by Harte, Bret
The master in his first estimate of the child's character could not conceive that she had ever possessed a doll. But the master, like many other professed readers of character, was safer in a posteriori than a priori reasoning. Mliss had a doll, but then it was emphatically Mliss's doll—a smaller copy of herself. Its unhappy existence had been a secret discovered accidentally by Mrs. Morpher. It had been the old-time companion of Mliss's wanderings, and bore evident marks of suffering. Its original complexion was long since washed away by the weather and anointed by the slime of ditches. It looked very much as Mliss had in days past. Its one gown of faded stuff was dirty and ragged, as hers had been. Mliss had never been known to apply to it any childish term of endearment. She never exhibited it in the presence of other children. It was put severely to bed in a hollow tree near the schoolhouse, and only allowed exercise during Mliss's rambles. Fulfilling a stern duty to her doll, as she would to herself, it knew no luxuries.
Now Mrs. Morpher, obeying a commendable impulse, bought another doll and gave it to Mliss. The child received it gravely and curiously. The master on looking at it one day fancied he saw a slight resemblance in its round red cheeks and mild blue eyes to Clytemnestra. It became evident before long that Mliss had also noticed the same resemblance. Accordingly she hammered its waxen head on the rocks when she was alone, and sometimes dragged it with a string round its neck to and from school. At other times, setting it up on her desk, she made a pincushion of its patient and inoffensive body. Whether this was done in revenge of what she considered a second figurative obtrusion of Clytie's excellences upon her, or whether she had an intuitive appreciation of the rites of certain other heathens, and, indulging in that "fetish" ceremony, imagined that the original of her wax model would pine away and finally die, is a metaphysical question I shall not now consider.
In spite of these moral vagaries, the master could not help noticing in her different tasks the working of a quick, restless, and vigorous perception. She knew neither the hesitancy nor the doubts of childhood. Her answers in class were always slightly dashed with audacity. Of course she was not infallible. But her courage and daring in passing beyond her own depth and that of the floundering little swimmers around her, in their minds outweighed all errors of judgment. Children are not better than grown people in this respect, I fancy; and whenever the little red hand flashed above her desk, there was a wondering silence, and even the master was sometimes oppressed with a doubt of his own experience and judgment.
Nevertheless, certain attributes which at first amused and entertained his fancy began to afflict him with grave doubts. He could not but see that Mliss was revengeful, irreverent, and willful. That there was but one better quality which pertained to her semisavage disposition—the faculty of physical fortitude and self-sacrifice, and another, though not always an attribute of the noble savage—Truth. Mliss was both fearless and sincere; perhaps in such a character the adjectives were synonymous.
The master had been doing some hard thinking on this subject, and had arrived at that conclusion quite common to all who think sincerely, that he was generally the slave of his own prejudices, when he determined to call on the Rev. McSnagley for advice. This decision was somewhat humiliating to his pride, as he and McSnagley were not friends. But he thought of Mliss, and the evening of their first meeting; and perhaps with a pardonable superstition that it was not chance alone that had guided her willful feet to the schoolhouse, and perhaps with a complacent consciousness of the rare magnanimity of the act, he choked back his dislike and went to McSnagley.
The reverend gentleman was glad to see him. Moreover, he observed that the master was looking "peartish," and hoped he had got over the "neuralgy" and "rheumatiz." He himself had been troubled with a dumb "ager" since last conference. But he had learned to "rastle and pray."
Pausing a moment to enable the master to write his certain method of curing the dumb "ager" upon the book and volume of his brain, Mr. McSnagley proceeded to inquire after Sister Morpher. "She is an adornment to ChrisTEWanity, and has a likely growin' young family," added Mr. McSnagley; "and there's that mannerly young gal—so well behaved—Miss Clytie." In fact, Clytie's perfections seemed to affect him to such an extent that he dwelt for several minutes upon them. The master was doubly embarrassed. In the first place, there was an enforced contrast with poor Mliss in all this praise of Clytie. Secondly, there was something unpleasantly confidential in his tone of speaking of Mrs. Morpher's earliest born. So that the master, after a few futile efforts to say something natural, found it convenient to recall another engagement, and left without asking the information required, but in his after reflections somewhat unjustly giving the Rev. Mr. McSnagley the full benefit of having refused it.
Perhaps this rebuff placed the master and pupil once more in the close communion of old. The child seemed to notice the change in the master's manner, which had of late been constrained, and in one of their long postprandial walks she stopped suddenly, and mounting a stump, looked full in his face with big, searching eyes. "You ain't mad?" said she, with an interrogative shake of the black braids. "No." "Nor bothered?" "No." "Nor hungry?" (Hunger was to Mliss a sickness that might attack a person at any moment.) "No." "Nor thinking of her?" "Of whom, Lissy?" "That white girl." (This was the latest epithet invented by Mliss, who was a very dark brunette, to express Clytemnestra.) "No." "Upon your word?" (A substitute for "Hope you'll die!" proposed by the master.) "Yes." "And sacred honor?" "Yes." Then Mliss gave him a fierce little kiss, and, hopping down, fluttered off. For two or three days after that she condescended to appear more like other children, and be, as she expressed it, "good."
Two years had passed since the master's advent at Smith's Pocket, and as his salary was not large, and the prospects of Smith's Pocket eventually becoming the capital of the State not entirely definite, he contemplated a change. He had informed the school trustees privately of his intentions, but educated young men of unblemished moral character being scarce at that time, he consented to continue his school term through the winter to early spring. None else knew of his intention except his one friend, a Dr. Duchesne, a young Creole physician known to the people of Wingdam as "Duchesny." He never mentioned it to Mrs. Morpher, Clytie, or any of his scholars. His reticence was partly the result of a constitutional indisposition to fuss, partly a desire to be spared the questions and surmises of vulgar curiosity, and partly that he never really believed he was going to do anything before it was done.
He did not like to think of Mliss. It was a selfish instinct, perhaps, which made him try to fancy his feeling for the child was foolish, romantic, and unpractical. He even tried to imagine that she would do better under the control of an older and sterner teacher. Then she was nearly eleven, and in a few years, by the rules of Red Mountain, would be a woman. He had done his duty. After Smith's death he addressed letters to Smith's relatives, and received one answer from a sister of Melissa's mother. Thanking the master, she stated her intention of leaving the Atlantic States for California with her husband in a few months. This was a slight superstructure for the airy castle which the master pictured for Mliss's home, but it was easy to fancy that some loving, sympathetic woman, with the claims of kindred, might better guide her wayward nature. Yet, when the master had read the letter, Mliss listened to it carelessly, received it submissively, and afterward cut figures out of it with her scissors, supposed to represent Clytemnestra, labeled "the white girl," to prevent mistakes, and impaled them upon the outer walls of the schoolhouse.
When the summer was about spent, and the last harvest had been gathered in the valleys, the master bethought him of gathering in a few ripened shoots of the young idea, and of having his Harvest Home, or Examination. So the savants and professionals of Smith's Pocket were gathered to witness that time-honored custom of placing timid children in a constrained positions and bullying them as in a witness box. As usual in such cases, the most audacious and self-possessed were the lucky recipients of the honors. The reader w
ill imagine that in the present instance Mliss and Clytie were preeminent, and divided public attention; Mliss with her clearness of material perception and self-reliance, Clytie with her placid self-esteem and saintlike correctness of deportment. The other little ones were timid and blundering. Mliss's readiness and brilliancy, of course, captivated the greatest number and provoked the greatest applause. Mliss's antecedents had unconsciously awakened the strongest sympathies of a class whose athletic forms were ranged against the walls, or whose handsome bearded faces looked in at the windows. But Mliss's popularity was overthrown by an unexpected circumstance.
McSnagley had invited himself, and had been going through the pleasing entertainment of frightening the more timid pupils by the vaguest and most ambiguous questions delivered in an impressive funereal tone; and Mliss had soared into astronomy, and was tracking the course of our spotted ball through space, and keeping time with the music of the spheres, and defining the tethered orbits of the planets, when McSnagley impressively arose. "Meelissy! ye were speaking of the revolutions of this yere yearth and the move-MENTS of the sun, and I think ye said it had been a doing of it since the creashun, eh?" Mliss nodded a scornful affirmative. "Well, war that the truth?" said McSnagley, folding his arms. "Yes," said Mliss, shutting up her little red lips tightly. The handsome outlines at the windows peered further in the schoolroom, and a saintly Raphael face, with blond beard and soft blue eyes, belonging to the biggest scamp in the diggings, turned toward the child and whispered, "Stick to it, Mliss!" The reverend gentleman heaved a deep sigh, and cast a compassionate glance at the master, then at the children, and then rested his look on Clytie. That young woman softly elevated her round, white arm. Its seductive curves were enhanced by a gorgeous and massive specimen bracelet, the gift of one of her humblest worshipers, worn in honor of the occasion. There was a momentary silence. Clytie's round cheeks were very pink and soft. Clytie's big eyes were very bright and blue. Clytie's low-necked white book muslin rested softly on Clytie's white, plump shoulders. Clytie looked at the master, and the master nodded. Then Clytie spoke softly:
"Joshua commanded the sun to stand still, and it obeyed him!" There was a low hum of applause in the schoolroom, a triumphant expression on McSnagley's face, a grave shadow on the master's, and a comical look of disappointment reflected from the windows. Mliss skimmed rapidly over her astronomy, and then shut the book with a loud snap. A groan burst from McSnagley, an expression of astonishment from the schoolroom, a yell from the windows, as Mliss brought her red fist down on the desk, with the emphatic declaration:
"It's a damn lie. I don't believe it!"
CHAPTER IV
The long wet season had drawn near its close. Signs of spring were visible in the swelling buds and rushing torrents. The pine forests exhaled the fresher spicery. The azaleas were already budding, the ceanothus getting ready its lilac livery for spring. On the green upland which climbed Red Mountain at its southern aspect the long spike of the monkshood shot up from its broad-leaved stool, and once more shook its dark-blue bells. Again the billow above Smith's grave was soft and green, its crest just tossed with the foam of daisies and buttercups. The little graveyard had gathered a few new dwellers in the past year, and the mounds were placed two by two by the little paling until they reached Smith's grave, and there there was but one. General superstition had shunned it, and the plot beside Smith was vacant.
There had been several placards posted about the town, intimating that, at a certain period, a celebrated dramatic company would perform, for a few days, a series of "side-splitting" and "screaming farces"; that, alternating pleasantly with this, there would be some melodrama and a grand divertisement which would include singing, dancing, etc. These announcements occasioned a great fluttering among the little folk, and were the theme of much excitement and great speculation among the master's scholars. The master had promised Mliss, to whom this sort of thing was sacred and rare, that she should go, and on that momentous evening the master and Mliss "assisted."
The performance was the prevalent style of heavy mediocrity; the melodrama was not bad enough to laugh at nor good enough to excite. But the master, turning wearily to the child, was astonished and felt something like self-accusation in noticing the peculiar effect upon her excitable nature. The red blood flushed in her cheeks at each stroke of her panting little heart. Her small passionate lips were slightly parted to give vent to her hurried breath. Her widely opened lids threw up and arched her black eyebrows. She did not laugh at the dismal comicalities of the funny man, for Mliss seldom laughed. Nor was she discreetly affected to the delicate extremes of the corner of a white handkerchief, as was the tender-hearted "Clytie," who was talking with her "feller" and ogling the master at the same moment. But when the performance was over, and the green curtain fell on the little stage, Mliss drew a long deep breath, and turned to the master's grave face with a half-apologetic smile and wearied gesture. Then she said, "Now take me home!" and dropped the lids of her black eyes, as if to dwell once more in fancy on the mimic stage.
On their way to Mrs. Morpher's the master thought proper to ridicule the whole performance. Now he shouldn't wonder if Mliss thought that the young lady who acted so beautifully was really in earnest, and in love with the gentleman who wore such fine clothes. Well, if she were in love with him it was a very unfortunate thing! "Why?" said Mliss, with an upward sweep of the drooping lid. "Oh! well, he couldn't support his wife at his present salary, and pay so much a week for his fine clothes, and then they wouldn't receive as much wages if they were married as if they were merely lovers—that is," added the master, "if they are not already married to somebody else; but I think the husband of the pretty young countess takes the tickets at the door, or pulls up the curtain, or snuffs the candles, or does something equally refined and elegant. As to the young man with nice clothes, which are really nice now, and must cost at least two and a half or three dollars, not to speak of that mantle of red drugget which I happen to know the price of, for I bought some of it for my room once—as to this young man, Lissy, he is a pretty good fellow, and if he does drink occasionally, I don't think people ought to take advantage of it and give him black eyes and throw him in the mud. Do you? I am sure he might owe me two dollars and a half a long time, before I would throw it up in his face, as the fellow did the other night at Wingdam."
Mliss had taken his hand in both of hers and was trying to look in his eyes, which the young man kept as resolutely averted. Mliss had a faint idea of irony, indulging herself sometimes in a species of sardonic humor, which was equally visible in her actions and her speech. But the young man continued in this strain until they had reached Mrs. Morpher's, and he had deposited Mliss in her maternal charge. Waiving the invitation of Mrs. Morpher to refreshment and rest, and shading his eyes with his hand to keep out the blue-eyed Clytemnestra's siren glances, he excused himself, and went home.
For two or three days after the advent of the dramatic company, Mliss was late at school, and the master's usual Friday afternoon ramble was for once omitted, owing to the absence of his trustworthy guide. As he was putting away his books and preparing to leave the schoolhouse, a small voice piped at his side, "Please, sir?" The master turned and there stood Aristides Morpher.
"Well, my little man," said the master, impatiently, "what is it? quick!"
"Please, sir, me and 'Kerg' thinks that Mliss is going to run away agin."
"What's that, sir?" said the master, with that unjust testiness with which we always receive disagreeable news.
"Why, sir, she don't stay home any more, and 'Kerg' and me see her talking with one of those actor fellers, and she's with him now; and please, sir, yesterday she told 'Kerg' and me she could make a speech as well as Miss Cellerstina Montmoressy, and she spouted right off by heart," and the little fellow paused in a collapsed condition.
"What actor?" asked the master.
"Him as wears the shiny hat. And hair. And gold pin. And gold chain," said the just Aristides,
putting periods for commas to eke out his breath.
The master put on his gloves and hat, feeling an unpleasant tightness in his chest and thorax, and walked out in the road. Aristides trotted along by his side, endeavoring to keep pace with his short legs to the master's strides, when the master stopped suddenly, and Aristides bumped up against him. "Where were they talking?" asked the master, as if continuing the conversation.
"At the Arcade," said Aristides.
When they reached the main street the master paused. "Run down home," said he to the boy. "If Mliss is there, come to the Arcade and tell me. If she isn't there, stay home; run!" And off trotted the short-legged Aristides.
The Arcade was just across the way—a long, rambling building containing a barroom, billiard room, and restaurant. As the young man crossed the plaza he noticed that two or three of the passers-by turned and looked after him. He looked at his clothes, took out his handkerchief, and wiped his face before he entered the barroom. It contained the usual number of loungers, who stared at him as he entered. One of them looked at him so fixedly and with such a strange expression that the master stopped and looked again, and then saw it was only his own reflection in a large mirror. This made the master think that perhaps he was a little excited, and so he took up a copy of the RED MOUNTAIN BANNER from one of the tables, and tried to recover his composure by reading the column of advertisements.
He then walked through the barroom, through the restaurant, and into the billiard room. The child was not there. In the latter apartment a person was standing by one of the tables with a broad-brimmed glazed hat on his head. The master recognized him as the agent of the dramatic company; he had taken a dislike to him at their first meeting, from the peculiar fashion of wearing his beard and hair. Satisfied that the object of his search was not there, he turned to the man with a glazed hat. He had noticed the master, but tried that common trick of unconsciousness in which vulgar natures always fail. Balancing a billiard cue in his hand, he pretended to play with a ball in the center of the table. The master stood opposite to him until he raised his eyes; when their glances met, the master walked up to him.