“We meet back here in three hours. Please set your timepieces.” Each team complies.
“And most of all, have a fabulous time!” he says, clasping his hands.
A few teams at a time, we walk toward the Exhibition Hall. Many people linger in the building’s vicinity. There’s a feeling of busyness, which I can only compare to the excitement of Times Square in New York. Instead of yellow taxis and honking horns, horse’s hooves clip-clop, kicking up clouds of dust. Ornate buggies clatter and clank behind them.
Bishop and I stand in the entrance line. Looking around, I admire the grand exhibition building. Large arched windows wrap the facade. An oversized dome soars above the roofline, reaching for the sky. Several flags, mounted on poles, whip and crack in the breeze.
The line moves briskly toward a grand arched entrance where an attendant waves us in when Bishop flashes our gilded ticket. Upon entry, the stifling air surrounds us. So many people cram into the space that it’s uncomfortable. I pull at my high lace collar, loosening the fabric.
Bishop tugs my arm, guiding me into smaller exhibit area. Thankfully, there are less people, and it’s cooler here with the windows propped open. The corridor arches several stories high. A banner hangs from the ceiling, emblazoned MACHINERY IN MOTION.
We’ve entered an industrial exhibit area. About fifty stands have nothing but sewing machines. Each machine has its own special design, but it’s easy to pick out the designs that work best. These are the ones that resemble the sewing machines we have in true time.
As we stroll, the machines become larger. Steam engines blow smoke into the air, printing presses show the speed at which a book can be printed, the Platt Brothers demonstrate textile manufacturing. We’re amazed to see plastic, or at least the first manmade version of it, at its debut.
“There’s a similar exhibit in the Science Museum in London, in true time,” Bishop tells me.
“It’s actually more interesting to observe the people. Their faces say it all,” I say and point to a group of men huddled around a steam engine. “Look at their expressions.” I giggle. “They’re in awe of these machines, as if they’re magic.”
“‘Any sufficiently advanced technology is indistinguishable from magic,’” Bishop recites. At my confused look, he adds, “Arthur C. Clarke.”
“That quote makes me think of science fiction, space ships, robots, and stuff. But I guess that speaks to any time in history, not just ours.”
“Indeed, it does.” Bishop wraps my hand around his arm.
We step into a new section. There’s art, sculpture, literature, music, and fashion from every imaginable place on earth. Beautiful urns and jars stack high. Exquisite jewelry glitters behind glass display cases, cases so beautiful and ornate, their woodworked craftsmanship should be appreciated as well.
We explore for a couple of hours, admiring everything. But after so much walking, I’m tired and sore from carrying the weight of the dress. We sit on the edge of an enormous, intricately carved fountain.
Bishop flips through the guidebook and sighs. “Clearly, we’ll never see everything,” he says as he snaps it shut.
“No, but maybe we can come back another time, just the two of us.” As I say the words, I see Perpetua some distance away, strolling with Stu. She turns in our direction and smirks when she sees us. No doubt, she’s remembering the dirt she thinks she has on Turner and me. With a calculating expression, she promptly turns and heads our way.
::21::
Unfragmentation
I panic because I have yet to decide how to approach the problematic subject with Bishop. First, I’d have to explain why I was in Turner’s room last night. Second, that would lead to a lot of other questions that I’m not prepared to answer.
Before Bishop can spot Perpetua, I jump up and drag him away into a grouping of palm trees that encircles a large obelisk. “Do you think it means we have relatives here?” I point at the monument, feigning interest.
“There’s a high likelihood of other Wanderers, I’m sure.”
I glance over my shoulder; Perpetua moves closer.
“Let’s investigate!” I drag him past the obelisk in a very unladylike way that makes people gasp and point. We duck behind a wall of red-fringed curtains. Before we get too far, a large man who reminds me of a bouncer grabs each of us by the arm.
“Where do you think you’re going?” he asks in a rough voice, casting a disapproving look from under the rim of his hat. “This part of the exhibit’s private.”
“They’re fine.” A young boy places his hand on the man’s arm, easing him away.
The man inspects us and finally nods. “Go on.”
Bishop and I eye the boy. He’s thirteen at best and certainly not someone who would normally give orders.
The boy appraises the look on our faces. “You’re like me,” he says.
“What do you mean, like you?” I cross my arms.
He shrugs with an enigmatic expression and waves for us to follow.
We pass through a second set of curtains. On the other side, many people crowd in front of a large stage. In the spotlight, a man in his thirties stands next to an enormous contraption, identifying the details for the audience.
“A relicutionist!” I point. The machine is similar to the Academy’s, but larger, perhaps an older model.
“See, you are one of us.” The boy turns and smiles.
“Yes, but how did you know?” Bishop asks.
“It’s my gift,” the boy answers. He might be a hybrid like Terease, a Wanderer with special abilities.
I smile at the boy. “You’re American?”
“Yes. I’m here from Chicago, with my father.” He gestures to the man on the stage. “He’s an inventor. I want to be like him one day.” He turns. “My name is Elijah.”
“I’m Bishop and this is Sera.” Bishop gestures to me, making the introduction.
“Nice to meet you.” He smiles and shakes each of our hands like an adult, then glances over his shoulder to his dad. The man waves him forward. “Wait here,” he says, then trails away and hops onto the stage.
“It’s Vanderpool. Sam’s just confirmed it,” Bishop leans over and whispers.
“The boy?” I gasp. Elijah Vanderpool is the founding father of our school, an important figure in our Wandering history.
“Sam just told me that Eli’s father’s name is Macon,” Bishop continues. “He invented the early versions of the relicutionist and contrapulator, among many other important Wandering inventions. After Elijah grew up and built Olde Town, he carried on his father’s work. That must be his mom, Hannah Louise, there.” He points to a woman partially hidden behind the curtains.
Two men roll the relicutionist off stage. A massive new machine the size of a small truck is wheeled on, a huge glass box that sits on wagon wheels. Cranks, pipes, and levers from an engine protrude from three sides.
“And this,” Macon says, addressing the crowd and waving his hand at the machine, “is the unfragmentation machine. It takes fragmented relics and returns them to their original state!” The crowd, obviously filled with Wanderers, presses forward, chattering with excitement.
Fragmented relics are those relics that have been broken. They’re unusable to Wanderers because their time-traveling life paths are scrambled and can send you anywhere in time. In other words, they’re useless.
“Allow me to demonstrate!” Macon says. His wife, Hannah, steps onstage, handing him an ornate vase. He gently places the vase on a stand for everyone to see. Little Elijah appears with a hammer and presents it to his father. With the hammer in hand, Macon takes one quick whack at the vase. Several broken sections crack and crumble into an unrecognizable mess.
Hannah steps forward again and gathers the shards into a square of cloth. She carefully places the shards in the glass box of the unfragmentation machine. She shuts the door tightly, locking it shut.
All together, the trio’s timing is perfect, and I can’t help thinking that
I’m watching a skilled magician perform with his assistants.
Macon rotates the large lever on the side of the contraption. At first, there’s only a slow, repetitious cranking noise. The gears grind and rotate, building momentum. A whistle screams like a train. The crowd jolts. The floor shakes, tickling the soles of my feet within my boots. I grasp Bishop’s arm, hoping, praying that the machine doesn’t blow. These are early Wandering experiments, after all. There’s no telling how safe they truly are.
Gray smoke fills the glass box. The smoke creeps and drifts in long, undulating fingers until it meets the vase. Then, like a snake, it coils around the object, engulfing its mass in a rotating cloud of blue electrical sparks. Static electricity zaps and pops, stimulating the pieces, causing them to vibrate. The shards rise, airborne, caught in the circular wind of a miniature tornado. Violently, they spin until they’ve reconstructed themselves into one piece. As good as new, the vase hovers in the glass box.
The crowd breaks into applause.
“Ah! But that’s not all!” Macon assures everyone in a very carny manner. “Suppose you don’t have all the pieces to a broken relic? Hmm? What do you do then?” He looks around the crowd, pretending to search for someone who might have the answer.
There’s a low murmur in response.
“Well, don’t fret, I’ll show you what can be done.” Macon starts the demonstration over with the same vase. This time, after smashing it, instead of putting all the pieces into the glass case, he hands one large shard to Elijah.
“Sera, come forward.” Elijah beckons me to the stage.
The crowd parts, clearing a path to the stage. Bishop and I move forward.
“Hold out your hands,” Elijah instructs. I do as he asks, and he places the shard in my cupped, gloved hands. “Just hold it right here, up high, so everyone can see,” he explains and steps away.
With the audience satisfied that I hold a real piece of the broken vase, Macon starts the machine again. The unfragmentation machine functions exactly the same as before, but this time, when the tornado spins within the case, melding the pieces back together, the shard in my hand disappears into thin air. It reappears in the case, miraculously returning the vase to its original glory.
I gasp and lift my now empty hands in disbelief. The unfragmentation machine can pull pieces from anywhere to reconstruct a fragmented relic. I immediately understand that this machine is extremely powerful. I wonder if the machine still exists in true time. And if so, where it is.
The crowd of Wanderers breaks into a large roar of applause; shrill whistles of appreciation pierce the air.
“Pretty amazing, right?” Perpetua whispers in my ear.
I stiffen, realizing she’s followed us and made it past the bouncer.
::22::
Perpetua
After the demonstration, Bishop drops my hand and drifts to Elijah to chat. He hasn’t noticed Perpetua in the commotion and excitement of the crowd.
“Yeah, it’s awesome,” I respond to Perpetua in a monotone.
“You know what else is awesome, Sera?”
“No.” I grit my teeth.
“Watching you squirm every time I come around you now. You just never know when I’ll spill what I know about you and Turner to your lover boy, do you?” She laughs.
Ticked beyond comprehension, I spin to face her. I lift my fists to rip her face off but she’s gone, disappeared in the crowd. I weave around the bodies, looking for her. At the back of the room, I find a wooden box and stand on it. Now elevated, I spot her. She’s at the front of the room, standing next to Bishop and leaning to whisper into his ear.
My heart stops. She lured me away. Without a thought, I run for them, bulldozing through the crowd, hoping to defend myself from whatever crap she’s spouted. Whatever she’s said, it won’t be easy to explain away.
When I arrive, Stu, her Wanderer, has joined them. I crash into them like a renegade bowling ball, knocking down pins.
“Sera, are you all right?” Bishop catches me before I hit the floor.
“I can explain, I promise.” Desperately, I plant a kiss on his lips, wrap my arms around his shoulders, and hang on for dear life.
“Explain what?” He stares down into my eyes, confused.
I shoot Perpetua a look of shock. She smirks. “We were just discussing this amazing machine.” She gestures to the stage. “Do you know how it works, Sera?” She cocks her head. She hasn’t told Bishop anything, not yet. She’s enjoying messing with me too much.
Ninety-nine percent of me wants to rage at her, but one percent, a small voice of sanity, holds me back. “Let’s go, Bishop.” I grab his hand and pull him away. If I keep looking at her face, I won’t be able to control myself.
“Sera, wait! What’s wrong? Is she still pestering you about her crystal? If so, I’ll make her stop, don’t worry.” Bishop turns to confront her.
“No, that’s not it.” I press my palms into his chest, holding him back.
“Is everything okay? You’re acting strange.” He stops to survey me.
“Stranger than normal?” I ask, subduing my true feelings. Every time I look at him, I realize just how much I suck. He’s too good for me in so many ways.
“No, I suppose not.” He relaxes and smiles, then leans down to kiss me. We receive a few gasps at our public display of affection. When we realize our faux pas, we pull apart and quickly fall back into character, returning to our refined and subdued nineteenth-century alter egos.
For the small amount of time we have left at the exhibition, I do my best to stay out of Perpetua’s way. It’s not like me to run away from bullies, but I really need to decide how to deal with her. I need time to think.
•
My thoughts run wild well into the next day. In fact, I’ve spent the last twenty hours analyzing everything that’s wrong with myself. Even with my endless internal dialog, I’ve yet to determine the perfect solution.
Somehow, I have to figure out how to tell Bishop about my mounting secrets. First, I need to talk to him about Turner, before Perpetua does. That discussion will lead to my next secret—that I’ve become a better fighter, which I need to reveal before Ms. Swift’s class on Friday. And last, but not least, he needs to know that I’ve been looking for my mom.
In my heart, I know I’ve hidden the truth only because I’ve wanted to protect him from being hurt on so many levels. His body from being physically hurt by the Underground again, his ego from my wanting to become a better fighter, and his heart from my friendship with Turner. I’ve had my reasons, yes…but are they admirable ones? Something within my soul fights fiercely to protect Bishop at any cost, and I don’t understand why.
For today’s class, Relics II, I hope I can get lost in my studies and avoid everyone until I can answer that question.
Argus Matchimus, the curator, stands before us in the enormous archive of relics. Somehow, I always expect the room to look smaller, but it never does. Rows and rows of wooden shelving, whose end I can’t see, hold ancient artifacts. Each contains endless amounts of histories within their life paths.
Argus waddles amongst the students, his voice as rough as sandpaper, and welcomes us back for our second year. After a short speech, he sends us on our way with instructions to explore the archives on our own. He escapes to a nearby desk in a dark corner and proceeds to eat a pastry.
Perpetua strategically sits nearby, taunting me with her evil gaze. She pops up and sashays over to my team, dropping a palm on Bishop’s shoulder.
“Bishop, we must chat soon and catch up!” she says with bubbly exuberance. He tenses under her touch, and her eyes dart to me. “And how are you doing today, Sera? Sleep well?” Her lips tug at one corner.
“Slept great.” I smile, disguising my distress.
“I bet you did,” she says, pushing our game further. How long will she torture me? She struts off with Stu and Jessica.
“Perpetua’s getting annoying. Why can’t she just leave you alone?” Sam
asks, typing on the computer.
“Getting annoying? Hasn’t she always been?” I ask.
“Yeah, she’s a mega-witch.” Macey walks over, joining the conversation.
I snort with laughter. “Something like that.”
“So when can we go shopping, Sera? I need to get out of this hole and have some fun. You’re so serious these days,” Macey complains and sits.
“Just name the time and place, chick.”
“This Saturday, before the dance. Let’s go get our hair done.”
“My hair is looking pretty drab these days,” I admit.
Bishop picks up a strand of my hair. “You should add that strip of color back in,” he suggests.
“Maybe,” I consider. If I weren’t mentally fighting my self-serving ways, I might relax a little and just be a teenager for once. The conversation dies, and I type random letters into the computer, pretending to be engaged in classroom studies.
Seers sit on the floor in meditative states. Relics float above their cupped palms, bathing in warm glows, revealing their life paths. Wanderers and Protectors stand in line to use the relicutionist, the machine that reads relics and visually shows their life paths like a movie.
Needing more of a distraction, I stroll to no place in particular through the archives and find myself at row eighty-nine. I turn right and stop at a box at eye level. When I remove the wooden case, Perpetua stands on the other side, peeking through the shelf. She followed me.
“I guess it’s better if we chat back here,” she says and leans in, resting her arms on the shelf and dropping her chin into her hand. She blows one long breath and a whirl of dust billows into the air.
I cough. “What do you want?” I sit the box on the floor and stand to face her. I school my face into a hard expression to hide my guilt.
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