by John Norman
"Why have you come?" he asked.
"It is Kajuralia," I said to him, simply.
I held the bottle to him.
"Kajuralia?" he asked.
"Yes," I said.
He began to laugh, softly, hoarsely. "I was right," he said. "I was right."
"I do not understand," I said.
He began to suck at the bottle. There were few teeth left in his mouth; most had rotted and, apparently, snapped away, or had been broken off by him and discarded.
I forcibly drew the bottle from his mouth. I had no wish that he killed himself on the paga. I did not know what its shock would be to his system, after apparently months of torture, confinement, fear, poor food, the water, the urts.
"I was right," he said, nodding his head.
"About what?" I asked.
"That today was Kajuralia," said he.
He then indicated behind himself, on the wall, a large number of tiny, regularly formed scratches in the stone, perhaps cut there by a pebble or the edge of the tin drinking dish. He indicated the last of the scratches. "That is Kajuralia," he said.
"Oh," I said, regarding his crude calendar. There were a very large number of scratches.
"Like any other day," he laughed.
I let him have another small swig at the paga bottle.
"Somedays," he said, "I was not sure that I marked the wall, and then I would forget; sometimes I feared I had marked it twice."
"You were accurate," I said, regarding the carefully drawn scratches, the rows methodically laid out, the months, the five-day weeks, the passage hands.
I counted back the rows. Then I said, pointing to the first scratch. "This is the first day of En'Kara before the last En'Kara."
The toothless mouth twisted into a grin, the sunken eyes wrinkled with pleasure. "Yes," he said, "the first day of En'Kara, 10,118, more than a year ago."
"It was before I came to the House of Cernus," I said, my voice trembling.
I gave him another drink of the paga.
"Your calendar is well kept," I said. "Worthy of a Scribe."
"I am a Scribe," said the man. He reached under himself to hold forth for my inspection a shred of damp, rotted blue cloth, the remains of what had once been his robes.
"I know," I said.
"My name is Caprus," he said.
"I know," I said.
I heard a laugh behind me, and spun. Standing in the doorway, four guards armed with crossbows with him, stood Cernus, of the House of Cernus. With him also was the guard to whom I had given the paga. In the background I could see the lean Scribe whom I had thought for these many months to be Caprus. He was grinning.
The men stepped within the room.
"Do not draw your weapon," said Cernus.
I smiled. It would have been foolish to do so. The four men with crossbows leveled their weapons on me. At his distance the bolts would pass through my body, shattering against the stones behind me.
The guard to whom I had first given paga came over to Caprus and tore the bottle from his hand. Then, with the sleeve of his tunic, the guard distastefully wiped the rim of the bottle. "You were to have returned this paga to me," said the guard, "were you not?"
"It is yours," I said, "you have earned it."
The man laughed and drank.
"You, Killer," said Cernus, mocking, "would never make a Player."
"Apparently it is true," I said.
"Chain him," said Cernus.
One of the guards, putting his crossbow in the hall, brought forth heavy steel manacles. My hands were thrown behind my back. I felt the heavy steel close on my wrists.
"May I introduce to you, Caprus," said Cernus, looking down at the piteous chained figure by the wall, "Tarl Cabot of Ko-ro-ba?"
I stood stunned.
"Tarl Cabot," I said, numbly, "was slain in Ko-ro-ba."
"No," said Cernus, "the Warrior Sandros of Thentis was slain in Ko-ro-ba."
I looked at him.
"Sandros thought he was to be your Assassin," said Cernus. "It was for that purpose he thought himself sent to Ko-ro-ba. Actually he was sent there to die himself by the knife of a killer. His resemblance to a certain Koroban Warrior, perhaps Tarl Cabot, would make it seem clear, in the darkness of the night, that the knife had been intended for that Warrior, and a convenient clue, a patch of green, would lead to Ar, and doubtless then to the House of Cernus."
I could not speak.
"Sandros was a fool," said Cernus. "He was sent to Ko-ro-ba only to be slain, that you would be lured to this house, where in effect you have been my prisoner for more than a year."
"There must be some reason why you would want me here?" I said.
"Let us not jest, Tarl Cabot," said Cernus. "We knew that Priest-Kings would suspect our House, as we intended that they should; so simple a ruse, and profitable a one, as selling barbarian Earth girls under the auspices of the House, would guarantee their investigation. For this investigation, they would need men. Surely they would wish, if possible, to choose a man such as Tarl Cabot."
"You play well," I said.
Cernus smiled. "And to guarantee that it should be Tarl Cabot, whom we know, and with whom we, so to speak, have an old score to settle, the matter of the egg of Priest-Kings, we sent Sandros of Thentis to Ko-ro-ba where he, poor fool, was to be slain in your stead, that you should be brought here."
"You play brilliantly," said I.
Cernus laughed. "And so we arranged to have you arrive in our house, the trusted spy and agent of Priest-Kings, who would thus think themselves moving secretly and intelligently against us. And here, while we have through the months advanced our cause you have stood by, patiently and cooperatively, a dupe and a fool, our guarantee that Priest-Kings would not send another."
Cernus threw back his head and laughed.
"You speak of 'we' and 'our cause'," I said.
Cernus looked on me, unpleasantly. "Do not mock me," said he, "Warrior." He looked at me then and smiled. "I serve those who are not Priest-Kings."
I nodded.
"It is war, Tarl Cabot," said he. "And there will be no quarter given." He smiled. "Not then, nor now."
I nodded once more, accepting his words. I had fought. I had lost.
"Will you kill me?" I asked.
"I have an amusing fate in store for you," said Cernus, "which I have considered these many months."
"What?" I asked.
"But first," said Cernus, "we must not forget the little beauty."
I stiffened.
"Sura reports that she has trained superbly, that she is now capable of giving the most exquisite of pleasures to a master."
I tensed in the manacles.
"I understand she expects, with the other two barbarians, to be purchased by an agent of Priest-Kings, and carried to safety and freedom."
I looked at him angrily.
"I expect," said Cernus, "that she will put on an excellent performance."
I wished that I might break the steel from my wrists and seize his throat.
"It should be worth seeing," said Cernus. "I will see that you have a chance to see it."
I choked with rage.
"What is the matter?" asked Cernus, concerned. "Do you not wish to see the little beauty presenting herself on the block. I expect she, with the others, will bring much gold to the House of Cernus, which we may then invest in our cause." He laughed. "It will be time enough, afterward," said he, "for her to learn that she has been truly sold."
"You sleen!" I cried. I hurled myself at Cernus but two men seized me, threw me back, then held my arms.
"You, Tarl Cabot," said Cernus, "would never make a Player."
"Sleen! Sleen!" I cried.
"Kajuralia," said Cernus, smiling, and turned and left the cell.
I stared after him. My wrists fought the steel. Two of the guards laughed.
"Kajuralia," I said bitterly. "Kajuralia."
19 — THE CURULEAN
The sale of Eli
zabeth Cardwell, Virginia Kent and Phyllis Robertson, with that of Cernus' other trained barbarians, did not take place on the first night of the Love Feast, though they had been transported to the cages of the Curulean early in the first day.
The Love Feast, incidentally, as I may have mentioned, occupies the full five days of the Fifth Passage Hand, occurring late in summer. It is also a time of great feasting, of races and games.
Cernus, sensing the temper and curiosity of the crowds, had determined to make them wait for his surprise delights, over a hundred of them, whose supposed qualities of beauty and skill, enhanced by the mysterious aura of barbaric origin, had been for months the object of ever more eager rumors and excited speculations. Many were the furious Gorean slave girls who found themselves, early in the Love Feast, forced to ascend the block, while buyers were still waiting, before the largest quantities of gold would be spent, to be sold for prices less than they might otherwise have won for themselves under the conditions of a more normal market.
The evening of the fourth day of the Love Feast is usually taken as its climax from the point of view of slave sales. The fifth day, special races and games are celebrated, regarded by many Goreans as the fitting consummation of the holidays. These games are among the most heavily attended and important of the year. It was on the evening of the fourth day of the Love Feast that Cernus decided to bring Elizabeth Cardwell, Virginia Kent and Phyllis Robertson, with his other barbarian slave girls kidnapped from Earth, before the buyers, not only of Ar but of all the cities of known, civilized Gor.
It was now the fourth day of the Love Feast.
Hooded, a chain on my throat, my wrists in steel behind my back, I stumbled after a tharlarion wagon, to the back of which my throat chain had been bolted, through the streets of Ar. On the wagon there rode some eight guards. Behind me, prodding me upon occasion with the butts of their spears, there walked two others. On the seat of the wagon, which was drawn by a horned tharlarion, sat the driver and the Scribe whom I had known as Caprus, whose real name, as I had been informed, was Philemon of Tyros, an island some hundreds of pasangs west of Port Kar. In the House of Cernus, however, to all, he had been known simply as Caprus, having been introduced to the staff and guards in this fashion by Cernus. He had been a member of the staff of Caprus, the agent of Priest-Kings, until the latter had disappeared, presumably because he had displeased Cernus; Philemon of Tyros had then assumed Caprus' position and duties.
I was barefooted and not used to so walking the stone streets of Ar. Hooded, it was further difficult to pick my way. Particularly was I angered by the occasional large, flat blocks of stone placed across the streets, low enough to permit a wagon to pass over them, and separated by enough distance to allow the passage of a wagon's wheels, but surely a threat to a tethered fool, shackled and hooded, led on a chain behind a wagon. The purpose of the blocks, which are used where the streets are curbed, is to provide stepping stones for crossing the street when there have been heavy rains.
Occasionally, unexpectedly, I would be struck by a stone or a strap and hear a jeer or mocking cry.
It was hot in the slave hood, of several layers of thick leather, stifling, locked under my chin and about my throat; further, this hood, like many, was so constructed as to ensure silence in a prisoner; I could not spit out the thick leather wad that was packed in my mouth nor, because of the straps that held it in place, dislodge it.
Another strap stung my legs, across the calves. "Slave!" I heard.
It had been a girl's voice, perhaps a slave herself.
In Ar, as on Gor generally, a slave, on threat of torture and impalement, must endure whatever abuse a free person cares to inflict on him.
In my position, bound and hooded, anyone might strike me with impunity, even slaves.
Those who jeered me or sported with their straps and stones would have little reason for not thinking me slave. I was barefooted; my only garment was a short woolen, sleeveless tunic; on both the back and front of this tunic was sewn a large block letter, the initial letter of the Gorean expression "Kajirus," which means a male slave.
I fell down several times but the cart did not stop; each time I managed to regain my feet, though sometimes I was dragged for several yards before, nearly strangling, I managed to get up once more. Twice children tripped me; at least twice one of the guards with the butt of his spear did so. They laughed.
I knew that I was on my way to the Curulean.
I supposed that Elizabeth Cardwell would be pleased and excited at this hour.
In my heart I laughed bitterly.
"Slave!" I heard, and felt again the sting of a strap in someone's hand. And then the strap fell twice again. "Slave! Slave!"
When a girl first arrives at the Curulean, there is, on a ticket wired to her collar, a lot number. Elizabeth, Virginia and Phyllis would have the same lot number. The papers of most of the girls, including those of Elizabeth, Virginia and Phyllis, had been transmitted days before to the staff of the Curulean, to be checked for authenticity, and for the updating of certain endorsements. The papers are correlated with the lot number and the girls' fingerprints are taken and checked against those on the papers. Some girls, whom the House had determined late would be sold, arrive at the Curulean with a small leather cylinder tied about their collar, which contains their papers, which girl is then, by the staff of the Curulean, assigned a lot number. Lana, whom Ho-Tu, who held considerable power in the House of Cernus, had decided to sell at the Love Feast, so arrived at the Curulean. Virginia, thanks to Ho-Tu, need not fear that the forward Lana would be likely to soon grace the leash of her Relius. When the members of the staff of the Curulean are satisfied that the girl's papers are in order the ticket with her lot number is stamped approved.
I stumbled again, on one of the large, broad, flat stepping stones, and fell forward and was jerked by the chain tearing at the back of my neck, and struggled again to my feet, hearing through the thick layers of leather in the slave hood the laughter of the guards, as though far away.
The girls, when brought to the Curulean, are braceleted and naked; they have been chained in slave wagons; they are brought to a large, heavy, barred gate in the rear of the large building, through which they are led; the bracelets are, of course, to secure them; the lack of clothing is simply to save the trouble of transporting numerous sets of slave livery back to the House; by the time the girls arrive at the Curulean the slave livery which had been theirs may already have been washed and be drying, soon to be ready for issue to another.
"This is the Curulean," I heard Philemon of Tyros say, the words sounding far off, blurred through the hood.
The wagon stopped, and I felt the heavy, slack chain dragging at my collar.
This was the evening of the fourth day of the Love Feast, the climax of the feast insofar as the sales of slaves was concerned; this was the night Cernus would put his barbarian beauties on the block; tomorrow would be the concluding races and games, wild, dizzying hours in the Stadium of Tarns and that of Blades, bringing the Love Feast to its frenzied conclusion; it was tomorrow, in the Stadium of Blades, that Cernus had informed me I would die.
I heard two girls laugh and I felt my ankles seized and held while small hands thrust me on my back, taking me by surprise and throwing me heavily forward; I struck my shoulder on the back of the cart and the booted foot of a Warrior thrust me from the cart and I fell to my knees on the stones; when I wished to rise a Warrior's hand on my shoulder prevented me. Then another Warrior, with his two hands, thrust my hooded head to the sandal of one of my unseen tormentors; I heard her laugh; then my head was jerked up and thrust down again, to the sandal of another; I heard her laugh.
"You have had your sport," said Philemon. "Be gone, Slaves."
I heard the two girls laugh and dart away.
I was conscious of a crowd about me, not that I was the center of it, but that many men, and some women, were passing about me, probably on the way into the Curulean; there was much bust
le, some shouting, much talking and moving. Most were doubtless on their way to the ticket booths, for there is a small charge to enter the Curulean; the fee, though minimal, helps to defray the expenses of the market, most of which are met by commissions on sales transacted on its premises; the fee also tends to some extent, but I suspect not greatly, to discourage attendance at the market by the merely curious or the indigent.
I heard my neck chain being unbolted from the back of the wagon. When it was free I was jerked to my feet and, stumbling in the midst of my guards, was led from the street, around the back of the building, where we entered through a small, private gate. Within, the hood was, to my satisfaction, removed; when the large wad of soured leather was removed from my mouth I threw up against one wall; the guards laughed and struck me; the lights, lamps, though they were feeble, seemed very bright, and ringed with many colors; the hood had been dark and hot and wet, stiffling; now even the close, humid air of the Curulean seemed welcome and cold. My wrists pulled futilely against the circles of steel that confined them; I felt the point of a short sword in my back.
"This way," said Philemon.
We began to walk down a long, slowly bending passageway. I had seen the Curulean from the outside before, but I had never been inside. From the outside it resembles several tiers of disks, surrounded by a circling portico with lofty, fluted columns; the predominant colors are blue and yellow, the traditional colors or the Gorean slaver; around the outside there are large numbers of well-wrought mosaics set in the walls, and on the floor of the circling portico; various scenes, stories and events are depicted, primarily having to do with, as would be expected, the trade of the Slaver, and his merchandise; there are hunting scenes, for example, and those of capture, enslavement, training, the sale, the dance, submission, and so on.
One striking set of mosaics details a slave raid from its initial planning phases through the successful return of the Slavers, on tarnback, to Ar with their stunning victims; another picks up this story from the registration and training of prizes to the block of the Curulean itself; another records the theoretical history of certain of these prizes, fortunate enough to be sold to men of Ar, who find eventual rapture in the arms of their masters, of Ar naturally. There is another set of interesting mosaics, each portraying a chained beauty, identified as being of a given city, kneeling before a Warrior, identified as being of Ar.