A spray of bullets pulverized the skull of one and almost tore the other in half. They disappeared beneath the surface in a dark spreading cloud of blood.
Culver moved forward again, wary of the gunfire and praying that Ellison would keep his aim as far away from him as possible. Meanwhile, Fairbank had seen the danger and was trying to reach Ellison.
He was only a few feet away when a human body, floating face downwards, spun into him, turning over as it did so to reveal an open crimson mess in its shoulder and throat.
The jolt sent Fairbank reeling backwards, causing him to lose balance, to fall into the turbulent water, the outstretched arms of the dead man becoming entangled in his own so that the corpse sank with him, plunging down in macabre embrace. Fairbank screamed below water and his throat was filled, choking him, sending him spluttering and heaving to the surface, thrashing out blindly to regain his balance.
Culver was still five yards from Clare when her body jolted rigid and holes punctured her chest, rapidly moving upwards, the last appearing in her turned-away cheek before continuing a splattering pattern in the painted plaster behind her. She turned her head, the rat and the searing pain forgotten in the all-encompassing white shock. Although dying's full agony would take a few moments to touch her, red stains swiftly spreading outwards from the deep wounds, Clare was fully aware of what had happened, could see the gunman some distance away (strangely hard-edged clear despite the loss of her glasses), the ugly, lethal machine he held now quiet, Ellison's staring eyes filled with their own shock, the fusing bubbling water, each ripple visible and individual, each spark from the malfunctioning equipment a separate shooting star, a curving pellet of incandescence, each face that watched her sharply defined, each emotion
from them sensed by her. She was even aware of the teeth locked into her neck, immobile now for the rat had been shot, too, although not mortally wounded. Fear had gone as though released by the killing wounds, exorcized by the oncoming of death itself. All that remained was recognition, a fleeting insight to what was, what is, what always is; the acceptance before closedown. This, coupled with the knowledge that nothing was final.
The intense pain came, but it was brief.
Clare's eyelids covered the already fading scene as she slid down the wall into the water. Only the clinging thing, trapped by its own frozen grip, struggled feebly to rise to the surface once more.
Culver watched in dismay as the doctor disappeared, her white face devoid of expression, the hole in her cheek pumping dark red blood the only blemish.
He dived full-stretch, the impetus carrying him through the meshing currents, reaching her limp, sunken body before it had time to drift. Gathering her in his arms he heaved himself upwards, bursting through the rough surface to gasp in air, hugging her to him, his back against the wall. With horror he saw the rat still clinging to her neck, back legs kicking, raking her, and he reached for it with one hand, trying to tear it loose, incensed by its tenacity. The rat would not, or could not, release her.
In sheer rage, and in the knowledge that Clare was already dead, Culver gripped the giant rodent around the throat with both hands, squeezing as he did so, allowing the woman's body to slip back into the water, using her own weight and his strength to pull the rat from her. Flesh ripped as the creature came away, and a dripping sliver of skin dangled from its jaws. Culver spun wildly, swinging the rat's scrabbling body through the air, smashing it into the wall,
feeling rather than hearing small bones break, swinging again and again until the animal hung soft and unmoving in his hands. He threw it away from him with a cry of disgust, then bent down, feeling for Clare's body, clutching at her hair, a shoulder, pulling her to the surface again. He cradled her in his arms and examined her face, gently lifting one eyelid just to make sure, just to confirm, just to assure himself that she really was dead. The familiar coldness crept through him and he let her slip away.
He waited several moments, eyes closed, head resting against the wall, before wading back to the others, soon aware that the water had risen to a point only inches below his chest.
Fairbank had Ellison pinned up against the high wall of machinery, a hand gripped beneath the other man's chin, pushing his head back. He was shouting at Ellison, but Culver could not make out the words.
Strachan was trying to separate them both with little success. The others, Kate among them, face screwed tight with this new grief, clung to anything firm they could find - equipment, struts supporting the catwalk, doorframes, anything solid. Culver shuddered as he noticed that above them, clinging to pipes and conduits, the vermin had massed, creating a bizarre black cloud of moving bodies. Many were dropping onto the catwalk and stealthily edging their way along as if wary of the weapon that had been used against them.
Culver knew that he and the others had no choice but to leave the shelter: either the water or the vermin would soon overwhelm them if they remained. He headed for Dealey.
Dealey tried to back away when he saw the look on Culver's face, but there was nowhere to go apart from the Operations Room, which was awash with dangerous floating furniture. He made a sudden break for the ladder leading up to the catwalk and stopped when he noticed the dark moving shapes through the grillwork. A rough hand spun him round.
'Where is it, Dealey?' the pilot yelled. 'Where's the other way out?'
'Culver, above us, look, for God's sake, look!'
'I know. We haven't much time. We've got to leave right now, before it's too late!'
Dealey slipped and would have been swept away had not Culver hung onto him.
The main ventilation shaft!' the older man screeched. There's a ladder inside, rungs set in the wall!'
'Why the hell didn't you tell us before?' Culver raised an angry fist as if to strike him, but checked himself. Maybe later - if they got out. "Why did you make us go through the tunnel? You knew the bloody danger!'
We needed to know the state of the tunnels. That was our link with the other shelters.'
‘You used us, you bastard!'
'No, no. There's no way down from the shaft, you see, not from the outside! It rises to a tower above ground level and the top is sealed!'
'Christ, we could have ...'
Culver stopped. There was no sense in arguing, not now. Not with the complex flooding, the water still rising, the rats gathering overhead. 'Let's get to it.'
He looked around, saw Farraday nearby. 'I guess you knew about this too?'
The senior engineer shook his head. 'I had no cause to; maintenance wasn't my department.'
'All right. We'll round up as many people as we can, grab anything that might come in useful on the outside. You take
a couple of men and make for the sick bay, get anyone in there to the main vent shaft. Check the dormitories, the test rooms - anywhere you can - but don't take long.'
*What about the dining area and the rest room? There's bound to be people in there.'
You saw what happened to Dr Reynolds, the rats swimming in that direction. I don't think we can help them.'
Culver glanced upwards. Several black shapes were directly over their heads. 'Fairbank!' he shouted, but the engineer could not hear over the general noise and was too busy venting his fury on Ellison to notice what was happening. Culver released Dealey and pushed his way over to them. He wrenched the machine gun from Ellison's grasp, knowing little about the weapon but hoping it still had more ammunition in it. Fairbank, Ellison and Strachan watched in surprise as he raised the gun and pulled the trigger.
The effect was explosive. A hail of bullets whined off metal surfaces, smashed into the banks of machinery, scattering the black mutants, hitting many, propelling them into the air, wounding and destroying, but mainly causing panic. And a newfound respect in the vermin for the human aggressor.
Culver stopped firing, his eyes ever-watchful, and quickly told the others of Dealey's disclosure. If their circumstances had not been so critical he thought the three men would have grabbed Dea
ley and held him under water until he drowned. And he, Culver, might have helped.
'Collect anything you can to use as weapons!' he told them. The armoury must be flooded by now, not that we have time to reach it, anyway. Anyone you can find still carrying a gun will be an asset, so go look. Now! Get to the main shaft as quickly as you can, but try to find as many others as possible.'
We can't go looking for them!' Strachan was visibly shaking. We must get to the vent right away.'
Culver lowered the gun so that it was aimed at a point between Strachan's eyes. 'I'm just telling you to take the long way round.' He didn't shout, but his words were heard plainly enough.
We need some protection,' Ellison pleaded. 'Let me take the gun.'
Culver altered his aim. 'No chance,' he said coldly.
Strachan and Ellison saw something in the pilot's eyes that was as frightening as the danger around them; they pushed themselves back in the water, watching Culver all the time, then disappeared into a channel between equipment racks.
Fairbank regarded Culver with raised eyebrows. 'I'm with you, remember?'
Culver relaxed as much as circumstances would allow. ‘Yeah, and it's good to have you. Let's move.'
He pushed himself away from that side of the aisle, allowing the current to carry him at a slight angle towards Dealey, Kate and a small group of others who had gathered in the vicinity of the Operations Room. Fairbank followed.
Culver steadied himself by grabbing hold of the same catwalk support that Kate clung to, the arm bearing the submachine gun encircling her shoulders. She leaned against him, her eyes searching his. Her lips formed the name 'Clare' and he could only shake his head.
'Dealey!' he shouted. We need torches.'
Dealey pointed into the doorway. 'In there, on the shelves!'
At a flick of the head from Culver, Fairbank dived through, pushing away floating furniture and scanning the
shelves lining the walls for lamps, flashlights, and anything else that might be useful as a weapon. His eyes lit on something stashed away on the top of a long, fixed grey metal cabinet in a corner to his left. If a certain part could be broken off, it would make an effective weapon. He climbed onto the photocopier by the cabinet, its surface almost a foot beneath the water, and reached up.
Outside, Culver was moving the group of huddled survivors towards the passageway that would lead them to the main ventilation shaft. There were five others apart from Dealey, Kate and himself: four engineers and the caretaker. They had formed a chain across the corridor leading to the dining area and kitchen, the currents there particularly fierce as floodwater from separate sources converged.
Culver was leading, his hand gripped tightly around Kate's wrist. Behind her came the black maintenance engineer named Jackson, then Dealey. The other three engineers were spread across the open corridor, struggling to keep upright in the current, the caretaker, backed against a wall on the other side, acting as anchor man.
Culver's right elbow was bent, the gun pointing upwards. Every so often he released a round of bullets, sending the gathering vermin scurrying back into darker hiding places. But they seemed less afraid, returning to their previous positions more speedily, slinking forward in packs as if sensing their enemy's vulnerability. Culver groaned when the weapon clicked empty.
The main ventilation shaft was not far away, just along the passageway, then left towards the switching units, but he wondered if they could make it, whether it would be the rising water or the vermin that would defeat their purpose.
He breathed in acrid fumes and began to choke. Smoke spread rapidly across the ceiling and swirled downwards,
creating a thick, churning fog. Oh shiiiiit! There were other alternatives. They could also be suffocated or burned to death.
The explosion seemed to rock the very foundations of the complex and water either jumped above his head or he slipped down into it - Culver couldn't be sure which.
When his head and chest came clear again, the shelter was almost in total darkness. The red flickering glow from another part of the Exchange, a glow that moved and spread, drawing closer by the second, dimmed only by swilling smoke, reminded him that the worst could always get worse.
For Bryce, the reality was more horrendous than any nightmare he had ever known. He had come to after his sedation with the full knowledge that the disease had him. It was too soon for the full symptoms to be evident, but the dryness in his throat, the feeling of burning up inside, and the fierce headache, were the indications and the forerunners of the agony to follow. In a few days' time there would be agitation, confusion and hallucinations; then muscle spasms, stiffness of the neck and back, convulsions and perhaps even paralysis. He knew the symptoms - Civil Defence staff were made aware of them in their training - and he dreaded the inevitable pain he was promised. He would not be able to drink and the inability to swallow properly would cause him to foam at the mouth, to be mortally afraid of liquids, to be terrified of his own saliva. The fits, the madness, would eventually lead him into a coma, a pain-filled exhaustion and, mercifully, death would come soon after.
His hand was numb at the moment, but the memory of Dr Reynolds' quickly administered treatment sent fresh nausea sweeping through him.
After injecting him against the pain, she had squeezed the stumps of his fingers, encouraging them to bleed a little more. Then, using a syringe, she had forced benzalkonium, an antiseptic detergent, into the open wounds, after which,
and despite his moaning protests, she had carefully applied a small amount of nitric acid. He was weeping by the time she injected the antiserum around the wounds, and ready to collapse when a further dose was injected into a muscle in his wrist.
And he was pleading by the time she had administered the vaccination, puncturing the side of his abdomen below the ribs fourteen, fifteen, sixteen - he lost count after seventeen - times, quietly explaining to him that the treatment was absolutely vital if he were to survive, ignoring his protests which grew more desperate yet more feeble each time the needle pierced his skin, telling him that each 2ml. subcutaneous injection was an attenuated virus prepared from the brains of rabid animals - as if he really cared. When Dr Reynolds was through, Bryce really couldn't care less about anything, anyone, or himself even; he had swooned back onto the bunkbed and sunk into sweet oblivion.
To wake later, sensing the first pangs of the disease upon him (knowing it wasn't only the after-effects of drugs, or the side-effects of the antiserum, that the treatment hadn't worked, that the disease was in him, feeling it spreading, flowing with his own blood) and slowly becoming aware that something more was wrong, lying there in the subdued lighting of the sick bay with other ailing survivors, listening to the screams and shouts beyond the closed door, the strange rushing sound, the lapping of water around the cot beds inside the medical room itself. Sharp sounds that sounded like ... sounded like gunfire.
Bryce sat upright and others around him, those whose sedation allowed, did the same, all of them confused and more than just frightened. A woman shrieked as water drenched the mattress she lay upon.
Bryce pushed himself back against the wall when tiny
waves lapped over onto his blanket. He was still groggy, and for a moment the cot-filled room swung in a crazy pendulum movement. Someone splashed by his bed and he flinched as ice-cold water slapped his cheek. Other figures followed and Bryce drew in his legs, crouching there in the gloom between his own cot and the one above, shying away from the splashes as if they were droplets of boiling water.
The patients were clamouring around the closed door, pushing against each other to be first out.
Bryce sensed what was about to happen but could not form the words to warn them. He raised his mutilated hand, his eyes imploring them to stop, his mouth open with just a rasping cry, a sound too weak to be heard.
The door burst open and those clustered around it were thrown back as floodwater avalanched in.
Within seconds Bryce's shoulders were c
overed and he was forced to scramble from the lower bed onto the one above, while around him figures floundered and fought against the torrent. The iron-framed bunks began to shift, slowly at first, like reluctant, ponderous animals; but soon the pressure became too much and they began to tip, to scatter, to roll towards the end of the room.
Bryce was thrown from the top bunk and the impact as he plunged beneath the surface dismissed the dragging residual effects of the drug. He rose spluttering and coughing, tangled in other arms and legs, pushing against them as they pushed against him. A double bunk toppled onto him and once more he was beneath the water, choking on its brackish taste, the iron frame heavy against his chest.
At first he fought against the weight, but as he struggled a notion sifted through the terror, nudging him in a quiet, stealthy manner. Why bother to fight? the thought asked, why resist when death was inevitable?
He tried to heave the metal bed from him, its mattress floating down onto his face as if conspiring with the water to smother him.
Wasn't this a better way to die? the inner voice said slyly. Wasn't this preferable to madness and pain?
The cot rose a few inches then slumped back as though another weight had been added to it, perhaps someone climbing onto it to keep free of the flood.
One or two minutes of unpleasantness before drifting off to sleep, a sleep deeper and more peaceful than you've ever known, one that could never be interrupted, never infringed upon. Never again tainted with living.
Yes, it was good, it was desirable. But the pain now; how can I accept the pain now?
Easily. Don't resist, that's the secret, that's the way. A few bad moments and then you'll drift. You'll see.
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