by Jane Feather
"Is she ill?"
"Woman's trouble," the woman returned. "She needed to rest."
Leo stared at her, trying to absorb this and the implications of Cordelia's absence from his carefully laid plans. He had ridden with Cordelia, loved with her, spent days in her company, and not once had she suffered from "woman's trouble." Or at least not so that he was aware of it. "She's been in her bed all day?" Harsh anxiety rasped in his voice.
Mathilde nodded. "As far as I know, my lord. I've been here with the little ones since early afternoon."
"Did you do it?" Christian asked, almost hesitantly.
Leo nodded curtly. "The king has ordained sunrise tomorrow. I want you to take the children and Cordelia away now. They will have a good twelve hours' start."
"But we don't have Cordelia," Christian pointed out.
"Mathilde, go and fetch her. The prince has been banished from court, as have I, so he won't be in the palace." But supposing he had taken her into exile in the town with him?
"Hell and the devil! Why does Cordelia never cooperate!" he exclaimed, unjustly he knew, but his frustration was beyond all bounds. He became aware of two pairs of bright blue eyes regarding him solemnly and with a degree of injury.
"Isn't that a bad thing to say, Monsieur Leo?" Sylvie-or at least he assumed it was Sylvie-asked. "Isn't what?"
"Hell and the devil," Amelia supplied. "Melia!" exclaimed her twin, and they both dissolved in giggles.
Leo raised his eyes heavenward. "Here's Cordelia."
Leo strode to the window where Christian was looking down on the street. Cordelia had just turned the corner of the street below. She wore a dark cape over her riding habit, and a capuchin hood drawn close over her head. Relief flooded him. Now he could act.
But when she pushed open the door and entered the parlor, her pallor, the deep black shadows under her eyes, that beautiful mouth drawn with suffering, her obvious frailty, brought him forward with a cry of dismay. She looked as she had done when he'd found her on the windowsill waiting for Mathilde. That night seemed to have happened in another lifetime and yet, incredibly, was no more that a week past.
"Sweetheart, you are ill." He took her hands. "What are you doing running through the streets?" He forgot how he needed her here, forgot everything but the pain radiating from her.
"I am not ill!" she said with a vigorous impatience that belied her appearance. "At least, not so it matters. What have you done, Leo?" She hadn't meant to reproach him, but the words tumbled forth regardless. "I was there," she said fiercely. "I saw you. I heard you."
"I'll be taking the children into the garden," Mathilde said, with a significant nod at Christian, who needed no prompting. They left the room without Cordelia or Leo being aware of it.
Leo released her hands and moved back to the window. "I asked you not to be there."
"You deceived me." She wanted to weep. She hadn't meant this to be bitter, but suddenly all vestige of understanding was leached from her.
He stood by the window, the evening sun falling across his left cheek, his strong white hands resting on the sill behind him. Angrily, with shaking fingers, she untied the strings of her hood and threw it back. The turquoise silk lining contrasted with the black hood and cape, framing her face, accentuating her pallor and the blue-black shadows beneath her hollowed eyes.
"I did not deceive you, Cordelia. I asked for your trust," he said flatly. "I could not have my challenge compromised by anything that you might have done or said."
"And you would not take me into your confidence?" Her voice was as bitter as aloes.
"I could not," he said simply.
"Because I would have said to you then what I'm saying to you now." She stepped toward him. "You cannot do this, Leo. You can't fight Michael. You might not win." She held out her hands in appeal, her eyes desperate. "You cannot, Leo. Surely you see that."
He didn't take her hands. He said simply, "It's what I'm going to do, Cordelia. I will be avenged upon my sister's murderer."
"But you won't be if he kills you!" she exclaimed, grabbing his arms, all possibility of dignity, of graciousness, of understanding vanquished under this desperate need to keep him with her. "You'll be dead, and Elvira will be dead, and Michael will go scot-free." She tried to shake him, but it was like shaking an oak tree.
"This is the way I have chosen," he said, his voice suddenly cool and dispassionate, distancing her. "And I will take my chance."
Her hands dropped from his arms. "Why couldn't you have simply enacted a warrant, had his journals seized in evidence? Why couldn't you have let justice take its course?" But she heard the defeated note in her voice.
"I could not," he said simply.
"I don't understand."
"We're all a mystery to others, Cordelia. I don't expect you to understand how I feel. It's enough that Elvira would know and understand." Elvira would applaud it too. He could almost see her little nod of comprehension and approval. They had always understood each other's motives, even when they hadn't shared them.
Cordelia's eyes were dark with emotion. So she must believe that their love and their future took second place to his Jove for his murdered sister.
"You don't love me," she stated quietly.
He felt her dreadful hurt, but for the moment he could do nothing to help her understand. "I love you," he said flatly. "But I must avenge my sister's death. Once that is done, we will have everything."
"We will have nothing if you die."
It was hopeless and they both knew it. Leo moved into the room again, and now his voice was even, brisk. "You and the children will leave with Mathilde and Christian tonight. You will be long gone by the morning."
"The children may go. I will not."
"Cordelia, for God's sake!" He took a step toward her.
"You expect me to accept your needs, my lord. You must accept mine. If I have to, I will watch you die." She turned from him, drawing up her hood. "Christian and Mathilde can escort the children. Michael assumes that the children and myself have gone to Paris, so they will have an even longer head start. And if Michael lives, then it matters not what happens to me." She shrugged. "If I can run, I will. If that will make you die easier, my lord." She left without another word.
Leo turned back to the window, watching for her to reappear in the street. His heart was a black void. He had drained all possibility of emotion, of feeling, from his soul. He had been so afraid it wouldn't be possible, but in the end it had been simply a matter of mentally returning to the fencing school. There he had trained himself to see only one thing, his opponent's blade. He had trained himself to be aware of his opponent only as a thinking weapon. He had learned to close out all else from his sight, both physical and mental.
He had closed out Cordelia. He could hear her words in his head, the power of her love behind them, but they existed as mere words. They had no connection for him with the woman who formed them. Thoughts of Cordelia, thoughts of any possible future, would not now intrude in the fight for his life and Michael's death. There would be no muddying of the purity of his motives and his purpose. Only thus could he accomplish Elvira's revenge.
As Cordelia was going downstairs, Mathilde came in from the garden, Christian and the children behind her. Cordelia's face was ghastly in its pallor, her eyes large holes filled with pain. "Oh, my babe!" Mathilde ran forward to embrace her. "It will be all right. I promise it will be all right."
Cordelia shook her head. "I… I thought he loved me. I couldn't see how… I still can't see how… I could love him so much and he could be untouched." She raised her head, a face a mask of bewilderment and hurt. "He was so cold, Mathilde. So cold. How could he not feel as I do, Mathilde?"
"A man with a mission, dearie, is not an easy man for a woman to understand." Mathilde caressed the back of Cordelia's neck, stroked her back.
"Have I just been a fool?" Cordelia asked bleakly. "A naive, self-deluded fool?" She pulled out of Mathilde's embrace, her expression now stark. "You and Chri
stian must take the children away tonight."
"You'll be staying here?" Mathilde knew the answer already. "Then I'll be staying with you, child."
"No, you must go with the children." Cordelia turned to where Christian stood, with an air both stricken and helpless, in the doorway behind her, the two little girls staring solemnly at the scene. "You have papers, Christian?"
"Yes, yes, of course. But you must come too. The viscount said you must." He tried to sound authoritative, but it was not a role he had ever played with Cordelia, and he knew it was doomed before he began.
"Leo knows I'm staying. But the children must go."
"Where are we to go?" piped Sylvie.
Cordelia came over to them. She bent to take their hands, bringing her face to their level. "On an adventure," she said. "You're to go and visit your mama's sister in England. Your aunt Elizabeth."
"Does our father know?" Amelia was scared; her lip trembled, her eyes glistened.
"Yes," Cordelia said firmly. "And I will be coming with you later. I'll catch up with you before you go on the ship."
"On a ship?" Some of the alarm faded from their eyes.
"An adventure," Cordelia affirmed, smiling. "It'll be so exciting and there's nothing to be frightened of. Is there, Christian?"
The children immediately looked up at Christian, their eyes demanding confirmation.
"Of course not," he said with an attempt at joviality. "It'll be fun, you'll see."
"And Mathilde will be-"
"I'll be staying here," Mathilde interrupted stolidly. "The young man can manage for the first stage. We'll be catching up with him soon enough."
"But Mathilde-"
"I've work to do here," the elderly woman declared through compressed lips. "And I'll be off about it now. You get yourself back to bed, Cordelia, and don't expect to see me until the morning." She marched out of the inn without a backward glance.
"Oh dear." Cordelia rubbed her temples. "I'm sorry, Christian, you'll have to start out on your own."
"But… but, Cordelia, I'm no nursemaid!" he exclaimed, running a distracted hand through his crisp curls. His soulful brown eyes were filled with dismay.
"You have to do it," she said. "The children won't be any trouble. Will you?" She smiled reassuringly at the twins, who shook their heads in vigorous agreement. "They'll be dressed as boys, so they won't have all those laces and buttons to worry about. You'll be their tutor, taking them on a journey to visit relatives. No one will be looking for such a party, and no one will suspect your involvement. It's safer than if we all traveled together."
She turned back to the children before Christian could respond. "How would you like to dress up as boys? Boys have much more fun than girls. I've always thought so. And their clothes are so much easier to wear. You can run and jump and climb trees in britches."
Their mouths dropped open at this catalog of unimaginable activities.
Cordelia took Christian's hands in a tight grip. "Please, Christian. In the name of friendship."
It was not an appeal he could resist. And her reasoning was impeccable. No one would be looking for a tutor and two small boys. "Get them dressed," he said. "Their clothes are in Mathilde's bedchamber. I'll summon the coach and get the papers together."
She stood on tiptoe to kiss him. "I'll catch up with you at Calais. But don't wait there if there's a favorable wind and you can get immediate passage. Wait for me at Dover." Somehow she and Mathilde would get there if they had to.
And the two of them could travel much faster than Christian and his young charges.
Christian nodded grimly. If he had to sail to England, his career as protege of the Due de Carillac would be over. He could explain a journey to Calais and back, but a sea voyage? However, in this catastrophic situation, personal considerations must be ignored.
Half an hour later, a tutor and two silent but wide-eyed little boys left the town of Versailles in an unmarked coach drawn by a team of swift horses.
Cordelia returned to the palace to wait for sunrise.
In the kitchen of the Coq d'Or, Mathilde sat comfortably beside the range, chatting with the cook, whose acquaintance she had made some days earlier after her banishment from the prince's household. Her previous association with that household made her a welcome guest this evening. The entire town was salivating at the events of the day and the prospect of the morrow's duel. The merest tidbits of gossip were received as holy gospel, and Mathilde could spin a tale when necessary with the best of them.
Frederick, the prince's valet, was also in the kitchen, his opinions also much in demand. There was much juicy talk about the poor princess and how she suffered nightly at the hands of a brutish husband.
"Such a poor young thing," the cook declared, slapping a rolling pin over the pastry dough on the scrubbed pine table. "Only sixteen, you say, Mathilde."
"Aye." Mathilde obligingly stirred the contents of a soup kettle on the hob beside her. "And as pure and innocent as a lamb."
"But she stood up to the prince," Frederick stated, raising his nose from a foaming tankard of ale. "Old Brion said it was a treat to see it."
There were renewed sighs and murmurs around the warm, fragrant kitchen, its vaulted ceiling blackened with wood smoke. "What we'll be doing if the viscount kills him, I don't know," Frederick commented dourly. "It's a fair bet he hasn't remembered us in his will." He gave a crack of sardonic laughter at such a novel idea.
Mathilde merely smiled and stirred her pot.
In a private parlor upstairs, Prince Michael was eating his dinner when the landlord knocked and entered the room. "Is everything to your satisfaction, my lord?" His little eyes gleamed with curiosity and the satisfaction of having such a celebrity under his roof. His taproom was doing better business this night than it had in months.
"Well enough." Michael took a forkful of his mutton chop braised with onions and artichokes. "But bring me another bottle of that claret."
"Yes, my lord. At once, my lord." The man picked up the empty bottle. "Will you require anything else tonight?"
"No, just bring me the bottle and tell my man to wake me at four o'clock with beef and ale."
The landlord bowed with some respect. The prince's legendary dueling record was clearly not exaggerated. It took a supremely confident man to face death on a dueling field with a full belly.
He went downstairs to relay these instructions to Frederick, who received them with a taciturn grunt. The kitchen would be up and running an hour before then, so he was in no danger of missing the call.
Mathilde settled back in her chair and prepared to doze the hours away.
Michael poured the last of the claret into his glass. He drank slowly, staring into space. His eyes were clear, his head was clear-he felt no effects from the two bottles of wine. But he hadn't expected to. He always drank deep before a dawn meeting. It relaxed him. His gaze roamed the room, rested on the leather chest that had so nearly proved his downfall. He still couldn't guess how Leo had read the journals. But it didn't matter now. The prideful fool had passed up the opportunity to condemn his sister's murderer by choosing such a ridiculously uncertain path to retribution as a trial by arms.
His gaze moved on, fell upon the long tooled-leather case standing against the wall beside the chest. An uncertain path for Leo Beaumont, but not for his opponent. Michael smiled slightly, took another sip of wine. He was not prepared to put his life in the hands of his own skill, however highly he regarded it. Leo was younger, lighter, possibly with more stamina. Even if he wasn't as good a swordplayer, those could prove decisive advantages, and Michael was not going to play against uneven odds.
, Setting his glass down, he rose from the table and went to the case. He opened it and drew out the two rapiers it contained. Deadly blades of chased tempered steel, their hilts plain silver. No jewels or engraving to dig into the hand. Just smooth, cool metal. He weighed them in his hands, flexed them, lunged with each one, touched the wicked points with the pad of his
thumb.
The grace and speed of his movements were unaffected by the wine he had taken, and he smiled with satisfaction. As the defendant, he would have the advantage of fighting with a familiar blade. Leo had never handled these weapons. He would have to become accustomed to the weight, the feel of the hilt in his hand. But even that advantage wasn't sufficient.
After five minutes of exercise, Michael laid one rapier down carefully across the table. The other he propped against the wall. He bent to the leather chest, opened it.
When he straightened, he had a small vial in his hand. He set it down and bent again to the chest, bringing out a pair of kidskin gloves. He drew them on, flexing his fingers to get a tight fit. Then he turned again to the rapier on the table.
He unscrewed the top of the vial, picked up the rapier in his other hand, and dipped the point into the vial. His face was closed, intent, his eyes like pale quartz.
Curare. The smallest amount inserted through a cut would bring paralysis and death. One nick was all it would take, and Leo would begin to falter. His movements would slow, and as it seemed he was tiring, his opponent would administer the coup de grace. It would be a clean fight. There would be no suspicion of foul play. The prince would have lived up to his reputation and the viscount have proved himself the lesser swordsman. And Michael would have proved his innocence of all charges in the ancient way. There would be talk, of course. The king would not receive him for some time. But he could wait. He would have Cordelia. Alone, unprotected. His.
He took a piece of thread from his pocket and tied it around the hilt of the clean rapier, leaning against the wall. Then with his gloved hands, he very carefully replaced both weapons in the case and softly clicked the case shut.
He went into the next-door bedchamber, removed his boots, and lay down fully dressed upon the bed, his hands behind his head. The smile was still on his face, but his pale eyes were still as cold and hard as quartz.
Downstairs, in the kitchen, the only sounds were the occasional crackle from the banked fire, the ticking clock, and the guttural snores from Frederick, asleep on the settle, his head pillowed on his bundled cloak. Mathilde was now awake and refreshed after her nap. Her eyes were on the clock. One more hour before the prince was to take his beef and ale.