At the age of thirty-eight, she finally sold a novel, Dynasty of Death, to a major New York publisher. Convinced that a pre–World War I saga of two dynasties of munitions manufacturers would be better received if people thought it was written by a man, Maxwell Perkins, her editor at Scribner—who also discovered F. Scott Fitzgerald and Ernest Hemingway—advised her to use only part of her name—Taylor Caldwell—as her pen name. Dynasty of Death became a bestseller in 1938 and the saga continued with The Eagles Gather in 1940 and The Final Hour in 1944. Inevitably, a public stir ensued when people discovered Taylor Caldwell was a woman.
Over the next forty years, Caldwell often worked from midnight to early morning at her electric typewriter in her book-crammed study, producing a wide array of sagas (This Side of Innocence, Answer as a Man) and historical novels (Testimony of Two Men, Ceremony of the Innocent) that celebrated American values and passions.
She also produced novels set in the ancient world (A Pillar of Iron, Glory and the Lightning), dystopian fiction (The Devil’s Advocate, Your Sins and Mine), and spiritually themed novels (The Listener, No One Hears But Him, Dialogues with the Devil).
Apart from their across-the-board popularity with readers and their commercial success, which made Caldwell a wealthy woman, her long list of bestselling novels possessed common themes that were close to her heart: self-reliance and individualism, man’s struggle for justice, the government’s encroachment on personal freedoms, and the conflict between man’s desire for wealth and power and his need for love and family bonding.
The long hours spent at her typewriter did not keep Caldwell from enjoying life. She gave elegant parties at her grand house in Buffalo. One of her grandchildren recalls watching her hold the crowd in awe with her observations about life and politics. She embarked on annual worldwide cruises and was fond of a glass of good bourbon. Drina Fried recalls her grandmother confiding in her: “I vehemently believe that we should have as much fun as is possible in our dolorous life, if it does not injure ourselves or anyone else. The only thing is—be discreet. The world will forgive you anything but getting caught.”
Caldwell didn’t stop writing until she suffered a debilitating stroke at the age of eighty. Her last novel, Answer as a Man, was published in 1981 and hit the New York Times bestseller list before its official publication date. She died at her home in Greenwich, Connecticut, in 1985.
William Combs, Taylor Caldwell’s first husband and father to Peggy, aboard a naval ship, circa 1926.
A portrait of Caldwell at the start of her career in the late 1930s.
A portrait of Caldwell taken before Scribner’s publication of Melissa on June 21, 1948.
Caldwell at her desk in Palm Beach, Florida, in 1949. She spent many winter months at Whitehall, a resort hotel on the property of Henry Flagler’s former estate, which is now the Flagler Museum.
Caldwell’s second daughter, Judith Ann Reback, during time with her mother at Whitehall in the 1940s.
Caldwell receiving an award in Los Angeles, California, for A Pillar of Iron after its publication in 1965.
Caldwell with her daughters, Peggy Fried and Judith Ann Reback (Goodman), and Ted Goodman in 1969 on the MS Bergensfjord.
Caldwell at a cocktail party with her daughter, Peggy, and the hostess of a research world cruise on the SS President Wilson in 1970.
Caldwell with her granddaughter, Drina Fried, at her home in Buffalo, New York, winter 1975. Soula Angelou, her personal assistant, insisted on taking this rare family picture.
An invitation from 1975 to one of Caldwell’s many cocktail parties. She hosted at least two parties a year in Buffalo, New York, before she moved to Connecticut.
Caldwell with her fourth husband, Robert Prestie, who cared for her in the last six years of her life in Connecticut.
All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
This is a work of fiction. Names, characters, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
Copyright © 1942 by Taylor Caldwell
Cover design by Connie Gabbert
ISBN: 978-1-5040-5321-1
This edition published in 2018 by Open Road Integrated Media, Inc.
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New York, NY 10038
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TAYLOR CALDWELL
FROM AND OPEN ROAD MEDIA
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