Any seaport is charming and full of romantic interest, but an Italian port has always a prime picturesqueness. Its sailors are the most ancient mariners, and they look full of history, and capable, each of them, of discovering a continent. I cannot say that I saw any nascent Columbus in the tanned and tarry company I met, but I do not deny that there was one. Leghorn is still in her lusty youth, being not much older than our Boston in the prosperity which has not failed her since the Medici divined her importance toward the close of the sixteenth century, and fortified her harbor till she was one of the strongest places on the Mediterranean. With a hazy general consciousness of her modernity in mind, I had imagined her yet more modern, and I was somewhat surprised to read, in a rather airy and ironical but very capable local guidebook called Su e Giu per Livorno (or Up and Down Leghorn), that the place was settled twenty-six hundred and fifty-six years before Christ. The author records this with a smile, and then, by a leap over some forty centuries, he finds firm footing in the fact that the great Countess Matilde, then much bothering about in the affairs of her Tuscan neighbors everywhere, gave the Livornese coasts to Pisa in 1103. This seems to have been the signal for the Genoese, eleven years later, to ravage and destroy the Pisan settlements; but later the Pisans, confirmed in their possession by the Emperor of Germany, rebuilt and embellished the port. A century after, Charles of Anjou demolished it, and then the Pisans fortified it some more. Then, in the last years of the thirteenth century, the Florentines, Lucchese, and Genoese devastated the whole territory of Pisa, and left Leghorn only one poor little church. Well throughout the fourteenth century there were wars between these republics, and Leghorn suffered the consequences, being, as our author says, “according to custom, assailed, taken, wasted, and destroyed.” But before that century was out she seems to have flourished up again, and to have received with all honor Gregory XL, returning from Avignon to Rome and bringing the papacy back from its long exile to the Eternal City.
The Genoese now sold Leghorn to Milan, and in 1407 she was sold to France for twenty-six thousand florins, which seems low for a whole city. But in less than ten years we find the Genoese back again, and strengthening and adorning her at the greatest rate. It was quite time now that she should be visited by a virulent pestilence, and that, having passed to Florence in the meanwhile, she should have been ceded without a blow to Charles VIII. of France. But in a year she was once more in the hold of Florence and helping that republic fight her enemies the Pisans, and her other enemies under the Emperor Maximilian of Germany.
More fortifying, embellishing, and pestilence followed, and in 1429 Michelangelo came to inspect the new fortifications which the Florentine republic had built at Leghorn to repair the damages she had suffered. The next year the republic fell, and Alessandro de’ Medici, who came in master at Florence, took Leghorn into the favor which his family continued to show her to the end. The first Cosimo greatly improved her harbor, dug canals, and built forts, but he let the Spaniards, for a pleasure to Charles V., place garrisons in Florence, Pisa, and Leghorn, and the Spaniards remained six years at Leghorn. In the last year of the sixteenth century Ferdinand erected to himself the superb monument with the four captive corsairs at the corners, whose noses I had failed to get in range, and in the meanwhile many great public works had been constructed and the city desolated by another plague. It was now time for the English to appear in those waters, and in 1652 they were defeated by the Dutch off Leghorn. About seventy-five years later the grippe paid Leghorn a first visit, and not long after a violent earthquake shook down many buildings and killed many women and children; but the authorities did what they could to secure the city in future by declaring the day a perpetual fast, and forbidding masking and dancing on it.
No disaster worth recording befell the city till Bonaparte came with the Rights of Man in 1796 and left a French garrison, which evacuated the place the next year, after having levied a fine of two million francs. The year after that Nelson occupied it with eight thousand English troops, and the following year the French reoccupied it and sacked the churches and imposed another fine nearly as great as the first. After the Napoleonic victories in the Italian wars, they seem to have come back again and fined the city two million francs more. They now remained five years, and in the mean time a Livornese, Giovanni Antonio Giaschi, invented a submarine-boat for attacking and destroying war-vessels, and a Spanish ship brought the yellow-fever. In 1808 Napoleon gave all Tuscany, and Leghorn with it, to his sister Elisa, but when in 1814 he was deposed, Leghorn was restored to the Tuscan grand-dukes and garrisoned for them by German troops, an earthquake having profited by the general disorder meantime to pay it another visit. The grand-duke now being driven out of Florence by Murat, he took refuge at Leghorn, which fell a prey to an epidemic of typhus. The first steam-vessel appared there in 1818, and in 1835 the Asiatic cholera; in 1847 a telegraphic line to Pisa was opened.
In 1848 the revolutions prevalent throughout Europe had their effect at Leghorn. The citizens shared in the uprising against the grand-duke, and elected among its representatives F. D. Guerrazzi, once famous as the first of Italian novelists and a man of generous mind and heart, who duly suffered arrest and imprisonment when the grand-duke was restored by the Austrians. He was sentenced to fifteen years’ prison with hard labor, but later his sentence was commuted to exile. He lived to return and take part in the Italian unification in 1860, and in 1866 he led the movement against making peace with Austria unless all her Italian-speaking provinces were ceded to Italy. He died in 1873, and is remembered in Leghorn by a monument very ineffective as a whole, but singularly interesting in certain details.
I have omitted from this catalogue of events many of peaceful interest, such as visits from popes, princes, and poets, and I am not sure I have got in all the plagues and earthquakes. Perhaps I have the more willingly suppressed a few war-like facts, in the interest of the superstition I had cherished that Leghorn was without a history, or that it had no more history than, most American cities of equal date with its commercial importance, which began with the wise hospitality of the Medici to merchants of all races and nations, religions and races, settled there, and especially to the Spanish Jews who came in great numbers to the city that it was a common saying that you had as well strike the duke as strike a Jew in Leghorn. Greeks, Turks, Armenians were protected equally with English and Dutch, and infidel and heretic were alike free in their worship. It was the great prison of the galley-slaves, who were chiefly the pirates and corsairs taken on the high seas by the duke’s ships. These captives not only served as models for the Moors at the base of his monument, but they must have been very useful in the different public works which he and his successors carried out. Now they and their like are gone, and though the Greeks, the Armenians, the English, and the Scotch still have their churches, I do not suppose there is a mosque in all Leghorn.
I do not speak very confidently, because my researches in that sort were not exhaustive. I indeed visited the cathedral, not wholly because Inigo Jones had something to do in planning it, but because I had formed the habit of visiting churches in Rome, and I mechanically went into one wherever I saw it. Generally speaking, I think that they were rather bare in painting or sculpture, but they were such churches as in America one would go a long way to see and think one’s self well rewarded by their objects of interest. I do not know what defence to offer for not having visited the galleries of the Museo Civico, where by actual count in the guide-book I missed one hundred and sixty-nine works of art, though just how many masterpieces I am not able to say: probably one out of every ten was a masterpiece. But, if I did not much resort to the churches and galleries in Leghorn, I roamed gladly through its pleasant streets and squares, and by the shores of the canals which once gave it the name of New Venice, and which still invite the smaller shipping up among its houses in right Venetian fashion. The streets of Leghorn are not so straight as they are long, but many are very straight, and the others are curved rather than
crooked. The longest and straight-est were streets of low dwelling-houses, uncommon in Italian towns, where each family lived under its own roof with a little garden behind, and a respective entrance, as people still mostly do in our towns. From the force of the mid-April sun in these streets I realized what they might be in summer, and, if I lived in Leghorn, I would rather live on the sea-front, in one of the comfortable, square, stone villas which border it. But everywhere Leghorn seemed a pleasant place to live, and convenient, with lively shops and cafes and trams and open spaces, and statues and monuments in them. The city, I understood, is of somewhat radical politics, tending from clericalism to socialism; and, like every other Italian city, it is full of patriotic monuments. There is a Victor Emmanuel on horseback, plump and squat, but heroic as always, and a Garibaldi struggling in vain for beauty in his poncho and his round, flat cap; there is a Mazzini, there is a Cavour, and, above all, there is a Guerrazzi, no great thing as to the seated figure, but most interesting, most touching in two of the bas-reliefs below. One represents him proclaiming the provisional government at Florence in 1849, after the expulsion of the grand-duke, where the fact is studied, with the wonderful realism of the Italians, in all its incidents and the costumes of the thronging spectators. The sculptor has hesitated at no top-hat or open umbrella; there are barefooted boys and bareheaded young girls, as well as bearded elders; if my memory serves, the scene is not without a dog or two. But it is the other relief which is so simply and so deeply affecting — the interior of a narrow cell, with one chair and a rude table, at which the patriot novelist wrote his greatest work, The Siege of Florence, and with him standing a little way from it. In spite of the small space and the almost vacant stage, the scene is full of most moving drama, and records a whole Italian epoch, now happily past forever.
These are modern sculptures, and they scarcely contest the palm with the monument of the four galley-slaves and the Medicean grand-duke. In another piazza two princes of the Lorrainese family, if I remember rightly, face each other over its oblong — classic motives, with the figures much undraped, and one of them singularly impressive from the mutton-chop whiskers which modernized him. There are several theatres, and among them a Goldoni theatre, as there should be in a city where the sweet old playwright sojourned for a time and has placed the action of his famous comedy, “La Locandiera.” But I was told that the local theatres were not so much frequented by polite people, especially for opera, as the theatre in Pisa, which, if poorer, is prouder in its society than its old-time vassal by the sea, and attracts the fashion of Leghorn during the season.
As Pisa has ceased to be the colony of literary English it once was, in the time of Byron and Hunt and Shelley, to name no others, so Leghorn has ceased to be the mercantile colony of former days. It has still a great deal of commerce with England, but this is no longer carried on by resident merchants, though here and there an English name lingers in the style of a business house; and the distinctive qualities of both colonies are united in the author of a charming book who fills the post of British consul at Leghorn. His Tuscan Towns must not be confused with another book called Tuscan Cities, though, if the traveller chooses to carry both with him about Tuscany, I will not say that he could do better. In Tuscan Cities there is nothing about Leghorn, I believe, but in Tuscan Towns there is a specially delightful chapter about the place, its people, language, and customs which I can commend to the reader as the best corrective of the errors I must have been constantly falling into here.
It was in company no less enviable than this author’s that I revisited the port on a gray Sunday afternoon of my stay, and then for the first time visited the ancient fortifications which began to be in the time of the Countess Matilde and intermittently increased under the rule of the Pisan, Genoese, and Florentine republics, until the Medicean grand-dukes amplified them in almost the proportions I saw. The brutal first duke of their line, Alessandro de’ Medici, who some say was no Medici, but the bastard of a negro and a washerwoman, stamped his creed in the inscription below his adoptive arms, “Under one Faith and one Law, one Lord,” and it was in the palace here, the story goes, that the wicked Cosimo I. killed his son Don Garzia before the eyes of the boy’s mother. Anything is imaginable of an early Medicean grand-duke, but in a manner the father’s murderous fury was provoked by the fact, if it was a fact, that Don Garzia had just mortally wounded his brother Giovanni. I should like to pretend that the tragedy had wrought in my unconsciousness to the effect of the pensive gloom which the old fortress cast over me, but perhaps I had better not. There are some gray Sunday afternoons of a depressing effect on the spirit which requires no positive or palpable reason.
In any case it was a relief to go from the shadow of the past there through the pleasant city streets to the gentle quiet of the British cemetery, where so many of our race and some even of our own nation are taking their long rest. No one is now buried there, and the place, in the gradual diminution of the English colony at Leghorn, has fallen into a lovely and appealing neglect if not oblivion. Oblivion quite covers its origin, but it is almost as old as Protestantism itself, and, if the ground for it was the gift of the grand-duke who tolerated heretics as well as Jews in the impulse he gave to the city’s growth, it would not be strange. The beautiful porch of the English church, for once Greek and not Gothic, fronts upon it, but the dwindling congregation has no care of it, and there is no fund to keep it so much as free from weeds and brambles and the insidious ivy rending its monuments asunder. The afternoon of our visit it was in the sole charge of a large, gray cat, which, after feasting upon the favorite herb, lay stretched in sleep on a sunny bed of catnip under the walls of a mansion near, at whose windows some young girls looked down in a Sunday listlessness, as we wandered about among the “tall cypresses, myrtles, pines, eucalyptus-trees, oleanders, cactuses, huge bushes of monthly roses, a jungle of periwinkles, sarsaparilla, wild irises, violets, and other loveliest of wild flowers.” On the forgotten tombs were the touching epitaphs of those who had died in exile, and whose monuments are sometimes here while their ashes lie in Florence or Rome, or wherever else they chanced to meet their end. Among them were the inscriptions on the graves of “William Magee Seton, merchant of New York,” who died at Pisa in 1803, and “Henry De Butts, a citizen of Baltimore, N. America,” who died at Sarzana; with “James M. Knight, Esq., Captain of Marines, Citizen of the United States of America,” who died at Leghorn in 1802; and “Thomas Gamble, Late Captain in the Navy of the United States of America,” who died at Pisa in 1818; and doubtless there were other Americans whose tombs I did not see. The memorials of the English were likewise here, whether they died at Leghorn or not; but most of them seem to have ended their lives in that place, where there were once so many English residents, whether for their health or their profit. The youth of some testified to the fact that they had failed to find the air specific for their maladies, and doubtless this would account also for the disproportionate number of noble ladies who rest here, with their hatchments and their coronets and robes of state carven on the stones above them. Among others one reads the titles of “Lady Catharine Burgess born Beauclerk; Jane Isabella, widow of the Earl of Lanesborough and daughter of the Earl of Molesworth; and Catharine Murray, only child of James Murray,... and the Right Honorable Lady Catharine Stewart his Spouse,” with knights, admirals, generals, and other military and naval officers a many. Most important of all is the tomb of that strenuous spirit, more potent for good and ill in the English fiction of his time than any other novelist of his time, and second only to Richardson in the wide influence of his literary method, Tobias Smollett, namely, who here ended his long fight with consumption and the indifference of his country to his claims upon her official recognition. After many years of narrow circumstance in the Southern climates where he spent his later life, he tried in vain for that meek hope of literary ambition, a consulate, perhaps the very post that my companion, a hundred and fifty years later, was worthily holding. The truest monument to
his stay in Italy is the book of Italian travel that he wrote, and the best effect is that sort of peripatetic novel which he may be said to have invented in Humphrey Clinker, and which has survived the epistolary form into our own time. It is a very simple shaft that rises over his grave, with the brief record, “Memoriae Tobiae Smollett, qui Liburni animam efflavit, 16 Sept., 1773,” but it is imaginable with what wrath he would have disputed the record, if it is true, according to all the other authorities, that he exhaled his spirit two years earlier, and how he would have had it out with those “friends and fellow-countrymen” who had the error perpetuated above his helpless dust.
It was not easy to quit the sweetly solemn place or to resist the wish which I have here indulged, that some kinsman or kinswoman of those whom the blossoms and leaves are hiding would come to their rescue from nature now claiming an undue part in them, and obliterating their very memories. One would not have a great deal done, but only enough to save their names from entire oblivion, and with the hope of this I have named some of their names. It might not be too much even for the United Kingdom and the United States, though both very poor nations, to join in contributing the sum necessary for the work. Or some millionaire English duke, or some millionaire American manufacturer, might make the outlay alone; I cannot expect any millionaire author to provide a special fund for the care of the tomb of Smollett.
VIII. OVER AT PISA
Delphi Complete Works of William Dean Howells Page 1322