by Simon Hawke
Smythe was under no illusion that Richard Burbage had done so purely out of the goodness of his heart. He was a pleasant enough young fellow, but he was also looking out for his own interests. The theatre that his father had built was dependent upon people attending its productions, and it certainly paid to remain in the good graces of one of the wealthiest men in London, who was known as a patron of the arts. And although Marlowe wrote for a rival company, the Admiral’s Men, Burbage had every reason to maintain cordial relations with him, as well.
According to Shakespeare, Marlowe was the most promising young poet of the day and, with Tamburlane, he had served notice upon the players’ world that a change was in the air. The production had shocked and thrilled audiences with its lyrical bombast and lurid violence, reminiscent of the Greek classics, and in contrast, the broad jests and prancing jigs and ribald songs performed by other companies seemed suddenly dated and low class. At least, this was the opinion Shakespeare held. Smythe had actually enjoyed the ribald jests, the funny jigs, and the bawdy songs, and wasn’t at all sure that something serious and weighty would be preferable. After all, despite Marlowe’s education, university men did not constitute the bulk of the audience and the Theatre was not the Inns of Court, where productions were often staged in Latin by amateur barristers who would one day argue the law before the bench. Nevertheless, Shakespeare seemed convinced that Marlowe’s work, as notorious as the man himself, heralded a new sort of drama, one that would cater more to the talents of serious actors such as Edward Alleyn and less to lowbrow jesters like Will Kemp. The days of the prancing clown, Shakespeare had insisted, were over. Of course, it was also possible that Shakespeare was exaggerating, just as he had exaggerated the nature of their relationship with Marlowe and Sir William, which was why Dick
Burbage had helped them with securing lodgings and given them both jobs.
“You know, one would think that friends of Sir William Worley and Kit Marlowe would deserve rather better than to be given jobs as ostlers,” Shakespeare said, irritably.
“Well, for one thing, Will, we are not, in fact, friends of Sir William’s and Mr. Marlowe’s. We can only claim, at best, the briefest acquaintance with them. Quite aside from that, Mr. Burbage did not have to give us jobs at all, you know. And perhaps, under present circumstances, these were the only openings he had available. I am certain that, given an opportunity to demonstrate what we can do, we shall be able to advance ourselves in due course.”
Shakespeare sighed. “I suppose you’re right. There is a strongly practical streak about you, Tuck, which will doubtless serve you well. But I fear that I am not as patient as you are. I know what I am capable of doing, and I know where I wish to be, and on top of all that, I still have a family to support. And I am not going to be able to provide for them on an ostler’s pay.”
“I shall help you, Will. After all, you have helped me, from the moment we first met, and I would not now have the lodgings that we share if you did not advance the lion’s share of the rent. I shall not forget that.”
“You are a good soul, Tuck. And I, for my part, shall remember that, as well. Aha, look there…” He pointed toward the road that led across the field. “A coach and four approaches. Let’s run and get that one, it positively drips with money. The owner must be a wealthy merchant or a nobleman. Pray for the nobleman, for merchants give miserly gratuities.”
“ ‘Tis a nobleman, I think, or a proper gentleman, at least,” said Smythe, as the coach drew nearer. “Methinks I see an escutcheon emblazoned on the door.”
“Indeed,” said Shakespeare. “But soft… I have seen those arms before, I think.”
“As I have seen that team!” said Smythe. “ ‘Tis that same high-handed rogue who almost ran us down the other day! Well, I shall have a thing or two to say to him!”
“No, Tuck, wait!” Shakespeare reached out to grab his arm, but he was too late. Smythe was already running toward the coach. “Oh, God’s bollocks! He’s going to get himself killed.” He started running after Smythe.
The driver found nothing at all unusual in the sight of two ostlers running toward his coach as he pulled up to the Theatre, so he reined the team in to a walk as he pulled up in front of the entrance. As the coach came rolling to a stop, Smythe ran up to it, with Shakespeare pursuing in a vain attempt to catch him. He reached out and yanked the door open.
“Damn it, sir! I’ll have you know…”
Fully prepared to unload a torrent of enraged invective on the occupant, Smythe was suddenly brought up short. To his surprise, it was not the man he thought.
It was not even a man.
He stared, struck speechless, at the most beautiful woman he had ever seen.
She gazed back at him, then raised her eyebrows in an interrogative manner. “Do you always damn people so vehemently upon such short acquaintance?”
He flushed and looked down, sheepishly. “Forgive me, milady. I… I thought you were someone else.”
“I see. And how, pray tell, did you happen to come to this conclusion?”
“I… well, ‘tis of no consequence, milady. Forgive me. I did not mean to offend.”
“You will offend me, sir, if you act as if my question were of no consequence. I would like an answer.”
“ ‘Twas the coach, milady,” said Shakespeare, from behind him. “This coach… or perhaps I should say, to be more precise, one very much like it… nearly ran us down the other day.”
“And so your friend is justifiably incensed,” she said. “I quite understand. But as this is not my coach, and I am only riding in it for the first time today at the invitation of Mr. Anthony Gresham, perhaps I could be spared your umbrage and assisted to step out?”
“Why, yes, of course, milady,” Smythe said. He reached out to her and she took his hand as he helped her step down out of the coach. She squeezed his hand and, for a moment, their eyes met. Smythe felt a sudden, intense pressure in his chest and his mouth went dry. Was there meaning in that glance? He could have sworn that something passed between them, something pregnant with tension and desire. But surely, he thought, that could not be possible. Could it?
“Miss Elizabeth Darcie?”
They turned to see a liveried servant standing behind them, and Smythe at once recognized the man from the inn at the crossroads, the one who had come galloping ahead to announce that they’d been robbed. The other man, however, seemed not to recognize him. Indeed, Smythe thought, why should he? A mere ostler was beneath even the notice of a servant.
“I am Drummond, milady. Mr. Gresham’s man. I am to escort you to his private box to join him for the performance.”
“Certainly,” she said. And then she paused and turned back to Smythe. “And thank you so much for you assistance, Mr…?”
“Smythe, milady. Symington Smythe.”
“He’s just an ostler, milady,” Drummond said, in a tone that clearly indicated she had no need to bother with anyone so insignificant.
“Aye, but a very handsome one,” she said, with a wink at Smythe.
Drummond looked scandalized and did his best to rush her off through the theatre entrance before there could be any further exchange between them. Smythe stared after them for several moments before he finally realized that the coachman was giving him instructions for what he wanted done. The horses were to be unhitched and given some hay in the paddock, then watered and brushed and hitched back up in their traces once again in time for Mr. Gresham and his guest to leave in a timely manner as soon as the production ended. Smythe knew what needed to be done and wasn’t really paying very close attention. He could not get his mind off Miss Elizabeth Darcie, and how she had winked at him and said that he was handsome.
“Do not even think about it,” Shakespeare said, as they were unhitching the team.
“Think about what?”
“Oh, please! Spare me the coy innocence. That Darcie woman, that’s what. And pray do not tell me that you were not thinking about her. I could feel the hea
t coming off you from six feet away.”
Smythe grinned, self-consciously. “She said that I was handsome. Did you hear? And did you see the way she winked at me?”
“Aye, and so did Drummond. And you can be sure that he will report it to his master.”
“Mr. Anthony Gresham,” Smythe said.
“I believe that was the name she mentioned,” said Shakespeare, wryly.
“You realize that she made a particular point of telling us whose coach it was?”
“I realize that she is trouble on the hoof,” said Shakespeare. “I have seen her sort before. She is the type that likes to stir things up. She has a rich gentleman sending a fancy coach to bring her to the theatre, where she will enjoy the production from the intimacy of a private box screened off from the remainder of the audience, and yet she takes the time to flirt with a mere ostler, and in so obvious a manner that the servant of the gentleman who squires her cannot help but notice. So, if you can stop being blinded by Miss Darcie’s admittedly radiant charms long enough to think clearly for a moment, then what conclusion can you draw from this?”
“You believe that she was flirting with me in front of the servant on purpose, only to make this Gresham jealous?”
“Well, far be it from me to pretend I know a woman’s motives for anything she does,” said Shakespeare, wryly. “As for her doing it in front of Drummond on purpose, there can be, I think, no doubt of that. ‘Twas clear to her you had a bone to pick with the owner of the coach that nearly ran you down. And so, as you observed, she made a point of telling you his name, when there was no need at all for her to do so. Especially after I had told her it could easily have been another coach that merely looked like this one. It seems clear to me she is intent on pointing you toward Gresham… and at the same time, giving Gresham ample reason to bear a grudge against you.”
“But why? What reason could she have for causing trouble between the two of us?” said Smythe, as they led the horses to the paddock. “She does not even know me.”
“Who is to say? She may have taken offence at your manner. Or else it had nothing to do with you at all. Perhaps she simply enjoys making Gresham jealous. Some women like to see men demonstrate their power, the more so if ‘tis done on their behalf. In any event, the rhyme or reason of it really does not matter. The potential consequences do, for they represent nothing but trouble. Stay away from these people, Tuck. As I said before, they are not like us. And we mean less to them than the dirt clods they crush beneath their boots.”
Smythe sighed. “I see the sense in what you say. You are right, of course. What possible interest could a lady such as that have in a lowly ostler?”
“Be of good cheer, Tuck. She was right in one respect at least; you are a handsome fellow, and this is London, after all, with opportunities at every corner. There shall be sweet young girls aplenty for you in good time. Just see to it that you are not incautious, and that you do not shoot your bolts at targets far beyond your reach.”
“I defer to your superior wisdom, Father Shakespeare,” Smythe said, with an elaborate, mocking bow.
Shakespeare threw a dirt clod at him.
***
An evening at the playhouse was not what Elizabeth had expected. However, she had not really been sure what to expect. A coach ride along the Strand? Supper or high tea at Gresham ’s home, or perhaps an outing in the park? The invitation had been mysteriously and frustratingly unspecific. Her mother had not been pleased about that, and she had been even less pleased about Elizabeth accepting it. Had it come from anyone else, there would have been no question about it, but Edwina Darcie knew how much her husband wanted this marriage to take place and, in his absence, had not been confident enough to stand upon her own authority.
She had found her daughter becoming much more willful of late and was not quite certain what to do about it. As a result, she had her own reasons for wanting the marriage to take place, and as soon as possible. Elizabeth was not a child anymore and her mother did not enjoy having another grown woman around the house to threaten, however indirectly, her domain. Aside from that, the social circles into which an alliance with the Gresham name would introduce them made her giddy with anticipation. Consequently, Elizabeth knew that her objections to the presumptive invitation were little more than posturing.
She, however, had her own reasons for accepting the invitation, and they had nothing at all to do with her regard for the proper way of doing things or for Mr. Anthony Gresham, for that matter. Indeed, he was falling lower in her estimation by the minute.
First, she thought, he sends a rather imperious invitation, on uncommonly short notice, which was both inconsiderate and rude in its presumption. Second, he had not even bothered to tell her where this assignation would take place, so that she could at least attempt to dress accordingly. As a result, she had chosen one of her best dresses, reasoning that it was better to be overdressed than underdressed for any occasion. And third, once she had arrived at the playhouse, he had not even bothered to meet her himself, instead sending a mere servant to escort her to his private box up in the galleries, where he waited like some potentate condescending to, grant a common petitioner an audience. Mr. Gresham certainly seemed to think rather highly of himself. Well, she labored under no illusions that she was going to change that. Nor did she care to. But she could certainly do something about how he thought of her.
She had already decided that she was going to flirt in Mr. Gresham’s presence with every man who caught her eye, but she had not yet even laid eyes upon her haughty host when she had started flirting with that handsome ostler who had so abruptly flung open the coach door and started shouting before he even knew who was within. Obviously, it had been a case of mistaken identity. But even so, that still said something about him, in that he did not hesitate to assert himself, and rather strongly, in the face of someone of superior social standing. It was, after all, clearly a gentleman’s coach. For that matter, there was every possibility that he had not been mistaken, and that it was Anthony Gresham against whom he held a grudge. How could he have known that it was not Gresham in the coach? There had been such fire in his eyes! In all honesty, she had to admit to herself that her exchange with him had not been part of her original plan.
Drummond had witnessed it, of course, and he would surely report it to his master, for that was no more than his duty, and so it was just as well. It had worked out exactly as if that was the way she’d planned it. Save that she hadn’t planned it and she hadn’t known that Drummond would be there to see it. She would not make excuses to herself. There was no denying that the young man had an effect upon her. She had flirted with him because she wanted to.
What was his name? Smythe-something. No, Something-Smythe. Symington Smythe. That was it! It sound so euphonious. He certainly was handsome. And those shoulders! He seemed well-spoken, too, not at all thick, coarse, and rough-mannered, like so many of these common louts who worked around the Theatre, with their incomprehensible burrs and brogues and slurring speech and nose-wiping and forelock-tugging gruntings. She had, of course, been to the Theatre many times before, since her father was one of the investors whose money had helped build it, but this was the first time she had ever seen this rather striking young man. He must have been newly employed. Pity he was just an ostler. There could be no question, really, of her becoming more intimately acquainted with anyone like that. Her parents would both throw fits. Which, it occurred to her, was a tantalizing idea in itself.
The ensign hoisted in the turret an hour before the start of each performance was fluttering in the cool, late afternoon breeze as they went through the gate, past all the groundlings who had already arrived long since to jostle for the best positions in the rush-strewn yard. The hawkers were selling their refreshments and the trumpets were blowing the three blasts of the fanfare, signaling that the play was about to start as they mounted the stairs up to the expensive private boxes in the upper gallery, which were all screened off on the sides,
blocking off all views except the one directly to the front. And therein, the much-lauded Mr. Anthony Gresham awaited her.
Having already formed a rather low opinion of him, Elizabeth had somehow expected his appearance to live down to it. She had imagined that he would be fat and unattractive, and probably with pockmarked skin. Instead, she was surprised to find that he was quite good looking, in a roguish sort of way, with well-formed, strongly defined features, a good complexion, a neatly trimmed black beard, and a full head of dark hair that he took some trouble to keep well groomed. He was also younger than she had expected, in his early to mid-twenties, and appeared to be quite fit.
“Miss Darcie,” he said, rising to greet her. He bowed over her hand and brushed it with his lips. “How good of you to come on such short notice. ‘Twas dreadfully rude of me, I know, to present the invitation in such a fashion, but under the circumstances, quite unavoidable, I fear. I hope you will find it in your heart to forgive me.”
Taken aback a bit by his unexpected remarks and apparently sincere, apologetic tone, Elizabeth could think of nothing else to say or do but nod. He led her to her seat, which he had thoughtfully provided with several pillows, and offered to pour her some red wine. She accepted.
The play, in the meantime, had begun. As the first actor stepped out on stage to recite the prologue, Elizabeth recognized the play as one she’d seen before, The Honorable Gentleman, a rather tepid comedy of manners written by Greene or one of his many imitators, she could no longer remember which. The way these poets would often take older works and then adapt them to the stage, changing them around and frequently borrowing from other sources, as well as one another, it was sometimes difficult to tell who the original author was. And in the case of this play, it really didn’t matter. The intent of the production was to lampoon the so-called, rising “middle class,” the new merchant gentry who were often painted with a broad brush, in strokes that were anything but flattering, as bumbling, greedy, selfish, and duplicitous, often cuckolded fools. In other words, men just like her father. It was certainly a peculiar choice for Gresham to select.