Classic Works from Women Writers

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Classic Works from Women Writers Page 76

by Editors of Canterbury Classics


  Perhaps it was the mention of aristocrats that reminded her of Richard Dalloway and Rachel, for she ran on with the same penful to describe her niece.

  “It’s an odd fate that has put me in charge of a girl,” she wrote, “considering that I have never got on well with women, or had much to do with them. However, I must retract some of the things that I have said against them. If they were properly educated I don’t see why they shouldn’t be much the same as men—as satisfactory I mean; though, of course, very different. The question is, how should one educate them. The present method seems to me abominable. This girl, though twenty-four, had never heard that men desired women, and, until I explained it, did not know how children were born. Her ignorance upon other matters as important” (here Mrs. Ambrose’s letter may not be quoted) … “was complete. It seems to me not merely foolish but criminal to bring people up like that. Let alone the suffering to them, it explains why women are what they are—the wonder is they’re no worse. I have taken it upon myself to enlighten her, and now, though still a good deal prejudiced and liable to exaggerate, she is more or less a reasonable human being. Keeping them ignorant, of course, defeats its own object, and when they begin to understand they take it all much too seriously. My brother-in-law really deserved a catastrophe—which he won’t get. I now pray for a young man to come to my help; someone, I mean, who would talk to her openly, and prove how absurd most of her ideas about life are. Unluckily such men seem almost as rare as the women. The English colony certainly doesn’t provide one; artists, merchants, cultivated people—they are stupid, conventional, and flirtatious …” She ceased, and with her pen in her hand sat looking into the fire, making the logs into caves and mountains, for it had grown too dark to go on writing. Moreover, the house began to stir as the hour of dinner approached; she could hear the plates being chinked in the dining-room next door, and Chailey instructing the Spanish girl where to put things down in vigorous English. The bell rang; she rose, met Ridley and Rachel outside, and they all went in to dinner.

  Three months had made but little difference in the appearance either of Ridley or Rachel; yet a keen observer might have thought that the girl was more definite and self-confident in her manner than before. Her skin was brown, her eyes certainly brighter, and she attended to what was said as though she might be going to contradict it. The meal began with the comfortable silence of people who are quite at their ease together. Then Ridley, leaning on his elbow and looking out of the window, observed that it was a lovely night.

  “Yes,” said Helen. She added, “The season’s begun,” looking at the lights beneath them. She asked Maria in Spanish whether the hotel was not filling up with visitors. Maria informed her with pride that there would come a time when it was positively difficult to buy eggs—the shopkeepers would not mind what prices they asked; they would get them, at any rate, from the English.

  “That’s an English steamer in the bay,” said Rachel, looking at a triangle of lights below. “She came in early this morning.”

  “Then we may hope for some letters and send ours back,” said Helen.

  For some reason the mention of letters always made Ridley groan, and the rest of the meal passed in a brisk argument between husband and wife as to whether he was or was not wholly ignored by the entire civilised world.

  “Considering the last batch,” said Helen, “you deserve beating. You were asked to lecture, you were offered a degree, and some silly woman praised not only your books but your beauty—she said he was what Shelley would have been if Shelley had lived to fifty-five and grown a beard. Really, Ridley, I think you’re the vainest man I know,” she ended, rising from the table, “which I may tell you is saying a good deal.”

  Finding her letter lying before the fire she added a few lines to it, and then announced that she was going to take the letters now—Ridley must bring his—and Rachel?

  “I hope you’ve written to your Aunts? It’s high time.”

  The women put on cloaks and hats, and after inviting Ridley to come with them, which he emphatically refused to do, exclaiming that Rachel he expected to be a fool, but Helen surely knew better, they turned to go. He stood over the fire gazing into the depths of the looking-glass, and compressing his face into the likeness of a commander surveying a field of battle, or a martyr watching the flames lick his toes, rather than that of a secluded Professor.

  Helen laid hold of his beard.

  “Am I a fool?” she said.

  “Let me go, Helen.”

  “Am I a fool?” she repeated.

  “Vile woman!” he exclaimed, and kissed her.

  “We’ll leave you to your vanities,” she called back as they went out of the door.

  It was a beautiful evening, still light enough to see a long way down the road, though the stars were coming out. The pillar-box was let into a high yellow wall where the lane met the road, and having dropped the letters into it, Helen was for turning back.

  “No, no,” said Rachel, taking her by the wrist. “We’re going to see life. You promised.”

  “Seeing life” was the phrase they used for their habit of strolling through the town after dark. The social life of Santa Marina was carried on almost entirely by lamp-light, which the warmth of the nights and the scents culled from flowers made pleasant enough. The young women, with their hair magnificently swept in coils, a red flower behind the ear, sat on the doorsteps, or issued out on to balconies, while the young men ranged up and down beneath, shouting up a greeting from time to time and stopping here and there to enter into amorous talk. At the open windows merchants could be seen making up the day’s account, and older women lifting jars from shelf to shelf. The streets were full of people, men for the most part, who interchanged their views of the world as they walked, or gathered round the wine-tables at the street corner, where an old cripple was twanging his guitar strings, while a poor girl cried her passionate song in the gutter. The two Englishwomen excited some friendly curiosity, but no one molested them.

  Helen sauntered on, observing the different people in their shabby clothes, who seemed so careless and so natural, with satisfaction.

  “Just think of the Mall tonight!” she exclaimed at length. “It’s the fifteenth of March. Perhaps there’s a Court.” She thought of the crowd waiting in the cold spring air to see the grand carriages go by. “It’s very cold, if it’s not raining,” she said. “First there are men selling picture postcards; then there are wretched little shop-girls with round bandboxes; then there are bank clerks in tail coats; and then—any number of dressmakers. People from South Kensington drive up in a hired fly; officials have a pair of bays; earls, on the other hand, are allowed one footman to stand up behind; dukes have two, royal dukes—so I was told—have three; the king, I suppose, can have as many as he likes. And the people believe in it!”

  Out here it seemed as though the people of England must be shaped in the body like the kings and queens, knights and pawns of the chessboard, so strange were their differences, so marked and so implicitly believed in.

  They had to part in order to circumvent a crowd.

  “They believe in God,” said Rachel as they regained each other. She meant that the people in the crowd believed in Him; for she remembered the crosses with bleeding plaster figures that stood where foot-paths joined, and the inexplicable mystery of a service in a Roman Catholic church.

  “We shall never understand!” she sighed.

  They had walked some way and it was now night, but they could see a large iron gate a little way farther down the road on their left.

  “Do you mean to go right up to the hotel?” Helen asked.

  Rachel gave the gate a push; it swung open, and, seeing no one about and judging that nothing was private in this country, they walked straight on. An avenue of trees ran along the road, which was completely straight. The trees suddenly came to an end; the road turned a corner, and they found themselves confronted by a large square building. They had come out upon the broad terr
ace which ran round the hotel and were only a few feet distant from the windows. A row of long windows opened almost to the ground. They were all of them uncurtained, and all brilliantly lighted, so that they could see everything inside. Each window revealed a different section of the life of the hotel. They drew into one of the broad columns of shadow which separated the windows and gazed in. They found themselves just outside the dining-room. It was being swept; a waiter was eating a bunch of grapes with his leg across the corner of a table. Next door was the kitchen, where they were washing up; white cooks were dipping their arms into cauldrons, while the waiters made their meal voraciously off broken meats, sopping up the gravy with bits of crumb. Moving on, they became lost in a plantation of bushes, and then suddenly found themselves outside the drawing-room, where the ladies and gentlemen, having dined well, lay back in deep armchairs, occasionally speaking or turning over the pages of magazines. A thin woman was flourishing up and down the piano.

  “What is a dahabeeyah, Charles?” the distinct voice of a widow, seated in an armchair by the window, asked her son.

  It was the end of the piece, and his answer was lost in the general clearing of throats and tapping of knees.

  “They’re all old in this room,” Rachel whispered.

  Creeping on, they found that the next window revealed two men in shirtsleeves playing billiards with two young ladies.

  “He pinched my arm!” the plump young woman cried, as she missed her stroke.

  “Now you two—no ragging,” the young man with the red face reproved them, who was marking.

  “Take care or we shall be seen,” whispered Helen, plucking Rachel by the arm. Incautiously her head had risen to the middle of the window.

  Turning the corner they came to the largest room in the hotel, which was supplied with four windows, and was called the Lounge, although it was really a hall. Hung with armour and native embroideries, furnished with divans and screens, which shut off convenient corners, the room was less formal than the others, and was evidently the haunt of youth. Signor Rodriguez, whom they knew to be the manager of the hotel, stood quite near them in the doorway surveying the scene—the gentlemen lounging in chairs, the couples leaning over coffee-cups, the game of cards in the centre under profuse clusters of electric light. He was congratulating himself upon the enterprise which had turned the refectory, a cold stone room with pots on trestles, into the most comfortable room in the house. The hotel was very full, and proved his wisdom in decreeing that no hotel can flourish without a lounge.

  The people were scattered about in couples or parties of four, and either they were actually better acquainted, or the informal room made their manners easier. Through the open window came an uneven humming sound like that which rises from a flock of sheep pent within hurdles at dusk. The card-party occupied the centre of the foreground.

  Helen and Rachel watched them play for some minutes without being able to distinguish a word. Helen was observing one of the men intently. He was a lean, somewhat cadaverous man of about her own age, whose profile was turned to them, and he was the partner of a highly-coloured girl, obviously English by birth.

  Suddenly, in the strange way in which some words detach themselves from the rest, they heard him say quite distinctly:—

  “All you want is practice, Miss Warrington; courage and practice—one’s no good without the other.”

  “Hughling Elliot! Of course!” Helen exclaimed. She ducked her head immediately, for at the sound of his name he looked up. The game went on for a few minutes, and was then broken up by the approach of a wheeled chair, containing a voluminous old lady who paused by the table and said:—

  “Better luck tonight, Susan?”

  “All the luck’s on our side,” said a young man who until now had kept his back turned to the window. He appeared to be rather stout, and had a thick crop of hair.

  “Luck, Mr. Hewet?” said his partner, a middle-aged lady with spectacles. “I assure you, Mrs. Paley, our success is due solely to our brilliant play.”

  “Unless I go to bed early I get practically no sleep at all,” Mrs. Paley was heard to explain, as if to justify her seizure of Susan, who got up and proceeded to wheel the chair to the door.

  “They’ll get someone else to take my place,” she said cheerfully. But she was wrong. No attempt was made to find another player, and after the young man had built three stories of a card-house, which fell down, the players strolled off in different directions.

  Mr. Hewet turned his full face towards the window. They could see that he had large eyes obscured by glasses; his complexion was rosy, his lips cleanshaven; and, seen among ordinary people, it appeared to be an interesting face. He came straight towards them, but his eyes were fixed not upon the eavesdroppers but upon a spot where the curtain hung in folds.

  “Asleep?” he said.

  Helen and Rachel started to think that someone had been sitting near to them unobserved all the time. There were legs in the shadow. A melancholy voice issued from above them.

  “Two women,” it said.

  A scuffling was heard on the gravel. The women had fled. They did not stop running until they felt certain that no eye could penetrate the darkness and the hotel was only a square shadow in the distance, with red holes regularly cut in it.

  CHAPTER IX

  An hour passed, and the downstairs rooms at the hotel grew dim and were almost deserted, while the little box-like squares above them were brilliantly irradiated. Some forty or fifty people were going to bed. The thump of jugs set down on the floor above could be heard and the clink of china, for there was not as thick a partition between the rooms as one might wish, so Miss Allan, the elderly lady who had been playing bridge, determined, giving the wall a smart rap with her knuckles. It was only matchboard, she decided, run up to make many little rooms of one large one. Her grey petticoats slipped to the ground, and, stooping, she folded her clothes with neat, if not loving fingers, screwed her hair into a plait, wound her father’s great gold watch, and opened the complete works of Wordsworth. She was reading the “Prelude,” partly because she always read the “Prelude” abroad, and partly because she was engaged in writing a short Primer of English Literature—Beowulf to Swinburne—which would have a paragraph on Wordsworth. She was deep in the fifth book, stopping indeed to pencil a note, when a pair of boots dropped, one after another, on the floor above her. She looked up and speculated. Whose boots were they, she wondered. She then became aware of a swishing sound next door—a woman, clearly, putting away her dress. It was succeeded by a gentle tapping sound, such as that which accompanies hair-dressing. It was very difficult to keep her attention fixed upon the “Prelude.” Was it Susan Warrington tapping? She forced herself, however, to read to the end of the book, when she placed a mark between the pages, sighed contentedly, and then turned out the light.

  Very different was the room through the wall, though as like in shape as one egg-box is like another. As Miss Allan read her book, Susan Warrington was brushing her hair. Ages have consecrated this hour, and the most majestic of all domestic actions, to talk of love between women; but Miss Warrington being alone could not talk; she could only look with extreme solicitude at her own face in the glass. She turned her head from side to side, tossing heavy locks now this way now that; and then withdrew a pace or two, and considered herself seriously.

  “I’m nice-looking,” she determined. “Not pretty—possibly,” she drew herself up a little. “Yes—most people would say I was handsome.”

  She was really wondering what Arthur Venning would say she was. Her feeling about him was decidedly queer. She would not admit to herself that she was in love with him or that she wanted to marry him, yet she spent every minute when she was alone in wondering what he thought of her, and in comparing what they had done today with what they had done the day before.

  “He didn’t ask me to play, but he certainly followed me into the hall,” she meditated, summing up the evening. She was thirty years of age, and owi
ng to the number of her sisters and the seclusion of life in a country parsonage had as yet had no proposal of marriage. The hour of confidences was often a sad one, and she had been known to jump into bed, treating her hair unkindly, feeling herself overlooked by life in comparison with others. She was a big, well-made woman, the red lying upon her cheeks in patches that were too well defined, but her serious anxiety gave her a kind of beauty.

  She was just about to pull back the bed-clothes when she exclaimed, “Oh, but I’m forgetting,” and went to her writing-table. A brown volume lay there stamped with the figure of the year. She proceeded to write in the square ugly hand of a mature child, as she wrote daily year after year, keeping the diaries, though she seldom looked at them.

 

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