The question of that lady’s reception had for a month past profoundly moved the members of the Lunch Club. It was not that they felt themselves unequal to the task, but that their sense of the opportunity plunged them into the agreeable uncertainty of the lady who weighs the alternatives of a well-stocked wardrobe. If such subsidiary members as Mrs. Leveret were fluttered by the thought of exchanging ideas with the author of “The Wings of Death,” no forebodings disturbed the conscious adequacy of Mrs. Plinth, Mrs. Ballinger and Miss Van Vluyck. “The Wings of Death” had, in fact, at Miss Van Vluyck’s suggestion, been chosen as the subject of discussion at the last club meeting, and each member had thus been enabled to express her own opinion or to appropriate whatever sounded well in the comments of the others.
Mrs. Roby alone had abstained from profiting by the opportunity; but it was now openly recognised that, as a member of the Lunch Club, Mrs. Roby was a failure. “It all comes,” as Miss Van Vluyck put it, “of accepting a woman on a man’s estimation.” Mrs. Roby, returning to Hillbridge from a prolonged sojourn in exotic lands—the other ladies no longer took the trouble to remember where—had been heralded by the distinguished biologist, Professor Foreland, as the most agreeable woman he had ever met; and the members of the Lunch Club, impressed by an encomium that carried the weight of a diploma, and rashly assuming that the Professor’s social sympathies would follow the line of his professional bent, had seized the chance of annexing a biological member. Their disillusionment was complete. At Miss Van Vluyck’s first off-hand mention of the pterodactyl Mrs. Roby had confusedly murmured: “I know so little about metres—” and after that painful betrayal of incompetence she had prudently withdrawn from farther participation in the mental gymnastics of the club.
“I suppose she flattered him,” Miss Van Vluyck summed up—“or else it’s the way she does her hair.”
The dimensions of Miss Van Vluyck’s dining-room having restricted the membership of the club to six, the nonconductiveness of one member was a serious obstacle to the exchange of ideas, and some wonder had already been expressed that Mrs. Roby should care to live, as it were, on the intellectual bounty of the others. This feeling was increased by the discovery that she had not yet read “The Wings of Death.” She owned to having heard the name of Osric Dane; but that—incredible as it appeared—was the extent of her acquaintance with the celebrated novelist. The ladies could not conceal their surprise; but Mrs. Ballinger, whose pride in the club made her wish to put even Mrs. Roby in the best possible light, gently insinuated that, though she had not had time to acquaint herself with “The Wings of Death,” she must at least be familiar with its equally remarkable predecessor, “The Supreme Instant.”
Mrs. Roby wrinkled her sunny brows in a conscientious effort of memory, as a result of which she recalled that, oh, yes, she had seen the book at her brother’s, when she was staying with him in Brazil, and had even carried it off to read one day on a boating party; but they had all got to shying things at each other in the boat, and the book had gone overboard, so she had never had the chance—
The picture evoked by this anecdote did not increase Mrs. Roby’s credit with the club, and there was a painful pause, which was broken by Mrs. Plinth’s remarking:
“I can understand that, with all your other pursuits, you should not find much time for reading; but I should have thought you might at least have got up ‘The Wings of Death’ before Osric Dane’s arrival.”
Mrs. Roby took this rebuke good-humouredly. She had meant, she owned, to glance through the book; but she had been so absorbed in a novel of Trollope’s that—
“No one reads Trollope now,” Mrs. Ballinger interrupted.
Mrs. Roby looked pained. “I’m only just beginning,” she confessed.
“And does he interest you?” Mrs. Plinth enquired.
“He amuses me.”
“Amusement,” said Mrs. Plinth, “is hardly what I look for in my choice of books.”
“Oh, certainly, ‘The Wings of Death’ is not amusing,” ventured Mrs. Leveret, whose manner of putting forth an opinion was like that of an obliging salesman with a variety of other styles to submit if his first selection does not suit.
“Was it meant to be?” enquired Mrs. Plinth, who was fond of asking questions that she permitted no one but herself to answer. “Assuredly not.”
“Assuredly not—that is what I was going to say,” assented Mrs. Leveret, hastily rolling up her opinion and reaching for another. “It was meant to—to elevate.”
Miss Van Vluyck adjusted her spectacles as though they were the black cap of condemnation. “I hardly see,” she interposed, “how a book steeped in the bitterest pessimism can be said to elevate however much it may instruct.”
“I meant, of course, to instruct,” said Mrs. Leveret, flurried by the unexpected distinction between two terms which she had supposed to be synonymous. Mrs. Leveret’s enjoyment of the Lunch Club was frequently marred by such surprises; and not knowing her own value to the other ladies as a mirror for their mental complacency she was sometimes troubled by a doubt of her worthiness to join in their debates. It was only the fact of having a dull sister who thought her clever that saved her, from a sense of hopeless inferiority.
“Do they get married in the end?” Mrs. Roby interposed.
“They—who?” the Lunch Club collectively exclaimed.
“Why, the girl and man. It’s a novel, isn’t it? I always think that’s the one thing that matters. If they’re parted it spoils my dinner.”
Mrs. Plinth and Mrs. Ballinger exchanged scandalised glances, and the latter said: “I should hardly advise you to read ‘The Wings of Death’ in that spirit. For my part, when there are so many books one has to read; I wonder how anyone can find time for those that are merely amusing.”
“The beautiful part of it,” Laura Glyde murmured, “is surely just this—that no one can tell how ‘The Wings of Death’ ends. Osric Dane, overcome by the awful significance of her own meaning, has mercifully veiled it—perhaps even from herself—as Apelles, in representing the sacrifice of Iphigenia, veiled the face of Agamemnon.”
“What’s that? Is it poetry?” whispered Mrs. Leveret to Mrs. Plinth, who, disdaining a definite reply, said coldly: “You should look it up. I always make it a point to look things up.” Her tone added—“though I might easily have it done for me by the footman.”
“I was about to say,” Miss Van Vluyck resumed, “that it must always be a question whether a book can instruct unless it elevates.”
“Oh—” murmured Mrs. Leveret, now feeling herself hopelessly astray.
“I don’t know,” said Mrs. Ballinger, scenting in Miss Van Vluyck’s tone a tendency to depreciate the coveted distinction of entertaining Osric Dane; “I don’t know that such a question can seriously be raised as to a book which has attracted more attention among thoughtful people than any novel since ‘Robert Elsmere.’ ”
“Oh, but don’t you see,” exclaimed Laura Glyde, “that it’s just the dark hopelessness of it all—the wonderful tone-scheme of black on black—that makes it such an artistic achievement? It reminded me when I read it of Prince Rupert’s manière noire … the book is etched, not painted, yet one feels the colour-values so intensely …”
“Who is he?” Mrs. Leveret whispered to her neighbour. “Someone she’s met abroad?”
“The wonderful part of the book,” Mrs. Bellinger conceded, “is that it may be looked at from so many points of view. I hear that as a study of determinism Professor Lupton ranks it with ‘The Data of Ethics.’”
“I’m told that Osric Dane spent ten years in preparatory studies before beginning to write it,” said Mrs. Plinth. “She looks up everything—verifies everything. It has always been my principle, as you know. Nothing would induce me, now, to put aside a book before I’d finished it, just because I can buy as many more as I want.”
“And what do you think of ‘The Wings of Death’?” Mrs. Roby abruptly asked her.
I
t was the kind of question that might be termed out of order, and the ladies glanced at each other as though disclaiming any share in such a breach of discipline. They all knew there was nothing Mrs. Plinth so much disliked as being asked her opinion of a book. Books were written to read; if one read them what more could be expected? To be questioned in detail regarding the contents of a volume seemed to her as great an outrage as being searched for smuggled laces at the Custom House. The club had always respected this idiosyncrasy of Mrs. Plinth’s. Such opinions as she had were imposing and substantial: her mind, like her house, was furnished with monumental “pieces” that were not meant to be disarranged; and it was one of the unwritten rules of the Lunch Club that, within her own province, each member’s habits of thought should be respected. The meeting therefore closed with an increased sense, on the part of the other ladies, of Mrs. Roby’s hopeless unfitness to be one of them.
CHAPTER II
Mrs. Leveret, on the eventful day, arrived early at Mrs. Ballinger’s, her volume of Appropriate Allusions in her pocket.
It always flustered Mrs. Leveret to be late at the Lunch Club: she liked to collect her thoughts and gather a hint, as the others assembled, of the turn the conversation was likely to take. Today, however, she felt herself completely at a loss; and even the familiar contact of Appropriate Allusions, which stuck into her as she sat down, failed to give her any reassurance. It was an admirable little volume, compiled to meet all the social emergencies; so that, whether on the occasion of Anniversaries, joyful or melancholy (as the classification ran), of Banquets, social or municipal, or of Baptisms, Church of England or sectarian, its student need never be at a loss for a pertinent reference. Mrs. Leveret, though she had for years devoutly conned its pages, valued it, however, rather for its moral support than for its practical services; for though in the privacy of her own room she commanded an army of quotations, these invariably deserted her at the critical moment, and the only phrase she retained—Canst thou draw out leviathan with a hook?—was one she had never yet found occasion to apply.
Today she felt that even the complete mastery of the volume would hardly have insured her self-possession; for she thought it probable that, even if she did, in some miraculous way, remember an Allusion, it would be only to find that Osric Dane used a different volume (Mrs. Leveret was convinced that literary people always carried them), and would consequently not recognise her quotations.
Mrs. Leveret’s sense of being adrift was intensified by the appearance of Mrs. Ballinger’s drawing-room. To a careless eye its aspect was unchanged; but those acquainted with Mrs. Ballinger’s way of arranging her books would instantly have detected the marks of recent perturbation. Mrs. Ballinger’s province, as a member of the Lunch Club, was the Book of the Day. On that, whatever it was, from a novel to a treatise on experimental psychology, she was confidently, authoritatively “up.” What became of last year’s books, or last week’s even; what she did with the “subjects” she had previously professed with equal authority; no one had ever yet discovered. Her mind was an hotel where facts came and went like transient lodgers, without leaving their address behind, and frequently without paying for their board. It was Mrs. Ballinger’s boast that she was “abreast with the Thought of the Day,” and her pride that this advanced position should be expressed by the books on her table. These volumes, frequently renewed, and almost always damp from the press, bore names generally unfamiliar to Mrs. Leveret, and giving her, as she furtively scanned them, a disheartening glimpse of new fields of knowledge to be breathlessly traversed in Mrs. Ballinger’s wake. But to-day a number of maturer-looking volumes were adroitly mingled with the primeurs of the press—Karl Marx jostled Professor Bergson, and the “Confessions of St. Augustine” lay beside the last work on “Mendelism”; so that even to Mrs. Leveret’s fluttered perceptions it was clear that Mrs. Ballinger didn’t in the least know what Osric Dane was likely to talk about, and had taken measures to be prepared for anything. Mrs. Leveret felt like a passenger on an ocean steamer who is told that there is no immediate danger, but that she had better put on her life-belt.
It was a relief to be roused from these forebodings by Miss Van Vluyck’s arrival.
“Well, my dear,” the new-comer briskly asked her hostess, “what subjects are we to discuss today?”
Mrs. Ballinger was furtively replacing a volume of Wordsworth by a copy of Verlaine. “I hardly know,” she said, somewhat nervously. “Perhaps we had better leave that to circumstances.”
“Circumstances?” said Miss Van Vluyck drily. “That means, I suppose, that Laura Glyde will take the floor as usual, and we shall be deluged with literature.”
Philanthropy and statistics were Miss Van Vluyck’s province, and she resented any tendency to divert their guest’s attention from these topics.
Mrs. Plinth at this moment appeared.
“Literature?” she protested in a tone of remonstrance. “But this is perfectly unexpected. I understood we were to talk of Osric Dane’s novel.”
Mrs. Ballinger winced at the discrimination, but let it pass. “We can hardly make that our chief subject—at least not too intentionally,” she suggested. “Of course we can let our talk drift in that direction; but we ought to have some other topic as an introduction, and that is what I wanted to consult you about. The fact is, we know so little of Osric Dane’s tastes and interests that it is difficult to make any special preparation.”
“It may be difficult,” said Mrs. Plinth with decision, “but it is necessary. I know what that happy-go-lucky principle leads to. As I told one of my nieces the other day, there are certain emergencies for which a lady should always be prepared. It’s in shocking taste to wear colours when one pays a visit of condolence, or a last year’s dress when there are reports that one’s husband is on the wrong side of the market; and so it is with conversation. All I ask is that I should know beforehand what is to be talked about; then I feel sure of being able to say the proper thing.”
“I quite agree with you,” Mrs. Ballinger assented; “but—”
And at that instant, heralded by the fluttered parlourmaid, Osric Dane appeared upon the threshold.
Mrs. Leveret told her sister afterward that she had known at a glance what was coming. She saw that Osric Dane was not going to meet them half way. That distinguished personage had indeed entered with an air of compulsion not calculated to promote the easy exercise of hospitality. She looked as though she were about to be photographed for a new edition of her books.
The desire to propitiate a divinity is generally in inverse ratio to its responsiveness, and the sense of discouragement produced by Osric Dane’s entrance visibly increased the Lunch Club’s eagerness to please her. Any lingering idea that she might consider herself under an obligation to her entertainers was at once dispelled by her manner: as Mrs. Leveret said afterward to her sister, she had a way of looking at you that made you feel as if there was something wrong with your hat. This evidence of greatness produced such an immediate impression on the ladies that a shudder of awe ran through them when Mrs. Roby, as their hostess led the great personage into the dining-room, turned back to whisper to the others: “What a brute she is!”
The hour about the table did not tend to revise this verdict. It was passed by Osric Dane in the silent deglutition of Mrs. Bollinger’s menu, and by the members of the club in the emission of tentative platitudes which their guest seemed to swallow as perfunctorily as the successive courses of the luncheon.
Mrs. Ballinger’s reluctance to fix a topic had thrown the club into a mental disarray which increased with the return to the drawing-room, where the actual business of discussion was to open. Each lady waited for the other to speak; and there was a general shock of disappointment when their hostess opened the conversation by the painfully commonplace enquiry. “Is this your first visit to Hillbridge?”
Even Mrs. Leveret was conscious that this was a bad beginning; and a vague impulse of deprecation made Miss Glyde interject: “It is
a very small place indeed.”
Mrs. Plinth bristled. “We have a great many representative people,” she said, in the tone of one who speaks for her order.
Osric Dane turned to her. “What do they represent?” she asked.
Mrs. Plinth’s constitutional dislike to being questioned was intensified by her sense of unpreparedness; and her reproachful glance passed the question on to Mrs. Ballinger.
“Why,” said that lady, glancing in turn at the other members, “as a community I hope it is not too much to say that we stand for culture.”
“For art—” Miss Glyde interjected.
“For art and literature,” Mrs. Ballinger emended.
“And for sociology, I trust,” snapped Miss Van Vluyck.
“We have a standard,” said Mrs. Plinth, feeling herself suddenly secure on the vast expanse of a generalisation; and Mrs. Leveret, thinking there must be room for more than one on so broad a statement, took courage to murmur: “Oh, certainly; we have a standard.”
“The object of our little club,” Mrs. Ballinger continued, “is to concentrate the highest tendencies of Hillbridge—to centralise and focus its intellectual effort.”
This was felt to be so happy that the ladies drew an almost audible breath of relief.
“We aspire,” the President went on, “to be in touch with whatever is highest in art, literature and ethics.”
Osric Dane again turned to her. “What ethics?” she asked.
A tremor of apprehension encircled the room. None of the ladies required any preparation to pronounce on a question of morals; but when they were called ethics it was different. The club, when fresh from the “Encyclopaedia Britannica,” the “Reader’s Handbook” or Smith’s “Classical Dictionary,” could deal confidently with any subject; but when taken unawares it had been known to define agnosticism as a heresy of the Early Church and Professor Froude as a distinguished histologist; and such minor members as Mrs. Leveret still secretly regarded ethics as something vaguely pagan.
Classic Works from Women Writers Page 108