Father Brown was gazing abstractedly, and in a rather cockeyed fashion, at the bottle on the table. 'Look here,' he said, ' what about a bottle of real wine?'
Chapter II: The Arrow of Heaven
IT is to be feared that about a hundred detective stories have begun with the discovery that an American millionaire has been murdered; an event which is, for some reason, treated as a sort of calamity. This story, I am happy to say, has to begin with a murdered millionaire; in one sense, indeed, it has to begin with three murdered millionaires, which some may regard as an embarras de richesse. But it was chiefly this coincidence or continuity of criminal policy that took the whole affair out of the ordinary run of criminal cases and made it the extraordinary problem that it was.
It was very generally said that they had all fallen victims to some vendetta or curse attaching to the possession of a relic of great value both intrinsically and historically: a sort of chalice inlaid with precious stones and commonly called the Coptic Cup. Its origin was obscure, but its use was conjectured to be religious; and some attributed the fate that followed its possessors to the fanaticism of some Oriental Christian horrified at its passing through such materialistic hands. But the mysterious slayer, whether or no he was such a fanatic, was already a figure of lurid and sensational interest in the world of journalism and gossip. The nameless being was provided with a name, or a nickname. But it is only with the story of the third victim that we are now concerned; for it was only in this case that a certain Father Brown, who is the subject of these sketches, had an opportunity of making his presence felt.
When Father Brown first stepped off an Atlantic liner on to American soil, he discovered as many other Englishman has done, that he was a much more important person than he had ever supposed. His short figure, his short–sighted and undistinguished countenance, his rather rusty–black clerical clothes, could pass through any crowd in his own country without being noticed as anything unusual, except perhaps unusually insignificant. But America has a genius for the encouragement of fame; and his appearance in one or two curious criminal problems, together with his long association with Flambeau, the ex–criminal and detective, had consolidated a reputation in America out of what was little more than a rumour in England. His round face was blank with surprise when he found himself held up on the quay by a group of journalists, as by a gang of brigands, who asked him questions about all the subjects on which he was least likely to regard himself as an authority, such as the details of female dress and the criminal statistics of the country that he had only that moment clapped his eyes on. Perhaps it was the contrast with the black embattled solidarity of this group that made more vivid another figure that stood apart from it, equally black against the burning white daylight of that brilliant place and season, but entirely solitary; a tall, rather yellow–faced man in great goggles, who arrested him with a gesture when the journalists had finished and said: 'Excuse me, but maybe you are looking for Captain Wain.'
Some apology may be made for Father Brown; for he himself would have been sincerely apologetic. It must be remembered that he had never seen America before, and more especially that he had never seen that sort of tortoise–shell spectacles before; for the fashion at this time had not spread to England. His first sensation was that of gazing at some goggling sea–monster with a faint suggestion of a diver's helmet. Otherwise the man was exquisitely dressed; and to Brown, in his innocence, the spectacles seemed the queerest disfigurement for a dandy. It was as if a dandy had adorned himself with a wooden leg as an extra touch of elegance. The question also embarrassed him. An American aviator of the name of Wain, a friend of some friends of his own in France , was indeed one of a long list of people he had some hope of seeing during his American visit; but he had never expected to hear of him so soon.
'I beg your pardon,' he said doubtfully, 'are you Captain Wain? Do you–do you know him?'
'Well, I'm pretty confident I'm not Captain Wain,' said the man in goggles, with a face of wood. 'I was pretty clear about that when I saw him waiting for you over there in the car. But the other question's a bit more problematical. I reckon I know Wain and his uncle, and old man Merton, too. I know old man Merton, but old man Merton don't know me. And he thinks he has the advantage, and I think I have the advantage. See?'
Father Brown did not quite see. He blinked at the glittering seascape and the pinnacles of the city, and then at the man in goggles. It was not only the masking of the man's eyes that produced the impression of something impenetrable. Something in his yellow face was almost Asiatic, even Chinese; and his conversation seemed to consist of stratified layers of irony. He was a type to be found here and there in that hearty and sociable population; he was the inscrutable American.
'My name's Drage,' he said, 'Norman Drage, and I'm an American citizen, which explains everything. At least I imagine your friend Wain would like to explain the rest; so we'll postpone The Fourth of July till another date.'
Father Brown was dragged in a somewhat dazed condition towards a car at some little distance, in which a young man with tufts of untidy yellow hair and a rather harassed and haggard expression, hailed him from afar, and presented himself as Peter Wain. Before he knew where he was he was stowed in the car and travelling with considerable speed through and beyond the city. He was unused to the impetuous practicality of such American action, and felt about as bewildered as if a chariot drawn by dragons had carried him away into fairyland. It was under these disconcerting conditions that he heard for the first time, in long monologues from Wain, and short sentences from Drage, the story of the Coptic Cup and the two crimes already connected with it.
It seemed that Wain had an uncle named Crake who had a partner named Merton, who was number three in the series of rich business men to whom the cup had belonged. The first of them, Titus P. Trant, the Copper King, had received threatening letters from somebody signing himself Daniel Doom. The name was presumably a pseudonym, but it had come to stand for a very public if not a very popular character; for somebody as well known as Robin Hood and Jack the Ripper combined. For it soon became clear that the writer of the threatening letter did not confine himself to threatening. Anyhow, the upshot was that old Trant was found one morning with his head in his own lily–pond, and there was not the shadow of a clue. The cup was, fortunately, safe in the bank; and it passed with the rest of Trant's property to his cousin, Brian Horder, who was also a man of great wealth and who was also threatened by the nameless enemy. Brian Horder was picked up dead at the foot of a cliff outside his seaside residence, at which there was a burglary, this time on a large scale. For though the cup apparently again escaped, enough bonds and securities were stolen to leave Horder's financial affairs in confusion.
'Brian Horder's widow,' explained Wain, 'had to sell most of his valuables, I believe, and Brander Merton must have purchased the cup at that time, for he had it when I first knew him. But you can guess for yourself that it's not a very comfortable thing to have.'
'Has Mr Merton ever had any of the threatening letters?' asked Father Brown, after a pause.
'I imagine he has,' said Mr Drage; and something in his voice made the priest look at him curiously, until he realized that the man in goggles was laughing silently, in a fashion that gave the newcomer something of a chill.
'I'm pretty sure he has,' said Peter Wain, frowning. 'I've not seen the letters, only his secretary sees any of his letters, for he is pretty reticent about business matters, as big business men have to be. But I've seen him real upset and annoyed with letters; and letters that he tore up, too, before even his secretary saw them. The secretary himself is getting nervous and says he is sure somebody is laying for the old man; and the long and the short of it is, that we'd be very grateful for a little advice in the matter. Everybody knows your great reputation. Father Brown, and the secretary asked me to see if you'd mind coming straight out to the Merton house at once.'
'Oh, I see,' said Father Brown, on whom the meaning of this apparent
kidnapping began to dawn at last. 'But, really, I don't see that I can do any more than you can. You're on the spot, and must have a hundred times more data for a scientific conclusion than a chance visitor.'
'Yes,' said Mr Drage dryly; 'our conclusions are much too scientific to be true. I reckon if anything hit a man like Titus P. Trant, it just came out of the sky without waiting for any scientific explanation. What they call a bolt from the blue.'
'You can't possibly mean,' cried Wain, 'that it was supernatural!'
But it was by no means easy at any time to discover what Mr Drage could possibly mean; except that if he said somebody was a real smart man, he very probably meant he was a fool. Mr Drage maintained an Oriental immobility until the car stopped, a little while after, at what was obviously their destination. It was rather a singular place. They had been driving through a thinly–wooded country that opened into a wide plain, and just in front of them was a building consisting of a single wall or very high fence, round, like a Roman camp, and having rather the appearance of an aerodrome. The barrier did not look like wood or stone, and closer inspection proved it to be of metal.
They all alighted from the car, and one small door in the wall was slid open with considerable caution, after manipulations resembling the opening of a safe. But, much to Father Brown's surprise, the man called Norman Drage showed no disposition to enter, but took leave of them with sinister gaiety.
'I won't come in,' he said. 'It 'ud be too much pleasurable excitement for old man Merton, I reckon. He loves the sight of me so much that he'd die of joy.'
And he strode away, while Father Brown, with increasing wonder, was admitted through the steel door which instantly clicked behind him. Inside was a large and elaborate garden of gay and varied colours, but entirely without any trees or tall shrubs or flowers. In the centre of it rose a house of handsome and even striking architecture, but so high and narrow as rather to resemble a tower. The burning sunlight gleamed on glass roofing here and there at the top, but there seemed to be no windows at all in the lower part of it. Over everything was that spotless and sparkling cleanliness that seemed so native to the clear American air. When they came inside the portal, they stood amid resplendent marble and metals and enamels of brilliant colours, but there was no staircase. Nothing but a single shaft for a lift went up the centre between the solid walls, and the approach to it was guarded by heavy, powerful men like plain–clothes policemen.
'Pretty elaborate protection, I know,' said Wain. 'Maybe it makes you smile a little, Father Brown, to find Merton has to live in a fortress like this without even a tree in the garden for anyone to hide behind. But you don't know what sort of proposition we're up against in this country. And perhaps you don't know just what the name of Brander Merton means. He's a quiet–looking man enough, and anybody might pass him in the street; not that they get much chance nowadays, for he can only go out now and then in a closed car. But if anything happened to Brander Merton there'd be earthquakes from Alaska to the Cannibal Islands. I fancy there was never a king or emperor who had such power over the nations as he has. After all, I suppose if you'd been asked to visit the tsar, or the king of England , you'd have had the curiosity to go. You mayn't care much for tsars or millionaires; but it just means that power like that is always interesting. And I hope it's not against your principles to visit a modern sort of emperor like Merton.'
'Not at all,' said Father Brown, quietly. 'It is my duty to visit prisoners and all miserable men in captivity.'
There was a silence, and the young man frowned with a strange and almost shifty look on his lean face. Then he said, abruptly:
'Well, you've got to remember it isn't only common crooks or the Black Hand that's against him. This Daniel Doom is pretty much like the devil. Look how he dropped Trant in his own gardens and Horder outside his house, and got away with it.'
The top floor of the mansion, inside the enormously thick walls, consisted of two rooms; an outer room which they entered, and an inner room that was the great millionaire's sanctum. They entered the outer room just as two other visitors were coming out of the inner one. One was hailed by Peter Wain as his uncle – a small but very stalwart and active man with a shaven head that looked bald, and a brown face that looked almost too brown to have ever been white. This was old Crake, commonly called Hickory Crake in reminiscence of the more famous Old Hickory, because of his fame in the last Red Indian wars. His companion was a singular contrast – a very dapper gentleman with dark hair like a black varnish and a broad, black ribbon to his monocle: Barnard Blake, who was old Merton's lawyer and had been discussing with the partners the business of the firm. The four men met in the middle of the outer room and paused for a little polite conversation, in the act of respectively going and coming. And through all goings and comings another figure sat at the back of the room near the inner door, massive and motionless in the half–light from the inner window; a man with a Negro face and enormous shoulders. This was what the humorous self–criticism of America playfully calls the Bad Man; whom his friends might call a bodyguard and his enemies a bravo.
This man never moved or stirred to greet anybody; but the sight of him in the outer room seemed to move Peter Wain to his first nervous query.
'Is anybody with the chief?' he asked.
'Don't get rattled, Peter,' chuckled his uncle. ' Wilton the secretary is with him, and I hope that's enough for anybody. I don't believe Wilton ever sleeps for watching Merton. He is better than twenty bodyguards. And he's quick and quiet as an Indian.'
'Well, you ought to know,' said his nephew, laughing. 'I remember the Red Indian tricks you used to teach me when I was a boy and liked to read Red Indian stories. But in my Red Indian stories Red Indians seemed always to have the worst of it.'
'They didn't in real life,' said the old frontiersman grimly.
'Indeed?' inquired the bland Mr Blake. 'I should have thought they could do very little against our firearms.'
'I've seen an Indian stand under a hundred guns with nothing but a little scalping–knife and kill a white man standing on the top of a fort,' said Crake.
'Why, what did he do with it?' asked the other.
'Threw it,' replied Crake, 'threw it in a flash before a shot could be fired. I don't know where he learnt the trick.'
'Well, I hope you didn't learn it,' said his nephew, laughing.
'It seems to me,' said Father Brown, thoughtfully, 'that the story might have a moral.'
While they were speaking Mr Wilton, the secretary, had come out of the inner room and stood waiting; a pale, fair–haired man with a square chin and steady eyes with a look like a dog's; it was not difficult to believe that he had the single–eye of a watchdog.
He only said, 'Mr Merton can see you in about ten minutes,' but it served for a signal to break up the gossiping group. Old Crake said he must be off, and his nephew went out with him and his legal companion, leaving Father Brown for the moment alone with his secretary; for the negroid giant at the other end of the room could hardly be felt as if he were human or alive; he sat so motionless with his broad back to them, staring towards the inner room.
'Arrangements rather elaborate here, I'm afraid,' said the secretary. 'You've probably heard all about this Daniel Doom, and why it isn't safe to leave the boss very much alone.'
'But he is alone just now, isn't he?' said Father Brown.
The secretary looked at him with grave, grey eyes. 'For fifteen minutes,' he said. 'For fifteen minutes out of the twenty–four hours. That is all the real solitude he has; and that he insists on, for a pretty remarkable reason.'
'And what is the reason?' inquired the visitor. Wilton , the secretary, continued his steady gaze, but his mouth, that had been merely grave, became grim.
'The Coptic Cup,' he said. 'Perhaps you've forgotten the Coptic Cup; but he hasn't forgotten that or anything else. He doesn't trust any of us about the Coptic Cup. It's locked up somewhere and somehow in that room so that only he can find it; and he won't take
it out till we're all out of the way. So we have to risk that quarter of an hour while he sits and worships it; I reckon it's the only worshipping he does. Not that there's any risk really; for I've turned all this place into a trap I don't believe the devil himself could get into–or at any rate, get out of. If this infernal Daniel Doom pays us a visit, he'll stay to dinner and a good bit later, by God! I sit here on hot bricks for the fifteen minutes, and the instant I heard a shot or a sound of struggle I'd press this button and an electrocuting current would run in a ring round that garden wall, so that it 'ud be death to cross or climb it. Of course, there couldn't be a shot, for this is the only way in; and the only window he sits at is away up on the top of a tower as smooth as a greasy pole. But, anyhow, we're all armed here, of course; and if Doom did get into that room he'd be dead before he got out.'
Father Brown was blinking at the carpet in a brown study. Then he said suddenly, with something like a jerk: 'I hope you won't mind my mentioning it, but a kind of a notion came into my head just this minute. It's about you.'
'Indeed,' remarked Wilton , 'and what about me?'
'I think you are a man of one idea,' said Father Brown, 'and you will forgive me for saying that it seems to be even more the idea of catching Daniel Doom than of defending Brander Merton.'
Wilton started a little and continued to stare at his companion; then very slowly his grim mouth took on a rather curious smile. 'How did you– what makes you think that?' he asked.
'You said that if you heard a shot you could instantly electrocute the escaping enemy,' remarked the priest. 'I suppose it occurred to you that the shot might be fatal to your employer before the shock was fatal to his foe. I don't mean that you wouldn't protect Mr Merton if you could, but it seems to come rather second in your thoughts. The arrangements are very elaborate, as you say, and you seem to have elaborated them. But they seem even more designed to catch a murderer than to save a man.'
The Incredulity of Father Brown Page 3