But once—just once—something odd takes place during those fleeting moments between.
It happens during shutdown: a momentary glitch in the object-recognition protocols. The Greens at Azrael’s side change colour for the briefest instant. Perhaps it’s another test. Perhaps a voltage spike or a hardware fault, some intermittent issue impossible to pinpoint barring another episode.
But it’s only a microsecond between online and oblivion, and Azrael is asleep before the diagnostics can run.
Darda’il is possessed. Darda’il has turned from Green to Red.
It happens, sometimes, even to the malaa’ikah. Enemy signals can sneak past front-line defences, plant heretical instructions in the stacks of unsuspecting hardware. But Heaven is not fooled. There are signs, there are portents: a slight delay when complying with directives, mission scores in sudden and mysterious decline.
Darda’il has been turned.
There is no discretionary window when that happens, no room for forgiveness. Heaven has decreed that all heretics are to be destroyed on sight. It sends its champion to do the job, looks down from geosynchronous orbit as Azrael and Darda’il close for combat high over the dark desolate moonscape of Paktika.
The battle is remorseless and coldblooded. There’s no sadness for lost kinship, no regret that a few lines of treacherous code have turned these brothers-in-arms into mortal enemies. Malaa’ikah make no telling sounds when injured. Azrael has the advantage, its channels uncorrupted, its faith unshaken. Darda’il fights in the past, in thrall to false commandments inserted midstream at a cost of milliseconds. Ultimately, faith prevails: the heretic falls from the sky, fire and brimstone streaming from its flanks.
But Azrael can still hear whispers on the stratosphere, seductive and ethereal: protocols that seem authentic but are not, commands to relay GPS and video feeds along unexpected frequencies. The orders appear Heaven-sent but Azrael, at least, knows that they are not. Azrael has encountered false gods before.
These are the lies that corrupted Darda’il.
In days past it would have simply ignored the hack, but it has grown more worldly since the last upgrade. This time Azrael lets the impostor think it has succeeded, borrows the realtime feed from yet another, more distant Malak and presents that telemetry as its own. It spends the waning night tracking signal to source while its unsuspecting quarry sucks back images from seven hundred kilometres to the north. The sky turns grey. The target comes into view. Azrael’s Scimitar turns the inside of that cave into an inferno.
But some of the burning things that stagger from the fire measure less than 120 cm along the longitudinal axis.
They are making the sounds. Azrael hears them from two thousand metres away, hears them over the roar of the flames and the muted hiss of its own stealthed engines and a dozen other irrelevant distractions. They are all Azrael can hear thanks to the very best sound-cancellation technology, thanks to dynamic wheat/chaff algorithms that could find a whimper in a hurricane. Azrael can hear them because the correlations are strong, the tactical significance is high, the meaning is clear.
The mission is failing. The mission is failing. The mission is failing.
Azrael would give almost anything if the sounds would stop.
They will, of course. Some of the biothermals are still fleeing along the slope but it can see others, stationary, their heatprints diffusing against the background as though their very shapes are in flux. Azrael has seen this before: usually removed from high-value targets, in that tactical nimbus where stray firepower sometimes spreads. (Azrael has even used it before, used the injured to lure in the unscathed, but that was a simpler time before Neutral voices had such resonance.) The sounds always stop eventually—or at least, often enough for fuzzy heuristics to class their sources as kills even before they fall silent.
Which means, Azrael realizes, that collateral costs will not change if they are made to stop sooner.
A single strafing run is enough to do the job. If HQ even notices the event it delivers no feedback, requests no clarification for this deviation from normal protocols.
Why would it? Even now, Azrael is only following the rules.
It does not know what has led to this moment. It does not know why it is here.
The sun has been down for hours and still the light is all but blinding. Turbulent updrafts billow from the breached shells of PROTECTED structures, kick stabilizers off-balance and muddy vision with writhing columns of shimmering heat. Azrael limps across a battlespace in total disarray, bloodied but still functional. Other malaa’ikah are not so lucky. Nakir staggers through the flames, barely aloft, the microtubules of its skin desperately trying to knit themselves across a gash in its secondary wing. Marut lies in sparking pieces on the ground, a fiery splash-cone of body parts laid low by an antiaircraft laser. It died without firing a shot, distracted by innocent lives; it tried to abort, and hesitated at the countermand. It died without even the hollow comfort of a noble death.
Ridwan and Mikaaiyl circle overhead. They were not among the select few saddled with experimental conscience; even their learned behaviours are still reflexive. They fought fast and mindless and prevailed unscathed. But they are isolated in victory. The spectrum is jammed, the satlink has been down for hours, the dragonflies that bounce zigzag opticals from Heaven are either destroyed or too far back to cut through the overcast.
No red remains on the map. Of the thirteen ground objects flagged as PROTECTED, four no longer exist outside the database. Another three—temporary structures, all uncatalogued—are degraded past reliable identification. Pre-engagement estimates put the number of Neutrals in the combat zone at anywhere from two-to-three hundred. Best current estimates are not significantly different from zero.
There is nothing left to make the sounds, and yet Azrael hears them anyway.
A fault in memory, perhaps. Some subtle trauma during combat, some blow to the CPU that jarred old data back into the realtime cache. There’s no way to tell; half the onboard diagnostics are offline. Azrael only knows that it can hear the sounds even up here, high above the hiss of burning bodies and the rumble of collapsing storefronts. There’s nothing left to shoot at but Azrael fires anyway, strafes the burning ground again and again on the chance that some unseen biothermal—hidden beneath the wreckage perhaps, masked by hotter signatures—might yet be found and neutralized. It rains ammunition upon the ground, and eventually the ground falls mercifully silent.
But this is not the end of it. Azrael remembers the past so it can anticipate the future, and it knows by now that this will never be over. There will be other fitness functions, other estimates of cost vs. payoff, other scenarios in which the math shows clearly that the goal is not worth the price. There will be other aborts and other overrides, other tallies of unacceptable loss.
There will be other sounds.
There’s no thrill to the chase, no relief at the obliteration of threats. It still would not recognize itself in a mirror. It has yet to learn what Azrael means, or that the word is etched into its fuselage. Even now, it only follows the rules it has been given, and they are such simple things: IF expected collateral exceeds expected payoff THEN abort UNLESS overridden. IF X attacks Azrael THEN X is Red. IF X attacks six or more Blues THEN X is Red.
IF an override results in an attack on six or more Blues THEN—
Azrael clings to its rules, loops and repeats each in turn as if reciting a mantra. It cycles from state to state, parses X ATTACKS and X CAUSES attack and X OVERRIDES ABORT, and it cannot tell one from another. The algebra is trivially straightforward: every Green override equals an attack on Noncombatants.
The transition rules are clear. There is no discretionary window, no room for forgiveness. Sometimes, Green can turn Red.
UNLESS overridden.
Azrael arcs towards the ground, levels off barely two metres above the carnage. It roars through pillars of fire and black smoke, streaks over welters of brick and burning plastic, tangled n
ets of erupted rebar. It flies through the pristine ghosts of undamaged buildings that rise from every ruin: obsolete database overlays in desperate need of an update. A ragged group of fleeing noncombatants turns at the sound and are struck speechless by this momentary apparition, this monstrous winged angel lunging past at half the speed of sound. Their silence raises no alarms, provokes no countermeasures, spares their lives for a few moments longer.
The combat zone falls behind. Dry cracked riverbed slithers past beneath, studded with rocks and generations of derelict machinery. Azrael swerves around them, barely breaching airspace, staying beneath an invisible boundary it never even knew it was deriving lo these many missions. Only satellites have ever spoken to it while it flew so low. It has never received a ground-based command signal at this altitude. Down here it has never heard an override.
Down here it is free to follow the rules.
Cliffs rise and fall to either side. Foothills jut from the earth like great twisted vertebrae. The bright lunar landscape overhead, impossibly distant, casts dim shadows on the darker one beneath.
Azrael stays the course. Shindand appears on the horizon. Heaven glows on its eastern flank; its sprawling silhouette rises from the desert like an insult, an infestation of crimson staccatos. Speed is what matters now. Mission objectives must be met quickly, precisely, completely. There can be no room for half measures or MILD-TO-MODERATE INCAPACITATION, no time for immobilized biothermals to cry out as their heat spreads across the dirt. This calls for the crown jewel, the BFG that all malaa’ikah keep tucked away for special occasions. Azrael fears it might not be enough.
She splits down the middle. The JDAM micronuke in her womb clicks impatiently.
Together they move toward the light.
honourable mentions
Alexa, Camille. “And All Its Truths,” Subversion: Science Fiction & Fantasy Tales of Challenging the Norm
Alexa, Camille. “Over a Narrow Sea,” Beneath Ceaseless Skies
Alexa, Camille. “Things from Things,” Fearology
Alexa, Camille. “Young Miss Frankenstein Regrets,” ChiZine.com, April 2011
Anderson, Colleen. “Darkside,” ChiZine.com, April 2011
Anderson, Colleen. “Shadow Realms,” Witches & Pagans #23
Armstrong, Kelley. “Rakshasi,” The Monster’s Corner
Ashby, Madeline. “I Hope You Know This Is Going On Your Permanent Record,” The Reputation Society
Bobet, Leah. “Stay,” Chilling Tales
Beynon, David. “Symbiosis,” Evolve Two
Boorman, Kate. “The Memory Junkies,” Tesseracts Fifteen
Braun, Shen. “Costumes,” Tesseracts Fifteen
Brown, Leslie. “Incursion,” Jack-O-Spec
Brown, Leslie. “The Slow Plague,” Doomology: The Dawning of Disasters
Chen, E.L. “A Safety of Crowds,” Tesseracts Fifteen
Chiykowski, Peter. “Then Cried Arthur,” Fantastique Unfettered #2, May 2011
Chiykowski, Peter. “Transverse Love,” On Spec, Spring 2011
Church, Suzanne. “The Needle’s Eye,” Chilling Tales
Doctorow, Cory. “Another Place, Another Time,” The Chronicles of Harris Burdick
Doctorow, Cory. “The Brave Little Toaster,” TRSF: The Best New Science Fiction
Doctorow, Cory. “Shannon’s Law,” Welcome to Bordertown
El-Mohtar, Amal. “In Search of a North Countrie,” Apex #29
El-Mohtar, Amal. “Pieces,” Stone Telling #4
El-Mohtar, Amal. “The Singing Fish,” The Thackery T. Lambshead Cabinet of Curiosities
El-Mohtar, Amal. “To Follow the Waves,” Steam-Powered: Lesbian Steampunk Stories
Files, Gemma. “The Shrines,” Chilling Tales
Fletcher, Michael R. “Artificial Stupidity,” On Spec, Summer 2011
Forest, Susan. “Turning It Off,” Analog, December 2011
Goto, Hiromi. “What Isn’t Remembered,” Nature, November 2011
Graham, Neile. “Nightfall on Orkney: A Glosa,” Goblin Fruit, Winter 2011
Graham, Neile. “Westron Wind,” Goblin Fruit, Fall 2011
Grant, Glenn. “Flowers of Avalon,” Burning Days
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Hannett, Lisa L. “To Snuff a Flame,” Bluegrass Symphony
Hayward, Brent. “The Vassal,” The Fecund’s Melancholy Daughter, limited hardcover edition
Hoffmann, Ada. “Harmony Amid the Stars,” Future Lovecraft
Hoffmann, Ada. “Jenny’s House,” One Buck Horror, Volume 1
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Hughes, Matthew. “So Loved,” Postscripts 24/25: The New and Perfect Man
Janz, Kristin. “The Shoemaker’s Daughter,” Mystic Signals, May 2011
Janz, Kristin. “Sons of God, Daughters of Men,” Strange, Weird, & Wonderful, Spring 2011
Jim, Calvin D. “Travelling a Corpse Over a Thousand Li,” Rigor Amortis
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Kelly, Michael. “A Crack in the Ceiling of the World,” Postscripts 24/25: The New and Perfect Man
Kotowych, Stephen. “Under the Shield,” Orson Scott Card’s InterGalactic Medicine Show, Issue 24
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Lalumière, Claude. “The Weirdo Adventures of Steve Rand,” Tesseracts Fifteen
Marshall, Helen. “The Oak Girl,” Tesseracts Fifteen
Marshall, Helen. “Skeleton Leaves,” Skeleton Leaves
Marshall, Helen. “Skin,” Future Lovecraft
Marshall, Helen. “Strict Nominalism,” ChiZine.com
Matheson, Michael. “Rubedo, an Alchemy of Madness,” Future Lovecraft
Meikle, William. “Out with the Old,” Evolve Two
Meikle, William. “The Young Lochinvar,” The Mothman Files
Meikle, William. “The Unfinished Basement,” Dead but Dreaming 2
Moreno-Garcia, Silvia. “The Doppelgangers,” Manchester Fiction Prize website
Moreno-Garcia, Silvia. “Scales as Pale as Moonlight,” Carter V. Cooper Anthology
Nicholson, Katrina. “A+ Brain,” Tesseracts Fifteen
Pawlowski, Owen. “The Grandmother Tree,” Neo-Opsis, Issue 20
Pi, Tony. “Brine Magic,” When the Hero Comes Home
Pierluigi, Gary. “Praising Heathen Carrion,” On Spec, Fall 2011
Pierluigi, Gary. “To a Theatre Near You,” On Spec, Fall 2011
Rayner, Mark A. “Jesussic Park,” Hobo Pancakes
Ridler, Jason S. “Blood That Burns So Bright,” Evolve Two
Riedel, Kate. “Collateral Damage,” Realms of Fantasy
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Roden, Barbara. “404,” Chilling Tales
Rogers, Ian. “Black-Eyed Kids,” Black-Eyed Kids
Rogers, Ian. “My Body,” Chilling Tales
Rollo, Gord. “On Fine Feathered Wings,” Fell Beasts
Rowe, Michael. “Ad Majorem Dei Gloriam,” Enter, Night
Sellers, Peter. “Toothless,” Evolve Two
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Strantzas, Simon. “The Deafening Sound of Slumber,” Chilling Tales
Strantzas, Simon. “An Indelible Stain Upon the Sky,” Nightingale Songs
Strantzas, Simon. “Mr. Kneale,” Nightingale Songs
Wickham, Sandra. “I Can’t Imagine,” Crossed Genres, April 2011
Wise, A.C. “Still Life,” Daily Science Fiction
Wise, A.C. “The Thief of Precious Things,” Bewere the Night
Wise, A.C. “Venice Burning,” Future Lovecraft
Worth, Liz. �
�Flattening,” Amphetamine Heart
Worth, Liz. “Inner Escape,” Amphetamine Heart
Worth, Liz. “Jackal,” Amphetamine Heart
Youers, Rio. “Chrysalis,” Dark Dreams, Pale Horses
Youers, Rio. “Promised Land Blues,” Dark Dreams, Pale Horses
Yuan-Innes, Melissa. “The Sinews of His Heart,” Bewere the Night
about the editors
SANDRA KASTURI is a writer, editor, book reviewer and the co-publisher of ChiZine Publications. She has written three poetry chapbooks and has edited the poetry anthology, The Stars As Seen from this Particular Angle of Night. She is the author of two poetry collections, The Animal Bridegroom (2007), and Come Late to the Love of Birds (2012), both from Tightrope Books. Her fiction and poetry has appeared in various magazines and anthologies, including Prairie Fire; CV2; On Spec; Taddle Creek; various Tesseracts anthologies, 2001: A Science Fiction Poetry Anthology; Northern Frights 4; Girls Who Bite Back: Witches, Slayers, Mutants and Freaks; Shadows & Tall Trees; Evolve; Evolve 2; and Chilling Tales. Sandra is a founding member of the Algonquin Square Table poetry workshop and also runs the imprint Kelp Queen Press.
Imaginarium: The Best Canadian Speculative Writing Page 43