by John Norman
I hummed softly to myself as I worked. Eta, too, seemed pleased. Once she kissed me.
The men were late to arise, and Eta sent me to the stream, with tunics, to wash upon the rocks. I was once startled by the movements of a small amphibian near me. It splashed into the water. The water was clear. I worked swiftly. The air was fresh and beautiful. Soon I smelled the frying of vulo eggs in a large, flat pan, and the unmistakable odor of coffee, or as the Goreans express it, black wine. The beans grow largely on the slopes of the Thentis mountains. The original beans, I suppose, had been brought, like certain other Gorean products, from Earth; it is not impossible, of course, that the opposite is the case, that black wine is native to Gor and that the origin of Earth's coffee beans is Gorean; I regard this as unlikely, however, because black wine is far more common on Earth than on Gor, where it is, except for the city of Thentis, a city famed for her tarn flocks, and her surrounding villages, a somewhat rare and unusual luxury. Had I known more of Gor I would have speculated that my masters might have sworn their swords to the defense of Thentis, that they were of that city, but, as I was later to learn, they were of another city, one called Ar.
When the first man, yawning, sleepy and bleary-eyed, the lazy beast, stumbled to the cooking fire, we were ready for him. Eta and I knelt before him, and put our heads to the dirt at his feet. We were his girls.
Eta piled several of the hot, tiny eggs, earlier kept fresh in cool sand within the cave, on a plate, with heated yellow bread, for him. I, grasping the pot with a rag and both hands, poured him a handled, metal tankard of the steaming black brew, coffee or black wine.
Following Eta's example, to my pleasure, we prepared ourselves plates and cups. We then, while waiting for the men, ate. As long as a male had taken the first bite, the first drink, at the meal, apparently there was little objection to our also partaking. We did so with gusto. Gorean amenities are more carefully observed, usually, at the evening meal, which is more of a gathering and an occasion than the other two or three meals of the day. At an evening meal Eta and I would, under threat of discipline, wait before eating until the master, and each of his men, had begun. We did not, commonly, however, provided it did not interfere with our service, wait until the men had completed their meal before commencing ours. We, thus, finished nearly with them, or a bit before. Thus, after we had cleared goblets, and bowls and dishes, if they were used, we were soon ready, unimpeded, to devote our attentions to the serving of wine and paga, or our bodies for their pleasure, were they desired. To indicate the greater significance of the evening meal, as compared to the other Gorean meals, no slave girl may touch it without first having been given permission, assuming that a free man or woman, even a child, is present. "You may feed, Slave Girl," is a common way in which this permission is given. If the permission is not given, the girl may not eat. Should the master or mistress, or child, forget to give this permission, it is merely the misfortune of the slave girl.
As the men came to breakfast we extended them obeisance and served them.
When my master came to the cooking fire it was with eagerness, such eagerness that the men laughed, that I knelt before him, and put my hair in the dirt between his sandals.
I remembered the night. Well had he taught me the meaning of my brand! I so loved him!
He gestured me to my feet. I sprang up. I stood straight before him, proud in the pleasure I had given him. From the looks of the men I understood that now I stood much differently than I had when I had come to the camp, that the girl who now stood slave within the wall of thorn brush was far more valuable than she who had so recently miserably stood captive beyond its perimeter. The looks of the men told me that I was now more desirable, more beautiful. I know I should have objected to this, that I should have resented it intensely. Yet how fantastically weak and joyous and alive and happy it made me feel!
My master, crouching down, examined the slave flower on my thigh. I did not dare touch him. I trembled. He straightened up. He seemed satisfied, and this much relieved me. I wished him to be pleased, not only with his slave, but with her brand. Eta examined the brand, too, and smiled, and hugged and kissed me. I gathered that the brand was an excellent one. I hugged and kissed her, too, weeping. She permitted me to serve the master, and I did so, delightedly. I watched him like a hawk, that I might anticipate his slightest desire.
One of the men, obviously, as his looks and gesture indicated, asked him about me. My master responded, chewing. They looked at me. I was the object of their discussion. I did not speak Gorean, but I reddened, and put my head down. Gorean masters commonly speak frankly and openly of the qualities of their girls, even before the girls themselves. My features, figure and performances were being candidly discussed and appraised. The sexuality, qualities and capacities, and skills, of a slave girl, not a free woman, are discussed on Gor with the same openness that men on Earth might bring to the discussion of paintings and music, and that Englishmen of the Nineteenth Century might have brought to the discussion of dogs and horses.
I gathered that I, in many ways, left much to be desired. I felt small and helpless.
My master extended to me his metal tankard. Gratefully I filled it again with the steaming black wine.
He was kind. He was permitting me to serve him. I looked at him. Were there to be no secrets between us? Were my defects, my helplessness, and the completeness of my surrender to him, to be broadcast so publicly? In his eyes I read that my questions were out of place. In his eyes I read that I was slave.
I lowered my eyes, and withdrew, the tankard filled, a slave girl.
It was with joy, later in the morning, that I felt, thrown against my body by my master, a bit of brown cloth. It was a sleeveless body scrap, a shred of slave rag. It was a few threads, fit for a bond girl. Yet I welcomed it as I might have a gown, with gloves and pearls, from Paris. Now I might not be so revealed to the men. It was the first clothing I had been given on Gor. Radiant was my gratitude to him, and abundant were the kisses which, in joy, I placed about his legs and feet. Joyfully I drew on the garment, slipping it over my head, and fastened it, more tightly about me, by the two tiny hooks on the left. The slit made the garment, a rather snug one, easier to slip into; the two hooks, when fastened, naturally increased the snugness of the garment, drawing it quite closely about the breasts and hips; deliciously then, from the point of view of a man, the girl's figure is betrayed and accentuated; also, the two hooks do not close the slit on the left completely, but permit men to gaze upon the sweet slave flesh pent, held captive, within; such a garment, of course, when a man grows weary of having his vision obscured, is easily torn away. I turned before my master, proud in my new riches. He indicated to Eta where the garment must be taken in, the hooks placed subtly differently. As it was the garment was too large for me. Eta was a larger woman. It was one of her cast-offs. The garment would be altered, that I would be as well revealed by it as Eta was by hers. The attire of Gorean slave girls is of great importance to their masters. They concern themselves with its tiniest details. The clothing, you see, as well as the girl, belongs to the master; it is natural for him, thus, to take an interest in it; both, in their diverse ways, can be reflections upon him, his taste, his judgment, his discrimination. That a male of Earth may not even know what clothing his wife owns, or what she buys, would be unthinkable to most Goreans, even those who stand in free companionship. To the master it would simply be preposterous. What his girl wears, if she is to wear anything, is of great interest to him. After all, she is not a wife; she is much more important; she is a prized possession. The clothing she wears, any cosmetics or jewelry, or perfume, must be absolutely perfect. He is "in," so to speak, on everything. Should she tie her hair with as little as a new ribbon, it must pass his strict inspection. If it is not "right" for her, she will not be permitted to wear it. That a wife might wear a new dress and her husband not even notice it would be incredible, if not incomprehensible, to any Gorean, whether a proprietor or a companion. In
short, Gorean masters concern themselves closely with their girls. Clothing, like other matters, is quite important. It must be perfect for its purpose. Its purpose may be to humiliate or brazenly and publicly display the girl, to discipline her, to keep her humble, to remind her that she is nothing, only a wench in bondage; it may be to reveal her beauty, of which he is proud, for the eyes of all, or for his own pleasure and that of his peers; it may be to reveal his wealth, the value in girl and raiment which he owns; it may be to augment his prestige, or to incite envy in others; it may be to stimulate her with beautiful things; it may be to excite her sexually, and so on. These purposes, of course, are not all incompatible. Clothing, too, it might be mentioned, like food, is a useful instrument in controlling the girl. Few girls, for example, enjoy being sent nude to the market, to do shopping.
My master drew out his knife. I shuddered, but dared not run. I closed my eyes. I felt him cutting at the garment's hem. He made it scandalously short. It had been a garment of Eta's measured high, but to her own longer legs. Now I scarcely dared move in it.
At a gesture from my master I knelt. I did so in the manner in which I had been taught, back on my heels, back straight, hands on thighs, head high, chin up. I did not neglect a further detail. I spread my knees, widely. It was the position, of course, as I would later learn, of the Gorean pleasure slave. I had seen Eta naturally, unconsciously, assume it when she knelt. Such a girl, in kneeling, does not close her knees before a free man. Any slave girl, incidentally, addresses any free man as Master, any free woman as Mistress, though only one, of course, at a given time, is likely to be her true Master or Mistress.
It gave me pleasure to assume this posture before my master, who had full body rights to me; it gave me less pleasure, in the beginning, to assume it before free men generally; yet, eventually, I did it naturally, and pleasurably; it is a position that not only makes the girl more attractive to the man; but, too, subtly, psychologically, by its effect on the girl, by intensifying her sense of openness, vulnerability and exposure, it makes men much more attractive to her, she thus kneeling, and opened, before them; the girl who finds many men attractive is likely to find the master attractive; the girl who finds few men attractive is to that extent the less likely to find the master attractive; the pleasure slave, so submissively and vulnerably positioned, so helpless and opened before men, cannot help herself but become curious and excited, and heated, about them; and in becoming excited and heated by men in general she naturally becomes excited and heated about the master in particular; after all, it is to him that she actually belongs; he is the one who is her master; in a pleasure slave passion is not an accident; inhibitions are simply not permitted; beyond this, instincts are triggered and intelligently released, and then allowed, untrammeled, to take their natural course; biology's dominance/submission equation is genetic; the most perfect satisfaction of that equation for complex, acculturated psychophysical organisms is the institutionalized bondage relation; this exists on Gor, where girls may be the legal slaves of strong men, capable of mastering them. I was such a slave. I had no doubt the man who owned me was capable of mastering me. He had already done so. I was his slave.
How attractive I found men! How I loved, and feared, my master. I wanted to give myself to him constantly.
He gave instructions to Eta, with respect to me. Then he, with his fellows, left the camp. Eta and I were alone. She went and brought pins, tiny scissors, a needle and thread. The alteration of my slave rag was apparently the first order of the day's business. It must match and betray my slave body perfectly. After that we could attend to our less important tasks. I stood and knelt, and stood, and moved, as Eta instructed me. Once I removed the garment and she sewed the hem, where the knife had ripped it. In making the hem, of course, though Eta took it up as little as possible, the garment was further shortened. I reddened. I wondered if there was much to choose from between such a garment and being nude; I supposed the garment gave the men something to tear away. Then I put it back on. Eta repositioned the hooks. I gasped, as she fastened them. Then Eta deftly, here and there, sometimes cutting, and pinning and sewing, fitted the rag to me with candid perfection. This was done on my body, that the fit be flawlessly snug. Eta was a superb seamstress. Only twice, even under these conditions, and given our objectives, did I feel the needle. Then Eta stood back; and then walked about me. She went and fetched a mirror from the cave; it was a large one, and permitted me to see myself. I gasped at the slave girl betrayed in the mirror. I looked at Eta in horror. I had not seen myself before as a slave. I was shocked, and startled. I had not known I could appear such. I could not believe it was I. No, it could not be I! I looked back at the mirror. How beautiful she was, that lovely slave. Could it be I? I looked at Eta. She nodded, and smiled. I looked again at the mirror. I had not known I could be so beautiful! Then I was afraid, for I suspected what such beauty might mean on the world on which I found myself. What man would not simply put a chain on it, or collar it? I stood before the mirror, stunned, looking at the slave girl.
Eta then, to my surprise, with the point of her scissors, ripped the tiny garment a bit under my right breast, that a bit of skin might show, and again at my left hip, a larger rip. These were done in such a way as to make them appear natural, inadvertent rents in the garment. She then, with the point of the scissors, at two points, ripped the hem she had earlier sewn out a bit, that in these two places it might appear the threads had broken; the hem then, in these two places, was irregular on my legs. She then, at another place, cut into the hem, ripping it, and unraveled and tore it a bit, as though it had naturally frayed; some stray threads hung upon my thigh. These were the touches which, to my horror and delight, made the garment of the slave rag exquisitely perfect. I looked at the lovely slave in the mirror. I wondered if the men knew, or suspected, the female cunning that went into the making of a slave rag. She was arming me with beauty. With what else might a slave girl be armed? Eta kissed me, and I kissed her. The ingenuity and care lavished upon the slave rag, seemingly such a pathetic accident of a garment, is a careful secret well kept among slave girls. If the master does not know why the smallest movement of his girl, clad in what he thought was a mere discipline rag, almost drives him out of his wits with pleasure, that is all right. The masters, as we girls sometimes tell one another, do not have to know everything.
I looked at the girl in the mirror. I approached more closely. I lifted the hem of the garment at the left thigh. I almost fainted with the delicate perfection of the brand. It was still red, rough, raw, deep, unhealed, but the form was clearly imprinted, unmistakably, deeply, and beautifully imprinted. On my thigh I wore one of the most beautiful brands, the dina, the slave flower. I tore the garment there, at the left hip, that as I moved, the brand might be glimpsed. Then I knelt before the mirror. Boldly I assumed slave position. I threw my knees apart. I rested my hands on my thighs. I regarded myself in the mirror. I saw a kneeling slave girl there. There was no doubt about it. She was a slave girl. How incredibly beautiful was that poor, lovely slave. She wore a brand. She wore a slave rag. She lacked only a steel collar. That lack, I supposed, could be simply supplied. It is nothing to put a collar on a girl's neck. I lifted my hair up; I lifted my chin, watching in the mirror. I conjectured what a steel collar would look like, fastened on my neck. I did not think I would mind one. It might be rather attractive. Eta's was, terribly so. I hoped, of course, that I might be able to choose whose collar I would wear. But, shuddering, I realized that a girl does not choose whose collar she will wear; rather it is the man who chooses; it is he, and he alone, who places the collar. Suddenly I sensed the misery of being a slave. I might belong to any man! I might belong to any man who might carry me off, or pay my price. I might be abducted or bought, or bestowed, or lost in gambling! I was only an article of property, helpless and beautiful, without control over, no more than a dog or pig, into whose hands I might come. Tears sprang to my eyes. Surely my master would not sell me! Every bit of m
e would constantly try to please him. I did not want to be sold! What a miserable, beautiful girl I saw in the mirror, the poor slave! How sorry I felt for that beauty. But what man would be so foolish as to sell such a beauty? Or, even to share her with another? Surely such a man would keep such a beauty for himself alone, not sharing her with others. I wiped the tears from my eyes. I studied the girl in the mirror. How beautiful in her bondage she was. I brushed my hair back and, lifting my chin, turned my head. I had seen earrings in the jewelry in the cave, exotic loops, twists of wire and golden pendants; I imagined them upon me, hanging at my cheeks, adornments suitable for me, a barbarian slave girl. My ears had not been pierced but I had little doubt that this operation, if my master wished, would be promptly accomplished upon me. I considered cosmetics and perfumes, such as I had encountered in the cave. And behold, in my imagination, the girl in the mirror was so bedecked. I had seen bracelets, anklets, chains and necklaces, intricately wrought and beautiful, in the cave. I extended my arms and wrists, and one of my legs, considering how they might appear, ponderous with such barbaric glory. But the girl in the mirror wore only a slave rag. I then considered how I might appear, so made up, so perfumed, so adorned, but now in a snatch of brief silk, yellow or scarlet, clinging, diaphanous, fit for a man's pleasure girl.
Eta called to me.
Once again I saw only the plain girl in the mirror, the beauty in a slave rag. No adornments were hers; only some threads of cloth tight on her beauty. She was not an ornamented high slave. She wore only a slave rag. She was a low slave.
I sprang to my feet and hurried to Eta.