"Ah," he would murmur to himself during the deep reveries which absorbed him at all hours that he did not spend at the queen's side, "how strange a lot is mine! I am wretched because of that which would make any other husband happy. Nyssia will not leave the shadow of the gynæceum, and refuses, with barbarian modesty, to lift her veil in the presence of any other than myself. Yet with what an intoxication of pride would my love behold her, radiantly sublime, gaze down upon my kneeling people from the summit of the royal steps, and, like the rising dawn, extinguish all those pale stars who during the night thought themselves suns! Proud Lydian women, who believe yourselves beautiful, but for Nyssia's reserve you would appear, even to your lovers, as ugly as the oblique-eyed and thick-lipped slaves of Nahasi and Kush. Were she but once to pass along the streets of Sardes with face unveiled, you might in vain pull your adorers by the lappet of their tunic, for none of them would turn his head, or, if he did, it would be to demand your name, so utterly would he have forgotten you! They would rush to precipitate themselves beneath the silver wheels of her chariot, that they might have even the pleasure of being crushed by her, like those devotees of the Indus who pave the pathway of their idol with their bodies.
"And you, oh goddesses, whom Paris-Alexander judged, had Nyssia appeared among you, not one of you would have borne away the golden apple, not even Aphrodite, despite her cestus and her promise to the shepherd-arbiter that she would make him beloved by the most beautiful woman in the world!...
"Alas! to think that such beauty is not immortal, and that years will alter those divine outlines, that admirable hymn of forms, that poem whose strophes are contours, and which no one in the world has ever read or may ever read save myself; to be the sole depositary of so splendid a treasure! If I knew even, by imitating the play of light and shadow with the aid of lines and colors, how to fix upon wood a reflection of that celestial face; if marble were not rebellious to my chisel, how well would I fashion in the purest vein of Paros or Pentelicus an image of that charming body, which would make the proud effigies of the goddesses fall from their altars! And long after, when deep below the slime of deluges, and beneath the dust of ruined cities, the men of future ages should find a fragment of that petrified shadow of Nyssia, they would cry: 'Behold, how the women of this vanished world were formed!' And they would erect a temple wherein to enshrine the divine fragment. But I have naught save a senseless admiration and a love that is madness! Sole adorer of an unknown divinity, I possess no power to spread her worship through the world."
Thus in Candaules had the enthusiasm of the artist extinguished the jealousy of the lover. Admiration was mightier than love. If in place of Nyssia, daughter of the Satrap Megabazus, all imbued with Oriental ideas, he had espoused some Greek girl from Athens or Corinth, he would certainly have invited to his court the most skilful painters and sculptors, and have given them the queen for their model, as did afterward Alexander his favorite Campaspe, who posed naked before Apelles. Such a whim would have encountered no opposition from a woman of the land where even the most chaste made a boast of having contributed—some for the back, some for the bosom—to the perfection of a famous statue. But hardly would the bashful Nyssia consent to unveil herself in the discreet shadow of the thalamus, and the earnest prayers of the king really shocked her rather than gave her pleasure. The sentiment of duty and obedience alone induced her to yield at times to what she styled the whims of Candaules.
Sometimes he besought her to allow the flood of her hair to flow over her shoulders in a river of gold richer than the Pactolus, to encircle her brow with a crown of ivy and linden leaves like a Bacchante of Mount Mænalus, to lie, hardly veiled by a cloud of tissue finer than woven wind, upon a tiger-skin with silver claws and ruby eyes, or to stand erect in a great shell of mother-of-pearl, with a dew of pearls falling from her tresses in lieu of drops of sea-water.
When he had placed himself in the best position for observation, he became absorbed in silent contemplation. His hand, tracing vague contours in the air, seemed to be sketching the outlines for some picture, and he would have remained thus for whole hours if Nyssia, soon becoming weary of her rôle of model, had not reminded him in chill and disdainful tones that such amusements were unworthy of royal majesty and contrary to the holy laws of matrimony. "It is thus," she would exclaim, as she withdrew, draped to her very eyes, into the most mysterious recesses of her apartment, "that one treats a mistress, not a virtuous woman of noble blood!"
These wise remonstrances did not cure Candaules, whose passion augmented in inverse ratio to the coldness shown him by the queen. And it had at last brought him to that point that he could no longer keep the secrets of the nuptial couch. A confidant became as necessary to him as to the prince of a modern tragedy. He did not proceed, you may feel assured, to fix his choice upon some crabbed philosopher of frowning mien, with a flood of gray-and-white beard rolling down over a mantle in proud tatters; nor a warrior who could talk of nothing save ballista, catapults, and scythed chariots; nor a sententious Eupatrid full of counsels and politic maxims; but Gyges, whose reputation for gallantry caused him to be regarded as a connoisseur in regard to women.
One evening he laid his hand upon his shoulder in a more than ordinarily familiar and cordial manner, and after giving him a look of peculiar significance, he suddenly strode away from the group of courtiers, saying in a loud voice:
"Gyges, come and give me your opinion in regard to my effigy, which the Sicyon sculptors have just finished chiselling on the genealogical bas-relief where the deeds of my ancestors are celebrated."
"O king, your knowledge is greater than that of your humble subject, and I know not how to express my gratitude for the honor you do me in deigning to consult me," replied Gyges, with a sign of assent.
Candaules and his favorite traversed several halls ornamented in the Hellenic style, where the Corinthian acanthus and the Ionic volute bloomed or curled in the capitals of the columns, where the friezes were peopled with little figures in polychromatic plastique representing processions and sacrifices, and they finally arrived at a remote portion of the ancient palace whose walls were built with stones of irregular form, put together without cement in the Cyclopean manner. This ancient architecture was colossally proportioned and weirdly grim. The immeasurable genius of the elder civilizations of the Orient was there legibly written, and recalled the granite and brick debauches of Egypt and Assyria. Something of the spirit of the ancient architects of the tower of Lylax survived in those thick-set pillars with their deep-fluted trunks, whose capitals were formed by four heads of bulls, placed forehead to forehead, and bound together by knots of serpents that seemed striving to devour them, an obscure cosmogonic symbol whereof the meaning was no longer intelligible, and had descended into the tomb with the hierophants of preceding ages. The gates were neither of a square nor rounded form. They described a sort of ogive much resembling the mitre of the Magi, and by their fantastic character gave still more intensity to the character of the building.
This portion of the palace formed a sort of court surrounded by a portico whose architecture was ornamented with the genealogical bas-relief to which Candaules had alluded.
In the midst thereof sat Heracles upon a throne, with the upper part of his body uncovered, and his feet resting upon a stool, according to the rite for the representation of divine personages. His colossal proportions would otherwise have left no doubt as to his apotheosis, and the archaic rudeness and hugeness of the work, wrought by the chisel of some primitive artist, imparted to his figure an air of barbaric majesty, a savage grandeur more appropriate, perhaps, to the character of this monster-slaying hero than would have been the work of a sculptor consummate in his art.
On the right of the throne were Alcæus, son of the hero and of Omphale; Ninus, Belus, Argon, the earlier kings of the dynasty of the Heracleidæ, then all the line of intermediate kings, terminating with Ardys, Alyattes, Meles or Myrsus, father of Candaules, and finally Candaules himself.
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br /> All these personages, with their hair braided into little strings, their beards spirally twisted, their oblique eyes, angular attitudes, cramped and stiff gestures, seemed to own a sort of factitious life, due to the rays of the setting sun, and the ruddy hue which time lends to marble in warm climates. The inscriptions in antique characters, graven beside them after the manner of legends, enhanced still more the mysterious weirdness of the long procession of figures in strange barbarian garb.
By a singular chance, which Gyges could not help observing, the statue of Candaules occupied the last available place at the right hand of Heracles; the dynastic cycle was closed, and in order to find a place for the descendants of Candaules it would be absolutely necessary to build a new portico and commence the formation of a new bas-relief.
Candaules, whose arm still rested on the shoulder of Gyges, walked slowly round the portico in silence. He seemed to hesitate to enter into the subject, and had altogether forgotten the pretext under which he had led the captain of his guards into that solitary place.
"What would you do, Gyges," said Candaules, at last breaking the silence which had been growing painful to both, "if you were a diver, and should bring up from the green bosom of the ocean a pearl of incomparable purity and lustre, and of worth so vast as to exhaust the richest treasures of the earth?"
"I would inclose it," answered Gyges, a little surprised at this brusque question, "in a cedar box overlaid with plates of brass, and I would bury it under a detached rock in some desert place; and from time to time, when I should feel assured that none could see me, I would go thither to contemplate my precious jewel and admire the colors of the sky mingling with its nacreous tints."
"And I," replied Candaules, his eye illuminated with enthusiasm, "if I possessed so rich a gem, I would enshrine it in my diadem, that I might exhibit it freely to the eyes of all men, in the pure light of the sun, that I might adorn myself with its splendor and smile with pride when I should hear it said: 'Never did king of Assyria or Babylon, never did Greek or Trinacrian tyrant possess so lustrous a pearl as Candaules, son of Myrsus and descendant of Heracles, King of Sardes and of Lydia! Compared with Candaules, Midas, who changed all things to gold, were only a mendicant as poor as Irus.'"
Gyges listened with astonishment to this discourse of Candaules, and sought to penetrate the hidden sense of these lyric divagations. The king appeared to be in a state of extraordinary excitement: his eyes sparkled with enthusiasm; a feverish rosiness tinted his cheeks; his dilated nostrils inhaled the air with unusual effort.
"Well, Gyges," continued Candaules, without appearing to notice the uneasiness of his favorite, "I am that diver. Amid this dark ocean of humanity, wherein confusedly move so many defective or misshapen beings, so many forms incomplete or degraded, so many types of bestial ugliness, wretched outlines of nature's experimental essays, I have found beauty, pure, radiant, without spot, without flaw, the ideal made real, the dream accomplished, a form which no painter or sculptor has ever been able to translate upon canvas or into marble—I have found Nyssia!"
"Although the queen has the timid modesty of the women of the Orient, and that no man save her husband has ever beheld her features, Fame, hundred-tongued and hundred-eared, has celebrated her praise throughout the world," answered Gyges, respectfully inclining his head as he spoke.
"Mere vague, insignificant rumors. They say of her, as of all women not actually ugly, that she is more beautiful than Aphrodite or Helen; but no person could form even the most remote idea of such perfection. In vain have I besought Nyssia to appear unveiled at some public festival, some solemn sacrifice, or to show herself for an instant leaning over the royal terrace, bestowing upon her people the immense favor of one look, the prodigality of one profile view, more generous than the goddesses who permit their worshippers to behold only pale simulacra of ivory or alabaster. She would never consent to that. Now there is one strange thing which I blush to acknowledge even to you, dear Gyges. Formerly I was jealous; I wished to conceal my amours from all eyes, no shadow was thick enough, no mystery sufficiently impenetrable. Now I can no longer recognize myself. I have the feelings neither of a lover nor a husband; my love has melted in adoration like thin wax in a fiery brazier. All petty feelings of jealousy or possession have vanished. No, the most finished work that heaven has ever given to earth, since the day that Prometheus held the flame under the right breast of the statue of clay, cannot thus be kept hidden in the chill shadow of the gynæceum. Were I to die, then the secret of this beauty would forever remain shrouded beneath the sombre draperies of widowhood! I feel myself culpable in its concealment, as though I had the sun in my house, and prevented it from illuminating the world. And when I think of those harmonious lines, those divine contours which I dare scarcely touch with a timid kiss, I feel my heart ready to burst; I wish that some friendly eye could share my happiness and, like a severe judge to whom a picture is shown, recognize after careful examination that it is irreproachable, and that the possessor has not been deceived by his enthusiasm. Yes, often do I feel myself tempted to tear off with rash hand those odious tissues, but Nyssia, in her fierce chastity, would never forgive me. And still I cannot alone endure such felicity. I must have a confidant for my ecstasies, an echo which will answer my cries of admiration, and it shall be none other than you."
Having uttered these words, Candaules brusquely turned and disappeared through a secret passage. Gyges, left thus alone, could not avoid noticing the peculiar concourse of events which seemed to place him always in Nyssia's path. A chance had enabled him to behold her beauty, though walled up from all other eyes. Among many princes and satraps she had chosen to espouse Candaules, the very king he served; and through some strange caprice, which he could only regard as fateful, this king had just made him, Gyges, his confidant in regard to the mysterious creature whom none else had approached, and absolutely sought to complete the work of Boreas on the plain of Bactria! Was not the hand of the gods visible in all these circumstances? That spectre of beauty, whose veil seemed to be lifted slowly, a little at a time, as though to enkindle a flame within him, was it not leading him, without his having suspected it, toward the accomplishment of some mighty destiny? Such were the questions which Gyges asked himself, but being unable to penetrate the obscurity of the future, he resolved to await the course of events, and left the Court of Images, where the twilight darkness was commencing to pile itself up in all the angles, and to render the effigies of the ancestors of Candaules yet more and more weirdly menacing.
Was it a mere effort of light, or was it rather an illusion produced by that vague uneasiness with which the boldest hearts are filled by the approach of night amid ancient monuments? As he stepped across the threshold Gyges fancied that he heard deep groans issue from the stone lips of the bas-reliefs, and it seemed to him that Heracles was making enormous efforts to loosen his granite club.
Chapter III
On the following day Candaules again took Gyges aside and continued the conversation begun under the portico of the Heracleidæ. Having freed himself from the embarrassment of broaching the subject, he freely unbosomed himself to his confidant; and had Nyssia been able to overhear him she might perhaps have been willing to pardon his conjugal indiscretions for the sake of his passionate eulogies of her charms.
Gyges listened to all these bursts of praise with the slightly constrained air of one who is yet uncertain whether his interlocutor is not feigning an enthusiasm more ardent than he actually feels, in order to provoke a confidence naturally cautious to utter itself. Candaules at last said to him in a tone of disappointment: "I see, Gyges, that you do not believe me. You think I am boasting, or have allowed myself to be fascinated like some clumsy laborer by a robust country girl on whose cheeks Hygeia has crushed the gross hues of health. No, by all the gods! I have collected within my home, like a living bouquet, the fairest flowers of Asia and of Greece. I know all that the art of sculptors and painters has produced since the time of Dædalus, whose s
tatues walked and spoke. Linus, Orpheus, Homer, have taught me harmony and rhythm. I do not look about me with Love's bandage blind-folding my eyes. I judge of all things coolly. The passions of youth never influence my admiration, and when I am as withered, decrepit, wrinkled, as Tithonus in his swaddling bands, my opinion will be still the same. But I forgive your incredulity and want of sympathy. In order to understand me fully, it is necessary that you should see Nyssia in the radiant brilliancy of her shining whiteness, free from jealous drapery, even as nature with her own hands moulded her in a lost moment of inspiration which never can return. This evening I will hide you in a corner of the bridal chamber ... you shall see her!"
"Sire, what do you ask of me?" returned the young warrior with respectful firmness. "How shall I, from the depths of my dust, from the abyss of my nothingness, dare to raise my eyes to this sun of perfections, at the risk of remaining blind for the rest of my life, or being able to see naught but a dazzling spectre in the midst of darkness? Have pity on your humble slave, and do not compel him to an action so contrary to the maxims of virtue. No man should look upon what does not belong to him. We know that the immortals always punish those who through imprudence or audacity surprise them in their divine nudity. Nyssia is the loveliest of all women; you are the happiest of lovers and husbands. Heracles, your ancestor, never found in the course of his many conquests aught to compare with your queen. If you, the prince of whom even the most skilful artists seek judgment and counsel—if you find her incomparable, of what consequence can the opinion of an obscure soldier like me be to you? Abandon, therefore, this fantasy, which I presume to say is unworthy of your royal majesty, and of which you would repent so soon as it had been satisfied."
One of Cleopatra's Nights Page 17