Just then John Sobel and Cormac Kinnaird arrived in separate vehicles. When Liz told them she needed to pass the film to René, Kinnaird surprised her by producing a pipe from his pocket. Taking the film, he approached the photographer and asked for a light. As the photographer fumbled for matches, Kinnaird passed the film to him. Film in hand, DeZona drove off, presumably headed for the newsroom.
As expected, the police prevented the reporter, teacher, and forensics man from entering the area they’d surrounded with crime scene tape. The trio hiked into the woods and then circled toward the vicinity of the crime scene.
“They’ve closed off a wide area around the remains,” the science teacher said.
“But that doesn’t mean they’ll find everything,” Cormac said. “That ME is green. And he’s rushing. I wonder if he’ll realize skeletal remains that have been there over time may have been disarticulated.”
“You mean taken apart?”
“That’s right, Liz. Scattered or even carried away into burrows by animals back when there was meat on those bones.”
Liz grimaced.
“It concerns me for another reason that this Stu Simmons seems in such haste to remove the bones. If they are kept in their position and context, it will be easier to evaluate the shower of organic material to which they have been exposed. In an area like this, we can tell quite a bit about the time of death—or at least the time when the bodies were placed here—by cataloging that organic material. Pollen found on the bones will tell us during which seasons they were exposed to the elements. Working back from that, and using insect evidence, we can make a remarkably accurate guess as to how long the body lay here before it was stripped of tissue by maggots and animals. These bones have been here for quite some time. Simmons is a fool if he thinks one more rainstorm will destroy the evidence they hold.”
Liz recalled the doctor’s scolding her about withholding the cigarette butt evidence months ago. “Even if we found a disarticulated bone or two, Cormac,” she asked, “wouldn’t you insist on turning it in to the police? What kind of advantage would that give us?”
“As much as I’m eager to see you get a scoop, we have to keep in mind that the search for the truth takes precedence.”
“But it sounds as if you’re better qualified to handle this scene, this evidence anyway. Doesn’t it look like the police will bungle this?”
“I’m not saying I wouldn’t take a good look at anything we turn up before handing it over, but I would absolutely hand the evidence over. Even to a bungler. That’s the law.”
“Look here, Liz,” the science teacher said. “Here’s the opening to a fox den. No, I don’t see any human bones conveniently sticking out of it. But you should take a look anyway to help you find more animal abodes in the landscape. Do you see how the fox has taken advantage of the protection afforded by the tree stump? From the other side, the opening to its den is invisible.”
“That’s not very encouraging. Does this mean we’ll have to walk in circles around every tree stump?”
“It wouldn’t be a bad idea.”
“We shouldn’t overestimate the likelihood of finding bones this far from the bodies, in any case,” Cormac cautioned.
The trio combed the woods for some forty minutes in silence. Then, the science teacher announced he would have to head for his classroom. Liz looked up to watch him as he trod reluctantly up the hill, leaving behind the most exciting nature scene he was likely to see in his lifetime.
“Yesterday, you said you expected to see chickadees in the hollow,” Liz called out to him. “Why there and not right here, for instance?”
The bird-lover turned his head and looked at her over his shoulder. “The hollow is the site of an ephemeral pond or vernal pool. Dry now, of course, but a few feet deep after the snow melts in springtime.”
Cormac Kinnaird stood stock still. “That changes everything,” he said. “If your photographer has been able to zoom in on that scene, or if I can get into that scene soon, we’ve got an advantage, Liz,” he said. “A big one.” With that, he took Liz’s hand and led her up the hill to their parked cars, whistling an Irish reel all the way.
Since the police on the crime scene would not offer comments, Liz drove to Plymouth Police Headquarters to see if she could get an official statement on the case. It was early in the day and things might change before her afternoon deadline, but it didn’t hurt to be thorough. Plymouth Police Chief Martin Oliver curtailed repeated inquiries by promising a midafternoon press conference. Returning to Forges Field, Liz found police personnel adamant that nothing would be revealed until the press conference, so she drove to the newsroom to find DeZona.
“Your friend the forensics guy said he’d appreciate having copies of these,” the photographer said. “Not that they show much of anything.” The eight-by-ten photos taken from the telephone pole perch showed the bent backs of police officers gathered around what looked like some dark sticks. Presumably, they were pieces of the discolored skeleton. Much was obscured by branches of trees located between the photographer and his quarry.
DeZona slipped the photos into a manila envelope and handed them to Liz. “See you in Plymouth later?” he asked. “I hear we’re to cover the press conference.”
“You bet,” Liz said. Then, she returned to her desk, called a courier, and arranged for the photos to be delivered to Dr. Kinnaird’s university office.
With hours to kill before the press conference, Liz gave Tom a call, leaving a message on his answering machine. Then, she decided to drive out to the Wellesley College campus, which seemed an ideal place to think things through. Parking her car at the Faculty Club, she took a leisurely walk along Lake Waban in the direction of the Pinetum. This time, she was not alone. About twenty yards ahead of her, two young women walked along, lost in animated conversation about a “hot” professor. As she followed them through the Pinetum and the students emerged into the more open area of the topiary garden, one of the young women turned around to face Liz.
“Would you take a photo of Florrie and I, please?”
Can these be the nation’s best and brightest? Liz asked herself, cringing at the grammar. “‘Of Florrie and me,’ ” she said, realizing even as she said it how schoolmarmish she must sound to them.
But Florrie and her friend were not annoyed.
“My English Comp prof is always telling me the same thing,” the poor grammarian said.
Liz cringed again when the girls arranged themselves on the grass between two topiary trees.
“Don’t you see the sign?” she asked. “It says to stay off the grass.”
“It’s only for a photo,” Florrie said as Liz stepped back into the shade at the edge of the Pinetum to shoot a backlit picture without having direct sunlight on the lens.
Liz heard one of the young women exclaim delightedly, “Look, Ellen! A chocolate Lab, just like my dog at home.”
Liz followed Florrie’s gaze. At the far end of the topiary garden, Olga Swenson froze in the act of throwing a toy to her dog, Hershey. At the sound of her daughter’s name on another’s lips, her face collapsed into an expression of excruciating pain. Deciding that Olga did not need the intrusion of a reporter at that moment, Liz handed back the camera, turned around in the shade of the conifer collection, and walked back to her car.
At Plymouth Police Headquarters later that afternoon, the press conference offered little new information. Police Chief Martin Oliver reiterated how the remains had been found and declared that the skeletons appeared to be those of a male and a female whose bones had lain in the hollow for some years. Although no flesh remained on the bones, strands of hair found there indicated both victims were dark-haired. Pressed by Liz and her colleagues, he said there was dentition under examination, but it did not match any dental records for unsolved crimes currently in the database. Asked specifically i
f the remains could be those of the missing Newton mom, he said the apparent age of the bones, the hair color, and the lack of a dental match made it look extremely unlikely.
After the press conference, Liz decided to heed her hunger pangs, but not before purchasing a postcard for Nadia. Fortunately, in this vacation haven “gifte shoppes” were located cheek-by-jowl with restaurants. After buying a postcard picturing a cranberry bog in a shop called “Plymouth Rocks!”, she took a window seat in a waterfront eatery called the Mayflower Café. There, she ordered a special called Pilgrim’s Progress: a turkey and cranberry sauce sandwich followed by a bowl of Indian pudding à la mode. While looking out the window at the tourist-magnet Mayflower II sailing ship, she took out the postcard.
“Dear Nadia,” she wrote on it. “Here I am in Plymouth, Massachusetts, covering a crime in cranberry bog country. There are two victims, but the age of the remains seems to eliminate Ellen.”
What a strange thing to write on a postcard! Liz shook her head.
She changed the period at the end of the second sentence to a comma and added, “fortunately, your pen pal remains much on my mind.” She turned over the card and examined it, then turned it over again. “On this card,” she continued, “you can see the bright red cranberries, as well as the colored leaves typical of an autumn landscape in eastern Massachu— ”
Abruptly, Liz stopped writing. She wished she had not sent DeZona’s photos to Cormac Kinnaird before studying them better, for suddenly she called to mind something in the wrong color family that appeared in the foreground of a couple of the photographs. Now she realized that when she had scrutinized the pictures to get a glimpse of the remains, she had not looked carefully at the out-of-focus elements in the photos’ foregrounds.
Signaling the waitress, Liz paid her bill and made haste to Forges Field Recreational Area. By the time she arrived there, she had to phone in the press conference story to the city desk, cursing the fading afternoon light all the while. With the story filed, she strode over to DeZona’s telephone pole. Standing at the base of it, she realized she needed to climb the pole to get the correct angle on the scene. The pole must be climbable if DeZona had managed it. But Liz was not so skilled, nor did she have the telephone company–issue climbing belt that had helped DeZona clamber up the pole. Giving up on scaling the pole, she moved her car next to it and stood on its roof. She saw nothing out of place in the scene. That was not surprising, since the car’s roof was nowhere near as high as DeZona’s perch had been.
If she could not look down on the scene from above, there was one more option: walk into the scene and look up. But how would she ensure that she did not get lost as dusk fell completely while she was in the hollow? Returning to the car, Liz grabbed an extra reporter’s notebook and a flashlight. Then, she stepped into the woods. When her car was nearly out of sight, she attached a page from the notebook to the branch of a tree at eye level. She marked more trees and shrubs this way as she worked her way into the depression from which the police had so recently removed the remains.
Liz made it to the base of the hollow—the place where the deer had taken their rest so close to those human bones—without seeing anything out of the ordinary on the way down. In the heart of the hollow, she paused and shivered. It seemed only right to do something to honor the pair who’d met their ends here, whoever they were. But the light was fading and there was a hint of pink in the sky, signaling sunset. There was no time to linger. Very quietly humming the hymn “Amazing Grace,” Liz stood quite still as she regarded the reddening sky. She asked herself which way felt right for retracing her steps and pointed her arm in that direction. Dropping her eyes to look, she saw that, without her paper markers, she would have walked into the woods in a direction that was about thirty degrees off from the correct one.
Thanking herself for marking the path, Liz made her way up the slope again. It was an easier task to remove than to attach the papers to the trees, so Liz was able to concentrate better on examining the branches above her. When she came to the end of “Amazing Grace,” she hummed it again, a little more loudly. This time, she was humming it as much for reassurance as to honor the dead. She longed to share the intensely lonely scene with something living, even a chickadee. But there was no sign of the little birds, not even the sound of their distinctive call, chicka-dee-dee-dee.
But it soon became evident that Liz was not alone in the darkening hollow. Suddenly, the silent woods did produce a noise sounding, for all the world, like an old biddy shrieking, “Drink your tea!” There it was again, “Drink your tea!”
As a branch moved off to her left, Liz realized the noise had been a birdcall. She could not call to mind the name of the bird, which she now saw possessed an iridescent black body and a brown head. The bird dropped to the ground, poking its beak at the underbrush. Liz looked away from the bird, scanning the landscape.
And then she saw it. The same metallic red color she’d seen in the blurry foreground of DeZona’s photo. A synthetic strand of knitting material, worked into a bird’s nest on the ground. But it was the tree branches, not the ground, that must have formed the foreground to DeZona’s photos. Had the nest fallen from a tree? No, it looked as though it had been built where it lay, nestled into the twigs and leaves there. Liz shone her flashlight on the nest. It also contained some finer strands of strawberry-blonde human hair.
Grasping the sap-covered trunk of a young pitch pine for support, Liz heard a sound she recognized. The same kind of keening she’d heard from Veronica when the child flew across the Newton City Hall Common and threw herself into Liz’s arms. This time, however, the sound came from Liz’s own throat.
She turned her eyes to a sky that had turned the color of flame. And as she did, she saw the glint of another piece of synthetic yarn snagged on a tree branch, the kind of yarn that might well be knitted into the nose of a reindeer in a Christmas-patterned sweater.
Chapter 28
Although it was in easy reach, Liz did not remove the bird’s nest from its place. Instead, with delicate movements born of respect for the dead, she pinched a few strands of hair between her fingernails and pulled them gently from the nest. She also used the scissors on the small Swiss Army knife she carried on her key chain to snip off a tiny segment of the synthetic yarn. Carefully folding the evidence into another sheet of paper taken from her reporter’s notebook, she put the little packet into the pocket of her leather jacket.
Next, Liz looked around at the increasingly dim scene. The only outstanding landscape feature was a boulder, looking like a ghostly white mound in the falling light. She would have loved to measure the nest’s distance from the boulder but had nothing except her feet or her notebook to use as a ruler. She was reluctant to pace the distance without having another landmark to find it by in the future. In her mind’s eye, she drew a line from the boulder through the bird’s nest to the first tree beyond the nest. It was the same pitch pine she grasped for support earlier. But, amongst so many other pines, how would she recognize this one later? She could tag the tree with paper but paper is not weatherproof and she did not want to call anyone else’s attention to the spot. Looking fruitlessly for something to mark it with—even a pile of pebbles to place by its trunk—she realized she could bend and break some branches on the tree to mark it. Only after breaking three of them did she pace out the distance to the boulder. Then she used her flashlight to help her find and remove one piece of paper after another until she left the hollow behind her.
As she approached her car, which stood alone in the parking lot, she reproached herself for failing to comb the scene for any dark hairs the police might have left behind. Kinnaird would wish to compare them with the paler strands, she was certain.
In her car, she placed a call to her answering machine in the newsroom, hoping she would find a message on it from Cormac. There was no word from him. Instead, a message from Jan Van Wormer prompted
her to phone him immediately.
“Al told me he returned to the topiary garden in Wellesley today,” the piano builder said. “He said it was the first time, since that long-ago incident, that he could bring himself to visit a place he had once loved. When he was there, he saw an older woman tossing things to her dog. She didn’t look particularly familiar, he said, but when he heard the sound of her voice he took another look. It was Ellen’s mother, Olga Swenson.”
“Yes, I know she was there today. I saw her there myself. But I didn’t see Ali. What time of day was this?”
“Around one-thirty.”
“That’s when I was there.”
“You wouldn’t have seen my apprentice anyway. You see, after he looked into the little hidey-hole, he hid.”
“What hidey-hole?”
“The place where he and Ellen—they were friends, you know—used to hide little toys and treasures. It’s in the summerhouse, under a loose board in the floor.”
“What did he find in the hidey-hole?”
“A toy horn I think. He said he blew it, but then, after spitting this much out, he went all tongue-tied on me.”
“Perhaps I can get him to tell me more.”
“I’m afraid that’s impossible. The poor fellow has run off again.”
Overtired from her day and confused in the darkness, Liz made a wrong turn as she attempted to drive back home. The mistake cost her almost an hour, as she found herself winding through sand-edged roads and past several small ponds in Myles Standish State Forest. But the long drive also gave her time to think. Teased by the fact that she and Ali had both been on the edges of the topiary garden at the same time but had not seen one another, she recalled René DeZona’s remark, “My lens often sees things the eyes don’t.”
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