Rudyard Kipling's Tales of Horror and Fantasy

by Rudyard Kipling

  After I had laid still for a little, sweating in my agony, and waiting until I should awake from this terrible dream (for dream I knew it to be), he says again that I must pay my price; and a little after, as though it were to be given in pagodas and sicca rupees: ‘What price will you pay?’ Says I, very softly: ‘For God’s sake let me be, whoever you are, and I will mend my ways from tonight.’ Says he, laughing a little at my words, but otherwise making no motion of having heard them: ‘Nay, I would only rid so brave a young ruffler as yourself of much that will be a great hindrance to you on your way through life in the Indies; for believe me,’ and here he looks full on me once more, ‘there is no return.’ At all this rigmarole, which I could not then understand, I was a good deal put aback and waited for what should come next. Says he very calmly: ‘Give me your trust in man.’ At that I saw how heavy would be my price, for I never doubted but that he could take from me all that he asked, and my head was, through terror and wakefulness, altogether cleared of the wine I had drunk. So I takes him up very short, crying that I was not so wholly bad as he would make believe, and that I trusted my fellows to the full as much as they were worthy of it. ‘It was none of my fault,’ says I, ‘if one-half of them were liars and theother half deserved to be burnt in the hand, and I would once more ask him to have done with his questions.’ Then I stopped, a little afraid, it is true, to have let my tongue so run away with me, but he took no notice of this, and only laid his hand lightly on my left breast and I felt very cold there for a while. Then he says, laughing more: ‘Give me your faith in women.’ At that I started in my bed as though I had been stung, for I thought of my sweet mother in England, and for a while fancied that my faith in God’s best creatures could neither be shaken nor stolen from me. But later, Myself’s hard eyes being upon me, I fell to thinking, for the second time that night, of Kitty (she that jilted me and married Tom Sanderson) and of Mistress Vansuythen, whom only my devilish price made me follow, and how she was even worse than Kitty, and I worst of them all – seeing that with my life’s work to be done, I must needs go dancing down the Devil’s swept and garnished causeway, because, forsooth, there was a light woman’s smile at the end of it. And I thought that all women in the world were either like Kitty or Mistress Vansuythen (as indeed they have ever since been to me), and this put me to such an extremity of rage and sorrow, that I was beyond word glad when Myself’s hand fell again on my left breast, and I was no more troubled by these follies.

  After this he was silent for a while, and I made sure that he must go or I awake ere long; but presently he speaks again (and very softly) that I was a fool to care for such follies as those he had taken from me, and that ere he went he would only ask me for a few other trifles such as no man, or for matter of that boy either, would keep about him in this country. And so it happened that he took from out of my very heart as it were, looking all the time into my face with my own eyes, as much as remained to me of my boy’s soul and conscience. This was to me a far more terrible loss than the two that I had suffered before. For though, Lord help me, I had travelled far enough from all paths of decent or godly living, yet there was in me, though I myself write it, a certain goodness of heart which, when I was sober (or sick) made me very sorry of all that I had done before the fit came on me. And this I lost wholly: havingin place thereof another deadly coldness at the heart. I am not, as I have before said, ready with my pen, so I fear that what I have just written may not be readily understood. Yet there be certain times in a young man’s life, when, through great sorrow or sin, all the boy in him is burnt and seared away so that he passes at one step to the more sorrowful state of manhood: as our staring Indian day changes into night with never so much as the grey of twilight to temper the two extremes. This shall perhaps make my state more clear, if it be remembered that my torment was ten times as great as comes in the natural course of nature to any man. At that time I dared not think of the change that had come over me, and all in one night: though I have often thought of it since. ‘I have paid the price,’ says I, my teeth chattering, for I was deadly cold, ‘and what is my return?’ At this time it was nearly dawn, and Myself had begun to grow pale and thin against the white light in the east, as my mother used to tell me is the custom of ghosts and devils and the like. He made as if he would go, but my words stopt him and he laughed – as I remember that I laughed when I ran Angus Macalister through the sword-arm last August, because he said that Mrs Vansuythen was no better than she should be. ‘What return?’ – says he, catching up my last words – ‘Why, strength to live as long as God or the Devil pleases, and so long as you live my young master, my gift.’ With that he puts something into my hand, though it was still too dark to see what it was, and when next I lookt up he was gone.

  When the light came I made shift to behold his gift, and saw that it was a little piece of dry bread.

  THE CITY OF DREADFUL NIGHT

  The dense wet heat that hung over the face of land, like a blanket, prevented all hope of sleep in the first instance. The cicalas helped the heat, and the yelling jackals the cicalas. It was impossible to sit still in the dark, empty, echoing house and watch the punkah beat the dead air. So, at ten o’clock of the night, I set my walking-stick on end in the middle of the garden, and waited to see how it would fall. It pointed directly down the moonlit road that leads to the City of Dreadful Night. The sound of its fall disturbed a hare. She limped from her form and ran across to a disused Mahomedan burial-ground, where the jawless skulls and rough-butted shank-bones, heartlessly exposed by the July rains, glimmered like mother o’ pearl on the rain-channelled soil. The heated air and the heavy earth had driven the very dead upward for coolness’ sake. The hare limped on; snuffed curiously at a fragment of a smoke-stained lamp-shard, and died out, in the shadow of a clump of tamarisk trees.

  The mat-weaver’s hut under the lee of the Hindu temple was full of sleeping men who lay like sheeted corpses. Overhead blazed the unwinking eye of the Moon. Darkness gives at least a false impression of coolness. It was hard not to believe that the flood of light from above was warm. Not so hot as the Sun, but still sickly warm, and heating the heavy air beyond what was our due. Straight as a bar of polished steel ran the road to the City of Dreadful Night; and on either side of the road lay corpses disposed on beds in fantastic attitudes – one hundred and seventy bodies of men. Some shrouded all in white with bound-up mouths; some naked and black as ebony in the strong light; and one – that lay face upwards withdropped jaw, far away from the others – silvery white and ashen grey.

  ‘A leper asleep; and the remainder wearied coolies, servants, small shopkeepers, and drivers from the hack-stand hard by. The scene – a main approach to Lahore city, and the night a warm one in August.’ This was all that there was to be seen; but by no means all that one could see. The witchery of the moonlight was everywhere; and the world was horribly changed. The long line of the naked dead, flanked by the rigid silver statue, was not pleasant to look upon. It was made up of men alone. Were the women-kind, then, forced to sleep in the shelter of the stifling mud-huts as best they might? The fretful wail of a child from a low mud-roof answered the question. Where the children are the mothers must be also to look after them. They need care on these sweltering nights. A black little bullet-head peeped over the coping, and a thin – a painfully thin – brown leg was slid over on to the gutter pipe. There was a sharp clink of glass bracelets; a woman’s arm showed for an instant above the parapet, twined itself round the lean little neck, and the child was dragged back, protesting, to the shelter of the bedstead. His thin, high-pitched shriek died out in the thick air almost as soon as it was raised; for even the children of the soil found it too hot to weep.

  More corpses; more stretches of moonlit, white road; a string of sleeping camels at rest by the wayside; a vision of scudding jackals; ekkaponies asleep – the harness still on their backs, and the brass-studded country carts, winking in the moonlight – and again more corpses. Wherever a grain cart atilt, a
tree trunk, a sawn log, a couple of bamboos and a few handfuls of thatch cast a shadow, the ground is covered with them. They lie – some face downwards, arms folded, in the dust; some with clasped hands flung up above their heads; some curled up dog-wise; some thrown like limp gunny-bags over the side of the grain carts; and some bowed with their brows on their knees in the full glare of the Moon. It would be a comfort if they were only given to snoring; but they are not, and the likeness to corpses is unbroken in all respects save one. The lean dogs snuff at them and turn away. Here and there atiny child lies on his father’s bedstead, and a protecting arm is thrown round it in every instance. But, for the most part, the children sleep with their mothers on the housetops. Yellow-skinned white-toothed pariahs are not to be trusted within reach of brown bodies.

  A stifling hot blast from the mouth of the Delhi Gate nearly ends my resolution of entering the City of Dreadful Night at this hour. It is a compound of all evil savours, animal and vegetable, that a walled city can brew in a day and a night. The temperature within the motionless groves of plantain and orange-trees outside the city walls seems chilly by comparison. Heaven help all sick persons and young children within the city tonight! The high house-walls are still radiating heat savagely, and from obscure side gullies fetid breezes eddy that ought to poison a buffalo. But the buffaloes do not heed. A drove of them are parading the vacant main street; stopping now and then to lay their ponderous muzzles against the closed shutters of a grain-dealer’s shop, and to blow thereon like grampuses.

  Then silence follows – the silence that is full of the night noises of a great city. A stringed instrument of some kind is just, and only just audible. High over head some one throws open a window, and the rattle of the woodwork echoes down the empty street. On one of the roofs a hookah is in full blast; and the men are talking softly as the pipe gutters. A little farther on the noise of conversation is more distinct. A slit of light shows itself between the sliding shutters of a shop. Inside, a stubble-bearded, weary-eyed trader is balancing his account-books among the bales of cotton prints that surround him. Three sheeted figures bear him company, and throw in a remark from time to time. First he makes an entry, then a remark; then passes the back of his hand across his streaming forehead. The heat in the built-in street is fearful. Inside the shops it must be almost unendurable. But the work goes on steadily; entry, guttural growl, and uplifted hand-stroke succeeding each other with the precision of clock-work.

  A policeman – turbanless and fast asleep – lies across the road on the way to the Mosque of Wazir Khan. A bar ofmoonlight falls across the forehead and eyes of the sleeper, but he never stirs. It is close upon midnight, and the heat seems to be increasing. The open square in front of the Mosque is crowded with corpses; and a man must pick his way carefully for fear of treading on them. The moonlight stripes the Mosque’s high front of coloured enamel work in broad diagonal bands; and each separate dreaming pigeon in the niches and corners of the masonry throws a squab little shadow. Sheeted ghosts rise up wearily from their pallets, and flit into the dark depths of the building. Is it possible to climb to the top of the great Minars, and thence to look down on the city? At all events the attempt is worth making, and the chances are that the door of the staircase will be unlocked. Unlocked it is; but a deeply sleeping janitor lies across the threshold, face turned to the Moon. A rat dashes out of his turban at the sound of approaching footsteps. The man grunts, opens his eyes for a minute, turns round, and goes to sleep again. All the heat of a decade of fierce Indian summers is stored in the pitch-black, polished walls of the corkscrew staircase. Halfway up there is something alive, warm, and feathery; and it snores. Driven from step to step as it catches the sound of my advance, it flutters to the top and reveals itself as a yellow-eyed, angry kite. Dozens of kites are asleep on this and the other Minars, and on the domes below. There is the shadow of a cool, or at least a less sultry breeze at this height; and, refreshed thereby, turn to look on the City of Dreadful Night.

  Doré might have drawn it! Zola could describe it – this spectacle of sleeping thousands in the moonlight and in the shadow of the Moon. The roof-tops are crammed with men, women, and children; and the air is full of undistinguishable noises. They are restless in the City of Dreadful Night; and small wonder. The marvel is that they can even breathe. If you gaze intently at the multitude you can see that they are almost as uneasy as a daylight crowd; but the tumult is subdued. Everywhere, in the strong light, you can watch the sleepers turning to and fro; shifting their beds and again resettlingthem. In the pitlike courtyards of the houses there is the same movement.

  The pitiless Moon shows it all. Shows, too, the plains outside the city, and here and there a hand’s-breadth of the Ravee without the walls. Shows lastly, a splash of glittering silver on a housetop almost directly below the mosque Minar. Some poor soul has risen to throw a jar of water over his fevered body; the tinkle of the falling water strikes faintly on the ear. Two or three other men, in far-off corners of the City of Dreadful Night, follow his example, and the water flashes like heliographic signals. A small cloud passes over the face of the Moon, and the city and its inhabitants – clear drawn in black and white before – fade into masses of black and deeper black. Still the unrestful noise continues, the sigh of a great city overwhelmed with the heat, and of a people seeking in vain for rest. It is only the lower-class women who sleep on the house-tops. What must the torment be in the latticed zenanas, where a few lamps are still twinkling? There are footfalls in the court below. It is the Muezzin – faithful minister; but he ought to have been here an hour ago to tell the Faithful that prayer is better than sleep – the sleep that will not come to the city.

  The Muezzin fumbles for a moment with the door of one of the Minars, disappears awhile, and a bull-like roar – a magnificent bass thunder – tells that he has reached the top of the Minar. They must hear the cry to the banks of the shrunken Ravee itself! Even across the courtyard it is almost overpowering. The cloud drifts by and shows him outlined in black against the sky, hands laid upon his ears, and broad chest heaving with the play of his lungs – ‘Allah ho Akbar’; then a pause while another Muezzin somewhere in the direction of the Golden Temple takes up the call – ‘Allah ho Akbar.’ Again and again; four times in all; and from the bedsteads a dozen men have risen up already. – ‘I bear witness that there is no God but God.’ What a splendid cry it is, the proclamation of the creed that brings men out of their beds by scores at midnight! Once again he thunders through the same phrase, shaking with the vehemence of his own voice; and then, far and near, the night air rings with ‘Mahomed is theProphet of God.’ It is as though he were flinging his defiance to the far-off horizon, where the summer lightning plays and leaps like a bared sword. Every Muezzin in the city is in full cry, and some men on the roof-tops are beginning to kneel. A long pause precedes the last cry, ‘La ilaha Illallah,’ and the silence closes up on it, as the ram on the head of a cotton-bale.

  The Muezzin stumbles down the dark stairway grumbling in his beard. He passes the arch of the entrance and disappears. Then the stifling silence settles down over the City of Dreadful Night. The kites on the Minar sleep again, snoring more loudly, the hot breeze comes up in puffs and lazy eddies, and the Moon slides down towards the horizon. Seated with both elbows on the parapet of the tower, one can watch and wonder over that heat-tortured hive till the dawn. ‘How do they live down there? What do they think of? When will they awake?’ More tinkling of sluiced water-pots; faint jarring of wooden bedsteads moved into or out of the shadows; uncouth music of stringed instruments softened by distance into a plaintive wail, and one low grumble of far-off thunder. In the courtyard of the mosque the janitor, who lay across the threshold of the Minar when I came up, starts wildly in his sleep, throws his hands above his head, mutters something, and falls back again. Lulled by the snoring of the kites – they snore like over-gorged humans – I drop off into an uneasy doze, conscious that three o’clock has struck, and that there is a slight
– a very slight – coolness in the atmosphere. The city is absolutely quiet now, but for some vagrant dog’s love-song. Nothing save dead heavy sleep.

  Several weeks of darkness pass after this. For the Moon has gone out. The very dogs are still, and I watch for the first light of the dawn before making my way homeward. Again the noise of shuffling feet. The morning call is about to begin, and my night watch is over. ‘Allah ho Akbar! Allah ho Akbar!’ The east grows grey, and presently saffron; the dawn wind comes up as though the Muezzin had summoned it; and, as one man, the City of Dreadful Night rises from its bed and turns its face towards the dawning day. With return of life comes return of sound. First a low whisper, then a deep bass hum; for it mustbe remembered that the entire city is on the house-tops. My eyelids weighed down with the arrears of long deferred sleep, I escape from the Minar through the courtyard and out into the square beyond, where the sleepers have risen, stowed away the bedsteads, and are discussing the morning hookah. The minute’s freshness of the air has gone, and it is as hot as at first.