Bodenheim, Maxwell. My Life and Loves in Greenwich Village. New York: Bridgehead Books, 1954.
Bodenheim, Maxwell, The Sardonic Arm. Chicago: Covici-McGee, 1923.
Bret, David, Errol Flynn: Satan’s Angel. London: Robson Books, 2000.
Brooks, Louise, Lulu in Hollywood. New York: Alfred A. Knopf, 1983.
Brown, Gene, Movie Time. New York: Macmillan, 1995.
Burke, Billie (with Cameron Shipp), With a Feather on My Nose. New York: Appleton-Century-Crofts, Inc. 1954.
Burke, Margaret and Gary Hudson, Final Curtain. Santa Ana, California, Minneapolis, MN and Washington, D.C.: Seven Locks Press, 1996.
Buscombe, Edward, Stagecoach. London: British Film Institute, 1992.
Carradine, David, Endless Highway. Boston: Journey Editions, 1995.
Casella, Frank A., The Girls, Errol Flynn and Me. Alhambra, CA: Anthony Press, 1980.
Castle, William, Step Right Up! I’m Gonna Scare the Pants Off America. New York: G.P. Putnam’s Sons, Inc., 1976.
Cornwell, Patricia, Portrait of a Killer: Jack the Ripper, Case Closed. New York: G.P. Putnam’s Sons, Inc., 2002.
Curtis, James, W.C. Fields: A Biography. New York: Alfred A. Knopf, 2003.
Davis, Ronald L.,John Ford: Hollywood’s Old Master. Norman and London: University of Oklahoma Press, 1995.
Deutsch, Armand, Me and Bogie and Other Friends and Acquaintances from a Life in Hollywood and Beyond. New York: G.P. Putnam’s Sons, 1991.
Donati, William, Ida Lupino, A Biography. The University Press of Kentucky, 1996.
Endres, Stacy and Robert Cushman, Hollywood’s Chinese Theatre. Los Angeles, London: Pomegranate Press, Ltd., 1992.
Fetherling, Doug, The Five Lives of Ben Hecht. Toronto, Lester and Orpen Limited, 1977.
Fields, Ronald J., W.C. Fields: A Life on Film. New York: St. Martin’s Press, 1984.
Fields, Ronald J., W.C. Fields by Himself. Englewood Cliffs, NJ: Prentice-Hall, 1973.
Flynn, Errol, My Wicked, Wicked Ways. New York: Dell, 1959.
Flynn, Errol, Showdown. New York: Sheridan House, 1946.
Fowler, Gene, Father Goose. New York: Covici Friede, 1934.
Fowler, Gene, Good Night, Sweet Prince. New York: Viking, 1943 & 1944.
Fowler, Gene, The Great Mouthpiece. New York: Covici Friede Publishers, Inc., 1931.
Fowler, Gene, Minutes of the Last Meeting. New York: Viking, 1954.
Fowler, Gene, Timberline. New York: P.F. Collier & Son Corporation, 1933.
Fowler, Will, Odyssey of a Spring Lamb, The Early Years of Legendary Reporter and Author Gene
Fowler, unpublished.
Fowler, Will, Reporters. Malibu, CA: Roundtable Publishing Company, 1991.
Fowler, Will, The Second Handshake. Secaucus, NJ: Lyle Stuart Inc., 1980.
Fowler, Will, The Young Man from Denver. Garden City, NY: Doubleday and Company, Inc., 1962.
Freedland, Michael, The Two Lives of Errol Flynn. New York: William Morrow, 1978.
Gehring, Wes D., Groucho and W.C. Fields: Huckster Comedians. University Press of Mississippi, 1994.
Gehring, Wes D., W.C. Fields, A Bio-Bibliography. Greenwood Press, 1984.
Gentry, Curt, J. Edgar Hoover: The Man And His Secrets. New York and London: W.W. Norton and Company, 1991.
Goodman, Dean, Maria, Marlene, and Me. San Francisco: Shadbolt Press, 1993.
Gordon, Mel, The Seven Addictions and Five Professions of Anita Berber. Los Angeles: Feral House, 2006.
Grady, Billy, The Irish Peacock: The Confessions of A Legendary Talent Agent. New Rochelle, NY: Arlington House, 1972.
Graham, Sheilah, The Garden of Allah. New York: Crown Publishers, Inc., 1970.
Hamann, G.D., Hollywood Scandal in the 1930s. Hollywood, CA: Filming Today Press, 2004.
Hamblett, Charles, The Hollywood Cage. New York: Hart Publishing Company, 1969.
Hartmann, Sadakichi, A History of American Art, Volume I. Boston: L.C. Page and Company, 1901.
Hartmann, Sadakichi, A History of American Art, Volume II. Boston: L.C. Page and Company, 1901.
Hartmann, Sadakichi, The Last Thirty Days of Christ. New York: Privately printed, 1920.
Hartmann, Sadakichi, The Sadakichi Hartmann Papers, in the University of California, Riverside Library, 1980.
Hartmann, Sadakichi, Shakespeare in Art. Boston: L.C. Page and Company, 1900.
Hartmann, Sadakichi, The Whistler Book. Boston: L.C. Page and Company, 1910.
Hartmann, Sadakichi, White Chrysanthemums, edited by George Knox and Harry W. Lawton. New York: Herder and Herder, 1971.
Hecht, Ben and Maxwell Bodenheim, Cutie, A Warm Mamma. Boar’s Head Books, 1952.
Hecht, Ben, 1001 Afternoons in Chicago. University of Chicago Press, 1992.
Hecht, Ben, A Child of the Century. New York: Simon and Schuster, 1954.
Hecht, Ben, Fantazius Mallare, A Mysterious Oath. New York: Harcourt Brace Jovanovich, 1978.
Hecht, Ben, Gaily Gaily. Garden City, NY: Doubleday and Company, Inc., 1963.
Hecht, Ben, The Kingdom of Evil. New York: Harcourt Brace Jovanovich, 1978.
Hecht, Ben, Letters from Bohemia. Garden City, NY: Doubleday, 1964.
Hecht, Ben, Perfidy. New York: Julian Messner, 1961.
Higham, Charles, Errol Flynn: The Untold Story. New York: Doubleday, 1980.
Jordan, Stephen C., Bohemian Rogue: The Life of Hollywood Artist John Decker. Lanham, MD, Toronto, Oxford: Scarecrow Press, 2005.
Kastor, Jacaber and Carlo McCormick, Szukalski. New York: Psy-Sol Word Press, 1989.
Kobler, John, Damned in Paradise, The Life of John Barrymore. New York: Atheneum, 1977.
Kotsilibas-Davis, James, Great Times Good Times: The Odyssey of Maurice Barrymore. Garden City, NY: Doubleday and Co., Inc., 1977.
Kovan, Florice Whyte, Rediscovering Ben Hecht: Selling the Celluloid Serpent, Snickersee Press, 1999.
Lambert, Gavin, Nazimova. New York: Alfred A. Knopf, 1997.
Louvish, Simon, Man on the Flying Trapeze: The Life and Times of W.C. Fields. New York: W.W. Norton and Company, 1997.
Lutyens, Mary, Krishnamurti: The Years of Fulfillment. New York: Avon Books, 1983.
MacAdams, William, Ben Hecht: The Man Behind the Legend. New York: Charles Scribner’s Sons, 1990.
Martin, Pete, Hollywood Without Make-Up. Philadelphia and New York, J.P. Lippincott Company, 1948.
Marx, Samuel, Mayer and Thalberg, The Make-Believe Saints. New York: Random House, 1975.
Meyers, Jeffrey, Inherited Risk: Errol and Sean Flynn in Hollywood and Vietnam. New York: Simon & Schuster, 2002.
Monti, Carlota (with Cy Rice), W.C. Fields and Me. New York: Warner Books, 1971.
Morella, Joe, Edward G. Epstein and JohnGriggs, The Films of World War II. Secaucus, NJ: The Citadel Press, 1973.
Morrison, Michael A., John Barrymore, Shakespearean Actor. Cambridge University Press, 1997.
Murphy, Edwin, After the Funeral. New York: Barnes and Noble Books, 1995.
Napley, Sir David, Rasputin in Hollywood. London: Weidenfeld & Nicolson, 1989.
Nash, Jay Robert: Zanies: The World’s Greatest Eccentrics. Piscataway, NJ: New Century Publishers, Inc., 1982.
Niven David, Bring on the Empty Horses. New York: G.P. Putnam’s Sons, 1975.
Niven, David, The Moon’s a Balloon. New York: G.P. Putnam’s Sons, 1972.
Otash, Fred, Investigation Hollywood! Chicago: Henry Regnery Company, 1976.
Parish, James Robert, Alan G. Barbour and Alvin H. Marill, Errol Flynn. New York: Cinefax, 1969.
Parish, James Robert and William T. Leonard, with Gregory W. Mank and Charles Hoyt, The Funsters. New Rochelle, NY: Arlington House, 1979.
Paval, Philip, Paval, Autobiography of a Hollywood Artist. Hollywood, CA: Gunther Press, 1968.
Peary, Danny, Alternate Oscars. New York: Dell Publishing, 1993.
Peary, Danny, Guide for the Film Fanatic. New York: Simon & Schuster, Inc., 1986.
Peters, Margot, The H
ouse of Barrymore. New York: Alfred A. Knopf, 1990.
Price, Vincent, I Like What I Know. Garden City, NY: Doubleday, 1959.
Quinn, Anthony, (with Daniel Paisner), One Man Tango. New York: HarperCollins Publishing Company, 1995.
Quinn, Anthony, The Original Sin, A Self-Portrait. Boston: Little, Brown, 1972.
Rathbone, Basil, In and Out of Character. Garden City, NY: Doubleday, 1962
Sann, Paul, The Lawless Decade. Greenwich, CT: Fawcett Publications, Inc., 1971.
Seldes, George, Witness to a Century. Ballantine, 1987.
Stauffer, Teddy, Forever Is a Hell of a Long Time. Chicago: Henry Regnery, 1976.
Strange, Michael, Who Tells Me True. New York: Charles Scribner’s Sons, 1940.
Thomas, Tony, Rudy Behlmer and Clifford McCarty, The Films of Errol Flynn. New York: Citadel Press, 1969.
Turk, Edward Baron, Hollywood Diva, A Biography of Jeanette MacDonald. University of California Press, 1998.
Vallee, Rudy, Let the Chips Fall…. Harrisburg, PA: Stackpole Books, 1975.
Wallace, Irving, Amy Wallace, David Wallechinsky and Sylvia Wallace, The Intimate Sex Lives of Famous People. New York: Delacorte Press, 1981.
Weaver, Jane Calhoun (editor), Sadakichi Hartmann, Critical Modernist. Berkeley: University of California Press, 1991.
Weaver, Tom (with Gregory William Mank, Joe Dante and Fred Olen Ray), John Carradine: The Films. Jefferson, NC: McFarland, 1999.
Westmore, Frank and Muriel Davidson, The Westmores of Hollywood. New York: Berkley Medallion, 1977.
Wilson, Earl, Pikes Peek or Bust. Garden City, NY: Doubleday, 1946.
Wilkerson, Tichi and Marcia Borie, Hollywood Legends: The Golden Years of The Hollywood Reporter. Los Angeles: Tale Weaver Publishing, 1988.
Winokur, Jon, The Portable Curmudgeon. New York: New American Library, 1987.
Yurka, Blanche, Bohemian Girl. Ohio University Press, 1970.
Zolotow, Maurice, Billy Wilder in Hollywood. New York: G.P. Putnam’s Sons, Inc., 1977.
Magazines and Periodicals
Beranger, Clara, “The Most Melancholy Funny Man on the Screen, Liberty, February 15, 1936.
Bodeen, DeWitt, “Evelyn Brent, 1899-1975,” Films in Review, June-July 1976.
Bodeen, DeWitt, “John Barrymore and Dolores Costello,” Focus on Film, Winter 1972.
Decker, John, “The Unpredictable Profile,” Esquire, January, 1943.
Del Valle, David, “Shakespeare’s Dracula,” Famous Monsters of Filmland, No. 227, Aug/Sept 1999.
Fuller, Stanley, “Melville on the Screen,” Films in Review, June-July, 1968.
Hecht, Ben, “John Decker’s Hollywood,” Esquire, December, 1945.
Hill, Richard, “The First Hippie,” Swank, Volume 16, Number 2, April 1969.
Jean, Gloria (As Told To Gregory Lewis), “Gloria Jean Tells in Her Own Words What It Was Like To Be A Star at Twelve,” Films in Review, November 1973.
Johnston, Alva, “Who Knows What Is Funny?” The Saturday Evening Post, August 6, 1938.
Marill, Alvin H., “Anthony Quinn,” Films in Review, October 1968.
McEvoy, J.P., “W.C. Fields’ Best Friend,” unsourced article from Universal Pictures Co. Research Dept.
Rushfield, Richard, “The Rogues’ Gallery,” Vlife, April/May 2005.
Samuels, Charles, “Rabelais of the Rockies,” unsourced magazine story, collection of Bill Nelson.
Sadakichi Hartmann Newsletter, University of California, Riverside, Fall, 1969.
______, “The Little Bit of Rogue in All of Us,” TV Guide, June 11, 1960.
Newspapers
The Los Angeles Daily News
“Half of Flynn’s Jurors Dismissed in Second Day,” January 13, 1943.
“Two Jurors in Flynn Case Charged with Perjury,” January 16, 1943.
“Testimony of Doctor Aids Flynn Accuser,” January 22, 1943.
“Errol Flynn Denies All on Stand,” January 28, 1943.
“‘Send Him to San Quentin, State Urges Errol Flynn Jury,’” February 3, 1943
“Girls Accuse Errol Flynn to Save Selves, Charges Geisler,” February 4, 1943.
“W.C. Fields One Man Flask Force in Court,” April 2, 1943.
“W.C. Fields Falls Off a Table,” April 8, 1943.
The Los Angeles Evening Herald-Express
“Flynn Witness Attempts Suicide at Hall of Justice,” January 15, 1943.
“W.C. Fields Guards on Snakes,” April 1, 1943.
“W.C. Fields Mourns Loss of Gag Suit,” April 10, 1943.
“Tell Errol Flynn Row At Party,” April 30, 1945.
The Los Angeles Examiner
“Seek Jury to Try Errol Flynn,” January 9, 1943.
“Flynn Case ‘Lingering Kiss’ Defined,” by Marjorie Driscoll, January 15, 1943.
“Woman Juror in Flynn Case Replaced,” by Marjorie Driscoll, January 19, 1943.
“Flynn Case Continues,” by Marjorie Driscoll, January 20, 1943.
The Los Angeles Times
“College Boys in Film Are Real,” May 8, 1929, p. A11.
“All-Star Cast,” June 10, 1929, p. A7.
“Ex-Director Arrested in Theft Case,” June 19, 1920, p. A11.
“New Revue at Pom Pom,” June 25, 1929, p. A7.
“George Jessel Picked to Head New Late Show,” August 8, 1929, p. A11.
“For Your Fancy,” September 15, 1929, p. H8.
“Society of Cinemaland: Lingerie Shower,” by Myra Nye, December 15, 1929, p. 22.
“Society of Cinemaland,” by Myra Nye, April 6, 1930, p. B20.
“Sadakichi Hartmann, ‘Ex-King of Bohemia,’ Still a One-Man Show,” by Arthur Millier, July 16, 1933.
“Tony Pastors’s Planned Here,” by John Scott, March 29, 1934, p. 12.
“Famous Theatre to Be Duplicated,” April 8, 1934.
“Tony Pastor Theatre Club Novel Project,” by Katherine T. Von Blon, May 7, 1934, pg. 8.
“Brush Strokes,” by Arthur Millier, May 20, 1934, p. A8.
“Melodrama Near ‘Century’ Mark,” August 19, 1934, p. A5.
“Brush Strokes,” by Arthur Millier, June 9, 1935, p. A7.
“Around and About in Hollywood,” by Read Kendall, April 23 1936, p. 10.
“Around and About in Hollywood,” by Read Kendall, July 10, 1937, p. A7.
“Around and About in Hollywood,” by Read Kendall, August 28, 1937, p. A7.
“Around and About in Hollywood,” by Read Kendall, November 23, 1937, p. 10.
“Worship Him That Made Heart and Earth,” December 4, 1937, p. A2.
Alice R. Rollins, “Antiques Santa Claus and Antiques,” December 12, 1937, p. C11.
“Art Parade Reviewed,” January 14, 1940, p. C8.
“Baroness Gives Dinner,” January 5, 1941, p. D9.
“Grandchild of De Mille Dies in Pool,” March 16, 1941.
“De Mille Grandson Funeral to Be Set,” March 17, 1941.
“Town Called Hollywood,” by Philip K. Scheuer, September 7, 1941, p. C3.
“Hedda Hopper’s Hollywood,” by Hedda Hopper, September 13, 1941, p. A6.
“Baby Showers Occupy Filmland’s Coteries,” by Maxine Bartlett, November 23, 1941, p. D10.
“Brush Strokes,” November 23, 1941, p. C9.
“Chatterbox,” December 9, 1941, p. A8.
“Joan, Olivia May Star in Warners’ ‘Devotion,’” by Edwin Schallert, February 25, 1942, p. A8.
“John Barrymore Taken By Death,” May 30, 1942, p. 1.
“Barrymore’s Funeral To Be Held Tomorrow,” June 1, 1942, p. A1.
“Barrymore’s Effects to be Sold, Give New Light on His Private Life,” by Harold Mendelsohn, August 14, 1942, p. A1.
“Great Profile’s Hidden Side Shown By Belongings Awaiting Sale,” August 14, 1942, p. A1.
“All Barrymore’s Clothing Sold Under Hammer,” June 29, 1943, p. 14.
“Artist Divorces Wife in Enoch Arden Role,” July 3, 1943, p. A1.
“Barrymor
e’s Pet Dog Follows Actor in Death,” December 22, 1943, p. A1.
“Virginia Medal Won by Hollywood Artist,” March 19, 1944, p. B6.
“Artists’ Row Rages After Judge’s Wife Gets Prize,” May 30, 1944, p. 7.
“Decker Displays Works Done in Five-Year Period,” July 9, 1944, p. C6.
“Hartmann, ‘King of Bohemia,’ Taken by Death,” November 23, 1944, p. 11.
“Actor Jack LaRue Hurt in Brawl Growing Out of Hollywood Party,” January 19, 1946, p. 3.
“Movie Dillinger faces New Suit,” February 21, 1946, p. 2.
“Scarlet Street Paintings Sent to Art Museum,” March 7, 1946, p. A3.
“Darnell Prima Donna; New Actor Sidelighted,” by Edwin Schallert, June 8, 1946, p. A5.
“John Decker Exhibits His Best Art Yet,” June 23, 1946, p C4.
“Flynn’s Scientist-Father Ready for Fish Study,” August 8, 1946, p. 4.
“Flynn’s Wife Parries Bligh Role Query,” October 29, 1946, p. A1.
“Friends Say Farewell at W.C. Fields’ Funeral,” January 3, 1947, p. A1.
Obituary for John Decker, June 10, 1947, p. 10.
“Artist Speaks Via Recording at Own Funeral,” June 11, 1947, p. A1.
“John Decker Studios Open Impressively,” by Arthur Millier, August 17, 1947, p. C4.
“Painter John Decker Leaves Small Estate,” October 18, 1947, p. 6.
“Stars of Filmdom Depicted in Paintings, Drawings,” November 16, 1947, p. B4.
“Art of Late John Decker Being Shown,” April 4, 1948, p. C4.
“Wife of Studio Director Gets Decree,” December 17, 1948, p. A3.
“Dwelling Sold by Film Star,” September 17, 1950, p. F2.
“Paulette Sandwiches Film Between Trips,” by Philip K. Scheuer, January 11, 1953, p. E1.
“Fowler Introduces Another Pal,” April 4, 1954, p. D6.
“Gene Fowler Scorns Pens That Drip Tears,” by Cecil Smith, October 17, 1954, p. B4.
“Deckers Plan Art Colony at Del Mar,” October 24, 1954, p. D7.
“O. Henry Series To See Mitchell in Title Role,” by Cecil Smith, April 14, 1957, p. G3.
“Widow of John Decker Divorces Another Mate,” January 10, 1958, p. 5.
Hollywood's Hellfire Club: The Misadventures of John Barrymore, W.C. Fields, Errol Flynn and the Bundy Drive Boys Page 34