by Kij Johnson
She walked around the bush, and was gone. I picked up the empty Donald Ducks, because it was something to do, and I was turning to go in when a man’s voice called:
“Mr. Buck Nelson?”
A young man in a skinny tie and horn-rimmed glasses stood at the edge of the driveway where Miss Priss—no, Miss Rains, she deserved her true name—had stood a few moments before. He walked forward, one hand outstretched and the other reaching into the pocket of his denim jacket. He pulled out a long flat notebook.
“My name’s Matt Ketchum,” he said, “and I’m pleased to find you, Mr. Nelson. I’m a reporter with The Associated Press, and I’m writing a story on the surviving flying-saucer contactees of the 1950s.”
I caught him up short when I said, “Aw, not again! Damn it all, I just told all that to Miss Rains. She works for the A&P, too.”
He withdrew his hand, looked blank.
I pointed to the driveway. “Hello, you must have walked past her in the drive, not two minutes ago! Pretty girl in a red-and-black dress, boots up to here. Miss Rains, or Hanes, or something like that.”
“Mr. Nelson, I’m not following you. I don’t work with anyone named Rains or Hanes, and no one else has been sent out here but me. And that driveway was deserted. No other cars parked down at the highway, either.” He cocked his head, gave me a pitying look. “Are you sure you’re not thinking of some other day, sir?”
“But she,” I said, hand raised toward my bib pocket—but something kept me from saying gave me her card. That pocket felt strangely warm, like there was a live coal in it.
“Maybe she worked for someone else, Mr. Nelson, like UPI, or maybe the Post-Dispatch? I hope I’m not scooped again. I wouldn’t be surprised, with the Spielberg picture coming out and all.”
I turned to focus on him for the first time. “Where is Enceladus, anyway?”
“I beg your pardon?”
I said it again, moving my lips all cartoony, like he was deaf.
“I, well, I don’t know, sir. I’m not familiar with it.”
I thought a spell. “I do believe,” I said, half to myself, “it’s one a them Saturn moons.” To jog my memory, I made a fist of my right hand and held it up—that was Saturn—and held up my left thumb a ways from it, and moved it back and forth, sighting along it. “It’s out a ways, where the ring gets sparse. Thirteenth? Fourteenth, maybe?”
He just goggled at me. I gave him a sad look and shook my head and said, “You don’t know much, if that’s what you know, and that’s a fact.”
He cleared his throat. “Anyway, Mr. Nelson, as I was saying, I’m interviewing all the contactees I can find, like George Van Tassel, and Orfeo Angelucci—”
“Yes, yes, and Truman Bethurum, and them,” I said. “She talked to all them, too.”
“Bethurum?” he repeated. He flipped through his notebook. “Wasn’t he the asphalt spreader, the one who met the aliens atop a mesa in Nevada?”
“Yeah, that’s the one.”
He looked worried now. “Um, Mr. Nelson, you must have misunderstood her. Truman Bethurum died in 1969. He’s been dead eight years, sir.”
I stood there looking at the rhododendron and seeing the pretty face and round hat, hearing the singsong voice, like she had learned English from a book.
I turned and went into the house, let the screen bang shut behind, didn’t bother to shut the wood door.
“Mr. Nelson?”
My chest was plumb hot, now. I went straight to the junk room, yanked on the light. Everything was spread out on the floor where I left it. I shoved aside Marilyn, all the newspapers, pawed through the books.
“Mr. Nelson?” The voice was coming closer, moving through the house like a spooklight.
There it was: Aboard a Flying Saucer, by Truman Bethurum. I flipped through it, looking only at the pictures, until I found her: dark hair, big dark eyes, sharp chin, round hat. It was old Truman’s drawing of Captain Aura Rhanes, the sexy Space Sister from the planet Clarion who visited him eleven times in her little red-and-black uniform, come right into his bedroom, so often that Mrs. Bethurum got jealous and divorced him. I had heard that old Truman, toward the end, went out and hired girl assistants to answer his mail and take messages just because they sort of looked like Aura Rhanes.
“Mr. Nelson?” said young Ketchum, standing in the door. “Are you OK?”
I let drop the book, stood, and said, “Doing just fine, son. If you’ll excuse me? I got to be someplace.” I closed the door in his face, dragged a bookcase across the doorway to block it, and pulled out Miss Rhanes’ card, which was almost too hot to touch. No writing on it, neither, only a shiny silver surface that reflected my face like a mirror—and there was something behind my face, something aways back inside the card, a moving silvery blackness like a field of stars rushing toward me, and as I stared into that card, trying to see, my reflection slid out of the way and the edges of the card flew out and the card was a window, a big window, and now a door that I moved through without stepping, and someone out there was playing a single fiddle, no dance tune but just a-scraping along slow and sad as the stars whirled around me, and a ringed planet was swimming into view, the rings on edge at first but now tilting toward me and thickening as I dived down, the rings getting closer dividing into bands like layers in a rock face, and then into a field of rocks like that no-earthly-good south pasture, only there was so many rocks, so close together, and then I fell between them like an ant between the rocks in a gravel driveway, and now I was speeding toward a pinpoint of light, and as I moved toward it faster and faster, it grew and resolved itself and reshaped into a pear, a bulb, with a long sparkling line extending out, like a space elevator, like a chain, and at the end of the chain the moon became a glowing light bulb. I was staring into the bulb in my junk room, dazzled, my eyes flashing, my head achy, and the card dropped from my fingers with no sound, and my feet were still shuffling though the fiddle had faded away. I couldn’t hear nothing over the knocking and the barking and young Ketchum calling: “Hey, Mr. Nelson? Is this your dog?”
Nancy Kress’s fiction has also won four previous Nebulas, as well as the Sturgeon Award, the John W. Campbell Memorial Award, and two Hugos. “After the Fall, Before the Fall, During the Fall” was published as a stand-alone book by Tachyon Publications.
NOVEMBER 2013
It wasn’t dark, and it wasn’t light. It wasn’t anything except cold. I’m dead, Pete thought, but of course he wasn’t. Every time he thought that, all the way back to his first time when McAllister had warned him: “The transition may seem to last forever.”
Forever was twenty seconds on Pete’s wrister.
Light returned, light the rosy pink of baby toes, and then Pete stood in a misty dawn. And gasped.
It was so beautiful. A calm ocean, smooth and shiny as the floor of the Shell. A beach of white sand, rising in dunes dotted with clumps of grasses. Birds wheeled overhead. Their sharp, indignant cries grew louder as one of them dove into the waves and came up with a fish. Just like that. A fresh breeze tingled Pete’s nose with salt.
This. All this. He hadn’t landed near the ocean before, although he’d seen pictures of it in one of Caity’s books. This—all destroyed by the Tesslies, gone forever.
No time for hatred, not even old hatred grown fat and ripe as soy plants on the farm. McAllister’s instructions, repeated endlessly to all of them, echoed in Pete’s mind: “You have only ten minutes. Don’t linger anywhere.”
The sand slipped under his shoes and got into the holes. He had to leave them, even though shoes were so hard to come by. Cursing, he ran clumsy and barefoot along the shoreline, his weak knee already aching and head bobbing on his spindly neck, toward the lone house emerging from the mist. The cold air seeped into his lungs and hurt them. He could see his breath.
Seven minutes on his wrister.
The house stood on a little rocky ridge rising from the dunes and jutting into the water. No lights in the windows. The back door was locke
d but McAllister had put their precious laser saw onto the wrister. (“If you lose it, I will kill you.”) Pete cut a neat, silent hole, reached in, and released the deadbolt.
Five minutes.
Dark stairs. A night light in the hallway. A bedroom with two sleeping forms, his arm thrown over her body, the window open to the sweet night air. Another bedroom with a single bed, the blanketed figure too long, shadowy clothes all over the floor. And at the end of the hallway, a bonanza.
Two of them.
Four minutes.
The baby lay on its back, eyes closed in its bald head, little pink mouth sucking away on dreams. It had thrown off its blanket to expose a band of impossibly smooth skin between the plastic diaper and tiny shirt. Pete took precious seconds to unfasten a corner of the diaper, but he was already in love with the little hairless creature and would have been devastated if it were male. It was a girl. Carefully he hoisted her out of the crib and onto his shoulder, painfully holding her with one crooked arm. She didn’t wake.
No doubt that the toddler was a girl. Glossy brown ringlets, pink pajamas printed with bunnies, a doll clutched in one chubby fist. When Pete reached for her, she woke, blinked, and shrieked.
“No! Mommy! Dada! Cooommme! No!”
Little brat!
Pete grabbed her by the hand and dragged her off the low bed. That wrenched his misshapen shoulder and he nearly screamed. The child resisted, wailing like a typhoon. The baby woke and also screamed. Footsteps pounded down the hall.
Ninety seconds.
“McAllister!” Pete cried, although of course that did no good. McAllister couldn’t hear him. And ten minutes was fixed by the Tesslie machinery: no more, no less. McAllister couldn’t hurry the Grab.
The parents pounded into the room. Pete couldn’t let go of either child. Pete shrieked louder than both of them—his only real strength was in his voice, did they but know it—the words Darlene had taught him: “Stop! I have a bomb!”
They halted just inside the bedroom door, crashing into each other. She gasped: perhaps at the situation, perhaps at Pete. He knew what he must look like to them, a deformed fifteen-year-old with bobbly head.
“Moommmeeeee!” the toddler wailed.
“Bomb! Bomb!” Pete cried.
Forty-five seconds.
The father was a hero. He leaped forward. Pete staggered sideways with his burden of damp baby, but he didn’t let go of the toddler’s hand. Her father grabbed at her torso and Pete’s wrister shot a laser beam at him. The man was moving; the beam caught the side of his arm. The air sizzled with burning flesh and the father let go of his child.
But for only a few precious seconds.
Now the mother rushed forward. Pete dodged behind the low bed, nearly slipping on a pillow that had fallen to the floor. Both of them sprang again, the man’s face contorted with pain, and clutched at their children. Pete fired the laser but his hold on the child had knocked the wrister slightly sideways and he missed. Frantically he began firing, the beams hitting the wall and then Pete’s own foot. The pain was astonishing. He screamed; the children screamed; the mother screamed and lunged.
Five seconds.
The father tore the little girl from Pete. Pete jerked out his bad arm, now in as much pain as his foot, as much pain as the man’s must be, and twined his fingers in the child’s hair. The mother slipped on a throw rug patterned with princesses and went down. But the father held on to the toddler and so did Pete, and—
Grab.
All four of them went through in a blaze of noise, of light, of stinking diapers and roasted flesh, of shoulder pain so intense that Pete had to struggle to stay conscious. He did, but not for long. Once under the Shell, he collapsed to the metal floor. The father, of course, was dead. The last thing Pete heard was both children, still wailing as if their world had ended.
It had. From now on, they were with him and McAllister and the others. From now on, poor little devastated parentless miracles.
MARCH 2014
On the high plateau of the Brazilian state of Paraná, the arabica trees rustled in a gentle rain. Drops pattered off dark green, lance-shaped leaves, cascading down until they touched the soil. The coffee berries were small, not ready for harvest until the dry season, months away. At the far edge of the vast field, a fertilizer drove slowly among the rows of short, bushy trees, some of them fifty years old. A rabbit raced ahead of the advancing machinery.
Deep underground, something happened.
Non-motile, rod-shaped bacteria clung to the roots of the coffee trees, as they had for millennia. The bacteria stuck to the roots by exuding a slime layer, where it fed on and decomposed plant matter into nutrients. In the surrounding soil other bacteria also flourished, carrying on their usual life processes. One of these was mitosis. During the reproductive division, plasmids were swapped between organisms, as widely promiscuous as all of their kind.
A new bacterium appeared.
Eventually it, too, began to divide, not too rapidly in the dry soil. By and by, another plasmid exchange took place, with a different bacterium. And so on, in an intricate chain, ending up with a plasmid swap with the non-motile, rod-shaped root dweller. A mutation now existed that had never existed before. Such a thing happened all the time in nature—but not like this.
Above ground, thunder rumbled, and the rain began to fall harder.
NOVEMBER 2013
The woman was hysterical. As she had every right to be, Julie thought. Julie laid her hand across her own belly, caught herself doing it, and removed the hand. Quickly she glanced around. No one had noticed. They all watched the woman, and all of them, even the female uniform, had the expressions that cops wore in the presence of hysterical victims: a mixture of stern pity and impatient disgust.
“Ma’am . . . ma’am . . . if you could just calm down enough to tell us what happened. . . .”
“I told you! I told you!” The woman’s voice rose to a shriek. She wore a gaping bathrobe over a flimsy white nightdress, and her hair was so wild it looked as if she had torn out patches by the roots, like some grieving Biblical figure. Perhaps she had. A verse from Julie’s unwilling Temple childhood rose, unbidden, in her mind: “In Rama was there a voice heard, lamentation, and weeping, and great mourning, Rachel weeping for her children, and would not be comforted, because they were no more.”
“Ma’am . . . shit. Get a doctor here with a sedative,” the “detective” said. He was a captain in this seaside town’s police. Julie had picked up from Gordon an FBI agent’s contempt for local law enforcement; she would have to rid herself of that, or else turn into as much of a machine as Gordon could be. She stepped forward.
“May I try?”
“No.” The captain glared; he hadn’t wanted her along in the first place. They never did. Julie stepped back into the shadows. Gordon would be here soon.
The woman continued to wail and tear her hair. A uniform phoned for a doctor. In the bedroom the forensics team worked busily, and through the window Julie could see men fanning out across the beach, looking for clues. Had this mother drowned her infants? Buried them? Hidden them safe in baskets of bulrushes, a crazy latter-day Jochebed with two female versions of Moses? Julie knew better. She studied the room around her.
Simple, classic North Atlantic beach cottage: white duck covers on the wicker furniture, sisal mats on the floor, light wood and pale colors. But the house had central heating and storm windows already in place; evidently the family lived here year-round. Bright toys spilled from a colorful box. Beside the sofa, a basket of magazines, Time shouting CAN THE PRESIDENT CONTROL CONGRESS? and THE DESERTIFICATION OF AFRICA. On the counter separating the kitchen from the living area, a homemade pie under a glass dome, next to a pile of fresh tomatoes, onions, zucchini. Everything orderly, prosperous, caring.
Gordon strode through the door and went unerringly to the detective. “Captain Parsons? I’m Special Agent in Charge Gordon Fairford. We spoke on the phone.”
Parsons said s
ourly, “No change from what I told.” On the sofa, the woman let out another air-splitting wail.
“What do you think happened, Captain?” Gordon said. Whatever his private opinion, Gordon was always outwardly tactful with locals, who always resented both the tact and the FBI involvement. The eternal verities.
Parsons said, “The husband took the kids, of course. Or they disposed of them together and he took a powder.”
“Any signs of his leaving, with or without them?”
“No,” Parsons said, with dislike.
Nor would there be, Julie thought. Gordon went on extracting as much information from Parsons as he could, simultaneously smoothing over as much as possible of the inevitable turf war. Julie stopped listening. She waited until Parsons moved off and Gordon turned to her.
He said, “This time your location forecast was closer.”
“Not close enough.” If it had been, Gordon would have been at the beach house before the kids’ disappearance happened. As it was, he and she had only managed to be in the next town over. Not enough, not nearly enough.
The woman on the couch had quieted slightly. Gordon said softly to Julie, “Go.”
This was never supposed to be part of her job. She was the math wizard, the creator of algorithms, the transformer of raw data into useful predictions. But she and Gordon had been working closely together for over six months now, and he had discovered her other uses.
No, no, not what I meant!
Julie sat next to the sobbing woman, without touching her. “Mrs. Carter, I’m Julie Kahn. And I know you’re telling the truth about what happened to your husband and children.”
The woman jerked as if she had been shot and fastened both hands on Julie’s arm. Her nails dug in, and her eyes bored silently into Julie’s face, wider and wilder than any eyes Julie had ever seen. She tried not to flinch.