Matt tried to have her realize that he had not told her so; and he urged, as far as he could, the grounds for hoping that her father was not in the accident.
She put them all aside. The difference in the initials was really no difference; and besides, and above all, there was the fact that if her father were anywhere alive, he must have seen the report of his death by this time, and sent some word, made some sign for their relief. She was doubly sure of this, because he was so anxiously thoughtful of them when they were separated. He expected them to notify him of every slight change in their plans when they were away, and always telegraphed as to his own. The only mystery was his going to Canada without letting them know his plans before or afterwards. It must have been upon some very suddenly urgent business that took his mind off everything else.
Matt silently hung his head, dreading lest she should ask him what he thought, and wondering how he must answer if she did. He perceived that he had no choice but to lie, if she asked him; but when he volunteered nothing, she did not ask him.
It was the second morning after he had left her; but he could see that she had lived long since their parting. He thought, “That is the way she will look as she grows old.” The delicate outline of her cheeks showed a slight straightening of its curve; her lips were pinched; the aquiline jut of her nose was sharpened. There was no sign of tears in her eyes; but Adeline wept, and constantly dried her tears with her handkerchief. She accepted her affliction meekly, as Suzette accepted it proudly, and she seemed to leave all the conjectures and conclusions to her sister.
Suzette was in the exaltation which death first brings to the bereaved, when people say that they do not realize it yet, and that they will feel it later. Then they go about, especially if they are women, in a sort of hysterical strength; they speak calmly of what has happened; they help those beyond the immediate circle of their loss to bear up against it; these look to see them break suddenly under the stress of their bereavement, and wonder at their impassioned fortitude.
Matt knew neither how to stay nor to get away; it seemed intrusive to linger, and inhuman to go when he had told the little he had to tell. Suzette had been so still, so cold, in receiving him, that he was astonished at her intensity when he rose to leave her at last.
“I shall never forget what you have done for us, Mr. Hilary. Never! Don’t belittle it, or try to make it seem nothing! It was everything! I wonder you could do it!”
“Yes!” Adeline put in, as if they had been talking his kindness over, as well as their loss, and were of one mind about it.
“Oh, indeed!” he began. “Any one would have done it—”
“Don’t say so!” cried Suzette. “You think that because you would have done it for any one! But you have done it for us; and as long as I live I shall remember that! Oh” — She broke off; and dropped her face with a pathetic, childlike helplessness on her lifted arm; and now he was less than ever able to leave her. They all sat down again, after they had risen to part; Matt felt the imperative necessity of encouraging them; of rescuing her from the conjecture which she had accepted as certainty. He was one of those men in whom passion can be born only of some form of unselfish kindness; and who alone can make women happy. If it was love that was now stirring so strangely at his heart, he did not know it was love; he thought it was still the pity that he had felt for the girl’s immense calamity. He knew that from every phase of it he could not save her, but he tried to save her from that which now confronted them, and from which he saw her suffering. He went over all the facts again with the hapless creatures, and reasoned from them the probability that their father was still alive. It was respite from sorrow which misery must follow; it was insane, it was foolish, it was even guilty, but he could not help trying to win it for them; and when he left them at last, they were bright with the hope he had given them, and which the event, whether it was death or whether it was disgrace, must quench in a blacker despair.
The truth of this rushed upon him when he found himself staggering away from the doomed house which cast its light gayly out upon the snow, and followed him with a perverse sense of its warmth and luxury into the night. But a strange joy mixed with the trouble in his soul; and for all that sleepless night, the conflict of these emotions seemed to toss him to and fro as if he were something alien and exterior to them. Northwick was now dead, and his death had averted the disgrace which overhung his name; now he was still alive, and his escape from death had righted all the wrong he had done. Then his escape had only deepened the shame he had fled from; his death had fixed a stain of a blood-guiltiness on his misdeeds, and was no caprice of fate, but a judgment of the eternal justice. Against this savage conclusion Matt rebelled, and made his stand.
XVIII.
For forty-eight hours longer the fact of the defalcation was kept back; but then, in view of the legal action urged by those who did not accept the theory of Northwick’s death, it had to come out, and it broke all bounds in overwhelming floods of publicity.
Day after day the papers were full of the facts, and it was weeks before the editorial homilies ceased. From time to time, fresh details and unexpected revelations, wise guesses and shameless fakes, renewed the interest of the original fact. There were days when there was nothing about it in the papers, and then days when it broke out in vivid paragraphs and whole lurid columns again. It was not that the fraud was singular in its features; these were common to most of the defalcations, great and small, which were of daily fame in the newspapers. But the doubt as to the man’s fate, and the enduring mystery of his whereabouts, if he were still alive, were qualities that gave peculiar poignancy to Northwick’s case. Its results in the failure of people not directly involved, were greater than could have been expected; and the sum of his peculations mounted under investigation. It was all much worse than had been imagined, and in most of the editorial sermons upon it the moral gravity of the offence was measured by the amounts stolen and indirectly lost by it. There was a great deal of mere astonishment, as usual, that the crime should have been that of a man whom no one would have dreamed of suspecting, and there was some sufficiently ridiculous consternation at the presence of such moral decay in the very heart of the commercial life of Boston.
In the Events, Pinney made his report of the affair the work of art which he boasted should come from his hand. It was really a space-man’s masterpiece; and it appealed to every nerve in the reader’s body, with its sensations repeated through many columns, and continued from page to page with a recurrent efflorescence of scare-heads and catch-lines. In the ardor of production, all scruples and reluctances became fused in a devotion to the interests of the Events and its readers. With every hour the painful impressions of his interview with Miss Northwick grew fainter, and the desire to use it stronger, and he ended by sparing no color of it. But he compromised with his sympathy for her, by deepening the shadows in the behavior of the man who could bring all this sorrow upon those dearest to him. He dwelt upon the unconsciousness of the family, the ignorance of the whole household, in which life ran smoothly on, while the head of both was a fugitive from justice, if not the victim of a swift retribution. He worked in all the pathos which the facts were capable of holding, and at certain points he enlarged the capacity of the facts. He described with a good deal of graphic force the Northwick interior. Under his touch the hall expanded, the staircase widened and curved, the carpets thickened, the servants multiplied, the library into which “the Events’ representative was politely ushered,” was furnished with “all the appliances of a cultured taste.” The works of the standard authors in costly bindings graced its shelves; magnificent paintings and groups of statuary adorned its walls and alcoves. The dress of the lady who courteously received the Events’ reporter, was suitably enriched; her years were discounted, and her beauty approached to the patrician cast. There was nothing mean about Pinney, and while he was at it he lavished a manorial grandeur upon the Northwick place, outside as well as inside. He imparted a romantic co
nsequence to Hatboro’ itself: “A thriving New England town, proud of its historic past, and rejoicing in its modern prosperity, with a population of some five or six thousand souls, among whose working men and women modern ideas of the most advanced character had been realized in the well-known Peck Social Union, with its co-operative kitchen and its clientèle of intelligent members and patrons.”
People of all occupations became leading residents in virtue of taking Pinney into their confidence, and “A Prominent Proletarian” achieved the distinction of a catch-line by freely imparting the impressions of J. M. Northwick’s character among the working-classes. “The Consensus of Public Feeling,” in portraying which Pinney did not fail to exploit the proprietary word he had seized, formed the subject of some dramatic paragraphs; and the whole formed a rich and fit setting for the main facts of Northwick’s undoubted fraud and flight, and for the conjectures which Pinney indulged in concerning his fate.
Pinney’s masterpiece was, in fine, such as he could write only at that moment of his evolution as a man, and such as the Events could publish only at that period of its development as a newspaper. The report was flashy and vulgar and unscrupulous, but it was not brutal, except by accident, and not unkind except through the necessities of the case. But it was helplessly and thoroughly personal, and it was no more philosophized than a monkish chronicle of the Middle Ages.
The Abstract addressed a different class of readers, and aimed at a different effect in its treatment of public affairs. We look upon newspapers as having a sort of composite temperament, formed from the temperaments of all the different men employed on them; but, as a matter of fact, they each express the disposition and reflect the temperament of one controlling spirit, which all the other dispositions and temperaments yield to. This is so much the case that it is hard to efface the influence of a strong mind from the journal it has shaped, even when it is no longer actively present in it. A good many years before the time of the Northwick defalcation, the Events had been in the management of a journalist, once well-known in Boston, a certain Bartley Hubbard, who had risen from the ranks of the reporters, and who had thoroughly reporterized it in the worst sense. After he left it, the owner tried several devices for elevating and reforming it, but failed, partly because he was himself a man of no ideals but those of the counting-room, and largely because the paper could not recover from the strong slant given it without self-destruction. So the Events continued what Bartley Hubbard had made it, and what the readers he had called about it liked it to be: a journal without principles and without convictions, but with interests only; a map of busy life, indeed, but glaringly colored, with crude endeavors at picturesqueness, and with no more truth to life than those railroad maps where the important centres converge upon the broad black level of the line advertised, and leave rival roads wriggling faintly about in uninhabited solitudes. In Hubbard’s time the Abstract, then the Chronicle-Abstract, was in charge of the editor who had been his first friend on the Boston press, and whom he finally quarreled with on a point which this friend considered dishonorable to Hubbard. Ricker had not since left the paper, and though he was called a crank by some of the more progressive and reckless of the young men, he clung to his ideal of a conscience in journalism; he gave the Abstract a fixed character and it could no more have changed than the Events, without self-destruction. The men under him were not so many as Cæsar’s soldiers, and that, perhaps, was the reason why he knew not only their names but their qualities. When Maxwell came with the fact of the defalcation which the detectives had entrusted to him for provisional use, and asked to be assigned to the business of working it up, Kicker consented, but he consented reluctantly. He thought Maxwell was better for better things; he knew he was a ravenous reader of philosophy and sociology, and he had been early in the secret of his being a poet; it had since become an open secret among his fellow-reporters, for which he suffered both honor and dishonor.
“I shouldn’t think you’d like to do it, Maxwell,” said Ricker, kindly. “It isn’t in your line, is it? Better give it to some of the other fellows.”
“It’s more in my line than you suppose, Mr. Ricker,” said the young fellow. “It’s a subject I’ve looked up a great deal lately. I once thought” — he looked down bashfully— “of trying to write a play about a defaulter, and I got together a good many facts about defalcation. You’ve no idea how common it is; it’s about the commonest fact of our civilization.”
“Ah! Is that so?” asked Ricker with ironical deference to the bold generalizer. “Who else is ‘onto’ this thing?”
“Pinney, of the Events.”
“Well, he’s a dangerous rival, in some ways,” said Ricker. “When it comes to slush and a whitewash brush, I don’t think you’re a match for him. But perhaps you don’t intend to choose the same weapons.” Ricker pulled down the green-lined pasteboard peak that he wore over his forehead by gaslight, and hitched his chair round to his desk again, and Maxwell knew that he was authorized to do the work.
He got no word from the detective, who had given him a hint of the affair, to go ahead the night after his return from Hatboro’, as he had expected, but he knew that the fact could not be kept back, and he worked as hard at his report as Pinney and Pinney’s wife had worked at theirs. He waited till the next morning to begin, however, for he was too fagged after he came home from the Hilarys’; he rose early and got himself a cup of tea over the gas-burner; before the house was awake he was well on in his report. By nightfall he had finished it, and then he carried it to Ricker. The editor had not gone to dinner yet, and he gave Maxwell’s work the critical censure of a hungry man. It was in two separate parts: one, a careful and lucid statement of all the facts which had come to Maxwell’s knowledge, in his quality of reporter, set down without sensation, and in that self-respectful decency of tone which the Abstract affected; the other, an editorial comment upon the facts. Ricker read the first through without saying anything; when he saw what the second was, he pushed up his green-lined peak, and said, “Hello, young man! Who invited you to take the floor?”
“Nobody. I found I couldn’t embody my general knowledge of defalcation in the report without impertinence, and as I had to get my wisdom off my mind somehow, I put it in editorial shape. I don’t expect you to take it. Perhaps I can sell it somewhere.”
Ricker seemed to pay no attention to his explanation. He went on reading the manuscript, and when he ended, he took up the report again, and compared it with the editorial in length. “If we printed these things as they stand it would look like a case of the tail wagging the dog.”
Maxwell began again, “Oh, I didn’t expect—”
“Oh, yes, you did,” said Ricker. “Of course, you felt that the report was at least physically inadequate.”
“I made as much as I honestly could of it. I knew you didn’t like padding or faking, and I don’t myself.”
Ricker was still holding the two manuscripts up before him. He now handed them over his shoulder to Maxwell, where he stood beside him. “Do you think you could weld these two things together?”
“I don’t know.”
“Suppose you try.”
“As editorial, or—”
“Either. I’ll decide after you’re done. Do it here.”
He pushed some papers off the long table beside him, and Maxwell sat down to his task. It was not difficult. The material was really of kindred character throughout. He had merely to write a few prefatory sentences, in the editorial attitude, to his report, and then append the editorial, with certain changes, again. It did not take him long; in half an hour he handed the result to Ricker.
“Yes,” said Ricker, and he began to read it anew, with his blue pencil in his hand.
Maxwell had come with nerves steeled to bear the rejection of his article entire, but he was not prepared to suffer the erasure of all his pet phrases and favorite sentences, sometimes running to entire paragraphs.
When Ricker handed it back to him at last with
“What do you think of it now?” Maxwell had the boldness to answer, “Well, Mr. Ricker, if I must say, I think you’ve taken all the bones and blood out of it.”
Ricker laughed. “Oh, no! Merely the fangs and poison-sacks. Look here, young man! Did you believe all those cynical things when you were saying them?”
“I don’t know—”
“I know. I know you didn’t. Every one of them rang false. They were there for literary effect, and for the pleasure of the groundlings. But by and by, if you keep on saying those things, you’ll get to thinking them, and what a man thinks a man is. There are things there that you ought to be ashamed of, if you really thought them, but I know you didn’t, so I made free to strike them all out.” Maxwell looked foolish; he wished to assert himself, but he did not know how. Ricker went on: “Those charming little sarcasms and innuendoes of yours would have killed your article for really intelligent readers. They would have suspected a young fellow having his fling, or an old fool speaking out of the emptiness of his heart. As it is, we have got something unique, and I don’t mind telling you I’m very glad to have it. I’ve never made any secret of my belief that you have talent.”
“You’ve been very good,” said Maxwell, a little rueful still. The surgeon’s knife hurts though it cures.
When Maxwell went home, he met his mother. “Why, mother,” said the young fellow, “old Ricker is going to print my report as editorial; and we’re not going to have any report.”
“I told you it was good!”
Maxwell felt it was due to himself to keep some grudge, and he said, “Yes; but he’s taken all the life out of it with his confounded blue pencil. It’s perfectly dead.”
It did not seem so when he saw it in proof at the office later, and it did not seem so when he got it in the paper. He had not slept well; he was excited by several things; by the use Ricker had made of his work, and by the hopes of advancement which this use quickened in him. He was not ashamed of it; he was very proud of it; and he wondered at its symmetry and force, as he read and read it again.
Delphi Complete Works of William Dean Howells Page 475