by Harte, Bret
What answer he received is not known, but it is to be presumed that he kept loyal faith with his physician, and gave himself up to simple walks and rides and occasional meditation. His solitude was not broken in upon; curiosity was too active a vice, and induced too much exertion for his indolent neighbors, and the Americano's basking seclusion, though unlike the habits of his countrymen, did not affect them. The shopkeeper and innkeeper saluted him always with a profound courtesy which awakened his slight resentment, partly because he was conscious that it was grateful to him, and partly that he felt he ought to have provoked in them a less satisfied condition.
Once, when he had unwittingly passed the confines of his own garden, through a gap in the Mission orchard, a lissome, black-coated shadow slipped past him with an obeisance so profound and gentle that he was startled at first into an awkward imitation of it himself, and then into an angry self-examination. He knew that he loathed that long-skirted, womanlike garment, that dangling, ostentatious symbol, that air of secrecy and mystery, and he inflated his chest above his loosely tied cravat and unbuttoned waistcoat with a contrasted sense of freedom. But he was conscious the next day of weakly avoiding a recurrence of this meeting, and in his self-examination put it down to his self-disciplined observance of his doctor's orders. But when he was strong again, and fitted for his Master's work, how strenuously he should improve the occasion this gave him of attacking the Scarlet Woman among her slaves and worshipers!
His afternoon meditations and the perusal of his only book—the Bible—were regularly broken in upon at about sunset by two or three strokes from the cracked bell that hung in the open belfry which reared itself beyond the gnarled pear tees. He could not say that it was aggressive or persistent, like his own church bells, nor that it even expressed to him any religious sentiment. Moreover, it was not a "Sabbath" bell, but a DAILY one, and even then seemed to be only a signal to ears easily responsive, rather than a stern reminder. And the hour was always a singularly witching one.
It was when the sun had slipped from the glaring red roofs, and the yellowing adobe of the Mission walls and the tall ranks of wild oats on the hillside were all of the one color of old gold. It was when the quivering heat of the arroyo and dusty expanse of plaza was blending with the soft breath of the sea fog that crept through the clefts of the coast range, until a refreshing balm seemed to fall like a benediction on all nature. It was when the trade-wind-swept and irritated surfaces of the rocky gorge beyond were soothed with clinging vapors; when the pines above no longer rocked monotonously, and the great undulating sea of the wild-oat plains had gone down and was at rest. It was at this hour, one afternoon, that, with the released scents of the garden, there came to him a strange and subtle perfume that was new to his senses. He laid aside his book, went into the garden, and, half-unconscious of his trespass, passed through the Mission orchard and thence into the little churchyard beside the church.
Looking at the strange inscriptions in an unfamiliar tongue, he was singularly touched with the few cheap memorials lying upon the graves—like childish toys—and for the moment overlooked the papistic emblems that accompanied them. It struck him vaguely that Death, the common leveler, had made even the symbols of a faith eternal inferior to those simple records of undying memory and affection, and he was for a moment startled into doubt.
He walked to the door of the church; to his surprise it was open. Standing upon the threshold, he glanced inside, and stood for a moment utterly bewildered. In a man of refined taste and education that bizarre and highly colored interior would have only provoked a smile or shrug; to Stephen Masterton's highly emotional nature, but artistic inexperience, strangely enough it was profoundly impressive. The heavily timbered, roughly hewn roof, barred with alternate bands of blue and Indian red, the crimson hangings, the gold and black draperies, affected this religious backwoodsman exactly as they were designed to affect the heathen and acolytes for whose conversion the temple had been reared. He could scarcely take his eyes from the tinsel-crowned Mother of Heaven, resplendent in white and gold and glittering with jewels; the radiant shield before the Host, illuminated by tall spectral candles in the mysterious obscurity of the altar, dazzled him like the rayed disk of the setting sun.
A gentle murmur, as of the distant sea, came from the altar. In his naive bewilderment he had not seen the few kneeling figures in the shadow of column and aisle; it was not until a man, whom he recognized as a muleteer he had seen that afternoon gambling and drinking in the fonda, slipped by him like a shadow and sank upon his knees in the center of the aisle that he realized the overpowering truth.
HE, Stephen Masterton, was looking upon some rite of Popish idolatry! He was turning quickly away when the keeper of the tienda—a man of sloth and sin—gently approached him from the shadow of a column with a mute gesture, which he took to be one of invitation. A fierce protest of scorn and indignation swelled to his throat, but died upon his lips. Yet he had strength enough to erect his gaunt emaciated figure, throwing out his long arms and extended palms in the attitude of defiant exorcism, and then rush swiftly from the church. As he did so he thought he saw a faint smile cross the shopkeeper's face, and a whispered exchange of words with a neighboring worshiper of more exalted appearance came to his ears. But it was not intelligible to his comprehension.
The next day he wrote to his doctor in that quaint grandiloquence of written speech with which the half-educated man balances the slips of his colloquial phrasing:
Do not let the purgation of my flesh be unduly protracted. What with the sloth and idolatries of Baal and Ashteroth, which I see daily around me, I feel that without a protest not only the flesh but the spirit is mortified. But my bodily strength is mercifully returning, and I found myself yesterday able to take a long ride at that hour which they here keep sacred for an idolatrous rite, under the beautiful name of "The Angelus." Thus do they bear false witness to Him! Can you tell me the meaning of the Spanish words "Don Keyhotter"? I am ignorant of these sensuous Southern languages, and am aware that this is not the correct spelling, but I have striven to give the phonetic equivalent. It was used, I am inclined to think, in reference to MYSELF, by an idolater.
P.S.—You need not trouble yourself. I have just ascertained that the words in question were simply the title of an idle novel, and, of course, could not possibly refer to ME.
Howbeit it was as "Don Quixote"—that is, the common Spaniard's conception of the Knight of La Mancha, merely the simple fanatic and madman—that Mr. Stephen Masterton ever after rode all unconsciously through the streets of the Mission, amid the half-pitying, half-smiling glances of the people.
In spite of his meditations, his single volume, and his habit of retiring early, he found his evenings were growing lonely and tedious. He missed the prayer meeting, and, above all, the hymns. He had a fine baritone voice, sympathetic, as may be imagined, but not cultivated. One night, in the seclusion of his garden, and secure in his distance from other dwellings, he raised his voice in a familiar camp-meeting hymn with a strong Covenanter's ring in the chorus. Growing bolder as he went on, he at last filled the quiet night with the strenuous sweep of his chant. Surprised at his own fervor, he paused for a moment, listening, half frightened, half ashamed of his outbreak. But there was only the trilling of the night wind in the leaves, or the far-off yelp of a coyote.
For a moment he thought he heard the metallic twang of a stringed instrument in the Mission garden beyond his own, and remembered his contiguity to the church with a stir of defiance. But he was relieved, nevertheless. His pent-up emotion had found vent, and without the nervous excitement that had followed his old exaltation. That night he slept better. He had found the Lord again—with Psalmody!
The next evening he chanced upon a softer hymn of the same simplicity, but with a vein of human tenderness in its aspirations, which his more hopeful mood gently rendered. At the conclusion of the first verse he was, however, distinctly conscious of being followed by the same twanging sound
he had heard on the previous night, and which even his untutored ear could recognize as an attempt to accompany him. But before he had finished the second verse the unknown player, after an ingenious but ineffectual essay to grasp the right chord, abandoned it with an impatient and almost pettish flourish, and a loud bang upon the sounding-board of the unseen instrument. Masterton finished it alone.
With his curiosity excited, however, he tried to discover the locality of the hidden player. The sound evidently came from the Mission garden; but in his ignorance of the language he could not even interrogate his Indian housekeeper. On the third night, however, his hymn was uninterrupted by any sound from the former musician. A sense of disappointment, he knew not why, came over him. The kindly overture of the unseen player had been a relief to his loneliness. Yet he had barely concluded the hymn when the familiar sound again struck his ears. But this time the musician played boldly, confidently, and with a singular skill on the instrument.
The brilliant prelude over, to his entire surprise and some confusion, a soprano voice, high, childish, but infinitely quaint and fascinating, was mischievously uplifted. But alas! even to his ears, ignorant of the language, it was very clearly a song of levity and wantonness, of freedom and license, of coquetry and incitement! Yet such was its fascination that he fancied it was reclaimed by the delightful childlike and innocent expression of the singer.
Enough that this tall, gaunt, broad-shouldered man arose and, overcome by a curiosity almost as childlike, slipped into the garden and glided with an Indian softness of tread toward the voice. The moon shone full upon the ruined Mission wall tipped with clusters of dark foliage. Half hiding, half mingling with one of them—an indistinct bulk of light-colored huddled fleeces like an extravagant bird's nest—hung the unknown musician. So intent was the performer's preoccupation that Masterton actually reached the base of the wall immediately below the figure without attracting its attention. But his foot slipped on the crumbling debris with a snapping of dry twigs. There was a quick little cry from above. He had barely time to recover his position before the singer, impulsively leaning over the parapet, had lost hers, and fell outward. But Masterton was tall, alert, and self-possessed, and threw out his long arms. The next moment they were full of soft flounces, a struggling figure was against his breast, and a woman's frightened little hands around his neck. But he had broken her fall, and almost instantly, yet with infinite gentleness, he released her unharmed, with hardly her crisp flounces crumpled, in an upright position against the wall. Even her guitar, still hanging from her shoulder by a yellow ribbon, had bounded elastic and resounding against the wall, but lay intact at her satin-slippered feet. She caught it up with another quick little cry, but this time more of sauciness than fear, and drew her little hand across its strings, half defiantly.
"I hope you are not hurt?" said the circuit preacher, gravely.
She broke into a laugh so silvery that he thought it no extravagance to liken it to the moonbeams that played over her made audible. She was lithe, yet plump; barred with black and yellow and small-waisted like a pretty wasp. Her complexion in that light was a sheen of pearl satin that made her eyes blacker and her little mouth redder than any other color could. She was small, but, remembering the fourteen-year-old wife of the shopkeeper, he felt that, for all her childish voice and features, she was a grown woman, and a sudden shyness took hold of him.
But she looked pertly in his face, stood her guitar upright before her, and put her hands behind her back as she leaned saucily against the wall and shrugged her shoulders.
"It was the fault of you," she said, in a broken English that seemed as much infantine as foreign. "What for you not remain to yourself in your own CASA? So it come. You creep so—in the dark—and shake my wall, and I fall. And she," pointing to the guitar, "is a'most broke! And for all thees I have only make to you a serenade. Ingrate!"
"I beg your pardon," said Masterton quickly, "but I was curious. I thought I might help you, and—"
"Make yourself another cat on the wall, eh? No; one is enough, thank you!"
A frown lowered on Masterton's brow. "You don't understand me," he said, bluntly. "I did not know WHO was here."
"Ah, BUENO! Then it is Pepita Ramirez, you see," she said, tapping her bodice with one little finger, "all the same; the niece from Manuel Garcia, who keeps the Mission garden and lif there. And you?"
"My name is Masterton."
"How mooch?"
"Masterton," he repeated.
She tried to pronounce it once or twice desperately, and then shook her little head so violently that a yellow rose fastened over her ear fell to the ground. But she did not heed it, nor the fact that Masterton had picked it up.
"Ah, I cannot!" she said, poutingly. "It is as deefeecult to make go as my guitar with your serenade."
"Can you not say 'Stephen Masterton'?" he asked, more gently, with a returning and forgiving sense of her childishness.
"Es-stefen? Ah, ESTEBAN! Yes; Don Esteban! BUENO! Then, Don Esteban, what for you sink so melank-olly one night, and one night so fierce? The melank-olly, he ees not so bad; but the fierce—ah! he is weeked! Ess it how the Americano make always his serenade?"
Masterton's brow again darkened. And his hymn of exultation had been mistaken by these people—by this—this wanton child!
"It was no serenade," he replied, curtly; "it was in the praise of the Lord!"
"Of how mooch?"
"Of the Lord of Hosts—of the Almighty in Heaven." He lifted his long arms reverently on high.
"Oh!" she said, with a frightened look, slightly edging away from the wall. At a secure distance she stopped. "Then you are a soldier, Don Esteban?"
"No!"
"Then what for you sink 'I am a soldier of the Lord,' and you will make die 'in His army'? Oh, yes; you have said." She gathered up her guitar tightly under her arm, shook her small finger at him gravely, and said, "You are a hoombog, Don Esteban; good a' night," and began to glide away.
"One moment, Miss—Miss Ramirez," called Masterton. "I—that is you—you have—forgotten your rose," he added, feebly, holding up the flower. She halted.
"Ah, yes; he have drop, you have pick him up, he is yours. I have drop, you have pick ME up, but I am NOT yours. Good a' night, COMANDANTE Don Esteban!"
With a light laugh she ran along beside the wall for a little distance, suddenly leaped up and disappeared in one of the largest gaps in its ruined and helpless structure. Stephen Masterton gazed after her stupidly, still holding the rose in his hand. Then he threw it away and re-entered his home.
Lighting his candle, he undressed himself, prayed fervently—so fervently that all remembrance of the idle, foolish incident was wiped from his mind, and went to bed. He slept well and dreamlessly. The next morning, when his thoughts recurred to the previous night, this seemed to him a token that he had not deviated from his spiritual integrity; it did not occur to him that the thought itself was a tacit suspicion.
So his feet quite easily sought the garden again in the early sunshine, even to the wall where she had stood. But he had not taken into account the vivifying freshness of the morning, the renewed promise of life and resurrection in the pulsing air and potent sunlight, and as he stood there he seemed to see the figure of the young girl again leaning against the wall in all the charm of her irrepressible and innocent youth. More than that, he found the whole scene re-enacting itself before him; the nebulous drapery half hidden in the foliage, the cry and the fall; the momentary soft contact of the girl's figure against his own, the clinging arms around his neck, the brush and fragrance of her flounces—all this came back to him with a strength he had NOT felt when it occurred.
He was turning hurriedly away when his eyes fell upon the yellow rose still lying in the debris where he had thrown it—but still pure, fresh, and unfaded. He picked it up again, with a singular fancy that it was the girl herself, and carried it into the house.
As he placed it half shyly in a glass on his table a wo
nderful thought occurred to him. Was not the episode of last night a special providence? Was not that young girl, wayward and childlike, a mere neophyte in her idolatrous religion, as yet unsteeped in sloth and ignorance, presented to him as a brand to be snatched from the burning? Was not this the opportunity of conversion he had longed for—this the chance of exercising his gifts of exhortation that he had been hiding in the napkin of solitude and seclusion? Nay, was not all this PREDESTINED? His illness, his consequent exile to this land of false gods—this contiguity to the Mission—was not all this part of a supremely ordered plan for the girl's salvation—and was HE not elected and ordained for that service? Nay, more, was not the girl herself a mere unconscious instrument in the hands of a higher power; was not her voluntary attempt to accompany him in his devotional exercise a vague stirring of that predestined force within her? Was not even that wantonness and frivolity contrasted with her childishness—which he had at first misunderstood—the stirrings of the flesh and the spirit, and was he to abandon her in that struggle of good and evil?
He lifted his bowed head, that had been resting on his arm before the little flower on the table—as if it were a shrine—with a flash of resolve in his blue eyes. The wrinkled Concepcion coming to her duties in the morning scarcely recognized her gloomily abstracted master in this transfigured man. He looked ten years younger.
She met his greeting, and the few direct inquiries that his new resolve enabled him to make more freely, with some information—which a later talk with the shopkeeper, who had a fuller English vocabulary, confirmed in detail.