Who could he be? Not…could that be possible?
“Sing me this,” he said, suddenly, and, seating himself at the piano, played the opening bars of a vocal adaptation of Handel’s Largo with a just, though unpractised, touch.
Nothing could have afforded a finer hearing of the quality and the compass of her voice, and she knew of old how well it suited her; yet at the outset, from the sheer excitement of her suspicion, Hilda Bouverie was shaky to the point of a pronounced tremolo. It wore off with the lengthening cadences, and in a minute the little building was bursting with her voice, while the pianist swayed and bent upon his stool with the exuberant sympathy of a brother in art. And when the last rich note had died away he wheeled about, and so sat silent for many moments, looking curiously on her flushed face and panting bosom.
“I can’t place your voice,” he said, at last. “It’s both voices—the most wonderful compass in the world—and the world will tell you so, when you go back to it, as go back you must and shall. May I ask the name of your master?”
“My own name—Bouverie. It was my father. He is dead.”
Her eyes glistened.
“You did not go to another?”
“I had no money. Besides, he had lived for what you say; when he died with his dream still a dream, I said I would do the same, and I came up here.”
She had turned away. A less tactful interlocutor had sought plainer repudiation of the rash resolve; this one rose and buried himself in more songs.
“I have heard you in Grand Opera, and in something really grand,” he said. “Now I want a song, the simpler the better.”
Behind his back a daring light came into the moist eyes.
“There is one of Mrs. Clarkson’s,” she said. “She would never forgive me for singing it, but I have heard it from her so often, I know so well how it ought to go.”
And, fetching the song from a cabinet, she thrust it boldly under his nose. It was called “The Unrealized Ideal,” and was a setting of some words by a real poet then living, whose name caused this reader to murmur, “London Lyrics!” The composer was Sir Julian Crum. But his name was read without a word, or a movement of the strong shoulders and the tanned neck on which Miss Bouverie’s eyes were fixed.
“You had better play this yourself,” said he, after peering at the music through his glass. “It is rather too many for me.”
And, strangely crestfallen, Miss Bouverie took his place.
“My only love is always near,—
In country or in town
I see her twinkling feet, I hear
The whisper of her gown.
“She foots it, ever fair and young,
Her locks are tied in haste,
And one is o’er her shoulder flung
And hangs below her waist.”
For that was the immortal trifle. How much of its immortality it will owe to the setting of Sir Julian Crum is a matter of opinion, but here is an anonymous view.
“I like the words, Miss Bouverie, but the setting doesn’t take me. It might with repetition. It seems lacking in go and simplicity; technically, I should say, a gem. But there can be no two opinions of your singing of such a song; that’s the sort of arrow to go straight to the heart of the public—a world-wide public—and if I am the first to say it to you, I hope you will one day remember it in my favor. Meanwhile it is for me to thank you—from my heart—and to say good-by!”
He was holding out a sunburnt hand.
“Must you go?” she asked, withholding her own in frank disappointment.
“Unfortunately, yes; my man is waiting for me with both horses in the scrub. But before I go I want to ask a great favor of you. It is—not to tell a soul I have been here.”
For a singer and a woman of temperament, Hilda Bouverie had a wonderfully level head. She inquired his reason in no promising tone.
“You will see at Mrs. Clarkson’s concert.”
Hilda started.
“You are coming to that?”
“Without fail—to hear Mrs. Clarkson sing five songs—your song among them!”
“But it’s hers; it has been the other way about.”
The gay smile broadened on the swarthy face; a very bright eye twinkled through the monocle into those of Miss Bouverie.
“Well, will you promise to say nothing about me? I have a reason which you will be the first to appreciate in due season.”
Hilda hesitated, reasoned with herself, and finally gave her word. Their hands were joined an instant, as he thanked her with gallant smile and bow. Then he was gone. And as his spurs ceased jingling on the veranda outside, Hilda Bouverie glanced again at the song on the piano and clapped her hands with unreasonable pride.
“I do believe that I was right after all!” said she.
II
Mr. Clarkson and his young men sat at meat that evening with a Miss Bouverie hard to recognize as the apparently austere spinster who had hitherto been something of a skeleton at their board. Coldly handsome at her worst, a single day had brought her forth a radiant beauty wreathed in human smiles. Her clear skin had a tinge which at once suggested and dismissed the thought of rouge; but beyond all doubt she had done her hair with less reserve; and it was coppery hair of a volatile sort, that sprang into natural curls at the first relaxation of an undue discipline. Mr. Clarkson wondered whether his wife’s departure had aught to do with the striking change in her companion; the two young men rested mutually assured that it had.
“The old girl keeps too close an eye on her,” said little Mr. Hack, who kept the books and hailed from Middlesex. “Get her to yourself, Ted, and she’s as larky as they’re made.”
Ted Radford, the station overseer, was a personage not to be dismissed in a relative clause. He was a typical back-blocker, dry and wiry, nasally cocksure, insolently cool, a fearless hand with horse, man, or woman. He was a good friend to Hack when there was no third person of his own kidney to appreciate the overseer’s conception of friendly chaff. They were by themselves now, yet the last speech drew from Radford a sufficiently sardonic grin.
“You see if she is, old man,” said he, “and I’ll stand by to collect your remains. Not but what she hasn’t come off the ice, and looks like thoring if you take her the right way.”
Ted Radford was a confirmed believer in the rightness of his own way with all mankind; his admirable confidence had not been shaken by a long succession of snubs in the quarter under discussion. As for Miss Bouverie, it was her practice to play off one young man against the other by discouraging each in his turn. But this evening she was a different being. She had a vague yet absolute conviction that her fortune was made. She could have sung all her songs to the twain, but for the reflection that Mr. Clarkson himself would hear them too, and report the matter to his wife on her return.
And the next night the male trio were strangely absorbed in some station happening which did not arouse Miss Bouverie’s curiosity in the least. They were excited and yet constrained at dinner, and drew their chairs close together on the veranda afterward. The young lady caught at least one word of which she did not know the meaning. She had the tact to keep out of earshot after that. Nor was she very much more interested when she met the two young men with revolvers in their hands the following day.
“Going to fight a duel?” she inquired, smilingly, for her heart was still singing Grand Opera and Oratorio by turns.
“More or less,” returned the overseer, without his usual pleasantry. “We’re going to have a match at a target behind the pines.”
The London bookkeeper looked an anxious clerk: the girl was glad when she saw the pair alive at dinner. There seemed to be little doing. Though the summer was already tropical, there had been plenteous rains, and Mr. Clarkson observed in Hilda’s hearing that the recent day’s mustering would be the last for some little time. She was thrown much in his company, and she liked Mr. Clarkson when Mrs. Clarkson was not there. In his wife’s hands the good man was wax; now a mere echo, now a
veritable claque in himself, he pandered indefatigably to the multitudinous vanities of a ludicrously vain woman. But it was soon Miss Bouverie’s experience that he could, when he dared, be attentively considerate of lesser ladies. And in many ways these were much the happiest days that she had spent on the station.
They were, however, days of a consuming excitement for the caged and gagged nightingale that Hilda Bouverie now conceived herself to be. She sang not another note aloud. Mr. Clarkson lived in slippers on the veranda, which Hilda now associated chiefly with a stranger’s spurs: for of the booted and spurred stranger she was thinking incessantly, though still without the emotions of an ordinarily romantic temperament. Would he be at the concert, or would he not? Would he turn out to be what she firmly imagined him, or was she to find out her mistake? Might he not in any case have said or written some pregnant word for her? Was it beyond the bounds of possibility that she should be asked to sing after all?
The last question was the only one to be answered before the time, unless a point-blank inquiry of Mrs. Clarkson be included in the category. The lady had returned with a gorgeous gown, only less full of her experiences than of the crowning triumph yet to come. She had bought every song of Sir Julian’s to be had in Melbourne, and his name was always on her lips. In a reckless moment Miss Bouverie had inquired his age.
“I really don’t know,” said Mrs. Clarkson. “What can it matter?”
“I only wondered whether he was a youngish man or not.”
Mrs. Clarkson had already raised her eyebrows; at this answer they disappeared behind a toupet dating from her late descent upon the Victorian capital.
“Really, Miss Bouverie!” she said, and nothing more in words. But the tone was intolerable, and its accompanying sneer a refinement in vulgarity, which only the really refined would have resented as it deserved. Miss Bouverie got up and left the room without a word. But her flaming face left a misleading tale behind.
She was not introduced to Sir Julian; but that was not her prime disappointment when the great night came. All desire for an introduction, all interest in the concert, died a sudden death in Hilda Bouverie at her first glimpse of the gentleman who was duly presented to Mrs. Clarkson as Sir Julian Crum. He was more than middle-aged; he wore a gray beard, and the air of a somewhat supercilious martyr; his near sight was obviated by double lenses in gold rims. Hilda could have wept before the world. For nearly three weeks she had been bowing in imagination to a very different Sir Julian, bowing as though she had never beheld him in her life before; and yet in three minutes she saw how little real reason she had ever had for the illogical conclusion to which she had jumped. She searched for the sprightly figure she had worn in her mind’s eye; his presence under any other name would still have been welcome enough now. But he was not there at all. In the patchy glare of the kerosene lamps, against the bunting which lined the corrugated walls of Gulland’s new iron store, among flower and weed of township and of station, did Miss Bouverie seek in vain for a single eye-glass and a military mustache.
The concert began. Miss Bouverie opened it herself with the inevitably thankless pianoforte solo, in this case gratuitously meretricious into the bargain, albeit the arbitrary choice of no less a judge than Mrs. Clarkson. It was received with perfunctory applause, through which a dissipated stockman thundered thickly for a song. Miss Bouverie averted her eyes from Sir Julian (ensconced like Royalty in the centre of the first row) as she descended from the platform. She had not the hardihood to glance toward the great man until the indistinct stockman had had his wish, and Mrs. Clarkson, in her fine new raiment, had both sung and acted a coy ditty of the previous decade, wherein every line began with the word “somebody.” It was an immediate success; the obstreperous stockman led the encore; but Miss Bouverie, who duly accompanied, extracted solace from the depressed attitude in which Sir Julian Crum sat looking down his nose.
The township boasted its score of dwellings, but few of them showed a light that evening; not less than ninety of the round hundred of inhabitants clapped their hands and mopped their foreheads in Gulland’s new store. It might have been run up for its present purpose. There was an entrance at one end for the performers, and that on the platform level, since the ground sloped a little; at the other end was the only other entrance, by which the audience were admitted. A makeshift lobby had been arranged behind the platform, and thither Mrs. Clarkson retired to await her earlier encores; when the compliment became a recognized matter of course, she abandoned the mere form of a momentary retirement, and stood patiently smiling in the satin ball-dress brought from Melbourne for the nonce. And for the brief intervals between her efforts she descended to a throne specially reserved on the great musician’s right.
The other performers did not dim her brilliance by reason of their own. There was her own dear husband, whose serious recitation was the one entertaining number. There was a Rabbit Inspector who rapped out “The Scout” in a defiant barytone, and a publican whose somewhat uneven tenor was shaken to its depths by the simple pathos of “When Sparrows Build.” Mrs. Clarkson could afford to encourage such tyros with marked applause. The only danger was that Sir Julian might think she really admired their untutored attempts.
“One must do it,” she therefore took occasion to explain as she clapped. “They are so nervous. The hard thing is to put oneself in their place; it’s nothing to me to sing a song, Sir Julian.”
“So I can see, madam,” said he.
At the extreme end of the same row Miss Bouverie passed her unemployed moments between Mr. Radford and the wall, and was not easy until she had signalled to little Mr. Hack to occupy the seat behind her. With the two together she felt comparatively comfortable. Mr. Radford’s running criticism on the performers, always pungent, was often amusing, while Mr. Hack lost no opportunity of advancing his own ideals in the matter of musical entertainment.
“A song and dance,” said he, again and again, with a more and more sepulchral deviltry—“a song and dance is what you want. You should have heard the Sisters Belton in their palmy days at the Pav! You don’t get the best of everything out here, you know, Ted!”
“No; let’s hope they’ve got some better men than you,” returned Radford, inspired by the quorum of three to make mince-meat of his friend.
It was the interval between parts one and two. The platform was unoccupied. A cool draught blew through the iron building from open door to open door; there was no occasion to go outside. They had done so, however, at the lower end; there was a sudden stampede of returning feet. A something in the scuffling steps, a certain outcry that accompanied them, caused Miss Bouverie and her companions to turn their heads; they turned again at as sudden a jingle on the platform, and the girl caught her breath. There stood her missing hero, smiling on the people, dapper, swarthy, booted, spurred, and for one moment the man she had reason to remember, exactly as she remembered him. The next his folded arms sprang out from the shoulders, and a brace of long-barrelled revolvers covered the assembly.
“Up with your hands, every man of you!” he cried. “No, not the ladies, but every man and boy who doesn’t want a bullet in his brain!”
The command was echoed in uncouth accents at the lower door, where, in fact, a bearded savage had driven in all and sundry at his pistol’s point. And in a few seconds the meeting was one which had carried by overwhelming show of hands a proposition from which the ladies alone saw occasion to dissent.
“You may have heard of me before,” said the man on the platform, sweeping the forest of hands with his eye-glass. “My name’s Stingaree.”
It was the word which Hilda Bouverie had heard on the veranda and taken for some strange expletive.
“Who is he?” she asked, in a whisper that bespoke excitement, agitation, but not alarm.
“The fancy bushranger—the dandy outlaw!” drawled Radford, in cool reply. “I’ve been expecting him. He was seen on our run the day Mrs. Clarkson went down to Melbourne.”
That memora
ble day for Hilda Bouverie! And it was this manner of man who had been her hero ever since: a bushranger, an outlaw, a common robber under arms!
“And you never told me!” she cried, in an indignant whisper.
“We never told Mrs. Clarkson either. You must blame the boss.”
Hilda snatched her eyes from Stingaree, and was sorry for Mrs. Clarkson for the first time in their acquaintance. The new ball-dress of bridal satin was no whiter than its wearer’s face, which had aged several years in as many seconds. The squatter leant toward her with uplifted hands, loyally concerned for no one and for nothing else. Between the couple Sir Julian might have been conducting without his bâton, but with both arms. Meanwhile, the flashing eye-glass had fixed itself on Miss Bouverie’s companion, without resting for an instant on Miss Bouverie.
“Silence over there!” cried Stingaree, sternly. “I’m here on a perfectly harmless errand. If you know anything about me at all, you may know that I have a weakness for music of any kind, so long as it’s good of its kind.”
The eye-glass dropped for a moment upon Mrs. Clarkson in the front row, and the irrepressible Radford was enabled to continue his say.
“He has, too, from a mouth-organ to a full orchestra, from all accounts, Miss Bouverie. My revolver’s in the coat-pocket next you!”
“It is the music,” continued Stingaree, looking harder than before in their direction, “which has brought me here tonight. I’ve come to listen, and for no other reason in the world. Unfortunately, when one has a price upon one’s head, one has to take certain precautions before venturing among one’s fellow-men. And, though I’m not here for gain or bloodshed, if any man of you gives me trouble I shall shoot him like a dog!”
“That’s one for me,” whispered the intrepid overseer, in lower key. “Never mind. He’s not looking at us now. I believe Mrs. Clarkson’s going to faint. You take what I told you and slip it under your shawl, and you’ll save a second by passing it up to me the instant you see her sway!”
The Raffles Megapack Page 71