My Life, Volume I

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My Life, Volume I Page 59

by Richard Wagner


  Suddenly the desire seized me to look up the friends I had left behind, and travel to Chemnitz in their company if possible. I found they had quitted the Town Hall, and on reaching Heubner's house I was told that he was asleep. I therefore went back to the coach, which, however, was still putting off its departure, as the road was blocked with troops. I walked nervously up and down for some time, then, losing faith in the journey by coach, I went back again to Heubner's house to offer myself definitely as a travelling companion. But Heubner and Bakunin had already left home, and I could find no traces of them. In desperation I returned once more to the coach, and found it by this time really ready to start. After various delays and adventures it brought me late at night to Chemnitz, where I got out and betook myself to the nearest inn. At five o'clock the next morning I got up (after a few hours' sleep) and set out to find my brother-in-law Wolfram's house, which was about a quarter of an hour's walk from the town. On the way I asked a sentinel of the town guard whether he knew anything about the arrival of the provisional government.

  'Provisional government?' was the reply. 'Why, it's all up with that.' I did not understand him, nor was I able to learn anything about the state of things when I first reached the house of my relatives, for my brother-in-law had been sent into the town as special constable. It was only on his return home, lute in the afternoon, that I heard what had taken place in one hotel at Chemnitz while I had been resting in another inn. Heubner, Bakunin, and the man called Martin, whom I have mentioned already, had, it seemed, arrived before me in a hackney-coach at the gates of Chemnitz. On being asked for their names Heubner had announced himself in a tone of authority, and had bidden the town councillors come to him at a certain hotel. They had no sooner reached the hotel than they all three collapsed from excessive fatigue. Suddenly the police broke into the room and arrested them in the name of the local government, upon which they only begged to have a few hours' quiet sleep, pointing out that flight was out of the question in their present condition. I heard further that they had been removed to Altcnburg under a strong military escort. My brother-in-law was obliged to confess that the Chemnitz municipal guard, which had been forced to start for Dresden much against its will, and had resolved at the very outset to place itself at the disposal of the royal forces on arriving there, had deceived Heubner by inviting him to Chemnitz, and had lured him into the trap. They had reached Chemnitz long before Heubner, and had taken over the guard at the gates with the object of seeing him arrive and of preparing for his arrest at once. My brother-in-law had been very anxious about me too, as he had been told in furious tones by the leaders of the town guard that I had been seen in close association with the revolutionaries. He thought it a wonderful intervention of Providence that I had not arrived at Chemnitz with them and gone to the same inn, in which case their fate would certainly have been mine. The recollection of my escape from almost certain death in duels with the most experienced swordsmen in my student days flashed across me like a flash of lightning. This last terrible experience made such an impression on me that I was incapable of breathing a word in connection with what had happened. My brother-in-law, in response to urgent appeals-from my wife in particular, who was much concerned for my personal safety-undertook to convey me to Altenburg in his carriage by night. From there I continued my journey by coach to Weimar, where I had originally planned to spend my holidays, little thinking that I should arrive by such devious ways.

  The dreamy unreality of my state of mind at this time is best explained by the apparent seriousness with which, on meeting Liszt again, I at once began to discuss what seemed to be the sole topic of any real interest to him in connection with me-the forthcoming revival of Tannhauser at Weimar. I found it very difficult to confess to this friend that I had not left Dresden in the regulation way for a conductor of the royal opera. To tell the truth, I had a very hazy conception of the relation in which I stood to the law of my country (in the narrow sense). Had I done anything criminal in the eye of the law or not? I found it impossible to come to any conclusion about it. Meanwhile, alarming news of the terrible conditions in Dresden continued to pour into Weimar. Genast, the stage manager, in particular, aroused great excitement by spreading the report that Rockel, who was well known at Weimar, had been guilty of arson. Liszt must soon have gathered from my conversation, in which I did not take the trouble to dissimulate, that I too was suspiciously connected with these terrible events, though my attitude with regard to them misled him for some time. For I was not by any means prepared to proclaim myself a combatant in the recent fights, and that for reasons quite other than would have seemed valid in the eyes of the law. My friend was therefore encouraged in his delusion by the unpremeditated effect of my attitude. When we met at the house of Princess Caroline of Wittgenstein, to whom I had been introduced the year before when she paid her flying visit to Dresden, we were able to hold stimulating conversations on all sorts of artistic topics. One afternoon, for instance, a lively discussion sprang up from a description I had given of a tragedy to be entitled Jesus of Nazareth. Liszt maintained a discreet silence after I had finished, whereas the Princess protested vigorously against my proposal to bring such a subject on to the stage. From the lukewarm attempt I made to support the paradoxical theories I had put forward, I realised the state of my mind at that time. Although it was not very evident to onlookers, I had been, and still was, shaken to the very depths of my being by my recent experiences.

  In due course an orchestral rehearsal of Tannhauser took place, which in various ways stimulated the artist in me afresh. Liszt's conducting, though mainly concerned with the musical rather than the dramatic side, filled me for the first time with the flattering warmth of emotion roused by the consciousness of being understood by another mind in full sympathy with my own. At the same time I was able, in spite of my dreamy condition, to observe critically the standard of capacity exhibited by the singers and their chorus-master. After the rehearsal I, together with the musical director, Stohr, and Gotze the singer, accepted Liszt's invitation to a simple dinner, at a different inn from the one where he lived. I thus had occasion to take alarm at a trait in his character which was entirely new to me. After being stirred up to a certain pitch of excitement his mood became positively alarming, and he almost gnashed his teeth in a passion of fury directed against a certain section of society which had also aroused my deepest indignation. I was strongly affected by this strange experience with this wonderful man, but I was unable to see the association of ideas which had led to his terrible outburst. I was therefore left in a state of amazement, while Liszt had to recover during the night from a violent attack of nerves which his excitement had produced. Another surprise was in store for me the next morning, when I found my friend fully equipped for a journey to Karlsruhe-the circumstances which made it necessary being absolutely incomprehensible to me. Liszt invited Director Stohr and myself to accompany him as far as Eisenach. On our way there we were stopped by Beaulieu, the Lord Chamberlain, who wished to know whether I was prepared to be received by the Grand Duchess of Weimar, a sister of the Emperor Nicolas, at Eisenach castle. As my excuse on the score of unsuitable travelling costume was not admitted, Liszt accepted in my name, and I really met with a surprisingly kind reception that evening from the Grand Duchess, who chatted with me in the friendliest way, and introduced me to her chamberlain with all due ceremony. Liszt maintained afterwards that his noble patroness had been informed that I should be wanted by the authorities in Dresden within the next few days, and had therefore hastened to make my personal acquaintance at once, knowing that it would compromise her too heavily later on.

  Liszt continued his journey from Eisenach, leaving me to be entertained and looked after by Stohr and the musical director Kuhmstedt, a diligent and skilful master of counterpoint with whom I paid my first visit to the Wartburg, which had not then been restored. I was filled with strange musings as to my fate when I visited this castle. Here I was actually on the point of entering, for the f
irst time, the building which was so full of meaning for me; here, too, I had to tell myself that the days of my further sojourn in Germany were numbered. And in fact the news from Dresden, when we returned to Weimar the next day, was serious indeed. Liszt, on his return on the third day, found a letter from my wife, who had not dared to write direct to me. She reported that the police had searched my house in Dresden, to which she had returned, and that she had, moreover been warned on no account to allow me to return to that city, as a warrant had been taken out against me, and I was shortly to be served with a writ and arrested. Liszt, who was now solely concerned for my personal safety, called in a friend who had some experience of law, to consider what should be done to rescue me from the danger that threatened me. Von Watzdorf, the minister whom I had already visited, had been of opinion that I should, if required, submit quietly to being taken to Dresden, and that the journey would be made in a respectable private carriage. On the other hand, reports which had reached us of the brutal way in which the Prussian troops in Dresden had gone to work in applying the state of siege were of so alarming a nature that Liszt and his friends in council urged my speedy departure from Weimar, where it would be impossible to protect me. But I insisted on taking leave of my wife, whose anxiety was great, before leaving Germany, and begged to be allowed to stay a little longer at least in the neighbourhood of Weimar. This was taken into consideration, and Professor Siebert suggested my taking temporary shelter with a friendly steward at the village of Magdala, which was three hours distant. I drove there the following morning to introduce myself to this kind steward and protector as Professor Werder from Berlin, who, with a letter of recommendation from Professor Siebert, had come to turn his financial studies to practical account in helping to administer these estates. Here in rural seclusion I spent three days, entertainment of a peculiar nature being provided by the meeting of a popular assembly, which consisted of the remainder of the contingent of revolutionaries which had marched off towards Dresden and had now returned in disorder. I listened with curious feelings, amounting almost to contempt, to the speeches on this occasion, which were of every kind and description. On the second day of my stay my host's wife came back from Weimar (where it was market-day) full of a curious tale: the composer of an opera which was being performed there on that very day had been obliged to leave Weimar suddenly because the warrant for his arrest had arrived from Dresden. My host, who had been let into my secret by Professor Seibert, asked playfully what his name was. As his wife did not seem to know, he came to her assistance with the suggestion that perhaps it was Rockel whose name was familiar at Weimar.

  'Yes,' she said, 'Rockel, that was his name, quite right.'

  My host laughed loudly, and said that he would not be so stupid as to let them catch him, in spite of his opera.

  At last, on 22nd May, my birthday, Minna actually arrived at Magdala. She had hastened to Weimar on receiving my letter, and had proceeded from there according to instructions, bent on persuading me at all costs to flee the country immediately and for good. No attempt to raise her to the level of my own mood was successful; she persisted in regarding me as an ill-advised, inconsiderate person who had plunged both himself and her into the most terrible situation. It had been arranged that I should meet her the next evening in the house of Professor Wolff at Jena to take a last farewell. She was to go by way of Weimar, while I took the footpath from Magdala. I started accordingly on my walk of about six hours, and came over the plateau into the little university town (which now received me hospitably for the first time) at sunset. I found my wife again at the house of Professor Wolff, who, thanks to Liszt, was already my friend, and with the addition of a certain Professor Widmann another conference was held on the subject of my further escape. A writ was actually out against me for being strongly suspected of participation in the Dresden rising, and I could not under any circumstances depend on a safe refuge in any of the German federal states. Liszt insisted on my going to Paris, where I could find a new field for my work, while Widmann advised me not to go by the direct route through Frankfort and Baden, as the rising was still in full swing there, and the police would certainly exercise praiseworthy vigilance over incoming travellers with suspicious-looking passports. The way through Bavaria would be the safest, as all was quiet there again; I could then make for Switzerland, and the journey to Paris from there could be engineered without any danger. As I needed a passport for the journey, Professor Widmann offered me his own, which had been issued at Tubingen and had not been brought up to date. My wife was quite in despair, and the parting from her caused me real pain. I set off in the mail-coach and travelled, without further hindrance, through many towns (amongst them Rudolstadt, a place full of memories for me) to the Bavarian frontier. From there I continued my journey by mail-coach straight to Lindau. At the gates I, together with the other passengers, was asked for my passport. I passed the night in a state of strange, feverish excitement, which lasted until the departure of the steamer on Lake Constance early in the morning. My mind was full of the Swabian dialect, as spoken by Professor Widmann, with whose passport I was travelling. I pictured to myself my dealings with the Bavarian police should I have to converse with them in accordance with the above-mentioned irregularities in that document. A prey to feverish unrest, I spent the whole night trying to perfect myself in the Swabian dialect, but, as I was amused to find, without the smallest success. I had braced myself to meet the crucial moment early the next morning, when the policeman came into my room and, not knowing to whom the passports belonged, gave me three at random to choose from. With joy in my heart I seized my own, and dismissed the dreaded messenger in the most friendly way. Once on board the steamer I realised with true satisfaction that I had now stepped on to Swiss territory. It was a lovely spring morning; across the broad lake I could gaze at the Alpine landscape as it spread itself before my eyes. When I stepped on to Republican soil at Rorschach, I employed the first moments in writing a few lines home to tell of my safe arrival in Switzerland and my deliverance from all danger. The coach drive through the pleasant country of St. Gall to Zurich cheered me up wonderfully, and when I drove down from Oberstrass into Zurich that evening, the last day in May, at six o'clock, and saw for the first time the Glarner Alps that encircle the lake gleaming in the sunset, I at once resolved, though without being fully conscious of it, to avoid everything that could prevent my settling here.

  I had been the more willing to accept my friends' suggestion to take the Swiss route to Paris, as I knew I should find an old acquaintance, Alexander Muller, at Zurich. I hoped with his help to obtain a passport to France, as I was anxious not to arrive there as a political refugee. I had been on very friendly terms with Muller once upon a time at Wurzburg. He had been settled at Zurich for a long time as a teacher of music; this I learned from a pupil of his, Wilhelm Baumgartner, who had called on me in Dresden some years back to bring me a greeting from this old friend. On that occasion I entrusted the pupil with a copy of the score of Tannhauser for his master, by way of remembrance, and this kind attention had not fallen on barren soil: Muller and Baumgartner, whom I visited forthwith, introduced me at once to Jacob Sulzer and Franz Hagenbuch, two cantonal secretaries who were the most likely, among all their good friends, to compass the immediate fulfilment of my desire. These two people, who had been joined by a few intimates, received me with such respectful curiosity and sympathy that I felt at home with them at once. The great assurance and moderation with which they commented on the persecutions which had overtaken me, as seen from their usual simple republican standpoint, opened to me a conception of civil life which seemed to lift me to an entirely new sphere. I felt so safe and protected here, whereas in my own country I had, without quite realising it, come to be considered a criminal owing to the peculiar connection between my disgust at the public attitude towards art and the general political disturbances. To prepossess the two secretaries entirely in my favour (one of them, Sulzer, had enjoyed an excellent classical educat
ion), my friends arranged a meeting one evening at which I was to read my poem on the Death of Siegfried. I am prepared to swear that I never had more attentive listeners, among men, than on that evening. The immediate effect of my success was the drawing up of a fully valid federal passport for the poor German under warrant of arrest, armed with which I started gaily on my journey to Paris after quite a short stay at Zurich. From Strassburg, where I was enthralled by the fascination of the world-famous minster, I travelled towards Paris by what was then the best means of locomotion, the so-called malle-poste. I remember a remarkable phenomenon in connection with this conveyance. Till then the noise of the cannonade and musketry in the fighting at Dresden had been persistently re-echoing in my ears, especially in a half-waking condition; now the humming of the wheels, as we rolled rapidly along the highroad, cast such a spell upon me that for the whole of the journey I seemed to hear the melody of Freude, schoner Gotterfunken [Footnote:See note on page 486.] from the Ninth Symphony being played, as it were, on deep bass instruments.

 

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