by Dan Dowhal
Copyright © Dan Dowhal, 2020
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All characters in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental.
Publisher: Scott Fraser | Editor: Allison Hirst
Cover designer: Sophie Paas-Lang
Cover image: istock.com/ilbusca
Printer: Webcom, a division of Marquis Book Printing Inc.
Library and Archives Canada Cataloguing in Publication
Title: Bury your horses / Dan Dowhal.
Names: Dowhal, Dan, 1954- author.
Identifiers: Canadiana (print) 20190194898 | Canadiana (ebook) 20190194928 | ISBN 9781459745391 (softcover) | ISBN 9781459745407 (PDF) | ISBN 9781459745414 (EPUB)
Classification: LCC PS8607.O98744 B87 2020 | DDC C813/.6—dc23
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To Harry,
who was always ahead of me on the path.
TABLE OF CONTENTS
ONE
TWO
THREE
FOUR
FIVE
SIX
SEVEN
EIGHT
NINE
TEN
ELEVEN
TWELVE
THIRTEEN
FOURTEEN
FIFTEEN
SIXTEEN
SEVENTEEN
EIGHTEEN
NINETEEN
TWENTY
TWENTY-ONE
TWENTY-TWO
TWENTY-THREE
TWENTY-FOUR
TWENTY-FIVE
TWENTY-SIX
TWENTY-SEVEN
TWENTY-EIGHT
TWENTY-NINE
THIRTY
THIRTY-ONE
THIRTY-TWO
EPILOGUE
ACKNOWLEDGEMENTS
ONE
To a northerner’s eye, this corner of the Chihuahuan Desert looks desolate, like some vast empty lot forsaken and left to sprout weeds and scrub brush. If you look more closely, though, you’ll see it’s not barren. Here, too, the ageless struggle to survive continues. Gaze up into the faded blue sky and you’ll see a turkey vulture circling lazily with the patience of death itself. Down on the ground, lizards and rodents, scorpions and snakes scurry and slither in the unrelenting dance of hunter and prey. If you sit and wait patiently, which is not easy to do in the brain-baking heat of a spring afternoon, you might even see one of the larger denizens — a puma, or a mule deer — moving through this deceptively bleak environment, exploiting the niche Nature has afforded it.
There is a perfectly straight black line down the middle of the thorn scrub landscape, showing that the ultimate predator has also staked a claim. But although humans have been industrious enough to place a highway here, it seems at first they are not so foolish as to inhabit the place.
But then, as the asphalt shimmers in the sun, a lone figure crests the horizon. Riding a motorcycle that costs several times more than most inhabitants of this New Mexico county earn in a year, the man is racing at full throttle, achieving speeds approaching two hundred miles per hour. It’s unclear whether he is momentarily taking advantage of the straight and deserted stretch of highway to test the vehicle’s capabilities, or is really in such a hurry to get to the small border town at the end of the road. In either case, he is pushing both his own limits and the machine’s.
A desert box turtle begins crossing the highway. Having waited out the winter in hibernation, the creature has been coaxed it out of its burrow by the late-April warmth, and evidently it has business on the other side of the road. The creature is, by nature, in no hurry, and steadfastly crawls toward its goal. The rider of the motorcycle spots the reptile traversing the road, and for a few seconds it appears he is planning to run over the turtle, but at the last moment, he veers abruptly out of the way.
This is a mistake. At such high speed the rapid jerking movement interrupts the motorcycle’s gyroscopic stability and causes its rear to fishtail violently. The man fights desperately to steer his machine, and as he rides the thin edge between control and calamity, the adrenalin-soaked battle for balance feels very familiar. The motorcycle leaves the road. While this reduces the speed, it also makes any chance of control impossible as the machine bounces over the rough terrain. Separated from his bike, the rider becomes a projectile, passing through and obliterating two large yucca plants before landing in a patch of creosote bushes. He is fortunate to be alive, though he feels far from it as he lies on the ground, awash in pain.
“Fuck!” he screams. “You stupid asshole, Shane!”
Self-recrimination is nothing new for Shane, but since it is currently counterproductive, not to mention historically ineffective, he abandons the exercise and instead inventories his injuries. On top of sundry contusions and sprains, his left arm, he realizes, is broken.
With his operable hand, Shane removes his motorcycle helmet, then pulls the glove off his right hand using his teeth. Slowly, he struggles to his feet, but when he places weight on his right leg, the knee buckles and almost sends him back to the ground. He does a frantic little dance on his uninjured leg, his fractured arm dangling at his side, and manages to retain his balance.
It feels to him, from experience, that the kneecap has popped out. He looks around for his motorcycle, which is fifty yards away, lying on its side and still idling.
“This ought to be fun,” he mutters, and hops toward the machine. He is halfway there when his foot catches on something in the soft soil, and he trips. He twists in mid-air to ensure he doesn’t land on his broken arm, and with practised expertise keeps his head forward, allowing his back and shoulders to absorb the impact.
As he lies there, summoning up the energy to rise again, he notices there are now three buzzards circling overhead, gliding in and out of the sun’s glare. The scavengers’ presence actually causes him to laugh.
“How about that. Just like in the movies.” Not much of one for reading, Shane loves cinema — especially old Westerns — having devoured film after film during the extensive travel involved in his past profession.
He watches the lazy aerial display until its significance hits home, then he rolls over and struggles to stand up again. By now glistening with perspiration, he manages to hop over to the motorcycle without losing his balance this time.
Despite his injuries, his first priority is to turn off the idling engine and examine his bike. He’s obviously not in any condition to try to right the motorcycle and ride it, but he loves the Ducati nevertheless and regrets any damage it has sustained. He ascertains that, in fact, the motorcycle has
fared far better in the accident than he has. Relieved, he turns his attention to the saddlebags.
“Shit. It figures.” Shane realizes that the motorcycle has landed on the side where his cellular phone was stowed. The easiest thing to do now is sit and wait for help, but based on the paucity of vehicles he has encountered on this particular highway, it could be a while before someone happens along.
He decides to try moving the motorcycle, reasoning that he need only raise the bike far enough to access the saddlebag underneath. He looks around for something to use as a lever, but the scrub brush of the Chihuahuan Desert offers no usable timber. Shane opts to use his head like a bull — an animal which, coincidentally, he has been compared to in the past. The best spot for leverage seems to be the seat, so he tries to get his head under it. Unable to achieve good purchase, he decides to make a hollow in the ground to allow for a better angle of leverage, and begins scooping out the soil with his good hand.
His digging dislodges a striped bark scorpion from its burrow. Unaware that this particular arachnid’s sting is almost never fatal, Shane lurches backward in a panicked reflex, jolting his fractured wrist. The pain — which had previously subsided to a tolerable throbbing — spikes beyond endurance, and he passes out.
When he regains consciousness, the scorpion has disappeared. He climbs to his feet and pats himself down with his one operable hand to make sure the creature has not crawled inside his clothes or some bodily crevice. Satisfied he is in no immediate danger of being stung, he is nevertheless reluctant to resume excavating. He looks around for something to use as a digging tool, cursing when the search proves futile.
The heat is oppressive, and Shane feels his face beginning to burn, so he picks up his motorcycle helmet, puts it on, and lowers the tinted visor against the glare. This reminds him of his resistance to using a visor in his former profession, and that remembrance makes him smile, despite his dire situation.
He looks down at his hole and pokes around with his boot to unearth any critters that might lie in wait. Even so, he has no desire to stick his hand or his head into the depression. Finally, he uses his teeth to pull on his glove, trusting the thick leather will protect him against scorpions, and cautiously resumes digging.
Nothing crawls out to disturb Shane’s excavation, and soon there is adequate space for him to get his bare head beneath the motorcycle seat. Removing his helmet, he pulls his broken arm against his belly, distributes his weight as evenly as possible, and — emitting a grunt — lifts with his head and shoulders.
He is elated to feel the motorcycle lifting, but it is evident that he will only be able to raise the bike a foot or so. Still, he can see that the flap of the trapped saddlebag is now clear of the ground. Straining to support the weight, he uses the elbow of his injured arm to shove his discarded helmet underneath the vehicle’s frame before relinquishing the weight and exhaling with a loud whoosh.
“Woo-hoo! You the man, Shane,” he hollers, permitting himself a little horizontal victory dance. Pivoting onto his good shoulder, he reaches underneath to unfasten the flap of the saddlebag and fishes through his belongings, retrieving the cellphone by touch alone.
When he looks down at the phone’s screen, he realizes there is no signal in this remote place. All his effort has been for nothing. He erupts in a scream of rage, but manages to refrain from hurling the offending phone into the scrub brush — no small feat, for Shane’s rage-filled attacks on inanimate objects are well documented. Instead, he covers his face with his good hand and begins to sob.
The pent-up tears flow easily, not only for his current predicament, but for the sea of angst that has been swelling over his torturous past week. Crying does not prove therapeutic, however, for in Shane’s mind, it is unmanly. Still, he cannot seem to stop — not, that is, until he realizes that millions of people would relish seeing his despair. Pride and stubbornness kick in, and he wipes away his tears.
“Stop it, you big pussy,” he chides himself. He really has no choice now but to wait for help. Reasoning that it would be unlikely a passing vehicle would have the ability to carry his motorcycle, he transfers his possessions to his alligator leather toiletry kit — it is a tight fit and the zipper won’t close. He considers donning the dental plate that holds the five artificial upper teeth replacing the ones he has lost over the years. But looking presentable is the least of his problems, and removing the dentures would only buy a little space, so he discards his can of shaving cream instead. He hasn’t shaved in three weeks anyway.
He stuffs in his wallet, passport, and traitorous cellphone, sticks the pouch under his arm, and hops back to the highway. Squinting at the blazing sun to gauge its bearing, he chooses the far side of a creosote bush, then removes his black leather jacket and drapes it over the branches to form a crude canopy before dropping to the ground.
Keeping a wary eye on the bare earth around him, he sits and watches the highway, which shimmers hypnotically in the afternoon heat. Finally, in the distance a rumbling engine announces a vehicle approaching. Shane climbs to his feet, fighting dizziness. Struggling for balance, he shouts and waves his good arm at an odd-looking vehicle. He makes out a vintage Indian brand motorcycle with sidecar, apparently piloted by unskilled hands, weaving across the lanes. As the bike draws near, the young male driver stares bug-eyed, unsure what to make of the scene.
“Stop! For the love of God, I need help! I’m hurt!” Shane screams. For a horrific few seconds he is convinced the motorbike is not going to stop. But relief washes over him as its brake lights go on and it veers onto the shoulder.
There is something peculiar about the gangly, bumpkin-like teenager who climbs off the motorcycle. His sandy-blond hair is cropped in a crude bowl cut, and his attire is like something from another century. The collarless shirt is filthy, and some of its myriad stains appear to be blood. The coarse black pants are torn and worn away at the knees and heavily soiled, as if the teen has been rolling in the dirt. Only the ankle-high leather clodhopper boots are in sound shape.
“You been in an accident, Mister?”
“My bike went off the road,” Shane says, indicating his overturned motorcycle. “My arm’s broken, and my knee’s screwed up pretty bad, too.”
“You bust your head?” the teenager asks.
Shane realizes the teen is referring to the missing teeth, cuts, and black eye Shane is sporting.
“Nah, I had these already. Listen, dude, can you call me an ambulance?”
The teen shakes his head, avoiding eye contact as he does so. “I’m not from around here, Mister,” he mutters in a low voice. “Don’t know about no ambulance. I think maybe there’s a hospital in Deming.”
“Okay, how about a lift, then? How far’s Deming?”
The teen looks down the road before answering. “Sorry. I got to get going. I’m in a hurry. There’s bound to be a car along soon.”
“Aw, for fuck’s sake, you can’t just leave me here!” Shane protests. “Look, I’ll pay you a hundred dollars for a lift.”
Shane hops over to his shelter and reaches into his toiletry kit to extract a roll of hundred-dollar bills. He peels one off and waves it at the teen, whose eyes widen. He walks over to silently grab the proffered money.
“Okay, now we’re getting somewhere,” Shane says. “Help me over to your bike, will you?” He zips up the toiletry bag and is about to tuck it under his uninjured arm, but realizes the best approach will be to wrap that good limb around the teen’s shoulder for support.
“Here, hang on to this, will you?” he asks, handing over his kit. The teenager freezes, holding the bag far out in front of him like it’s some sort of dangerous animal. Then, abruptly, he turns and dashes back to the motorcycle. Shane stands transfixed, refusing to believe what he is seeing … until the engine starts up and the Indian zigzags away. Now Shane has plenty of words, all of them expletives, but it’s too late, as the bike vanishes down the highway. His anger sustains him for a little while, but when it subsides
, he is left feeling weaker than before. He hops back to the shade of his makeshift canopy and resumes his vigil.
TWO
The desert stirs as the wind picks up. At first the moving air has a welcome cooling effect, then grit starts blowing into Shane’s face. He covers his head with his leather jacket, peeking out periodically to scan the road and eat a little dust. With time on his hands it is inevitable he should start reflecting on his predicament.
“How the hell did you get yourself into this mess?” he asks himself aloud. The question is rhetorical, for he has mentally replayed the events of the past week over and over. Admittedly, today’s motorcycle crash and robbery add troubling new footage to his highlight reel of regrets.
Feeling drowsy, he closes his eyes and drifts off. Awoken by a loud rumbling in his ears, he throws off the jacket covering his head and sees a large four-by-four pickup idling on the highway. The truck is completely decked out in off-road accessories, and the chassis has been lifted to accommodate five-foot monster tires.
The young, black-haired, olive-skinned driver is leaning out the window, peering at Shane through mirrored sunglasses, while two older, hard-looking, moustachioed Hispanic men in straw cowboy hats stand in the back of the truck, clinging to a roll bar and glaring at him.
“Help me!” Shane calls out, but his throat is so dry the words come out as an unintelligible croak.
“Que? No hablo Inglés,” the driver replies, giving the men in back cause to chortle.
Shane swallows hard and tries again.
“I need help. I had an accident and my arm’s broken. Then some kid on an old Indian motorcycle robbed me. I need an ambulance.”
At the word Indian, the driver’s bemused expression disappears. He climbs out of the cab and approaches Shane.
“The Indian. Was it black with a sidecar?” he demands in perfect English.
“Yeah, that’s it. This punk-ass blond kid was driving it. He stole my wallet, my cellphone … everything I had.”
“When?”
“I don’t fucking know. Maybe twenty minutes ago. Look, dude, I need a hospital.”