Hadji had remained, as white and rigid as a wax statue.

  “Give the lady whatever she asks for. Here’s the money.”

  He put a small wad of two hundred–euro bills on the table and walked away. El-Hadji, his eyes still down, didn’t check, but clearly there was enough cash there to cover all of his evening expenses, and even if he served caviar by the ladle to his customer, he could close the place and reopen after the holidays without losing anything.

  “The mafia,” he stammered.

  The old man had left.

  The whole thing hadn’t lasted more than two minutes and Teresa still hadn’t reacted, as if she hadn’t realized that her beau had abandoned her there.

  Funny things happen in Paris, that’s for sure, whispered the little provincial guy from Savoie (my father’s pastry shop was in Albertville) sleeping inside of me. But his big brother, the one who grew up and became a private eye, had to find out more.

  I jumped from my seat and left with my dark red jacket with black threads.

  The old man seemed to have vanished in the deserted street, but I spotted a spineless, raggedy shape who was throwing up on the garbage cans. It was Nico. He hadn’t walked more than fifty yards in two minutes. He was dragging his feet, on his way to doomsday.

  On rue Richer, there was no sign of the crazy woman and everything was silent. You could see garlands on Christmas trees twinkling through windows. The rain had turned into a light snow that evaporated when reaching the ground, just as the old man had. The shabby old guy was like a genie, like a snowflake, I said to myself jokingly. He evaporates, disappears, doesn’t exist anymore.

  But Nico’s ghost still existed and was sticking to the asphalt. He looked like he was dragging an invisible ball and chain. And then I saw him negotiate a quarter-turn to his left (with difficulty, as his body wouldn’t obey him anymore), and go into the Goldenberg building, the one with store windows blinded by cinder blocks, the building where the old Italian woman, the desperate, crazy Jewish woman lived.

  I followed him. The building, ready to be torn down, was deserted and sinister. The marble lobby smelled of mold and at the bottom of the large stairwell, a yellowish stone goddess covered with black and blue graffiti proudly displayed a nudity no one was interested in anymore. The rise and fall of elegant Hausmannian architecture. But I wasn’t there to write about the history of the 9th arrondissement.

  Following him was so easy I was almost ashamed. He paused on each step of the large, pompous stairwell. (In other times, young romantic men must have climbed it already on their way to becoming paunchy bankers with pear-shaped heads à la King Louis-Philippe.) I said to myself, and I thought it was funny, that I shouldn’t have been a private detective or a pastry cook like my dad, but a scholar, a historian.

  In the dark, barely lit by the snow falling behind the broken transom windows, Nico kept going up, with me trailing him. We were two characters in a silent, black-and-white film, screened in slow motion. It was bitterly cold. A rat scrambled between my legs; I held onto the banister and felt the paint peeling. Falling would be all I needed. Hello! Merry Christmas!

  The stone staircase ended at the fifth floor but Nico took a smaller wooden one spiraling up to the next floor which, in another era, must have been where the maids’ rooms were located. I stopped at the bottom of that ladder of sorts which ascended to the heavens. Everything was dark up there.

  So that’s where the crazy woman lived, then, and she was the one Nico had come to visit. A picture, a little blurry still, started to take shape in my mind.

  And suddenly I was sure of it. The famous grandson who “was doing real well” was Nico, and that’s why he wanted to have dinner in this neighborhood. Childhood memories, probably, from the time his father was still alive and his grandmother still sane. And I also understood how he was getting his money, his suit, his golden jewels, and why El-Hadji had seemed to liquefy when the old guy had stepped into Chez Léon. I had crossed paths with the 9th arrondissement mafia before. I knew Nico was doomed. He had come to say goodbye to his grandmother.

  Careful not to make the wooden steps creak, I continued up. There was a sourish smell, a smell of urine, of a stable where the straw is never changed.

  Nico was at the top. He groped his way in the dark to find a big flashlight that pointed at a bunch of rags under the slanted roof. The old woman was sleeping like a tired baby, all red and wrinkled. Her face appeared strangely at peace. Again I could see the former beauty my friend Maria had talked about. She didn’t wake up.

  Nico set the flashlight down and bent over inside the halo of light. He took his wallet out of the inner pocket of his jacket and came up with a wad of bills that he deposited next to the pallet. He did the same with his wallet. Then he took off his watch and his gold arm chain, and after undoing his tie, the big chain and pendant he was wearing around his neck followed. He pl
aced everything next to the bills and the wallet. At the end of this strange ritual of stripping, he crudely cut a handful of his curly black hair with a kitchen knife he had found by fumbling around in his grandmother’s stuff, near the cheap wine bottles. He deposited the curls next to his other offerings. When his face came back into the halo of the flash-light, I could see he was crying silently.

  He remained there motionless for a good ten minutes, looking at her with great tenderness. Then he kneeled, kissed her hand, and went down the stairs again.

  I hardly had time to hide in the darkness of the sixth floor landing; and then I followed him. I knew there was nothing anyone could have done for him but I was moved by a kind of sick curiosity, professional as well as romantic.

  When he got to the street, he took off his tie, stuffed it inside the pocket of his jacket, and dumped the jacket in a garbage can. It would soon be covered with oyster shells and lemon peels. Wearing only his shirt with the collar open under the snow that was now falling hard and sticking to the ground, he was walking faster than before, as if eager to put an end to the whole thing.

  He turned left and took the Cité de Trévise. I love that park with its fountain and trees, its old, solid, and very bourgeois buildings. The balconies around the square were decorated with white garlands that twinkled under the snow.

  Nico stared at them for a few minutes, shivering; he was standing in front of the old store that sells theater wigs at one corner of the square (it seemed right out of a Balzac novel), he was smoking a cigarette he’d had trouble lighting because of the snowflakes. He looked like he was filled with a vague longing for a life that could never have been his. Then he started walking again, along rue Bleue, then the dismal and deserted rue Lafayette, that cold thoroughfare that cuts the 9th arrondissement in two, between the first slopes of Montmartre and the flat, Hausmannian part where I live.

 

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