She became more and more determined and excited as she evolved her plan. She sat on the edge of the bed and wrote down a list of surnames, which she invariably spelt wrong. Rachel was enthusiastic, for indeed the idea was immeasurably delightful to her. She had always had a great desire to see the river, and the name of Terence threw a lustre over the prospect, which made it almost too good to come true. She did what she could to help Mrs. Flushing by suggesting names, helping her to spell them, and counting up the days of the week upon her fingers. As Mrs. Flushing wanted to know all she could tell her about the birth and pursuits of every person she suggested, and threw in wild stories of her own as to the temperaments and habits of artists, and people of the same name who used to come to Chillingley in the old days, but were doubtless not the same, though they too were very clever men interested in Egyptology, the business took some time.
At last Mrs. Flushing sought her diary for help, the method of reckoning dates on the fingers proving unsatisfactory. She opened and shut every drawer in her writing-table, and then cried furiously, “Yarmouth! Yarmouth! Drat the woman! She’s always out of the way when she’s wanted!”
At this moment the luncheon gong began to work itself into its midday frenzy. Mrs. Flushing rang her bell violently. The door was opened by a handsome maid who was almost as upright as her mistress.
“Oh, Yarmouth,” said Mrs. Flushing, “just find my diary and see where ten days from now would bring us to, and ask the hall porter how many men ’ud be wanted to row eight people up the river for a week, and what it ’ud cost, and put it on a slip of paper and leave it on my dressing-table. Now—” she pointed at the door with a superb forefinger so that Rachel had to lead the way.
“Oh, and Yarmouth,” Mrs. Flushing called back over her shoulder. “Put those things away and hang ’em in their right places, there’s a good girl, or it fusses Mr. Flushin’.”
To all of which Yarmouth merely replied, “Yes, ma’am.”
As they entered the long dining-room it was obvious that the day was still Sunday, although the mood was slightly abating. The Flushings’ table was set by the side in the window, so that Mrs. Flushing could scrutinise each figure as it entered, and her curiosity seemed to be intense.
“Old Mrs. Paley,” she whispered as the wheeled chair slowly made its way through the door, Arthur pushing behind. “Thornburys” came next. “That nice woman,” she nudged Rachel to look at Miss Allan. “What’s her name?” The painted lady who always came in late, tripping into the room with a prepared smile as though she came out upon a stage, might well have quailed before Mrs. Flushing’s stare, which expressed her steely hostility to the whole tribe of painted ladies. Next came the two young men whom Mrs. Flushing called collectively the Hirsts. They sat down opposite, across the gangway.
Mr. Flushing treated his wife with a mixture of admiration and indulgence, making up by the suavity and fluency of his speech for the abruptness of hers. While she darted and ejaculated he gave Rachel a sketch of the history of South American art. He would deal with one of his wife’s exclamations, and then return as smoothly as ever to his theme. He knew very well how to make a luncheon pass agreeably, without being dull or intimate. He had formed the opinion, so he told Rachel, that wonderful treasures lay hid in the depths of the land; the things Rachel had seen were merely trifles picked up in the course of one short journey. He thought there might be giant gods hewn out of stone in the mountain-side; and colossal figures standing by themselves in the middle of vast green pasture lands, where none but natives had ever trod. Before the dawn of European art he believed that the primitive huntsmen and priests had built temples of massive stone slabs, had formed out of the dark rocks and the great cedar trees majestic figures of gods and of beasts, and symbols of the great forces, water, air, and forest among which they lived. There might be prehistoric towns, like those in Greece and Asia, standing in open places among the trees, filled with the works of this early race. Nobody had been there; scarcely anything was known. Thus talking and displaying the most picturesque of his theories, Rachel’s attention was fixed upon him.
She did not see that Hewet kept looking at her across the gangway, between the figures of waiters hurrying past with plates. He was inattentive, and Hirst was finding him also very cross and disagreeable. They had touched upon all the usual topics—upon politics and literature, gossip and Christianity. They had quarrelled over the service, which was every bit as fine as Sappho, according to Hewet; so that Hirst’s paganism was mere ostentation. Why go to church, he demanded, merely in order to read Sappho? Hirst observed that he had listened to every word of the sermon, as he could prove if Hewet would like a repetition of it; and he went to church in order to realise the nature of his Creator, which he had done very vividly that morning, thanks to Mr. Bax, who had inspired him to write three of the most superb lines in English literature, an invocation to the Deity.
“I wrote ’em on the back of the envelope of my aunt’s last letter,” he said, and pulled it from between the pages of Sappho.
“Well, let’s hear them,” said Hewet, slightly mollified by the prospect of a literary discussion.
“My dear Hewet, do you wish us both to be flung out of the hotel by an enraged mob of Thornburys and Elliots?” Hirst enquired. “The merest whisper would be sufficient to incriminate me forever. God!” he broke out, “what’s the use of attempting to write when the world’s peopled by such damned fools? Seriously, Hewet, I advise you to give up literature. What’s the good of it? There’s your audience.”
He nodded his head at the tables where a very miscellaneous collection of Europeans were now engaged in eating, in some cases in gnawing, the stringy foreign fowls. Hewet looked, and grew more out of temper than ever. Hirst looked too. His eyes fell upon Rachel, and he bowed to her.
“I rather think Rachel’s in love with me,” he remarked, as his eyes returned to his plate. “That’s the worst of friendships with young women—they tend to fall in love with one.”
To that Hewet made no answer whatever, and sat singularly still. Hirst did not seem to mind getting no answer, for he returned to Mr. Bax again, quoting the peroration about the drop of water; and when Hewet scarcely replied to these remarks either, he merely pursed his lips, chose a fig, and relapsed quite contentedly into his own thoughts, of which he always had a very large supply. When luncheon was over they separated, taking their cups of coffee to different parts of the hall.
From his chair beneath the palm-tree Hewet saw Rachel come out of the dining-room with the Flushings; he saw them look round for chairs, and choose three in a corner where they could go on talking in private. Mr. Flushing was now in the full tide of his discourse. He produced a sheet of paper upon which he made drawings as he went on with his talk. He saw Rachel lean over and look, pointing to this and that with her finger. Hewet unkindly compared Mr. Flushing, who was extremely well dressed for a hot climate, and rather elaborate in his manner, to a very persuasive shop-keeper. Meanwhile, as he sat looking at them, he was entangled in the Thornburys and Miss Allan, who, after hovering about for a minute or two, settled in chairs round him, holding their cups in their hands. They wanted to know whether he could tell them anything about Mr. Bax. Mr. Thornbury as usual sat saying nothing, looking vaguely ahead of him, occasionally raising his eyeglasses, as if to put them on, but always thinking better of it at the last moment, and letting them fall again. After some discussion, the ladies put it beyond a doubt that Mr. Bax was not the son of Mr. William Bax. There was a pause. Then Mrs. Thornbury remarked that she was still in the habit of saying Queen instead of King in the National Anthem. There was another pause. Then Miss Allan observed reflectively that going to church abroad always made her feel as if she had been to a sailor’s funeral.
There was then a very long pause, which threatened to be final, when, mercifully, a bird about the size of a magpie, but of a metallic blue colour, appeared on the section of the terrace that could be seen from where they sat. Mrs. Thornbury w
as led to enquire whether we should like it if all our rooks were blue—“What do you think, William?” she asked, touching her husband on the knee.
“If all our rooks were blue,” he said—he raised his glasses; he actually placed them on his nose—“they would not live long in Wiltshire,” he concluded; he dropped his glasses to his side again. The three elderly people now gazed meditatively at the bird, which was so obliging as to stay in the middle of the view for a considerable space of time, thus making it unnecessary for them to speak again. Hewet began to wonder whether he might not cross over to the Flushings’ corner, when Hirst appeared from the background, slipped into a chair by Rachel’s side, and began to talk to her with every appearance of familiarity. Hewet could stand it no longer. He rose, took his hat and dashed out of doors.
CHAPTER XVIII
Everything he saw was distasteful to him. He hated the blue and white, the intensity and definiteness, the hum and heat of the south; the landscape seemed to him as hard and as romantic as a cardboard background on the stage, and the mountain but a wooden screen against a sheet painted blue. He walked fast in spite of the heat of the sun.
Two roads led out of the town on the eastern side; one branched off towards the Ambroses’ villa, the other struck into the country, eventually reaching a village on the plain, but many footpaths, which had been stamped in the earth when it was wet, led off from it, across great dry fields, to scattered farmhouses, and the villas of rich natives. Hewet stepped off the road on to one of these, in order to avoid the hardness and heat of the main road, the dust of which was always being raised in small clouds by carts and ramshackle flies which carried parties of festive peasants, or turkeys swelling unevenly like a bundle of air balls beneath a net, or the brass bedstead and black wooden boxes of some newly wedded pair.
The exercise indeed served to clear away the superficial irritations of the morning, but he remained miserable. It seemed proved beyond a doubt that Rachel was indifferent to him, for she had scarcely looked at him, and she had talked to Mr. Flushing with just the same interest with which she talked to him. Finally, Hirst’s odious words flicked his mind like a whip, and he remembered that he had left her talking to Hirst. She was at this moment talking to him, and it might be true, as he said, that she was in love with him. He went over all the evidence for this supposition—her sudden interest in Hirst’s writing, her way of quoting his opinions respectfully, or with only half a laugh; her very nickname for him, “the great Man,” might have some serious meaning in it. Supposing that there were an understanding between them, what would it mean to him?
“Damn it all!” he demanded, “am I in love with her?” To that he could only return himself one answer. He certainly was in love with her, if he knew what love meant. Ever since he had first seen her he had been interested and attracted, more and more interested and attracted, until he was scarcely able to think of anything except Rachel. But just as he was sliding into one of the long feasts of meditation about them both, he checked himself by asking whether he wanted to marry her? That was the real problem, for these miseries and agonies could not be endured, and it was necessary that he should make up his mind. He instantly decided that he did not want to marry anyone. Partly because he was irritated by Rachel the idea of marriage irritated him. It immediately suggested the picture of two people sitting alone over the fire; the man was reading, the woman sewing. There was a second picture. He saw a man jump up, say good-night, leave the company and hasten away with the quiet secret look of one who is stealing to certain happiness. Both these pictures were very unpleasant, and even more so was a third picture, of husband and wife and friend; and the married people glancing at each other as though they were content to let something pass unquestioned, being themselves possessed of the deeper truth. Other pictures—he was walking very fast in his irritation, and they came before him without any conscious effort, like pictures on a sheet—succeeded these. Here were the worn husband and wife sitting with their children round them, very patient, tolerant, and wise. But that too, was an unpleasant picture. He tried all sorts of pictures, taking them from the lives of friends of his, for he knew many different married couples; but he saw them always, walled up in a warm firelit room. When, on the other hand, he began to think of unmarried people, he saw them active in an unlimited world; above all, standing on the same ground as the rest, without shelter or advantage. All the most individual and humane of his friends were bachelors and spinsters; indeed he was surprised to find that the women he most admired and knew best were unmarried women. Marriage seemed to be worse for them than it was for men. Leaving these general pictures he considered the people whom he had been observing lately at the hotel. He had often revolved these questions in his mind, as he watched Susan and Arthur, or Mr. and Mrs. Thornbury, or Mr. and Mrs. Elliot. He had observed how the shy happiness and surprise of the engaged couple had gradually been replaced by a comfortable, tolerant state of mind, as if they had already done with the adventure of intimacy and were taking up their parts. Susan used to pursue Arthur about with a sweater, because he had one day let slip that a brother of his had died of pneumonia. The sight amused him, but was not pleasant if you substituted Terence and Rachel for Arthur and Susan; and Arthur was far less eager to get you in a corner and talk about flying and the mechanics of aeroplanes. They would settle down. He then looked at the couples who had been married for several years. It was true that Mrs. Thornbury had a husband, and that for the most part she was wonderfully successful in bringing him into the conversation, but one could not imagine what they said to each other when they were alone. There was the same difficulty with regard to the Elliots, except that they probably bickered openly in private. They sometimes bickered in public, though these disagreements were painfully covered over by little insincerities on the part of the wife, who was afraid of public opinion, because she was much stupider than her husband, and had to make efforts to keep hold of him. There could be no doubt, he decided, that it would have been far better for the world if these couples had separated. Even the Ambroses, whom he admired and respected profoundly—in spite of all the love between them, was not their marriage too a compromise? She gave way to him; she spoilt him; she arranged things for him; she who was all truth to others was not true to her husband, was not true to her friends if they came in conflict with her husband. It was a strange and piteous flaw in her nature. Perhaps Rachel had been right, then, when she said that night in the garden, “We bring out what’s worst in each other—we should live separate.”
No, Rachel had been utterly wrong! Every argument seemed to be against undertaking the burden of marriage until he came to Rachel’s argument, which was manifestly absurd. From having been the pursued, he turned and became the pursuer. Allowing the case against marriage to lapse, he began to consider the peculiarities of character which had led to her saying that. Had she meant it? Surely one ought to know the character of the person with whom one might spend all one’s life; being a novelist, let him try to discover what sort of person she was. When he was with her he could not analyse her qualities, because he seemed to know them instinctively, but when he was away from her it sometimes seemed to him that he did not know her at all. She was young, but she was also old; she had little self-confidence, and yet she was a good judge of people. She was happy; but what made her happy? If they were alone and the excitement had worn off, and they had to deal with the ordinary facts of the day, what would happen? Casting his eye upon his own character, two things appeared to him: that he was very unpunctual, and that he disliked answering notes. As far as he knew Rachel was inclined to be punctual, but he could not remember that he had ever seen her with a pen in her hand. Let him next imagine a dinner-party, say at the Crooms, and Wilson, who had taken her down, talking about the state of the Liberal party. She would say—of course she was absolutely ignorant of politics. Nevertheless she was intelligent certainly, and honest too. Her temper was uncertain—that he had noticed—and she was not domestic, and she w
as not easy, and she was not quiet, or beautiful, except in some dresses in some lights. But the great gift she had was that she understood what was said to her; there had never been anyone like her for talking to. You could say anything—you could say everything, and yet she was never servile. Here he pulled himself up, for it seemed to him suddenly that he knew less about her than about anyone. All these thoughts had occurred to him many times already; often had he tried to argue and reason; and again he had reached the old state of doubt. He did not know her, and he did not know what she felt, or whether they could live together, or whether he wanted to marry her, and yet he was in love with her.
Supposing he went to her and said (he slackened his pace and began to speak aloud, as if he were speaking to Rachel):
“I worship you, but I loathe marriage, I hate its smugness, its safety, its compromise, and the thought of you interfering in my work, hindering me; what would you answer?”
He stopped, leant against the trunk of a tree, and gazed without seeing them at some stones scattered on the bank of the dry river-bed. He saw Rachel’s face distinctly, the grey eyes, the hair, the mouth; the face that could look so many things—plain, vacant, almost insignificant, or wild, passionate, almost beautiful, yet in his eyes was always the same because of the extraordinary freedom with which she looked at him, and spoke as she felt. What would she answer? What did she feel? Did she love him, or did she feel nothing at all for him or for any other man, being, as she had said that afternoon, free, like the wind or the sea?
“Oh, you’re free!” he exclaimed, in exultation at the thought of her, “and I’d keep you free. We’d be free together. We’d share everything together. No happiness would be like ours. No lives would compare with ours.” He opened his arms wide as if to hold her and the world in one embrace.
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