Four Past Midnight - 5 - The Library Policeman

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by Stephen King


  8

  Naomi excused herself, and after several minutes had dragged by, Sam got up to go after her.

  'Let her be,' Dave said. 'She's a wonderful woman, Sam, but she needs a little time to put herself back in order. You would, too, if you found out that one of the members of the most important group in your life once came close to murderin your closest friend. Let her abide. She'll be back - Sarah's strong.'

  A few minutes later, she did come back. She had washed her face - the hair at her temples was still wet and slick - and she was carrying a tray with three glasses of iced tea on it.

  'Ah, we're getting down to the hard stuff at last, ain't we, dear?' Dave said.

  Naomi did her best to return his smile. 'You bet. I just couldn't hold out any longer.'

  Sam thought her effort was better than good; he thought it was noble. All the same, the ice was talking to the glasses in brittle, chattery phrases. Sam rose again and took the tray from her unsteady hands. She looked at him gratefully.

  'Now,' she said, sitting down. 'Finish, Dave. Tell it to the end.'

  9

  'A lot of what's left is stuff she told me,' Dave resumed, 'because by then I wasn't in a position to see anything that went on first hand. Ardelia told me sometime late in '59 that I wasn't to come around the Public Library anymore. If she saw me in there, she said she'd turn me out, and if I hung around outside, she'd sic the cops on me. She said I was gettin too seedy, and talk would start if I was seen goin in there anymore.

  "'Talk about you and me?" I asked. "Ardelia, who'd believe it?"

  ' "Nobody," she said. "It's not talk about you and me that concerns me, you idiot."

  "Well then, what does?"

  "Talk about you and the children," she said. I guess that was the first time I really understood how low I'd fallen. You've seen me low in the years since we started goin to the AA meetins together, Sarah, but you've never seen me that low. I'm glad, too.

  'That left her house. It was the only place I was allowed to see her, and the only time I was allowed to come was long after dark. She told me not to come by the road any closer than the Orday farm. After that I was to cut through the fields. She told me she'd know if I tried to cheat an that, and I believed her - when those silver eyes of hers turned red, Ardelia saw everything. I'd usually show up sometime between eleven o'clock and one in the morning, dependin on how much I'd had to drink, and I was usually frozen almost to the bone. I can't tell you much about those months, but I can tell you that in 1959 and 1960 the state of Iowa had a damned cold winter. There were lots of nights when I believe a sober man would have frozen to death out there in those cornfields.

  'There wasn't no problem on the night I want to tell you about next, though - it must have been July of 1960 by then, and it was hotter than the hinges of hell. I remember how the moon looked that night, bloated and red, hangin over the fields. It seemed like every dog in Homestead County was yarkin up at that moon.

  'Walkin into Ardelia's house that night was like walkin under the skirt of a cyclone. That week - that whole month, I guess - she'd been slow and sleepy, but not that night. That night she was wide awake, and she was in a fury. I hadn't seen her that way since the night after Mr Lavin told her to take the Little Red Ridin Hood poster down because it was scarin the children. At first she didn't even know I was there. She went back and forth through the downstairs, naked as the day she was born - if she ever was born - with her head down and her hands rolled into fists. She was madder'n a bear with a sore ass. She usually wore her hair up in an old-maidy bun when she was at home, but it was down when I let myself in through the kitchen door and she was walkin so fast it went flyin out behind her. I could hear it makin little crackly sounds, like it was full of static electricity. Her eyes were red as blood and glowin like those railroad lamps they used to put out in the old days when the tracks were blocked someplace up the line, and they seemed to be poppin right out of her face. Her body was oiled with sweat, and bad as I was myself, I could smell her; she stank like a bobcat in heat. I remember I could see big oily drops rollin down her bosom and her belly. Her hips and thighs shone with it. It was one of those still, muggy nights we get out here in the summer sometimes, when the air smells green and sits on your chest like a pile of junk iron, and it seems like there's cornsilk in every breath you pull in. You wish it would thunder and lightnin and pour down a gusher on nights like that, but it never does. You wish the wind would blow, at least, and not just because it would cool you off if it did, but because it would make the sound of the corn a little easier to bear ... the sound of it pushin itself up out of the ground all around you, soundin like an old man with arthritis tryin to get out of bed in the mornin without wakin his wife.

  'Then I noticed she was scared as well as mad this time - someone had really looped the fear of God into her. And the change in her was speedin up. Whatever it was that happened to her, it had knocked her into a higher gear. She didn't look older, exactly; she looked less there. Her hair had started to look finer, like a baby's hair. You could see her scalp through it. And her skin looked like it was startin to grow its own skin - this fine, misty webbing over her cheeks, around her nostrils, at the corners of her eyes, between her fingers. Wherever there was a fold in the skin, that was where you could see it best. It fluttered a little as she walked. You want to hear something crazy? When the County Fair comes to town these days, I can't bear to go near the cotton-candy stands on the midway. You know the machine they make it with? Looks like a doughnut and goes round and round, and the man sticks in a paper cone and winds the pink sugar up on it? That's what Ardelia's skin was starting to look like -those fine strands of spun sugar. I think I know now what I was seein. She was doin what caterpillars do when they go to sleep. She was spinnin a cocoon around herself.

  'I stood in the doorway for some time, watchin her go back and forth. She didn't notice me for a long while. She was too busy rollin around in whatever bed of nettles it was she'd stumbled into. Twice she hammered her fist against a wall and smashed all the way through it - paper, plaster, and lath. It sounded like breakin bones, but it didn't seem to do her no hurt at all, and there was no blood. She screamed each time, too, but not with pain. What I heard was the sound of a pissed-off she-cat ... but, like I said, there was fear underneath her anger. And what she screamed was that deputy's name.

  '"John Power!" she'd scream, and whack! Right through the wall her fist would go. "God damn you, John Power! I'll teach you to stay out of my business! You want to look at me? Fine! But I'll teach you how to do it! I'll teach you, little baby of mine!" Then she'd walk on, so fast she was almost runnin, and her bare feet'd come down so hard they shook the whole damn house, it seemed like. She'd be mutterin to herself while she walked. Then her lip would curl, her eyes would glare redder'n ever, and whack! would go her fist, right through the wall and a little puff of plaster comin out through the hole. "John Power, you don't dare!" she'd snarl. "You don't dare cross me!"

  'But you only had to look into her face to know she was afraid he did dare. And if you'd known Deputy Power, you'd have known she was right to be worried. He was smart, and he wasn't afraid of nothing. He was a good deputy and a bad man to cross.

  'She got into the kitchen doorway on her fourth or fifth trip through the house, and all at once she saw me. Her eyes glared into mine, and her mouth began to stretch out into that horn shape - only now it was all coated with those spidery, smoky threads - and I thought I was dead. If she couldn't lay hands on John Power, she'd have me in his place.

  'She started toward me and I slid down the kitchen door in a kind of puddle. She saw that and she stopped. The red light went out of her eyes. She changed in the wink of an eye. She looked and spoke as if I'd come into a fancy cocktail party she was throwin instead of walking into her house at midnight to find her, rammin around naked and smashin holes in the walls.

  ' "Davey!" she says. "I'm so glad you're here! Have a drink. In fact, have two!"

  'She wanted
to kill me - I saw it in her eyes - but she needed me, and not just for a companion no more, neither. She needed me to kill Tansy Power. She knew she could take care of the cop, but she wanted him to know his daughter was dead before she did him. For that she needed me.

  ' "There isn't much time," she said. "Do you know this Deputy Power?"

  'I said I ought to. He'd arrested me for public drunkenness half a dozen times.

  ' "What do you make of him?" she asked.

  ' "He's got a lot of hard bark on him," I says.

  ' "Well, fuck him and fuck you, too!"

  'I didn't say nothing to that. It seemed wiser not to.

  '"That goddam square head came into the Library this afternoon and asked to see my references. And he kept asking me questions. He wanted to know where I'd been before I came to Junction City, where I went to school ' where I grew up. You should have seen the way he looked at me, Davey - but I'll teach him the right way to look at a lady like me. You see if I don't."

  ' "You don't want to make a mistake with Deputy Power," I said. "I don't think he's afraid of anything."

  ' "Yes, he is - he's afraid of me. He just doesn't know it yet," she said, but I caught the gleam of fear in her eyes again. He had picked the worst possible time to start askin questions, you see - she was gettin ready for her time of sleeping and change, and it weakened her somehow.'

  'Did Ardelia tell you how he caught on?' Naomi asked.

  'It's obvious,' Sam said. 'His daughter told him.'

  'No,' Dave said. 'I didn't ask - I didn't dare, not with her in the mood she was in -but I don't think Tansy told her dad. I don't think she could have - not in so many words, at least. When they left the Children's Room, you see, they'd forget all about what she'd told them ... and done to them in there. And it wasn't just forgetting, either - she put other memories, false memories into their heads, so they'd go home just as jolly as could be. Most of their parents thought Ardelia was just about the greatest thing that ever happened to the Junction City Library.

  'I think it was what she took from Tansy that put her father's wind up, and I think Deputy Power must have done a good deal of investigating before he ever went to see Ardelia at the Library. I don't know what difference he noticed in Tansy, because the kids weren't all pale and listless, like the people who get their blood sucked in the vampire movies, and there weren't any marks on their necks. But she was takin something from them, just the same, and John Power saw it or sensed it.'

  'Even if he did see something, why did it make him suspicious of Ardelia?' Sam asked.

  'I told you his nose was keen. I think he must have asked Tansy some questions - nothing direct, all on the slant, if you see what I mean - and the answers he got must have been just enough to point him in the right direction. When he came to the Library that day he didn't know anything ... but he suspected something. Enough to put Ardelia on her mettle. I remember what made her the maddest - and scared her the most - was how he looked at her. "I'll teach you how to look at me," she said. Over and over again. I've wondered since how long it had been since anyone looked at her with real suspicion ... how long since anyone got into sniffin distance of what she was. I bet it scared her in more ways than one. I bet it made her wonder if she wasn't finally losin her touch.'

  'He might have talked to some of the other children, too,' Naomi said hesitantly. 'Compared stories and got answers that didn't quite jibe. Maybe they even saw her in different ways. The way you and Sam saw her in different ways.'

  'It could be - any of those things could be. Whatever it was, he scared her into speedin up her plans.

  ' "I'll be at the Library all day tomorrow," she told me. "I'll make sure plenty of people see me there, too. But you - you're going to pay a visit to Deputy Power's house, Davey. You're going to watch and wait until you see that child alone - I don't think you'll have to wait long - and then you're going to snatch her and take her into the woods. Do whatever you want to her, but you make sure that the last thing you do is cut her throat. Cut her throat and leave her where she'll be found. I want that bastard to know before I see him."

  'I couldn't say nothing. It was probably just as well for me that I was tongue-tied, because anything I said she would have taken wrong, and she probably would have ripped my head off. But I only sat at her kitchen table with my drink in my hand, starin at her, and she must have taken my silence for agreement.

  'After that we went into the bedroom. It was the last time. I remember thinkin I wouldn't be able to have it off with her; that a scared man can't get it up. But it was fine, God help me. Ardelia had that kind of magic, too. We went and went and went, and at some point I either fell asleep or just went unconscious. The next thing I remember was her pushin me out of bed with her bare feet, dumpin me right into a patch of early-morning sun. It was quarter past six, my stomach felt like an acid bath, and my head was throbbin like a swollen gum with an abscess in it.

  ' "It's time for you to be about your business," she said. "Don't let anybody see you on your way back to town, Davey, and remember what I told you. Get her this morning. Take her into the woods and do for her. Hide until dark. If you're caught before then, there's nothing I can do for you. But if you get here, you'll be safe. I'll make sure today that there'll be a couple of kids at the Library tomorrow, even though it's closed. I've got them picked out already, the two worst little brats in town. We'll go to the Library together ... they'll come . . . and when the rest of the fools find us, they'll think we're all dead. But you and I won't be dead, Davey; we'll be free. The joke will be on them, won't it?"

  'Then she started to laugh. She sat naked on her bed with me grovellin at her feet, sick as a rat full of poison bait, and she laughed and laughed and laughed. Pretty soon her face started to change into the insect face again, that probos-thing pushin out of her face, almost like one of those Viking horns, and her eyes drawin off to the side. I knew everything in my guts was going to come up in a rush so I beat it out of there and puked into her ivy. Behind me I could hear her laughin ... laughin ... and laughin.

  'I was puttin on my clothes by the side of the house when she spoke to me out the window. I didn't see her, but I heard her just fine. "Don't let me down, Davey," she said. "Don't let me down, or I'll kill you. And you won't die fast. "

  "'I won't let you down, Ardelia," I said, but I didn't turn around to see her hangin out of her bedroom window. I knew I couldn't stand to see her even one more time. I'd come to the end of my string. And still ... part of me wanted to go with her even if it meant goin mad first, and most of me thought I would go with her. Unless it was her plan to set me up somehow, to leave me holdin the bag for all of it. I wouldn't have put it past her. I wouldn't have put nothin past her.

  'I set off through the corn back toward Junction City. Usually those walks would sober me up a little, and I'd sweat out the worst of the hangover. Not that day, though. Twice I had to stop to vomit, and the second time I didn't think I was goin to be able to quit. I finally did, but I could see blood all over the corn I'd stopped to kneel in, and by the time I got back to town, my head was achin worse than ever and my vision was doubled. I thought I was dyin, but I still couldn't stop thinkin about what she'd said: Do whatever you want to her, but you make sure that the last thing you do is cut her throat.

  'I didn't want to hurt Tansy Power, but I thought I was goin to, just the same. I wouldn't be able to stand against what Ardelia wanted ... and then I would be damned forever. And the worst thing, I thought, might be if Ardelia was tellin the truth, and I just went on livin ... livin almost forever with that thing on my mind.

  'In those days, there was two freight depots at the station, and a loadin dock that wasn't much used on the north side of the second one. I crawled under there and fell asleep for a couple of hours. When I woke up, I felt a little better. I knew there wasn't any way I could stop her or myself, so I set out for John Power's house, to find that little girl and snatch her away. I walked right through downtown, not lookin at anyone,
and all I kept thinkin over and over was, "I can make it quick for her - I can do that, at least. I'll snap her neck in a wink and she'll never know a thing." '

  Dave produced his bandanna again and wiped his forehead with a hand which was shaking badly.

  'I got as far as the five-and-dime. It's gone now, but in those days it was the last business on O'Kane Street before you got into the residential district again. I had less than four blocks to go, and I thought that when I got to the Power's house, I'd see Tansy in the yard. She'd be alone . and the woods weren't far.

  'Only I looked into the five-and-dime show window and what I saw stopped me cold. It was a pile of dead children, all staring eyes, tangled arms, and busted legs. I let out a little scream and clapped my hands against my mouth. I closed my eyes tight. When I looked again, I saw it was a bunch of dolls old Mrs Seger was gettin ready to make into a display. She saw me and flapped one of em at me - get away, you old drunk. But I didn't. I kept lookin in at those dolls. I tried to tell myself dolls were all they were; anyone could see that. But when I closed my eyes tight and then opened em again, they were dead bodies again. Mrs Seger was settin up a bunch of little corpses in the window of the five-and-dime and didn't even know it. It came to me that someone was tryin to send me a message, and that maybe the message was that it wasn't too late, even then. Maybe I couldn't stop Ardelia, but maybe I could. And even if I couldn't, maybe I could keep from bein dragged into the pit after her.

  'That was the first time I really prayed, Sarah. I prayed for strength. I didn't want to kill Tansy Power, but it was more than that - I wanted to save them all if I could.

  'I started back toward the Texaco station a block down - it was where the Piggly Wiggly is now. On the way I stopped and picked a few pebbles out of the gutter. There was a phone booth by the side of the station - and it's still there today, now that I think of it. I got there and then realized I didn't have a cent. As a last resort, I felt in the coin return. There was a dime in there. Ever since that morning, when somebody tells me they don't believe there's a God, I think of how I felt when I poked my fingers into that coin-return slot and found that ten-cent piece.

 

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